"Sirius" | ||||
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Single by the Alan Parsons Project | ||||
from the album Eye in the Sky | ||||
A-side |
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B-side | "Mammagamma" | |||
Released | August 1982 | |||
Recorded | 1981–1982 | |||
Studio | Abbey Road, London | |||
Genre | ||||
Length | 1:48 | |||
Label | Arista | |||
Songwriter(s) | ||||
Producer(s) | Alan Parsons | |||
The Alan Parsons Project singles chronology | ||||
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Audio | ||||
"Sirius" by the Alan Parsons Project on YouTube |
"Sirius" is an instrumental by British rock band The Alan Parsons Project, recorded for their sixth studio album, Eye in the Sky (1982). Nearly two minutes long, it segues into "Eye in the Sky" on the album. From the 1990s onward, "Sirius" has become a staple of many college and professional sporting events throughout North America, most prominently Chicago Bulls games.
At the World Liberty Concert, "Sirius" was instead played as the introduction to "Breakaway" (from the Alan Parsons solo album Try Anything Once ), with Candy Dulfer on saxophone.[ citation needed ]
Alan Parsons wanted the first song on the album to be "Eye in the Sky", but felt there needed to be an introduction leading up to it. As he was working on ideas at home on his Fairlight CMI, he wrote a riff that he liked, which ultimately became "Sirius". [2] This riff was played using a clavinet sample with added tape delay. [3] Originally, "Sirius" was not written in the same key as "Eye in the Sky", but was re-recorded in the studio once the band realized it would lead into "Eye in the Sky" well. [2]
Ricky "The Dragon" Steamboat used an abbreviated version of "Sirius" as his entrance music during the 1980s in his tenures with WWE and in Jim Crockett Promotions/World Championship Wrestling (NWA).
"Sirius" is best known in the United States as the instrumental song that was used to introduce the starting lineup of the Chicago Bulls for home games at both Chicago Stadium and the United Center before, during, and after their run of six NBA championships from 1984 to 2004. [4] The song was chosen by public address announcer Tommy Edwards after he heard it playing in a local movie theater two years after the song's release in 1982. [4] Since 2006, a version arranged by Ethan Stoller and Kaotic Drumline's Jamie Poindexter has been used. [5] "Sirius" was the opening number of the 2000 documentary Michael Jordan to the Max . [5] The piece has also been used by the NBA teams the Phoenix Suns and the Milwaukee Bucks to introduce their starting lineup during home games, and was the starting lineup music for the Kentucky Wildcats men's basketball team during Rick Pitino's tenure as head coach in the 1990s. However, in college sports, the song is most closely associated with Nebraska. Since the National Championship winning 1994 season, "Sirius" has been played before the Nebraska Cornhuskers' home football games as part of the pre-game tunnel walk ever since, as well as for the Nebraska Cornhuskers women's volleyball team in 2023. [6] [7]
"Sirius" is played during the climactic scene of the 1988 Godfrey Ho film American Commando 3: Savage Temptation. It's also played in John Hamburg's 1998 debut movie Safe Men , as a stolen Stanley Cup rises out of the dance floor at Bernie (Little Big Fat) Gale's Bar Mitzvah. "Sirius" is used as incidental music in the 1990 Mexican telenovela Cuando llega el amor . "Sirius" is played in the 8th-season episode of Frasier , "Hooping Cranes", during a sequence where Niles Crane shoots and scores from half-court at KeyArena. The music makes a brief appearance in the 2015 Simpsons episode "Friend with Benefit".
On UK television, it was played in the background when a participant was taking part in a record-breaking challenge on BBC's Roy Castle's Record Breakers, and it also played in the main theme of Concorde Special 1989.
In recent years, the song has been used in the trailer for Anchorman 2: The Legend Continues , in the film Cloudy with a Chance of Meatballs , and was played in a Nissan Altima TV advertisement. It is featured on the soundtracks to NBA 2K11 , which is used in the Michael Jordan intro, and a remixed version of the song is used in NBA 2K18 . A soundalike version was used in The Adventures of Jimmy Neutron, Boy Genius episode "Vanishing Act". It appears in 2017 TV commercials for Best Buy. [8] The 2018 movie, Blockers also plays the song. [9] The track appears in series one of the 2018 YouTube Red production Cobra Kai when Johnny Lawrence (William Zabka) tells Miguel Diaz (Xolo Maridueña) "I'm gonna be your sensei." It was also played at the end of the first episode of The Last Dance , a ten-part documentary miniseries by ESPN and Netflix centering around the Chicago Bulls 1997–98 season, when they won their sixth NBA championship. The opening guitar arpeggio is similar to that of the track, "Corridors of Time" in the progressive rock influenced score for the game, Chrono Trigger . The song is heard briefly in Space Jam: A New Legacy , which is a sequel to the original film, during the scene where Sylvester the Cat tries to summon Michael Jordan to help the Tune Squad win the game against Al-G Rhythm and the Goon Squad, only to find out that it is the actor, Michael B. Jordan instead. It was also used in the final episode of Knuckles . In June 2024, it was used in a promotional clip for Deadpool & Wolverine .
All tracks are written by Alan Parsons and Eric Woolfson.
No. | Title | Length |
---|---|---|
1. | "Sirius" (instrumental) | 1:48 |
2. | "Eye in the Sky" | 4:33 |
No. | Title | Length |
---|---|---|
1. | "Mammagamma" (instrumental) | 3:34 |
The Alan Parsons Project were a British rock band formed in London in 1975. Its core membership consisted of producer, audio engineer, musician and composer Alan Parsons, and singer, songwriter and pianist Eric Woolfson. They shared writing credits on almost all of their songs, with Parsons producing or co-producing all of the recordings, while being accompanied by various session musicians, some relatively consistent.
