Slade on Stage | ||||
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Live album by | ||||
Released | December 1982 | |||
Genre | Hard rock | |||
Length | 41:38 | |||
Label | RCA | |||
Producer | Slade | |||
Slade chronology | ||||
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Slade on Stage is the third live album by the British rock band Slade. It was recorded at Newcastle City Hall on 18 December 1981 and released almost a year later in December 1982. The album, produced by the band, reached No. 58 in the UK. [1]
Following Slade's performance at the Reading festival in 1980, interest in the band was revived and a major record deal with RCA signed. During the tour to promote the band's 1981 album Til Deaf Do Us Part , the band decided to record their concert at Newcastle City Hall on the RAK mobile. Produced and mixed at Portland Studios in London, Slade on Stage was released in December 1982 and reached No. 58 in the UK.
Speaking to Kerrang! in 1982, Holder said of the album:
"I think we've managed to keep the excitement of the gig virtually intact. It's true we had to do a few studio bits to tart it up, but these have been kept to a minimum. You've always got to remember that somebody is gonna pay hard earned cash for this record. And, whilst every effort should be made to preserve the atmosphere of a thing, if adding a few touches to it can enhance the final sound, then I think you owe it to the punter to do just that. With Slade on Stage, though, all we've done is to make up for bits where, for example, a guitar string broke or something. Oh yeah, and we had to cut out part of the audience as well, 'cos one of the microphones in the auditorium was set up next to a loony. He kept on shouting into it "bastard!" at the top of his voice, so obviously that had to go. But, apart from those things, everything is faithful to the show." [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Kerrang! | [4] |
Sounds | [5] |
At the time of release, reviews were overall positive. Kerrang! described the album as featuring "10 gems" and urged readers to "go out and buy it now". They added: "Watching Slade live is one of the most exhilarating experiences known to mankind. Its a completely over the top manic and raucous package, delivered at a pace that makes even Kiss seem like old men." Sounds praised Slade on Stage as a "sensational album" that "goes some way towards demonstrating just why they're one of the best live rock bands in the world". Describing the album as "one of the livest you'll ever hear in your life", they concluded: "What Slade have always been about is undiluted rock 'n' roll, and this album comes nearer to capturing the feel, the excitement and the sheer energy they generate than anything they've ever attempted before." [5]
AllMusic retrospectively described the album as a "monster", stating: "Believe it or not, Slade on Stage is the most intense recording Slade has ever made. That's heavy. This live album shows the band playing faster, harder, and better than ever. The first three songs set the stage. Slade comes out of the gate so fast that if they didn't follow those three up with a ballad, you'd almost have to take the record off. It's that intense. This is the tightest, hardest, and best you will ever hear Slade (or just about any other hard rock band) play. The material is the cream of the crop, and the recording is a killer. This album's only downside is that it only has nine real songs." [3]
All songs written by Noddy Holder and Jim Lea except "You'll Never Walk Alone" by Rodgers and Hammerstein.
No. | Title | Length |
---|---|---|
1. | "Rock and Roll Preacher" | 5:18 |
2. | "When I'm Dancin' I Ain't Fightin'" | 3:42 |
3. | "Take Me Bak 'Ome" | 4:32 |
4. | "Everyday" | 3:18 |
5. | "Lock Up Your Daughters" | 4:02 |
No. | Title | Length |
---|---|---|
6. | "We'll Bring the House Down" | 4:17 |
7. | "A Night to Remember" | 8:09 |
8. | "Gudbuy T'Jane" | 4:39 |
9. | "Mama Weer All Crazee Now" | 2:55 |
10. | "You'll Never Walk Alone" | 0:35 |
Chart (1982) | Peak position |
---|---|
UK Albums Chart (OCC) [1] | 58 |
UK Heavy Metal Albums (MRIB) [6] | 11 |
You Boyz Make Big Noize is the fourteenth and final studio album by the British rock group Slade. It was released on 27 April 1987 and reached No. 98 in the UK charts. The album was largely produced by bassist Jim Lea, although some tracks were produced by John Punter and Roy Thomas Baker. It was the last studio album by the original lineup, prior to their split in 1992.
Old New Borrowed and Blue is the fourth studio album by the British rock group Slade. It was released on 15 February 1974 and reached No. 1 on the UK Albums Chart. It has been certified Gold by BPI. The album was produced by Chas Chandler. For the album, Slade attempted to begin breaking away from their usual rock formula. For example, the singles "My Friend Stan" and "Everyday" were piano-led and did not have the typical "Slade" sound.
Nobody's Fools is the sixth studio album by the British rock group Slade. It was released in March 1976 and reached No. 14 in the UK. The album was produced by Chas Chandler.
