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Sideways | ||||
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Studio album by | ||||
Released | 30 April 1991 (Canada) 25 January 1992 (Japan) | |||
Recorded | Fall 1990 | |||
Studio | Hudson Studios (Briarcliff Manor, New York) | |||
Genre | Alternative rock, hard rock, country rock | |||
Length | 50:08 | |||
Label | PolyGram | |||
Producer | Stefan Doroschuk, Mike Scott | |||
Men Without Hats chronology | ||||
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Singles from Sideways | ||||
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Sideways is the fifth studio album by Canadian synthpop group Men Without Hats. Released on 30 April 1991, it featured a new sound based around electric guitars instead of the group's normal use of synthesizers. [1] It was the second album to be recorded at Hudson Studios in New York and produced by bassist Stefan Doroschuk, with Mike Scott as co-producer.
The album was officially released only in Canada and Japan, but many imports made their way to American, European and Australian shelves.
Review scores | |
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Source | Rating |
Allmusic | [2] |
In December 1989, during The Adventures of Women & Men Without Hate in the 21st Century tour, guitarist Stefan Doroschuk was involved in a car accident in which both his legs and one of his arms were broken, necessitating the postponement of the tour. To pass the time, bandleader Ivan Doroschuk began jamming with Voivod drummer Michel Langevin and Doughboys member John Kastner and listening to Bleach by Nirvana, which would shape the sound of the album. According to Doroschuk, he was tired of being pressured by his record label to come up with another "Safety Dance", and instead wanted to take the album in a very different direction than anything the band had done in the past. [1] [3] A few months later, Stefan rejoined the band, this time switching to bass, and the new band began to tour. On 6 September 1990, Men Without Hats debuted the new image and sound in a surprise appearance at Les Foufounes Electriques in Montreal, with Mitsou Gelinas as a guest. The group performed many of their hits, rearranged in their new hard rock style, and most of the tracks that would become Sideways. The band eschewed the use of either of their logos (the crossed out man wearing a hat and the heart with the number 21 in it) for this release, instead opting to use a simple font (MENWITHOUTHATS). They also decided to abandon the left-wing politics that had defined Pop Goes the World and In the 21st Century, instead writing simple non-political songs about life.
The band returned to Briarcliff Manor, where they had recorded ...In the 21st Century two years prior, to record the album. It was released in May 1991 on PolyGram/Mercury. The album was not commercially successful, which led to the group's dissolution in 1993. On 25 January 1992, Polydor released the album in Japan. The band would not release new material until No Hats Beyond This Point twelve years later.
Two singles were released to promote the album: "Sideways" (which also had an accompanying music video), and "In the Meadow". "Kenbarbielove" was also released as a promo single. The song title "Kenbarbielove" was derived from a longtime running joke between Ivan Doroschuk and Langevin; as a francophone who was not fluent in English in childhood, Langevin misunderstood the Beatles song "Can't Buy Me Love" as "Ken Barbie Love" the first time he heard it. [4]
Due to Langevin's participation on the album, Doroschuk recorded keyboards for Voivod's album Angel Rat, which was recorded concurrently with Sideways.
On the concert tour to support the album, even the band's older hits, including "The Safety Dance," "Pop Goes the World" and "Hey Men", were readapted to fit the rock-oriented sound. [5]
The font used for the "Sideways" wordmark on the album cover is similar to the one used on the Genesis albums Nursery Cryme and Foxtrot for that band's logo.[ original research? ]
"Love (All Over the World)" was written for Colin Doroschuk's daughter Sahara Sloan, who had been born the year prior, and who would later go on to join her father and uncle on the group's 2021-22 albums Men Without Hats Again.[ citation needed ]
Due to being recorded in the United States, the album does not qualify for the "P" (performance) element of MAPL Canadian content certification. The CD indicates that the album is 75% Canadian content (CanCon) except for "I Am the Walrus", which is 25% CanCon.
Evelyn Erskine of the Ottawa Citizen wrote that "All that is apparent here is that the Men have given up on sappy electro-pop. They have plugged in the heavy guitars to kick butt and wail. But their pop songcraft has not been thrown into the compost heap. The Men still have an ear for a melody and a hook which give the screaming guitars and turbo drumming their sonic direction," [6] while Ted Shaw of the Windsor Star wrote that the album "harkens back to the late-1960s and early-'70s when rock was moving towards heavy metal but still grounded in the blues." [7]
All tracks are written by Ivan and Stefan Doroschuk except "I Am the Walrus" by Lennon-McCartney
No. | Title | Length |
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1. | "Sideways" | 5:01 |
2. | "Fall Down Gently" | 3:00 |
3. | "In the Meadow" | 3:43 |
4. | "The Van der Graaf Generation Blues" | 2:17 |
5. | "Nadine" | 3:44 |
6. | "Everybody Wants to Know" | 5:24 |
7. | "I Am the Walrus ("No You're Not", Said Little Nicola)" | 5:05 |
8. | "Kenbarbielove" | 4:13 |
9. | "Lost Forever" | 6:11 |
10. | "Life After Diamond Head" | 2:29 |
11. | "Love (All Over the World)" | 3:47 |
12. | "Harry Crews" | 5:14 |
Voivod is a Canadian heavy metal band from Jonquière Quebec. The original line-up consisted of vocalist Denis "Snake" Bélanger, guitarist Denis "Piggy" D'Amour, drummer Michel "Away" Langevin and bassist Jean-Yves "Blacky" Thériault. The band has had numerous members changes throughout its 42-year career, with Langevin as the only consistent member. Their current line-up includes Langevin, Bélanger, Daniel "Chewy" Mongrain (guitar) and Dominic "Rocky" Laroche (bass).