Ammonia Avenue is the seventh studio album by the British progressive rock band the Alan Parsons Project, released in February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the Top 40, reaching No. 34. "You Don't Believe" was the first single in November 1983, reaching #54 on the Billboard Hot 100 and "Since the Last Goodbye" was a minor hit.
Eric Norman Woolfson was a Scottish songwriter, lyricist, vocalist, executive producer, pianist, and co-creator of the band the Alan Parsons Project, who sold over 50 million albums worldwide. Woolfson also pursued a career in musical theatre.
I Robot is the second studio album by British rock band the Alan Parsons Project, released on 8 July 1977 by Arista Records. The album draws conceptually on author Isaac Asimov's science fiction Robot stories, exploring philosophical themes regarding artificial intelligence.
Eye in the Sky is the sixth studio album by British rock band the Alan Parsons Project, released in May 1982 by Arista Records. At the 25th Annual Grammy Awards in 1983, Eye in the Sky was nominated for the Grammy Award for Best Engineered Album. In 2019, the album won the Grammy Award for Best Immersive Audio Album at the 61st Annual Grammy Awards.
Eve is the fourth studio album by British rock band the Alan Parsons Project, released in September 1979 by Arista Records. The album's focus is on the strength and characteristics of women, and the problems they face in the world of men. It had originally been intended to focus on "great women in history", but evolved into a wider concept. The album name was the same as Eric Woolfson's mother-in-law.
The Turn of a Friendly Card is the fifth studio album by the British progressive rock band the Alan Parsons Project, released in 1980 by Arista Records. The title piece, which appears on side 2 of the LP, is a 16-minute suite broken up into five tracks. The Turn of a Friendly Card spawned the hits "Games People Play" and "Time", the latter of which was Eric Woolfson's first lead vocal appearance. An edited version of the title piece combining the opening and ending parts of the suite was also released as a single along with an official video.
Stereotomy is the ninth studio album by the Alan Parsons Project, released in 1985.
Gaudi is the tenth album by The Alan Parsons Project, released in 1987. Gaudi refers to Antoni Gaudí, the Spanish architect, and the opening track references what is probably Gaudí's best known building, the Sagrada Família.
Alan Parsons is an English audio engineer, songwriter, musician and record producer.
Ray Clay is an American public address announcer best known for his work for the Chicago Bulls organization in the 1990s.
Freudiana is a rock opera by Eric Woolfson. It was to be the 11th album by the Alan Parsons Project, but during its development, Woolfson had creative differences with Alan Parsons. The production, released in 1990, utilizes the Project's personnel as well as many guest vocalists.
"The Big Sky" is a song by English singer-songwriter Kate Bush. Released in April 1986, it was the fourth and final single to be released from her No. 1 album Hounds of Love. The single peaked at No. 37 and spent 5 weeks in the UK Singles Chart.
"Eye in the Sky" is a song by British rock band the Alan Parsons Project, released as a single from their sixth studio album, Eye in the Sky (1982), in May 1982. It entered the US Billboard charts on 3 July and hit No. 3 in October 1982, No. 1 in both Canada and Spain, and No. 6 in New Zealand, becoming their most successful release. The instrumental piece "Sirius" segues into "Eye in the Sky" on the album. On the single release, "Eye in the Sky" appears on its own, with "Sirius" edited out.
The Essential Alan Parsons Project is a compilation album released by English progressive rock musician Alan Parsons and the Alan Parsons Project on 6 February 2007. It was released through Sony BMG as part of The Essential album series. The album featured some of the band's best known songs as well as some rare tracks.
Eric Woolfson sings The Alan Parsons Project That Never Was is an album by the progressive rock musician Eric Woolfson, co-creator with Alan Parsons of The Alan Parsons Project, as well as main songwriter and manager of the band. Released in 2009, this was Woolfson's final album before he died of cancer in December of that year. The album includes songs that remained unreleased since the Project time for various reasons; however, as Woolfson himself remarks in the booklet, Parsons' dislike for some of Woolfson's compositions would have often caused them to be excluded from a Project album in its very early stages - such as, for example, "Steal Your Heart Away", an "unashamedly commercial" song with a conventionally sentimental lyric, which Parsons, in Woolfson's words, would have absolutely detested. "Somewhere in the Audience" and "Immortal" are slightly re-arranged and re-recorded versions of two of Woolfson's demos for his 2003 musical about Edgar Allan Poe; the final versions of these songs, sung by the musical's protagonist Steve Balsamo, are featured on the album Poe: More Tales of Mystery and Imagination. "Train to Wuxi" was the original version of "Train to Freedom", which is also included in the Poe musical and features Woolfson's one and only guitar solo.
Eye 2 Eye: Live in Madrid is a live concert performance by Alan Parsons released on both DVD-Video and Audio CD on April 6, 2010 on the Frontiers label. The show was performed with his band Alan Parsons Live Project, and was recorded live at the Plaza Mayor, Madrid, Spain, on May 14, 2004.
"Don't Answer Me" is a 1984 song by the Alan Parsons Project from the album Ammonia Avenue. It reached number 15 on the Billboard charts in the United States and was the final Billboard Top 20 hit for the group. It also reached number 58 in the United Kingdom, the group's highest chart placing in their native country. The music video was rendered in comic book style, with art and animation by Michael Kaluta.
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Never mind that the song's spacey instrumental intro ("Sirius")...