Slade Alive, Vol. 2 is the second live album by the British rock band Slade. It was released on 27 October 1978 and did not enter the charts. Titled as the follow-up to the band's commercially and critically successful 1972 album Slade Alive!, the performances on Slade Alive, Vol. 2 were taken from the band's autumn 1976 tour of the United States and their spring 1977 UK tour. The album was produced by Chas Chandler.
Return to Base is the eighth studio album by the British rock group Slade. It was released on 1 October 1979 by Barn Records, and did not enter any national album charts. At the time of the album's release, the band's success had waned and were receiving little fortune. Forced to play at small halls and clubs around the UK, the only income they were reliant on was Noddy Holder and Jim Lea's songwriting royalties. Their recent singles had sold poorly and they were no longer drawing in large audiences. Prior to their last-minute call up for the 1980 Reading Festival, they were on the verge of disbanding.
Till Deaf Do Us Part is the tenth studio album by the British rock group Slade. It was released on 13 November 1981 and reached No. 68 on the UK charts. The album was produced by Slade. Although not as successful as We'll Bring the House Down earlier in the year, this album sold well.
The Amazing Kamikaze Syndrome is the eleventh studio album by the British rock group Slade. It was released on 3 December 1983 and reached No. 49 in the UK charts. The album was produced largely by bassist Jim Lea. The two UK Top 10 singles released from the album, "My Oh My" and "Run Runaway", were produced by John Punter.
Rogues Gallery is the twelfth studio album by the British rock group Slade. It was released by RCA on 29 March 1985 and reached number 60 in the UK charts. The album was largely produced by John Punter, with bassist Jim Lea producing "Harmony", "I Win, You Lose" and "Time to Rock". For this release, the band set out to create an album of radio-friendly, potential hit singles which would be released as singles somewhere across the world.
Crackers is a studio/compilation album by the British rock band Slade. It was released on 18 November 1985 and reached No. 34 in the UK charts. It was certified Gold by the BPI that same month. The album was produced by bassist Jim Lea except "All Join Hands", "Do You Believe in Miracles", "My Oh My" and "Run Runaway", which were all produced by John Punter. The album contained a mix of the band's previous hits, some re-recorded songs and a selection of covers.
"How Does It Feel" is song by the British rock band Slade, released in 1975 as the second single from the band's first soundtrack album and fifth studio album Slade in Flame, in promotion of the film of the same name. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 15 in the UK, remaining in the charts for seven weeks.
"Ruby Red" is a song by English rock band Slade, released in 1982 as the third single from the band's tenth studio album, Till Deaf Do Us Part. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Slade. "Ruby Red" reached number 51 in the UK Singles Chart and remained in the top 75 for three weeks.
"Do You Believe in Miracles" is a song by English rock band Slade, released in 1985 as a single. It was also included on the band's studio/compilation album Crackers (1985). The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by John Punter. It reached number 54 in the UK Singles Chart and remained in the top 100 for six weeks.
"Gypsy Roadhog" is a song by the British rock band Slade, released in 1977 as the only single from the band's seventh studio album Whatever Happened to Slade. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 48 in the UK.
"(And Now the Waltz) C'est La Vie" is a song by English rock band Slade, released in 1982 as the lead single from the band's eleventh studio album, The Amazing Kamikaze Syndrome and also included on its 1984 North American counterpart, Keep Your Hands Off My Power Supply. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Lea. "(And Now the Waltz) C'est La Vie" reached number 50 in the UK Singles Chart and remained in the top 100 for seven weeks.
"Slam the Hammer Down" is a song by the British rock band Slade, released in 1984 as a promotional-only single from the band's American studio album Keep Your Hands Off My Power Supply. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Lea.
"Rock and Roll Preacher (Hallelujah I'm on Fire)" is a song by the British rock band Slade, released in 1982 as the fourth and final single from their tenth studio album Till Deaf Do Us Part. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade. The song was released as a single in Germany only, where it peaked at No. 49.
"We Won't Give In" is a song by English rock band Slade which originally appeared on the soundtrack of the 1986 British drama film Knights & Emeralds. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Lea. In 1987, it was released as the fourth and final single from the band's fourteenth studio album, You Boyz Make Big Noize, and reached number 121 in the UK Singles Chart.
"Burning in the Heat of Love" is a song by English rock band Slade, released in 1977 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Chas Chandler. The song failed to make an appearance in the UK Singles Chart.
"Rock 'n' Roll Bolero" is a song by English rock band Slade, released in 1978 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Slade. The song failed to make an appearance in the UK Singles Chart.
"Sign of the Times" is a song by the British rock band Slade, released in 1979 as the second single from the band's eighth studio album Return to Base. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade.