This article needs additional citations for verification .(December 2013) |
The topic of this article may not meet Wikipedia's general notability guideline .(May 2022) |
Shuttlecraft are fictional vehicles in the Star Trek science fiction franchise built for short trips in space, such as between a planetary surface and orbit. Also referred to as shuttles, their introduction preceded the development of the Space Shuttle.
Before Star Trek , science fiction productions from Forbidden Planet to Rocky Jones, Space Ranger assumed that a long-range starship would land on planets. Gene Roddenberry's original premise stated that the starship Enterprise rarely lands. Given the special effects complexity of landing a giant starship each week, "rarely" was quickly changed to "never". [1] Dated March 1964, the premise mentions a "small shuttle rocket". [2] The shuttle rocket was too expensive to build for the first episodes. For most of the series the transporter served to teleport characters on and off the ship.
In the first year of Star Trek: The Original Series , the need quickly developed for shuttlecraft. Used to carry personnel, cargo and reconnaissance payloads, shuttles filled the same need as boats on a navy ship. They were also used by starbases. For television writers, they served the dramatic function of putting characters in a small ship that could get lost. Though shuttlecraft were initially expensive to build, they were eventually used in every Star Trek series. Shuttlecraft designs were often shared across different media, for example the Danube-class runabout featured heavily in Star Trek: Deep Space Nine, was also featured in Star Trek: The Next Generation.
Art director Matt Jefferies originally envisioned a sleek, streamlined shuttle based upon his background as a pilot. The curved shape proved too expensive to build for the first episodes. [3] AMT offered to build a full-sized shuttlecraft at no cost in exchange for rights to market a model kit. The final design of the mockup, by Gene Winfield, [4] is 24 feet (7.2 m) long and weighs one ton, has a plywood hull, and was built in two months by a team of 12 people. A separate set was used for interior scenes as the mockup was too small for filming. [5] This boxlike, utilitarian shape became the prototype of shuttles throughout Star Trek. The shuttlecraft, named for Galileo Galilei, was first featured in "The Galileo Seven". Its registration number is NCC-1701/7 and carries a crew of seven. When Galileo and her crew go missing in the episode a second shuttlecraft called Columbus is launched.
Once the shuttlecraft had been established, footage of them appeared in episodes including "The Menagerie", "The Doomsday Machine", "Journey to Babel", "Metamorphosis", "The Immunity Syndrome", and "The Way to Eden". In the latter episode, the full-size mockup sported the name Galileo II, acknowledging that the original shuttlecraft was lost during "The Galileo Seven". During "The Omega Glory", the USS Exeter, a starship of the same class as the Enterprise, is said to carry four shuttlecraft.
The Galileo shuttlecraft (a full-size theatrical prop) was not dismantled, but passed through the possession of several owners. The 1966 mockup was sold at auction for $70,150 in summer 2012. The new owner, Adam Schneider, a collector of Trek screen-used items, spent nine months restoring the Galileo in Atlantic Highlands, New Jersey. It was then donated to NASA's Lyndon B. Johnson Space Center Museum in Houston. [5] The shuttlecraft Galileo was formally unveiled at Space Center Houston on July 31, 2013. [6] In 2014, the prop was used again in a film production and appeared in a scene of the fan-made Star Trek Continues episode "Fairest of Them All". [7]
Freed from the constraints of what could be physically built, Star Trek: The Animated Series introduced audiences to a variety of spacecraft. A larger shuttlecraft, sporting a long nose similar to Star Wars X-wing fighter (years before their first appearance), appeared in "The Slaver Weapon". The episode "Mudd's Passion" featured a different shuttlecraft design. "The Ambergris Element" featured an "aquashuttle", capable of landing on a water-covered planet and submerging. The ambitious scope of this Filmation animated series was a foretaste of what would someday be possible with computer graphics.
With its large budget, Star Trek: The Motion Picture showed a variety of shuttle-type vehicles operating near Earth. Though the transporter is nearly always available, shuttles provided a dramatic way for characters to enter. A passenger shuttle carrying Admiral James T. Kirk is shown landing in San Francisco. Kirk travels from an Earth-orbiting Space station to Enterprise in a barrel-shaped "travel pod". Spock docks with Enterprise in a shuttle named for the Vulcan philosopher Surak, which carries Warp drive nacelles on a detachable sled. Matte paintings of the cargo deck show that the refurbished Enterprise carries shuttles similar to the Surak but without the warp drive sled, indicating that this is a standard shuttle design.
