Sigrid Pawelke | |
|---|---|
| Born | 18 October 1971 Regensburg, Germany |
| Nationality | German |
| Education | MA, theater studies, Sorbonne Nouvelle Paris III, 1996, PhD in performance studies and art history, Friedrich Alexander University of Erlangen-Nuremberg, 2000 Affiliation, Institute of Fine Arts, New York University, 1997–2000 |
| Known for | Considering the connection between Bauhaus and Black Mountain College |
| Notable work | Influences of the Bauhaus stage in the USA (2005) |
| Parent(s) | Gerlinde Hefner Rainer Pawelke |
Sigrid Pawelke is a German curator and a performance and art historian, regarded as one of the leading experts of the Bauhaus Stage and its influences on the arts in North America. In 2015 she was part of the Black Mountain show at the Hamburger Bahnhof, Museum of Contemporary Art Berlin, contributing fifteen film interviews of former Black Mountain students (such as Ati Gropius, choreographer Anna Halprin and Yvonne Rainer). [1] In 2019 she created with Dimitri Chamblas “Unlimited Bodies”, a seven-day interdisciplinary experiment inspired by the radical pedagogies of the Bauhaus for the biennial “PERFORMA 19” in New York. [2]
Born in Germany, she lives in France where she currently teaches art history and performance at the School of Visual Arts in Tourcoing. [3] She has worked with artists like Lucy Orta, Jochen Gerz and Michelangelo Pistoletto and has organized workshops with choreographers VA Wölfl, Philippe Decouflé, Angelin Preljocaj, Rachid Ouramdane, Marcos Morau, Niv Sheinfeld and Oren Laor, among others. [4]
Sigrid Pawelke has been trained in Dance and Performance and is a Tamalpa Graduate of Anna Halprin’s Life/Art Process. [5] She studied Art History, theater and film studies at the University of Erlangen-Nuremberg and at the Sorbonne Nouvelle Paris III, and was a research fellow at the Institute of Fine Arts at New York University with Linda Nochlin.
She received her Doctor of Art History and Performance Studies (PhD) in 2000 for her thesis entitled "Influences of the Bauhaus Stage in the USA". [6] It investigates the connection between the Bauhaus stage, avant-garde performance and Postmodern dance in the US, focusing particularly on aesthetic and pedagogical aspects. Pawelke examines the interdisciplinary ideas fostered by the Bauhaus, that were expressed in the programs at Black Mountain College, and that led for instance to the emergence of John Cage's first "Happening". Her work was the first study to consider the relationship between the European Bauhaus and the American experimental stage in rigorous scholarly detail.
Pawelke has taught performance art in theory and practice at Sorbonne Nouvelle III, the University of Paris VIII, the Parsons School of Design Paris, and Art History at the School of Visual Arts in Aix-en-Provence. Pawelke is active internationally, and regularly gives talks, lectures and workshops in cities such as Beirut, Berlin, Budapest, Rouen, Stockholm, Vilnius. She has been a guest speaker at the Centre Pompidou in Paris, [7] the Kunst-Werke Institute for Contemporary Art Berlin, the Bauhaus Dessau. [8] [9] and the PRATT Institute New York. [10] In 2022 she directed two workshops « Together – Creative Collective Body Processes in the Anthropocene » at the Università Ca’ Foscari in Venice (footnote) and « Wake up – body and biosphere » in Ypres, Belgium. [11]
Pawelke has overseen projects and produced programs for the Fondation de France, [12] the Bauhaus Dessau Foundation, Alfred Toepfer Foundation, and the Federal Agency for Civic Education Germany. Between 2006 and 2010 she initiated and developed the New Patrons program (Nouveaux commanditaires) in Germany. In collaboration with six high-profile curators and major art institutions (i.e. Deichtorhallen Hamburg) she advanced the European platform "New Patrons" from France, Belgium and Italy into Germany with the aim of initiating art of-and-for civil society.
Pawelke has come to specialize in art projects in the urban realm and the ecological sphere. She worked with artists such as Lucy and Jorge Orta, Jochen Gerz and Michelangelo Pistoletto at institutions as at PS1 Center of Contemporary Art in New York, the Fondazione Pistoletto in Biella [13] and is especially interested in the social and ecological relevance and impact of her projects and interventions. In 2020 during the nomadic European biennial Manifesta 13 in Marseille, Pawelke curated five round tables on art, society and ecology as part of the Infinite Village by Cora von Zezschwitz and Tilman. [14] [15]
Venice, Italy [39]