Sigrid Pawelke | |
---|---|
Born | 18 October 1971 Regensburg, Germany |
Nationality | German |
Education | MA, theater studies, Sorbonne Nouvelle Paris III,1996, PhD in performance studies and art history, Friedrich Alexander University of Erlangen-Nuremberg, 2000 Affiliation, Institute of Fine Arts, New York University, 1997–2000 |
Known for | Considering the connection between Bauhaus and Black Mountain College |
Notable work | Influences of the Bauhaus stage in the USA (2005) |
Parent(s) | Gerlinde Hefner Rainer Pawelke |
Sigrid Pawelke is a German curator and a performance and art historian, regarded as one of the leading experts of the Bauhaus Stage and its influences on the arts in North America. In 2015 she was part of the Black Mountain show at the Hamburger Bahnhof, Museum of Contemporary Art Berlin, contributing fifteen film interviews of former Black Mountain students (such as Ati Gropius, choreographer Anna Halprin and Yvonne Rainer). [1] In 2019 she created with Dimitri Chamblas “Unlimited Bodies”, a seven-day interdisciplinary experiment inspired by the radical pedagogies of the Bauhaus for the biennial “PERFORMA 19” in New York. [2]
Born in Germany, she lives in France where she currently teaches art history and performance at the School of Visual Arts in Tourcoing. [3] She has worked with artists like Lucy Orta, Jochen Gerz and Michelangelo Pistoletto and has organized workshops with choreographers VA Wölfl, Philippe Decouflé, Angelin Preljocaj, Rachid Ouramdane, Marcos Morau, Niv Sheinfeld and Oren Laor, among others. [4]
Sigrid Pawelke has been trained in Dance and Performance and is a Tamalpa Graduate of Anna Halprin’s Life/Art Process. [5] She studied Art History, theater and film studies at the University of Erlangen-Nuremberg and at the Sorbonne Nouvelle Paris III, and was a research fellow at the Institute of Fine Arts at New York University with Linda Nochlin.
She received her Doctor of Art History and Performance Studies (PhD) in 2000 for her thesis entitled "Influences of the Bauhaus Stage in the USA". [6] It investigates the connection between the Bauhaus stage, avant-garde performance and Postmodern dance in the US, focusing particularly on aesthetic and pedagogical aspects. Pawelke examines the interdisciplinary ideas fostered by the Bauhaus, that were expressed in the programs at Black Mountain College, and that led for instance to the emergence of John Cage's first "Happening". Her work was the first study to consider the relationship between the European Bauhaus and the American experimental stage in rigorous scholarly detail.
Pawelke has taught performance art in theory and practice at Sorbonne Nouvelle III, the University of Paris VIII, the Parsons School of Design Paris, and Art History at the School of Visual Arts in Aix-en-Provence. Pawelke is active internationally, and regularly gives talks, lectures and workshops in cities such as Beirut, Berlin, Budapest, Rouen, Stockholm, Vilnius. She has been a guest speaker at the Centre Pompidou in Paris, [7] the Kunst-Werke Institute for Contemporary Art Berlin, the Bauhaus Dessau. [8] [9] and the PRATT Institute New York. [10] In 2022 she directed two workshops « Together – Creative Collective Body Processes in the Anthropocene » at the Università Ca’ Foscari in Venice (footnote) and « Wake up – body and biosphere » in Ypres, Belgium. [11]
Pawelke has overseen projects and produced programs for the Fondation de France, [12] the Bauhaus Dessau Foundation, Alfred Toepfer Foundation, and the Federal Agency for Civic Education Germany. Between 2006 and 2010 she initiated and developed the New Patrons program (Nouveaux commanditaires) in Germany. In collaboration with six high-profile curators and major art institutions (i.e. Deichtorhallen Hamburg) she advanced the European platform "New Patrons" from France, Belgium and Italy into Germany with the aim of initiating art of-and-for civil society.
Pawelke has come to specialize in art projects in the urban realm and the ecological sphere. She worked with artists such as Lucy and Jorge Orta, Jochen Gerz and Michelangelo Pistoletto at institutions as at PS1 Center of Contemporary Art in New York, the Fondazione Pistoletto in Biella [13] and is especially interested in the social and ecological relevance and impact of her projects and interventions. In 2020 during the nomadic European biennial Manifesta 13 in Marseille, Pawelke curated five round tables on art, society and ecology as part of the Infinite Village by Cora von Zezschwitz and Tilman. [14] [15]
Venice, Italy [39]
The Staatliches Bauhaus, commonly known as the Bauhaus, was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function. Along with the doctrine of functionalism, the Bauhaus initiated the conceptual understanding of architecture and design.
Walter Adolph Georg Gropius was a German-American architect and founder of the Bauhaus School, who, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture. He was a founder of Bauhaus in Weimar (1919). Gropius was also a leading architect of the International Style.