Star Trek: The Motion Picture depicts the "Travel Pod" shuttlecraft. [8]
Star Trek II: The Wrath of Khan , the next film in the series was made with a much lower budget. Footage of Kirk's arrival in a travel pod was recycled from Star Trek: The Motion Picture . In Star Trek III: The Search for Spock , shuttles were seen as background elements in the spacedock. At the end of Star Trek IV: The Voyage Home , passenger shuttles appear both in spacedock and to rescue the crew from San Francisco Bay. At the movie's end, a travel pod is seen again carrying Kirk and crew to the Enterprise.
Star Trek V: The Final Frontier featured many scenes with updated shuttlecrafts, also sporting the name Galileo as well as Copernicus. The design was similar in size and shape to the original series shuttle, with updated engine nacelles and a large rear hatch. The miniature shuttle and landing bay were built by Greg Jein. [9] The shuttle was also built as a full-sized prop berthed in a full-scale hangar deck set.
Star Trek VI: The Undiscovered Country contained a scene of a "spacedock ferry". [10] The miniature was later modified to appear as the Jenolen in the Star Trek: The Next Generation episode "Relics".
Among movies featuring the Next Generation cast, Star Trek Generations shows several shuttlecraft used to evacuate a crashed Enterprise. Star Trek: Insurrection featured both a new design shuttlecraft and a captain's yacht. Star Trek Nemesis introduced Argo, a shuttle designed to carry a land vehicle in a rear compartment. [11]
USS Enterprise (NCC-1701-D) of Star Trek: The Next Generation was designed with a highly curved and sculpted shape. Designer Andrew Probert, like Matt Jefferies before him, designed a shuttle with a streamlined shape. Miniature footage of this design was seen in episodes such as "Coming of Age", "The Child" and "Unnatural Selection". Referred to as a Type 7 shuttle, it had a projected length of 8.5 m. As before, the series lacked the resources to build the complex shape of this shuttle as a full-scale prop.
The script for "Time Squared" called for a full-scale shuttle that the crew could walk around and examine. That episode introduced the Type 15 shuttlepod, a tiny craft only 3.6 meters long. Modified versions of the shuttlepod appeared in subsequent episodes like "The Most Toys".
One of the shuttles was named Einstein.
During the 1991-92 season the full-scale shuttlecraft mockup built for Star Trek V: The Final Frontier became available. It was modified with larger windows and nacelles to reflect the Next Generation's technology. This Type 6 shuttle first appeared in "Darmok" and was seen in subsequent episodes like "Relics". The Type 6 shuttle was 6.0 meters long. Follow-on series Star Trek: Deep Space Nine and Star Trek: Voyager took place in the same 24th century time frame, sharing many costumes and props.
The Type-15 Shuttlepod was seen in "Time Squared". [8] A set for the runabout shuttle's aft living quarters was built for "Timescape", an episode in the sixth season of The Next Generation (running concurrently with DS9's first season). [12] The set was designed by Richard James, and was funded from The Next Generation's budget, in order to take pressure off DS9's finances. [13] [12] Unlike the cockpit construction, design and fabrication of the aft set had to be completed in nine days. [12] This was the only appearance of the Danube class outside of DS9, and although the set was intended for use on DS9, it was never used again to depict a runabout's interior. [13] [12]
A Ferengi shuttlecraft is featured in the Star Trek franchise since its introduction in "The Price". [14] It was also seen in Star Trek: Deep Space Nine's "Little Green Men" as spacecraft of the Ferengi character Quark. [15] The studio model for VFX was auctioned by Christie's for over 8000 USD in 2006. [15]
Since the space station of Star Trek: Deep Space Nine rarely moved, some sort of auxiliary craft was necessary. The first episode introduced the runabouts. Equipped with warp drive and transporter for long missions, the runabout was described as a small starship. With its boxlike shape, chisel nose and ski-like nacelles the runabout looked like a descendant of previous shuttles. The design was initially inspired by the spacedock ferry in Star Trek VI: The Undiscovered Country . [16] A runabout also appeared in the Next Generation episode "Timescape".
