"Sittin' in the Balcony" is a song written and performed by John D. Loudermilk under his artist name Johnny Dee. [1] It was released in January 1957 on the Colonial Records label. Eddie Cochran had a Top 20 hit in the U.S. with his recording on Liberty Records in 1957. [2] [3]
"Sittin' in the Balcony" | ||||
---|---|---|---|---|
Single by Eddie Cochran | ||||
from the album Singin' to My Baby | ||||
B-side | "Dark Lonely Street" | |||
Released | 1957 | |||
Recorded | January 1957, Gold Star Studios | |||
Genre | Rockabilly | |||
Length | 2:05 | |||
Label | Liberty | |||
Songwriter(s) | Johnny Dee | |||
Eddie Cochran singles chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Rate Your Music | [4] |
"Sittin' in the Balcony" is a song performed by Eddie Cochran and released on single by Liberty Records in January 1957. It rose to number 18 on the Billboard charts by April of that year. [5]
Chart (1957) | Peak position |
---|---|
Canadian Singles Chart | 23 |
US Billboard Top 100 [6] | 18 |
U.S. Billboard Most Played R&B by Jockeys [7] | 7 |
Mathis James Reed was an American blues musician and songwriter. His particular style of electric blues was popular with a wide variety of audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), "Big Boss Man" (1961), and "Bright Lights, Big City" (1961) appeared on both Billboard magazine's R&B and Hot 100 singles charts.
Ray Edward Cochran, known professionally as Eddie Cochran, was an American rock and roll musician. His songs, such as "Twenty Flight Rock", "Summertime Blues", "C'mon Everybody" and "Somethin' Else", captured teenage frustration and desire in the mid-1950s and early 1960s. Cochran experimented with multitrack recording, distortion techniques, and overdubbing, even on his earliest singles. Cochran played the guitar, piano, bass, and drums. His image as a sharply dressed and attractive young man with a rebellious attitude epitomized the stance of the 1950s rocker, and in death, Cochran achieved iconic status.
Jackie DeShannon is an American singer-songwriter and radio broadcaster with a string of hit song credits from the 1960s onwards, as both singer and composer. She was one of the first female singer-songwriters of the rock and roll period. She is best known as the singer of "What the World Needs Now Is Love" and "Put a Little Love in Your Heart", and as the writer of "When You Walk in the Room" and "Bette Davis Eyes", which became hits for The Searchers and Kim Carnes, respectively.
Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Alvin Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals.
"Summertime Blues" is a song co-written and recorded by American rock artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the Billboard Hot 100 on September 29, 1958, and number 18 on the UK Singles Chart. It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by Blue Cheer, the Who and Brian Setzer, the last of whom recorded his version for the 1987 film La Bamba, in which he portrayed Cochran.
Max Frost and the Troopers were a fictional rock music group created for the exploitation film Wild in the Streets, released in 1968. The film featured Christopher Jones as the highly influential singer Max Frost. The songs performed by Frost and his band, a group that was never formally named in the film, were credited to Max Frost and the Troopers in the subsequent singles and album. The band name "Troopers" is based on the term "troops", the designation Frost used in the film to refer to his friends and followers.
"(Let Me Be Your) Teddy Bear" is a popular song first recorded by Elvis Presley in 1957 for the soundtrack of his second motion picture, Loving You, during which Presley performs the song on screen. It was written by Kal Mann and Bernie Lowe and published in 1957 by Gladys Music.
"Little Bitty Pretty One" is a 1957 song written and originally recorded by Bobby Day. The same year, the song was popularized by Thurston Harris. Produced by Aladdin Records, and featuring the Sharps on backing vocals, Harris's version reached No. 6 on the U.S. Billboard Best-Sellers chart and No. 2 on the R&B chart. The Bobby Day version reached No. 11 in the Canadian CHUM Chart.
"Move It On Over" is a song written and recorded by the American country music singer-songwriter Hank Williams in 1947.
"Fire" is a song written by Bruce Springsteen in 1977 which had its highest profile as a 1978 single release by the Pointer Sisters. The song was later released by Robert Gordon and Springsteen himself.
"School Days" is a rock-and-roll song written and recorded by Chuck Berry and released by Chess Records as a single in March 1957 and on the LP After School Session two months later. It is one of his best-known songs and is often considered a rock-and-roll anthem.
"Lucille" is a 1957 rock and roll song originally recorded by American musician Little Richard. Released on Specialty Records in February 1957, the single reached number 1 on the Billboard R&B chart, 21 on the US pop chart, and number 10 on the UK chart. It was composed by Albert Collins and Little Richard. First pressings of Specialty 78rpm credit Collins as the sole writer. Little Richard bought half of the song's rights while Collins was in Louisiana State Penitentiary.
"One Night" is a song written by Dave Bartholomew, Pearl King, and Anita Steiman. It originally was an R&B hit for Smiley Lewis in 1956, before being recorded with greater commercial success by Elvis Presley in 1958.
"Listen to the Music" is a song by American rock band the Doobie Brothers, released on their second album, Toulouse Street (1972). The song was written by Tom Johnston and was the band’s first major hit. In 1994, it received a remix by Steve Rodway a.k.a. Motiv8 in 1994, which eventually peaked at No. 37 in the UK.
"Hey There Lonely Girl" is a song released in 1969 by Eddie Holman. The original version "Hey There Lonely Boy" was recorded in 1963 by Ruby & the Romantics. It was a hit for both of them. It has since been recorded by many other artists.
"Boll Weevil" is a traditional blues song, also known by similar titles such as "Boweavil" or "Boll Weevil Blues". Many songs about the boll weevil were recorded by blues musicians during the 1920s through the 1940s. However, a rendition by Lead Belly recorded in 1934 by folklorist Alan Lomax led to it becoming well-known. A 1961 adaptation by Brook Benton became a pop hit, reaching number two on the Billboard Hot 100. Fats Domino's "Bo Weevil" is a different song.
The Village of St. Bernadette is the sixth studio album by American pop singer Andy Williams and was released in early 1960 by Cadence Records. It was described by Billboard magazine as "a lovely set of pop inspirational, hymns, and religious themes".
"Boppin' the Blues" is a 1956 song written by Carl Perkins and Howard "Curley" Griffin and released as a single on Sun Records in May 1956. The single was released as a 45 and 78, Sun 243, backed with "All Mama's Children", a song co-written by Perkins with Sun labelmate Johnny Cash.
"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. Redding recorded it twice in 1967, including just three days before his death in a plane crash on December 10, 1967. It was released on Stax Records' Volt label in 1968, becoming the first posthumous #1 single in the US. It reached #3 on the UK Singles Chart.
I'll Love You More is a studio album by American country artist Jeannie Seely. It was released by Monument Records in February 1968 and was the third studio album of her career. The project consisted of 11 tracks whose themes centered on heartbreak. Six of the songs were written by Hank Cochran, who helped launch Seely's recording career. Two of the songs were originally singles: "When It's Over" and the title track. The latter single reached the top ten on the US country songs chart in 1968. The album itself reached the top 40 of the US country albums chart following its release. It received reviews and ratings from Billboard, Cash Box and AllMusic.