Si Ronda | |
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Directed by | Lie Tek Swie |
Produced by | Tan Khoen Yauw |
Starring |
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Cinematography | A Loepias |
Production company | |
Release date |
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Country | Dutch East Indies |
Si Ronda is a 1930 silent film from the Dutch East Indies which was directed by Lie Tek Swie and starred Bachtiar Effendi. Based on contemporary Betawi oral tradition, it follows the exploits of a bandit, skilled in silat (traditional Malay martial arts), known as Si Ronda. In the lenong stories from which the film was derived, Ronda was often depicted as a Robin Hood type of figure. The production, now thought lost, was one of a series of martial arts films released between 1929 and 1931. Si Ronda received little coverage in the media upon its release. A second adaptation of the tale, Si Ronda Macan Betawi, was made in 1978.
Si Ronda was adapted from a lenong (a Betawi oral tradition similar to a stage play) popular with ethnic Chinese and native audiences of the time. The Ronda stories follow the Betawi bandit of the same name, who is skilled at silat (traditional martial arts) and reputed to take from the rich to give to the poor. [1] The Indonesian film scholar Misbach Yusa Biran suggests that Ronda was selected for adaptation because of its potential action sequences. In the domestic cinema, such sequences had generally been inspired by American works and been well received by audiences. [2]
Similar stories to Si Ronda's include those of Si Jampang and Si Pitung; [3] these stage plays centred on extraordinary men (referred to as jago) who, though living outside the law, generally fought for the common populace. [4] Adaptations of the genre, manifested as bandit films, became popular in domestic cinema following the release of Si Tjonat by Batavia Motion Picture in 1929. This release was followed by the Wong brothers' Rampok Preanger (also 1929), and an adaptation of the Si Pitung stories in 1931. [5] Not all films in this genre, which consisted of a quarter of all domestic releases for 1929–1931, maintained the heroic qualities of the central character: the Wongs' adaptation of Si Pitung, for instance, portrayed him as a simple bandit and not the Robin Hood figure of stage. [6]
Si Ronda was directed by Lie Tek Swie and produced by Tan Khoen Yauw of Tan's Film. [7] The two had previously worked together on the company's highly profitable Njai Dasima in 1929. [8] Cinematography was handled by A. Loepias. Shot in black-and-white, [7] this silent film starred Bachtiar Effendi, a set decorator with Tan's, in his on-screen debut playing the title role. [9] It also featured Momo, an actor who had appeared in the film Njai Dasima. [10]
Si Ronda was released in 1930; [11] Effendi stated that it was released before Tan's Nancy Bikin Pembalesan (Nancy Takes Revenge), a sequel to Njai Dasima, began screening in May 1930. [12] Dutch newspapers indicate that it had screened in Medan, North Sumatra, by 1932. [13] Biran writes that the film received little coverage; he notes that Sinematek Indonesia has no news clippings related to Si Ronda. [12]
After Si Ronda, Lie and Tan collaborated on three further films. [14] Lie left Tan's in 1932, reportedly as his approach no longer matched Tan's low-class target audience and caused the works to go over budget. [15] Effendi continued to work with Tan's until 1932, when he left to head the cinema magazine Doenia Film. [9] Momo continued acting until 1941, first with Tan's and later with Standard Film. [10] The film is likely lost. The American visual anthropologist Karl G. Heider writes that all Indonesian films from before 1950 are lost. [16] However, JB Kristanto's Katalog Film Indonesia (Indonesian Film Catalogue) records several as having survived at Sinematek Indonesia's archives. [17]
Another film based on the Ronda stories, titled Si Ronda Macan Betawi (Ronda the Betawi Tiger), was released in 1978. [11] Directed by Fritz G. Schadt, it starred Dicky Zulkarnaen in the title role and Lenny Marlina as his lover. In this adaptation Ronda uses his silat skills to fight corrupt land owners and colonial government workers. [18]
Njai Dasima is a 1929 silent film from the Dutch East Indies. It details the fall of a rich mistress at the hands of a greedy delman driver. The first film released by Tan's Film, the film – adapted from an 1896 novel – was a critical and commercial success. It was released in two parts, followed by a sequel, and remade another two times by 1940.
Tan's Film was a film production house in the Dutch East Indies. Established by the brothers Tan Khoen Yauw and Tan Khoen Hian on September 1, 1929, its films were mostly targeted at native ethnic groups. Starting with Njai Dasima in 1929, the company released fifteen movies before ultimately being dissolved after the Japanese occupation. The Tans and the Wong brothers established Tan & Wong Bros in 1948 to continue this work.
Nancy Bikin Pembalesan is a 1930 film from the Dutch East Indies. It was released by Tan's Film Company and a sequel to the 1929 two-part film Njai Dasima; it follows Dasima's daughter Nancy on her quest for vengeance. Like its predecessor, it was a commercial and critical success.