In "The Search", the first episode of the third season, the starship USS Defiant was introduced. Defiant took over some of the defense and exploration roles previously filled by runabouts. The new starship needed her own shuttles, and a small Type 18 shuttlepod was seen in the episode. [8] Another Type 10 shuttle design was seen aboard Defiant in later episodes. The new Defiant shuttlecraft was introduced towards the end of Season 6, in "The Sound of Her Voice" (June 10, 1998 / S6E25)
This episode "Change of Heart" includes a sequence that depicts a runabout shuttle traversing an asteroid field, then landing on a planet. [17] This was the first episode in which runabout sequences were done completely with computer-generated imagery: complex scenes where the ship weaved through the dense asteroid field were achieved without weeks of miniature effect work, and camera movements during the landing sequence allowed the runabout to be shown from multiple angles in the same scene, as there was no need to conceal a 'mounting point' for the miniature. [17] The CGI model for this for the Danube class shuttle (The Runabout) was developed by Digital Muse. [17]
Though the starship USS Voyager was capable of landing on planets, shuttlecraft were frequently needed. Possibly because of budgets, Star Trek: Voyager began her journey using the Type 6 shuttle first seen in Star Trek V: The Final Frontier and adapted for Star Trek: The Next Generation . During the show's seven seasons, computer graphics became available, which decreased the expense of bringing spaceship designs to the screen. A sleek Class 2 shuttle was first seen in "Threshold".
During Voyager's journey to Earth, a large number of shuttles were lost, eventually requiring a new spacecraft. The Delta Flyer was introduced in the episode "Extreme Risk". [18] Equipped with warp drive and technological enhancements gleaned from the Borg, the Delta Flyer was far more capable than the standard shuttles it replaced. Like the aquashuttle in The Animated Series, the Delta Flyer could submerge and travel in water.
The Delta Flyer would be an important shuttlecraft in many episodes, and operated from the USS Voyager. [18] The design of the fictional spacecraft by the production staff and how it was presented in special effects has been written about in books about the franchise. [19] The Delta Flyer was designed by illustrator Rich Sternbach, and exterior views were rendered by computer graphics by Foundation Imaging. [20] The design was developed by 1998 by writers, illustrator, and CGI artists for the show. [21]
One of Voyager's shuttles, the Aeroshuttle, was integrated with the hull in the saucer section and although it was never used in an episode, the production team did develop special effects test footage of it disembarking. [22] Voyager's Aeroshuttle was intended as a warp-capable vessel that could also fly in atmospheres; the footage was made by CGI team leaders Rob Bonchune and Adam Lebowitz, along with the VFX Producer Dan Curry. Two other craft, the Manta and Cochrane were also developed but the Manta was not used. As referred in the website below, The Cochrane was used in "Threshold" for the purpose of breaching the transwarp barrier, which is by analogy to hitting Mach One.
During the earlier time period of Star Trek: Enterprise , the transporter is a relatively new innovation. The first episode introduced a winged shuttlepod, two of which were carried aboard ship. Though the shuttlepods were represented in space via computer graphics, a full-scale mockup was built for scenes with actors. As the crew of Enterprise were still getting accustomed to the transporter, shuttlepods were used throughout all four seasons.
Enterprise also featured inspection pods in a small number of episodes. These pods lacked the ability to land but had better visibility than any other craft. This made them well suited to examining the exterior of starships.
One episode of the series "Shuttlepod One" takes place mostly aboard a shuttlecraft; actor Dominic Keating, who played Lieutenant Malcolm Reed in the episode, said he thought it was one of the "finest hours" of the show in a 2015 interview with SyFy, [23] and it was also highly rated by The Guardian and The Hollywood Reporter . [24] [25] The shuttlecraft plays into a plot element, as its air supply is running out, which creates an atmosphere of tension and desperation as the characters try to find a solution. [24]
In part because of Star Trek, the term space shuttle has permanently entered Earth's vocabulary as a vehicle for traveling between a planetary surface and space.[ citation needed ] Wernher Von Braun in the 1950s conceived of a reusable winged spacecraft as a ferry rocket. Plans for such vehicles were referred to as "DC-3" by spacecraft designer Maxime Faget and Integrated Launch and Reentry Vehicle (ILRV) by NASA. During the late 1960s, while Star Trek: The Original Series was being broadcast, these concepts became known as Space Shuttle. In a speech given to the British Interplanetary Society in August 1968 George Mueller, head of the NASA Office of Manned Space Flight, mentioned the need for a Space Shuttle. This was the earliest known official use of the term.
