Slade Alive, Vol. 2 | ||||
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Live album by | ||||
Released | 27 October 1978 | |||
Recorded | USA autumn 1976 & UK spring 1977 | |||
Genre | ||||
Length | 41:01 | |||
Label | Barn | |||
Producer | Chas Chandler | |||
Slade chronology | ||||
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Slade Alive, Vol. 2 is the second live album by the British rock band Slade. It was released on 27 October 1978 and did not enter the charts. [1] Titled as the follow-up to the band's commercially and critically successful 1972 album Slade Alive! , the performances on Slade Alive, Vol. 2 were taken from the band's autumn 1976 tour of the United States and their spring 1977 UK tour. [2] The album was produced by Chas Chandler.
Returning from the US in late 1976, Slade found the UK music business much changed from when they had left in 1975 to try and crack the American market. Punk rock had exploded to become the dominant influence on youth culture and the music press. Despite Slade's reputation as one of the great high-energy bands of their day, in this environment they had become irrelevant. Regardless, they were determined that they were now a better live act than ever and refused to call it a day. Their 1977 album Whatever Happened to Slade was a commercial failure, and on their UK spring tour they found they could no longer fill large venues.
By 1978, the band continued to suffer from a lack of commercial success. Despite being successful at filling small venues for their live performances, their new records were barely selling. With their new output no longer being released on Polydor Records but instead on manager Chas Chandler's label Barn Records, singles such as "Burning in the Heat of Love", "Give Us a Goal", "Rock 'n' Roll Bolero" and "Ginny, Ginny" were all chart failures. In the hope their live reputation would translate to success when released on record, the band released Slade Alive, Vol. 2 in October 1978. However, it too was a commercial failure, and Slade would only regain popularity after performing at the Reading Festival in 1980. [3] [4]
All songs written by Noddy Holder and Jim Lea except "My Baby Left Me" by Arthur Crudup.
No. | Title | Length |
---|---|---|
1. | "Get on Up" | 6:01 |
2. | "Take Me Bak 'Ome" | 4:19 |
3. | "My Baby Left Me" | 2:41 |
4. | "Be" | 3:50 |
5. | "Mama Weer All Crazee Now" | 3:58 |
No. | Title | Length |
---|---|---|
6. | "Burning in the Heat of Love" | 3:45 |
7. | "Everyday" | 3:35 |
8. | "Gudbuy T'Jane" | 4:58 |
9. | "One Eyed Jacks with Moustaches" | 3:24 |
10. | "Cum On Feel the Noize" | 4:20 |
Review scores | |
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Source | Rating |
AllMusic | [5] |
Record Mirror | [6] |
Superpop [7] |
Upon the album's release, Record Mirror described it as a "worthwhile, if not exactly essential purchase, and enough possibly, to get the group back on an even keel". They added: "Slade are essentially a live band, no matter how good their records are, they'll never match up. All they will ever be are plastic souvenirs of a great live show." Superpop felt the album captured "exactly what [was] actually going on" with the band at the time, adding that the album was a "neat little package". [8]
AllMusic retrospectively said: "Slade Alive, Vol. 2, like all live Slade, is searing. The album is excellent, both in terms of performance and sound quality. They also did a great job of selecting material for this disc. A nice balance of classics and newer material that hadn't really been heard before. Slade has by this point developed into a full-fledged heavy metal band while retaining everything that made them great in the first place." [9]
Slade are an English rock band formed in Wolverhampton in 1966. They rose to prominence during the glam rock era in the early 1970s, achieving 17 consecutive top 20 hits and six number ones on the UK Singles Chart. The British Hit Singles & Albums names them the most successful British group of the 1970s based on sales of singles. They were the first act to have three singles enter the charts at number one; all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea. As of 2006, total UK sales stood at over 6,500,000. Their best-selling single, "Merry Xmas Everybody", sold in excess of one million copies. According to the 1999 BBC documentary It's Slade, the band have sold more than 50 million records worldwide.
Play It Loud is the second studio album by the British rock group Slade. It was released by Polydor in November 1970 but did not enter the charts. The album, produced by Chas Chandler, was the first to be released under the Slade name, as the band's 1969 debut Beginnings was released under the name Ambrose Slade.
Slade Alive! is the first live album by the British rock band Slade. The album was released on 24 March 1972 and reached No. 2 on the UK Albums Chart, remaining in the chart for 58 weeks. It was Slade's first album to enter the UK charts and also the first to enter the Billboard 200 in the United States, where it reached No. 158. The album was produced by Chas Chandler.
Old New Borrowed and Blue is the fourth studio album by the British rock group Slade. It was released on 15 February 1974 and reached No. 1 on the UK Albums Chart. It has been certified Gold by BPI. The album was produced by Chas Chandler. For the album, Slade attempted to begin breaking away from their usual rock formula. For example, the singles "My Friend Stan" and "Everyday" were piano-led and did not have the typical "Slade" sound.
