Shivered (play)

Last updated

Shivered
Shivered Cover.jpg
Cover of the published play-text, featuring imagery created by Philip Ridley.
Written by Philip Ridley
CharactersAlec (Male)

Ryan (Male)

Jack (Male)

Lyn (Female)

Gordy (Male)

Evie (Female)

Mickey (Male)
Date premiered7 March 2012
Place premiered The Southwark Playhouse, London
Original language English

Shivered is a two act play by Philip Ridley. His ninth stage play for adults, it premiered in 2012 at the Southwark Playhouse. [1]

Contents

Utilising a nonlinear structure the play weaves together the stories of two families living in the fictional new-town of Draylingstowe in Essex, with a plot that spans approximately twelve years.

Described by some critics as a ‘state of the nation play’ Ridley has instead called Shivered “more of a dream state of the nation play”. [2]

Structure and Setting

The play consists of 17 scenes which are presented out of order. This is particularly unique for Ridley as the majority of his plays adhere mostly to Aristotle's unities of drama, where the play's action takes place in one location and spans out in real time. [3] When interviewed about the play Ridley explained: “Something started to happen that scared me and excited me in equal measure in that I liked what I was doing but found it was telling a more interesting story when I started to break the narrative. And I thought: yes… chronologically is only one way to tell a story, and there’s another story waiting to be told here, which is to really deconstruct the whole story and just present these little fragments of it, and not only leave huge gaps between each fragment but then rearrange the fragments so that they tell another story.” [4]

The play is also unusual for Ridley in that it's one of his few works that doesn't take place within the East End of London (one of his main sources of inspiration) but instead a small town in Essex. [5] Explaining the play's setting Ridley said “I was creating this family that had moved out into a fictitious new-town in Essex (which I’m calling Dralingstowe) and I put them going there because a new car plant had opened when times were good at the beginning of the millennium… And there’s a wonderful sort of green mound beside a motorway that people go to, and I like that because it sort of had echoes of the green hills of England.” [4]

Reception

Michael Coveney, in his review for WhatsOnStage.com , commented: “It's easily the best play I've seen this year, a deeply poetic and imaginative piece about friendship, terror, sex and disability.” [6] Critic Aleks Sierz gave the play five stars, writing in The Arts Desk “With its pacy writing, confident storytelling and imaginative panache, this is a thrilling and disturbing new play that is unafraid to look into the abyss. One of Ridley’s very best.” [7] Positive reviews also came from The Independent , [8] TimeOut , [9] The Telegraph , [10] and Neil Dowden of WhatsOnStage.com [11] who all awarded the play four stars. Playwright Mark Ravenhill, wrote on his Twitter page “EVERYONE. Go see Philip Ridley’s Shivered at Southwark Playhouse if you can. A unique, pertinent, significant play by a major playwright.” [12]

Kate Kellaway of The Observer wrote “I disliked this bleak, attention-seeking play so intensely that it must be an inverted compliment to its power,” criticising the characters for being unmoving and Ridley for “wackily throw[ing] in a monster, a clairvoyant and UFOs – the supernatural further debilitating credibility.” [13] Kate Bassett's review for The Independent stated that the script was “like several hamfisted plays jammed into one” and that the dialogue was “unconvincing.” [14] The Independent's Paul Taylor, felt that some reviewers had misunderstood Ridley due to his supposed reputation of producing “provocative” work: “It is not Ridley who is desensitised; it is his attackers in their fixed and laminated indignation. They fail to take on board the generosity of spirit that impels his plays.” [15] Michael Coveney felt that some critics had missed the cathartic nature of the story and compared Ridley's writing to that of John Webster: “Ridley is in some respects the most Jacobean dramatist we have these days, toying with our tarnished sensibilities and vile instincts to such an extent that one or two reviewers have felt dirty and seriously demeaned while watching his new play.” [16]

Regarding Ridley utilising a non-linear narrative, a number of critics believed that the play's disjointed form reflected the feelings of the characters. Others also saw it as highlighting the play's themes, such as Neil Dowden: “As its title suggest, Shivered is about fragmentation, we see the break-up of families, friendships and community, as well as the shattering of certainties between reality and fantasy.” [11] Michael Coveney praised the narrative device writing “[It’s] the kind of daring formal experiment we see far too little of these days, and one that is here deployed with nothing short of absolute mastery.” [6]

Stewart Pringle for Exeunt Magazine wrote at length of his mixed feelings because of the format, stating that Ridley's “ideas are potent, and they are brilliantly worked in the play’s best moments, but their failure to cohere, however intentional, leaves Shivered an often frustrating whole... an emphasis on disjunction rather than harmony, numbing the dramatic tension.” Despite this, he wrote that some of the scenes “are so skilfully wrought that you have to hold back the urge to applaud on the spot” but concluded “when the play finally closes there is a nagging emptiness, a disappointment. Not so much less than the sum of its parts and more a refusal to sum them, Shivered never quite adds up.” [17] Some critics also felt that the second act was much weaker than the first, with A Younger Theatre reviewer Jack Orr writing “Ridley seems compelled to tie up the loose ends of narratives rather than to offer us the inner guts of his characters as initially promised” concluding his review: “A cracking first half act that falls lifelessly limp by the second.” [18]

Awards

YearAward CeremonyCategoryRecipientResult
2012The Off West End Awards [19] Best Male PerformanceJosh WilliamsLonglisted
Best New PlayPhilip RidleyShortlisted
Best DirectorRussel BolamLonglisted
Best ProductionShiveredLonglisted
2012 Evening Standard Theatre Awards [20] Milton Shulman Award for Outstanding NewcomerJosh WilliamsLonglisted

Notable productions

Premiere [21]

7 March 2012 at The Southwark Playhouse Theatre, London.
Directed by Russell Bolam.

Related Research Articles

In-yer-face theatre is a term used to describe a confrontational style and sensibility of drama that emerged in Great Britain in the 1990s. This term was borrowed by British theatre critic Aleks Sierz as the title of his book, In-Yer-Face Theatre: British Drama Today, first published by Faber and Faber in March 2001.

Philip Ridley is an English storyteller working in a wide range of artistic media.

Moira Buffini is an English dramatist, director, and actor.

<i>The Pitchfork Disney</i> Play by Philip Ridley

The Pitchfork Disney is a 1991 stage play by Philip Ridley. It was his first professional stage work, having also produced work as a visual artist, novelist, filmmaker, and scriptwriter for film and radio. The play premiered at the Bush Theatre in London, UK in 1991 and was directed by Matthew Lloyd, who directed most of Ridley's subsequent early plays.

Ghost from a Perfect Place is a two act play by Philip Ridley. It was Ridley's third stage play and premiered at the Hampstead Theatre, London on 7 April 1994. The part of Travis Flood was played by the veteran, classical actor John Wood, for which he received general acclaim and was nominated for 'Best Actor' at the 1994 Evening Standard Drama Awards. The production was the third collaboration between Ridley and director Matthew Lloyd, who had directed all of Ridley's previous stage plays and would go on to direct Ridley's next play for adults Vincent River in 2000.

Vincent River is a one act stage play by Philip Ridley. It was Ridley's fourth stage play for adults and premiered at the Hampstead Theatre, London on 6 September 2000. The production was the last major collaboration between Ridley and director Mathew Lloyd, who had previously directed the majority of Ridley's other theatrical works.

<i>Mercury Fur</i>

Mercury Fur is a play written by Philip Ridley which premiered in 2005. It is Ridley's fifth adult stage play and premiered at the Plymouth Theatre Royal, before moving to the Menier Chocolate Factory in London.

Martin Crimp British playwright

Martin Andrew Crimp is a British playwright.

Anthony Neilson is a Scottish playwright and director. He is known for his collaborative way of writing and workshopping his plays. Much of his work is characterised by the exploration of sex and violence.

<i>Leaves of Glass</i>

Leaves of Glass is the sixth adult stage play by Philip Ridley. It premiered at the Soho Theatre in London, England, on 3 May 2007.

<i>Piranha Heights</i>

Piranha Heights is a one act play by Philip Ridley. It is Ridley's seventh stage play for adults and premiered at the Soho Theatre, London in 2008. The production was the second collaboration between Ridley and Soho Theatre Artistic Director Lisa Goldman whom Ridley dedicated the play to in his preface of the published text. The play also featured Luke Treadaway in one of his earliest professional stage credits, who along with actor John Macmillan was filmed for Ridley's 2009 horror film Heartless, during the play's original run.

Abby Rakic-Platt is a British actress best known for her performances in the television series The Story of Tracy Beaker on the children's channel CBBC as Jackie Hopper. She appeared in a 2010 Sainsbury's Christmas advert.

Nicholas Verney Wright is a British dramatist.

Robert Kidd was a Scottish theatre director. He is best known for his work at the Royal Court Theatre in London, England.

<i>East</i> (play) 1975 play by Steven Berkoff

East is a 1975 verse play by Steven Berkoff, dealing with growing up and rites of passage in London's rough East End.

Chris New is an English film and stage actor best known for his starring role in the 2011 film Weekend. New made his screen writing and directorial debut in 2013 with the short film Ticking. He co-wrote the 2014 independent film Chicken, and co-wrote and directed the 2014 independent film A Smallholding.

<i>The A–Z of Mrs P</i>

The A–Z of Mrs P is a musical conceived by Neil Marcus and written by British playwright Diane Samuels and British composer Gwyneth Herbert. Described as "a musical fable inspired by the autobiographies of Phyllis Pearsall", it tells the story of Phyllis Pearsall's creation of the London A to Z street atlas. The A–Z of Mrs P was performed in workshop with actress Sophie Thompson in May 2011. It opened in London at Southwark Playhouse on 21 February 2014, starring Peep Show actress Isy Suttie and Frances Ruffelle.

<i>The Fastest Clock in the Universe</i>

The Fastest Clock in the Universe is a two act play by Philip Ridley. It was Ridley's second stage play and premiered at the Hampstead Theatre, London on 14 May 1992 and featured Jude Law in his first paid theatre role, playing the part of Foxtrot Darling. The production was the second collaboration between Ridley and director Matthew Lloyd, who would go on to direct the original productions for the majority of Ridley's plays until the year 2001.

<i>Tender Napalm</i>

Tender Napalm is a 2011 play by Philip Ridley. Ridley's eighth stageplay for adults, it premiered at The Southwark Playhouse, London on 19 April 2011.

Glass. Kill. Bluebeard. Imp. is a 2019 series of plays by British playwright Caryl Churchill that were premiered together.

References

  1. ↑ Ridley, Philip (2012). Shivered. London, England: Methuen Drama. ISBN   9781408172599.
  2. ↑ Wicker, Tom. "Philip Ridley: On the potency of stories". Exeunt Magazine. Retrieved 4 September 2016.
  3. ↑ "Philip Ridley On ... Revisiting The Pitchfork Disney". WhatsOnStage.com. London. 30 January 2012. Retrieved 11 June 2016.
  4. 1 2 Ridley, Philip (17 February 2012). "Polymath playwright Philip Ridley discusses his work". TheatreVoice (Interview: Audio). Interviewed by Aleks Sierz. London. Retrieved 11 June 2016.
  5. ↑ Rebellato, Dan (17 October 2011). "Chapter 22: Philp Ridley by Dan Rebellato". In Middeke, Martin; Paul Schnierer, Peter; Sierz, Aleks (eds.). The Methuen Drama Guide to Contemporary British Playwrights. London, Great Britain: Methuen Drama. p. 425. ISBN   9781408122785.
  6. 1 2 Coveney, Michael (23 March 2012). "Gregory takes the helm". WhatsOnStage.com. WhatsOnStage.com, Inc. Retrieved 4 September 2016.
  7. ↑ Sierz, Aleks (14 March 2012). "Shivered, Southwark Playhouse: Polymath Philip Ridley's new play about family is an amazing and glorious thing". The Arts Desk. The Arts Desk Ltd. p. 2. Retrieved 4 September 2016.
  8. ↑ Taylor, Paul (15 March 2012). "Shivered, Southwark Playhouse, London". The Independent. Independent Print Limited. Retrieved 4 September 2016.
  9. ↑ "Shivered". Time Out London. Time Out England Ltd. 14 March 2012. Retrieved 4 September 2016.
  10. ↑ Bowie-Sell, Daisy (2 April 2012). "Shivered, Southwark Playhouse, review". Telegraph Media Group Limited. Retrieved 4 September 2016.
  11. 1 2 Dowden, Neil (14 March 2012). "Shivered". Whats On Stage. WhatsOnStage.com, Inc. Retrieved 4 September 2016.
  12. ↑ "Archived Shivered production page". The Southwark Playhouse. Southwark Playhouse Theatre Company Limited. Retrieved 4 September 2016.
  13. ↑ Kellaway, Kate (18 March 2012). "Moon on a Rainbow Shawl; Can We Talk about This?; Shivered – review". The Observer. Guardian News and Media Limited. Retrieved 4 September 2016.
  14. ↑ Basett, Kate (18 March 2012). "Moon on a Rainbow Shawl, NT Cottesloe, London Shivered, Southwark Playhouse, London Abigail's Party, Menier Chocolate Factory, London". The Independent. 18 March 2012. Retrieved 4 September 2016.
  15. ↑ Taylor, Paul (15 March 2012). "Shivered, Southwark Playhouse, London". Independent Print Limited. Retrieved 4 September 2016.
  16. ↑ Coveney, Michael (30 March 2012). "Shivers & delights of great art". Whats On Stage. WhatsOnStage.com, Inc. Retrieved 4 September 2016.
  17. ↑ Pringle, Stewart (14 March 2012). "Shivered: Expansive, fragmented, ruthless". Exeunt Magazine. Retrieved 4 September 2016.
  18. ↑ Orr, Jack (14 March 2012). "Review: Shivered". A Younger Theatre. A Younger Theatre LTD. Retrieved 4 September 2016.
  19. ↑ "THE 2012 FINALISTS NOMINATED FOR THE OFFIE AWARDS". Off West End. OffWestEnd.com Ltd. Archived from the original on 3 March 2016. Retrieved 4 September 2016.
  20. ↑ "London Evening Standard Theatre Awards 2012 - Longlist revealed". The Evening Standard. 29 October 2012. Retrieved 4 September 2016.
  21. ↑ Ridley, Philip (2012). Shivered. London: Bloomsbury Publishing. ISBN   978-1-4081-7259-9.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.