Aerospace Engineer Maxwell Hunter and others had been using the term "shuttlecraft" for several years, corresponding to the broadcast dates of Star Trek. By 1969, the term "Space Shuttle" had replaced ILRV. [26] In April 1969, a Space Shuttle Task Group was formed within NASA. [27] Star Trek's penultimate episode, the last in a regular time slot, had aired on March 14, 1969. On January 5, 1972, President Richard Nixon formally announced development of the Space Shuttle, making the name permanent.
In February 1977, the OV-101 test vehicle began glide tests. OV-101 was christened space shuttle Enterprise after a concerted letter-writing campaign by Star Trek fans. Like the shuttlecraft of Star Trek: The Original Series, the Space Shuttle orbiters were used interchangeably to carry crew, cargo or exploration payloads. In orbital missions from 1981 to 2011, the Space Shuttle became symbolic of humanity's reach into Space.
In the Star Trek science-fiction franchise, the Maquis are a 24th-century paramilitary organization-terrorist group. The group is introduced in the two-part episode "The Maquis" of the television series Star Trek: Deep Space Nine, building on a plot foundation introduced in the episode "Journey's End" of Star Trek: The Next Generation, and appear in later episodes of those two series as well as Star Trek: Voyager. The Maquis story debuted when three Star Trek television shows running from 1987 to 2001 took place in the same fictional science-fiction universe at the same time in the future. As a result, the Maquis story was told across several episodes in all three shows. The Maquis are especially prominent in Star Trek: Voyager, whose premise is that a Starfleet crew and a Maquis crew are stranded together on the opposite side of the Galaxy.
Enterprise or USS Enterprise, often referred to as the Starship Enterprise, is the name of several fictional spacecraft, some of which are the main craft and setting for various television series and films in the Star Trek science fiction franchise. The most notable were Captain James T. Kirk's USS Enterprise (NCC-1701) from the original 1960s television series, and Captain Jean-Luc Picard's USS Enterprise (NCC-1701-D) from Star Trek: The Next Generation.
A transporter is a fictional teleportation machine used in the Star Trek universe. Transporters allow for teleportation by converting a person or object into an energy pattern, then sending ("beaming") it to a target location or else returning it to the transporter, where it is reconverted into matter ("rematerialization").
The Star Trek fictional universe contains a variety of weapons, ranging from missiles to melee. The Star Trek franchise consists mainly of several multi-season television shows and a dozen movies, as well as various video games and inspired merchandise. Many aspects of the Star Trek universe impact modern popular culture, especially its fictitious terminology and the concept of weaponry on spacecraft. The franchise has had a widespread influence on its audiences from the late 20th to early 21st century. Notably, Star Trek's science fiction concepts have been studied by real scientists; NASA described it in relation to the real world as "entertaining combination of real science, imaginary science gathered from lots of earlier stories, and stuff the writers make up week-by-week to give each new episode novelty." For example, NASA noted that the Star Trek "phasers" were a fictional extrapolation of real-life lasers, and compared them to real-life microwave based weapons that have a stunning effect.
USS Voyager(NCC-74656) is the fictional Intrepid-class starship which is the primary setting of the science fiction television series Star Trek: Voyager. It is commanded by Captain Kathryn Janeway. Voyager was designed by Star Trek: Voyager production designer Richard D. James and illustrator Rick Sternbach. Most of the ship's on-screen appearances are computer-generated imagery (CGI), although models were also sometimes used. The ship's motto, as engraved on its dedication plaque, is a quote from the poem "Locksley Hall" by Alfred, Lord Tennyson: "For I dipt in to the future, far as human eye could see; Saw the vision of the world, and all the wonder that would be."