Men Without Hats are a Canadian new wave and synth-pop band, originally from Montreal, Quebec. Their music is characterized by the baritone voice of their lead singer Ivan Doroschuk, as well as their elaborate use of synthesizers and electronic processing. They achieved their greatest popularity in the 1980s with "The Safety Dance", a worldwide top ten hit, and "Pop Goes the World". After a hiatus for most of the 1990s and 2000s, Doroschuk reformed the band in 2010, and released Love in the Age of War (2012). The group, based in Vancouver, has continued to perform, including tour dates announced in support of the release of two studio albums, Men Without Hats Again , in 2021 and 2022 respectively.
Ivan Eugene Doroschuk is an American-born Canadian musician. He is the lead vocalist and founding member of Men Without Hats, best known for the hit song "The Safety Dance".
Rhythm of Youth is the debut studio album by Canadian new wave and synth-pop band Men Without Hats, released in April 1982 by Statik Records in Europe and Canada and in 1983 by Backstreet Records in the US. It propelled them to fame with its second single, "The Safety Dance". It was released under the Statik Records label in Canada, distributed by Warner Music Canada where it achieved Platinum status for sales of 100,000 units.
Folk of the 80's (Part III) is the second studio album by Canadian synthpop group Men Without Hats, released in early 1984. The album reached #127 on the U.S. Billboard 200 albums chart. It was the band's final album with the lineup consisting of Ivan Doroschuk (vocals), Stefan Doroschuk (guitar), Colin Doroschuk (keyboards) and Allan McCarthy (keyboards).
Pop Goes the World is the third studio album by Canadian new wave and synth-pop band Men Without Hats, released on June 29, 1987, by Mercury Records. It features the single "Pop Goes the World", which reached the Top 20 in Canada and the United States. The album went platinum in Canada.
The Adventures of Women & Men Without Hate in the 21st Century, often shortened to In the 21st Century, is the fourth studio album by Canadian synth-pop group Men Without Hats, released in 1989. It was the second and last album to be released with the lineup of Ivan Doroschuk (vocals), Stefan Doroschuk (guitar), Marika Tjelios (bass), Heidi Garcia, Richard Samson (drums) and Bruce Murphy (keyboards), which was also the lineup that toured to promote the previous album Pop Goes the World.
No Hats Beyond this Point is the sixth studio album by Canadian synthpop group Men Without Hats. Released in 2003, it was their first album in twelve years. After the release of the album, the group broke up. It was the group's third and final album to be produced by Stefan Doroschuk.
All Systems Go! was a Canadian punk rock supergroup with members from Big Drill Car, Doughboys, the Asexuals The Carnations, Descendents, C'mon and The Weakerthans.
Michel "Away" Langevin is a Canadian musician, best known as a founding member and drummer of heavy metal band Voivod. He has been a constant member of the band since its formation in 1982. Langevin is credited with the creation of the mythology of the post-apocalyptic vampire lord Voivod, about which the band originally coalesced, and is largely responsible for its continuing science fiction themes.
Folk of the 80's is an EP released by Canadian synth-pop group Men Without Hats. Recorded in the summer of 1980 at Studio A in Montreal, Quebec, Canada and released later that year, it was their first release.
Angel Rat is the sixth studio album by Canadian heavy metal band Voivod. Produced by Terry Brown of Rush fame, it was released in 1991 by Mechanic/MCA Records and is the follow-up to their critically acclaimed 1989 release Nothingface. On Angel Rat, Voivod adopted a more alternative metal sound compared to previous releases. A music video was made for the song "Clouds in My House".
The Outer Limits is the seventh studio album released by Canadian heavy metal band Voivod. It was issued via Mechanic/MCA Records in 1993. The album features a cover of "The Nile Song", originally by the British progressive rock band Pink Floyd, and Voivod's longest song "Jack Luminous", tracking in at 17 minutes and 26 seconds. When originally issued, the CD came with a miniature pair of 3D glasses in order to view the booklet art. The text in the upper right corner of the album cover reads "Number 8" to represent that it is actually the band's eighth album release overall following the compilation The Best of Voivod.
Phobos is the ninth studio album by Canadian heavy metal band Voivod. Released on Hypnotic Records in 1997, it is the second and last studio album to feature bassist and vocalist Eric Forrest.
"Pop Goes the World" is a song by Canadian new wave and synthpop band Men Without Hats. It was released in October 1987 as the lead single from their third studio album Pop Goes the World. The song reached No. 1 in Austria, No. 2 in Canada, and No. 3 in South Africa. It was originally written as an electronic instrumental. The song has been inducted into the Canadian Songwriters Hall of Fame.
Freeways is the second EP released by Canadian synth-pop group Men Without Hats. It was released in Canada only, and for a limited time. Released in 1985, it contains songs originally released on the group's 1980 EP Folk of the 80's, plus several versions of the song "Freeways".
"Hey Men" is a song from Canadian new wave/synthpop band Men Without Hats' fourth album, The Adventures of Women & Men Without Hate in the 21st Century, released as the album's first single in 1989.
Jean-Guy "John" Kastner is a Canadian musician and composer born in Beaconsfield, Quebec. He was the singer for Montreal hardcore punk band the Asexuals as well as singer-guitarist for Montreal alternative band Doughboys and alternative band All Systems Go!. He is also the manager and former rhythm guitarist for the band Men Without Hats.
Love in the Age of War, released in 2012, is the seventh studio album by Canadian new wave group Men Without Hats.
Target Earth is the thirteenth studio album, and the sixteenth release overall, by the Canadian heavy metal band Voivod, which was released on January 22, 2013. This is the first Voivod studio album to feature Daniel Mongrain on guitar and the only one since 1991's Angel Rat with Jean-Yves Thériault on bass.