Georgio Eduardo Alberto Krugers was a cameraman and film director active in the Dutch East Indies during the early 20th century. He is recorded as having worked in film since the mid-1920s, and in 1927 he made his directorial debut, Eulis Atjih. He joined hajj pilgrims in 1928 and screened a resulting documentary, The Great Mecca Feast, in the Netherlands. His 1930 film Karnadi Anemer Bangkong is thought to be the first talkie in the cinema of the Indies, but was a commercial failure as the majority Sundanese audience considered it insulting. After making two works for Tan's Film in the early 1930s, Krugers moved to Hong Kong and then the Netherlands.
Fifi Young was an Indonesian actress of mixed French and Chinese descent who acted in at least 86 films over her 34-year career.
Lilly van Java, also known as Melatie van Java, is a 1928 film from the Dutch East Indies directed by Nelson Wong. Initially meant to be produced by South Sea Film and shot by an American director, the film – which follows a woman told to marry a man she does not love – was ultimately completed by Wong's Halimoen Film. Details on its cast and performance are contradictory, although the film is recognised as the first of a long series of ethnic Chinese-produced films in the country. It is likely a lost film.
Melati van Agam is a 1931 romance film directed by Lie Tek Swie and produced by Tan's Film. Starring A. Rachman, Neng Titi, Oemar, and Bachtiar Effendi, the two-part film follows the young lovers Norma and Idrus. The film, which may be lost, was reportedly a commercial success, but critical reviews were less favourable.
Lie Tek Swie was an Indonesian film director active in the early cinema of the Dutch East Indies. He is thought to have begun his career at a film distributor's office before making his directorial debut in 1929 with Njai Dasima, the first of three literary adaptations that he directed. His other three films, two of which were made for Tan's Film, were original stories. In 1941 Lie was a founding member of the Standard Film Company, which closed in 1942.
Siti Noerbaja is a 1941 film from the Dutch East Indies. Directed by Lie Tek Swie, it was the first film adaptation of Marah Roesli's 1922 novel of the same name. Starring Asmanah, Momo, and Soerjono, it follows two star-crossed teenage lovers.
Ikan Doejoeng is a 1941 film from the Dutch East Indies directed by Lie Tek Swie and starring Asmanah and Soerjono. Following star-crossed lovers, the film was the first released by Standard Film. Likely targeted at the educated elite, it is now probably lost.
Matjan Berbisik is a 1940 film from the Dutch East Indies which was directed by Tan Tjoei Hock and produced by The Teng Chun. Starring Hadidjah and Mohamad Mochtar, the film follows two men who are raised as brothers and compete for the love of the same woman. A copy of the black-and-white film, which featured keroncong music, is stored at Sinematek Indonesia.
Si Tjonat is a likely lost 1929 bandit film from the Dutch East Indies directed by Nelson Wong and produced by Wong and Jo Eng Sek. Based on the novel by F.D.J. Pangemanann, the silent film followed an indigenous man who, having killed his fellow villager, flees to Batavia and becomes a bandit. After kidnapping an ethnic Chinese woman, he is defeated and brought to justice.
Elang Darat is a 1941 film from the Dutch East Indies which was directed by Inoe Perbatasari and produced by The Teng Chun for Jacatra Film. A detective film, it follows a man who comes to a village to track the villainous bandit known only as "Elang Darat".
Dasima is a 1940 film from the Dutch East Indies directed by Tan Tjoei Hock and produced by The Teng Chun. It is the third adaptation of G. Francis' 1896 novel Tjerita Njai Dasima.
Njai Dasima is a 1932 film from the Dutch East Indies which was directed by Bachtiar Effendi for Tan's Film. It was the second film adapted from G. Francis' 1896 novel Tjerita Njai Dasima, following a silent version in 1929. Starring Momo and Oesman, it followed a young Sundanese njai (concubine) who is tricked into marrying a man who does not love her and ultimately killed for her money. The film, the first talkie produced by its company, was also the first directed by a native Indonesian. The now-lost work received mixed critical reception.
Si Gomar is a 1941 film from the Dutch East Indies which was written and directed by Tan Tjoei Hock and produced by The Teng Chun. Starring Hadidjah, Mohamad Mochtar, and Tan Tjeng Bok, the movie follows a brother and sister who are separated by robbers and almost marry before their cousin recognises them.
The njai were women who were kept as housekeepers, companions, and concubines in the Dutch East Indies. In the Javanese language, the word nyai meant "sister", but the term later took a more specific meaning. Author Rob Nieuwenhuys described the position of the njai as always subservient, being the white man's housekeeper and companion, before she was his concubine.
Abdul Hamid Arief was an Indonesian actor who appeared in more than 120 films. Born in Batavia, Dutch East Indies, he started his acting career in theatre before migrating to film with 1948's Anggrek Bulan. His first starring role, and the one from which he first gained recognition, was as the title character in Pangeran Hamid. Over subsequent decades he was a productive film actor, often appearing in four or five films a year. He also acted in various television series.