Runabouts are a fictional class of small, multi-purpose starships appearing in the Star Trek science-fiction franchise, primarily the television series Star Trek: Deep Space Nine, which aired on syndicated television between 1993 and 1999. They served as a means of transport for the crew of the fictional space station Deep Space Nine, in the early seasons of the series enabling storylines taking place away from the station.
This article discusses the fictional timeline of the Star Trek franchise. The franchise is primarily set in the future, ranging from the mid-22nd century to the late 24th century, with the third season of Star Trek: Discovery jumping forward to the 32nd century. However the franchise has also outlined a fictional future history of Earth prior to this, and, primarily through time travel plots, explored both past and further-future settings.
"Time Squared" is the thirteenth episode of the second season of the American science fiction television series Star Trek: The Next Generation, the 39th episode overall. It originally aired on April 3, 1989, in broadcast syndication. The episode was written by Maurice Hurley from a story by Kurt Michael Bensmiller and directed by Joseph L. Scanlan.
Enterprise (NX-01) is the fictional spaceship that serves as the primary setting of the American science fiction television series Star Trek: Enterprise. The ship predates the other Starfleet ships named Enterprise and was first seen in the pilot episode "Broken Bow". Its missions included an initial period of deep space exploration and a mission into the Delphic Expanse following the Xindi attack on Earth; it was also instrumental in the formation of the United Federation of Planets with the Vulcans, Andorians and Tellarites.
Michael Okuda is an American graphic designer best known for his work on Star Trek including designing futuristic computer user interfaces known as "okudagrams".
"Message in a Bottle" is the 14th episode of the fourth season of the American science fiction television series Star Trek: Voyager, the 82nd episode overall. It aired on January 21, 1998 on the UPN network.
"Shuttlepod One" is the sixteenth episode of the television series Star Trek: Enterprise. It first aired on February 13, 2002 on UPN. In this science fiction television show, a faster-than-light spacecraft sets out from Earth to Explore the Galaxy. It is set in the 2100s of the Star Trek franchise science fiction universe, following the events a century after Star Trek: First Contact.
A space dock is a hypothesised type of space station that is able to repair or build spacecraft similar to maritime shipyards on Earth. They remove the need for new spacecraft to perform a space launch to reach space and existing spacecraft to make an atmospheric entry and landing for repair work. They currently only exist in fiction, however concept work has been undertaken on real space dock facilities that could be built with current technology.
"Timescape" is the 151st episode of the American science fiction television series Star Trek: The Next Generation, and the 25th episode of the sixth season.
Star Trek uniforms are costumes worn by actors portraying personnel of a fictitious Starfleet in various television series and films in the Star Trek science fiction franchise. During the various series, the costume design has often changed to represent different time periods and for reasons of appearance and comfort. Sometimes different styles were deliberately mixed to enhance the sense of time travel or alternative universes.
"Extreme Risk" is the 97th episode of the science fiction television series Star Trek: Voyager, the third episode of the fifth season. It is set on the starship U.S.S. Voyager traveling back to Earth from the other side of the Galaxy.
Deep Space Nine is a fictional space station, the eponymous primary setting of the American science fiction television series Star Trek: Deep Space Nine which aired from 1993 to 1999. It serves as a base for the exploration of the Gamma Quadrant via the Bajoran wormhole and is a hub of trade and travel for the sector's denizens. It is run by a joint crew of Starfleet and Bajoran officers and it is the home port of a number of Starfleet runabouts, as well as the starship USS Defiant.
The Star Trek franchise features many spacecraft. Various space vessels make up the primary settings of the Star Trek television series, films, and expanded universe; others help advance the franchise's stories. Throughout the franchise's production, spacecraft have been depicted by numerous physical and computer-generated models. Producers worked to balance often tight budgets with the need to depict convincing, futuristic vessels.
Galileo is a fictional spacecraft that appeared in the 1960s American science-fiction television series Star Trek. It was a shuttlecraft assigned to the USS Enterprise, and was the first of its type to be seen on screen in the franchise, appearing in the episode "The Galileo Seven". It appeared an additional four times in the series before being replaced by the Galileo II, a repaint of the full-size exterior model.
The following outline is provided as an overview of and topical guide to Star Trek:
{{cite web}}
: CS1 maint: archived copy as title (link)