Josef Albers was a German-born American artist and educator who is considered one of the most influential 20th-century art teachers in the United States. Born in 1888 in Bottrop, Westphalia, Germany, into a Roman Catholic family with a background in craftsmanship, Albers received practical training in diverse skills like engraving glass, plumbing, and wiring during his childhood. He later worked as a schoolteacher from 1908 to 1913 and received his first public commission in 1918 and moved to Munich in 1919.
Sciences Po Aix, also referred to as Institut d'Études Politiques (IEP) d'Aix-en-Provence, is a Grande École of political studies located in Aix-en-Provence, in the South of France. It is associated with Aix-Marseille University and is part of a network of ten Institut d'études politiques, known as IEP.
Events from the year 1933 in art.
Anni Albers was a German-Jewish visual artist and printmaker. A leading textile artist of the 20th century, she is credited with blurring the lines between traditional craft and art. Born in Berlin in 1899, Fleischmann initially studied under impressionist painter Martin Brandenburg from 1916 to 1919 and briefly attended the Kunstgewerbeschule in Hamburg in 1919. She later enrolled at the Bauhaus, an avant-garde art and architecture school founded by Walter Gropius in Weimar in 1922, where she began exploring weaving after facing restrictions in other disciplines due to gender biases at the institution.
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Beatriz da Costa was an interdisciplinary artist known for her work at the intersection of contemporary art, science, engineering, and politics. Her projects took the form of public interventions and workshops, conceptual tool building, and critical writing.
Anna Halprin was an American choreographer and dancer. She helped redefine dance in postwar America and pioneer the experimental art form known as postmodern dance and referred to herself as a breaker of the rules of modern dance. In the 1950s, she established the San Francisco Dancers' Workshop to give artists like her a place to practice their art. Exploring the capabilities of her own body, she created a systematic way of moving using kinesthetic awareness. With her husband, landscape architect Lawrence Halprin, she developed the RSVP cycles, a creative methodology that includes the idea of scores and can be applied broadly across all disciplines. Many of her creations have been scores, including Myths in the 1960s which gave a score to the audience, making them performers as well, and a highly participatory Planetary Dance (1987). Influenced by her own battle with cancer and her healing journey, Halprin became known for her work with the terminally ill patients as well as creative movement work in nature.
Bauhaus Dessau, also Bauhaus-Building Dessau, is a building-complex in Dessau-Roßlau. It is considered the pinnacle of pre-war modern design in Europe and originated out of the dissolution of the Weimar School and the move by local politicians to reconcile the city's industrial character with its cultural past.
Michelangelo Pistoletto is an Italian painter, action and object artist, and art theorist. Pistoletto is acknowledged as one of the main representatives of the Italian Arte Povera. His work mainly deals with the subject matter of reflection and the unification of art and everyday life in terms of a Gesamtkunstwerk.
Ludwig Hirschfeld Mack was a German-born Australian artist.
The Bauhaus Dessau Foundation is a nonprofit organization devoted to research and teaching in the field of experimental design. It was founded by the German Federal Government in 1994 and is based in the Bauhaus Dessau building in the state of Saxony-Anhalt. Its staff includes architects, town planners, sociologists, cultural scientists, artists, and art historians.
Isabelle Arvers is a French media art curator, critic, and author, specializing in video and computer games, web animation, digital cinema, retrogaming, chip tunes and machinima. She was born in Paris in 1972 and currently lives in Marseille. She curated exhibitions in France and worldwide on the relationship between art, video and computer games, and politics. She also promotes free and open source culture as well as indie games and art games.
Margaretha Reichardt, also known as Grete Reichardt, was a textile artist, weaver, and graphic designer from Erfurt, Germany. She was one of the most important designers to emerge from the Bauhaus design school's weaving workshop in Dessau, Germany. She spent most of her adult life running her own independent weaving workshop in Erfurt, which was under Nazi rule and then later part of communist East Germany.
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Lou Scheper-Berkenkamp née Hermine Luise Berkenkamp was a German painter, colour designer, the avant-garde author of children's books, fairy-tale illustrator and costume designer.
Friedrich Konrad Püschel was a German architect, town planner and university professor who was educated at the Bauhaus design school. He worked in East Germany, the Soviet Union and North Korea.
Amina Zoubir is a contemporary artist, filmmaker and performer from Algiers, Algeria. She is known as a feminist performer through video-actions entitled Take your place, which she directed in 2012 during the 50th anniversary of Algerian independence, aiming to question gender issues and conditions of women in Algerian society. She has worked with different art mediums such as sculpture, drawing, installation art, performance and video art. Her work relates to notions of body language in specific spaces of North Africa territories.
Michiko Yamawaki, was a Japanese designer and textile artist who trained at the Bauhaus. She was one of four Japanese students to study at the Bauhaus in Dessau, studying drawing, weaving, and typography.