Slade in Flame is the first soundtrack album and fifth studio album by the British rock group Slade. It was released on 29 November 1974, reached No. 6 in the UK and was certified Gold by BPI in February 1975. The album was produced by Chas Chandler and contains songs featured in the band's film of the same name. The band tried to give the album a "sixties" feel, as the film was set in 1966.
Nobody's Fools is the sixth studio album by the British rock group Slade. It was released in March 1976 and reached No. 14 in the UK. The album was produced by Chas Chandler.
Whatever Happened to Slade is the seventh studio album by the British rock group Slade. It was released on 21 March 1977 by Barn Records, but did not enter any national album chart. By the time of the album's release, Slade's popularity was waning as were their record sales, which they acknowledged in the album's title. The glam rock movement, with which Slade was associated, had died, and the careers of other glam rock artists such as Mud, Gary Glitter and Sweet had hit the buffers. In Britain, where Slade had traditionally been most popular, the fashion of the day was punk rock. With this album, Slade stood their ground as a straight-ahead rock group; gone were their "glam" statements of the early decade.
Return to Base is the eighth studio album by the British rock group Slade. It was released on 1 October 1979 by Barn Records, and did not enter any national album charts. At the time of the album's release, the band's success had waned and were receiving little fortune. Forced to play at small halls and clubs around the UK, the only income they were reliant on was Noddy Holder and Jim Lea's songwriting royalties. Their recent singles had sold poorly and they were no longer drawing in large audiences. Prior to their last-minute call up for the 1980 Reading Festival, they were on the verge of disbanding.
We'll Bring the House Down is the ninth studio album by the British rock group Slade. It was released on 13 March 1981 and reached No. 25 in the UK. The album was produced by Slade, except "My Baby's Got It" which was produced by Chas Chandler. The album was the first studio album released by the band after their successful appearance at the 1980 Reading Festival. In order to capitalise on their revival, Slade quickly compiled this new album, made up of some new tracks and some recycled ones, mainly from their failed Return to Base album of 1979.
Till Deaf Do Us Part is the tenth studio album by the British rock group Slade. It was released on 13 November 1981 and reached No. 68 on the UK charts. The album was produced by Slade. Although not as successful as We'll Bring the House Down earlier in the year, this album sold well.
"The Bangin' Man" is a song by the British rock band Slade, released in 1974 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 3 in the UK, remaining in the charts for seven weeks. The song was certified UK Silver by BPI for sales over 250,000 that same year.
"Let's Call It Quits" is a song by the British rock band Slade, released in 1976 as the second single from their sixth studio album, Nobody's Fools. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached number 11 in the UK Singles Chart and remained in the top 50 for seven weeks.
"Gypsy Roadhog" is a song by the British rock band Slade, released in 1977 as the only single from the band's seventh studio album Whatever Happened to Slade. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 48 in the UK.
"'Alive at Reading'" is an extended play (EP) by the British rock band Slade, released in 1980. Alive at Reading includes three live tracks recorded at the band's performance at the 1980 Reading Festival. The EP was produced by Slade and reached No. 44 in the UK, remaining in the charts for five weeks. The EP was later included in its entirety on the 2006 Salvo compilation Slade Alive! – The Live Anthology.
Slade Alive! – The Live Anthology is a two-disc live compilation album by the British rock band Slade. It was released in August 2006 by Salvo. It reached No. 191 in the UK.
Six of the Best is an extended play (EP) by the British rock band Slade, released in 1980. Six of the Best includes six tracks; three new tracks and three taken from the band's 1979 studio album Return to Base. All songs were written by lead vocalist Noddy Holder and bassist Jim Lea, except "I'm a Rocker" which was written by Chuck Berry. The EP was produced by Slade and failed to enter the UK charts.
"Rock 'n' Roll Bolero" is a song by English rock band Slade, released in 1978 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Slade. The song failed to make an appearance in the UK Singles Chart.
"Wild Winds Are Blowing" is a song by the British rock band Slade, released in 1969 as a non-album single under the name "The Slade". The song was written by Bob Saker and Jack Winsley, and produced by Chas Chandler. It failed to make an appearance in the UK charts.
"Know Who You Are" is a song by the British rock band Slade, released in 1970 as a second and final single from their second studio album Play It Loud. The song was written by Jim Lea, Noddy Holder, Don Powell and Dave Hill, and produced by Chas Chandler. It failed to make an appearance in the UK chart.
"When the Lights Are Out" is a song by the British rock band Slade, released in 1974 as the fourth and final single from their fourth studio album Old New Borrowed and Blue. The single was released in America and Belgium only. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler.