Slade Alive! | ||||
---|---|---|---|---|
Live album by | ||||
Released | 24 March 1972 | |||
Recorded | 19–21 October 1971 | |||
Venue | Command Studios, 201 Piccadilly, London W1 | |||
Genre | ||||
Length | 39:00 | |||
Label | Polydor (UK/US) | |||
Producer | Chas Chandler | |||
Slade chronology | ||||
|
Slade Alive! is the first live album by the British rock band Slade. The album was released on 24 March 1972 and reached No. 2 on the UK Albums Chart, remaining in the chart for 58 weeks. [1] It was Slade's first album to enter the UK charts and also the first to enter the Billboard 200 in the United States, where it reached No. 158. The album was produced by Chas Chandler.
Slade Alive! contains three original songs, plus cover versions of songs by Ten Years After, The Lovin' Spoonful, Bobby Marchan, and Steppenwolf. It was recorded live at Command Theatre Studio and mixed at Olympic Studios. [2]
Today, the album has been considered one of the greatest live albums of all time. [3] Kiss, who were heavily influenced by Slade, would title their 1975 live album Alive! as a homage to Slade Alive!. [4] [5]
Having made their UK breakthrough with the hits "Get Down and Get With It", "Coz I Luv You" and "Look Wot You Dun", Slade decided that the best way to break into the album charts would be to capture their live sound on record. In October 1971, the band played three consecutive nights at London's Command Theatre Studio in front of an audience. The three nights cost £600 to record.
"Our manager, Chas Chandler, had come up with the idea of us doing a live album, because he'd been Jimi Hendrix's manager and he'd seen how some of Hendrix's live performances had been turning points in his career. So we booked a little studio-cum-theatre on Piccadilly for three nights: the Tuesday, Wednesday and Thursday. The bulk of the album was from the Wednesday night, which was mayhem. 'Coz I Luv You' was number one, and we'd come straight from doing Top of the Pops . We were still wearing our clobber from the telly, and we went pretty much straight onstage… Our aim onstage was to hit the crowd between the eyes and grab them by the balls." – Noddy Holder [6]
Initially Chandler rejected Command Studio's mix of the album, which was completed in conjunction with the band. He remixed the tapes himself, but the band rejected that version and went back to their own original mix. Prior to the album's release, "Hear Me Calling" was released as a promotional single in February 1972, with "Get Down With It" as the B-Side. The release was limited to 500 copies. [7]
Issued in March 1972, Slade Alive! reached number two in the UK. In Australia, it reached No. 1 and was the biggest-selling album since The Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967). [8] [9]
In its original LP vinyl format, the album was issued in a gatefold sleeve which revealed a huge cartoon drawing on the inside. This drawing was the winning entry in a competition run in The Sun newspaper to design the album cover. In Israel and Italy, the front cover used the inner gatefold artwork instead, whilst certain editions releases in the Netherlands and France also used this design.
In 1978, the album was given a German release as a double-pack LP with a gatefold sleeve, paired with the Slade Alive, Vol. 2 . [10] It received its first CD release in 1991, which was digitally remastered by Lea. [11] In 2006, it was included as part of the Salvo two-disc live compilation Slade Alive! – The Live Anthology . [12] Salvo re-issued it on vinyl in 2009 and on CD in 2011. [13] [14] In 2017, BMG released a deluxe edition to celebrate its 45th anniversary. It was issued on vinyl with a 6-page insert and art card, and on CD with a 28-page booklet. [15] In December 2021, BMG reissued the album on splatter vinyl.
As a major part of promotion for the album, the band did a UK tour in May. [16]
On the UK Granada Television, the band performed a 'Set of Six' show on 13 June 1972. This filmed set featured a similar set to Slade Alive!, the tracks in order being "Hear Me Calling", "Look Wot You Dun", "Darling Be Home Soon", "Coz I Luv You", "Get Down and Get With It" and "Born To Be Wild".
"Hear Me Calling", a cover of the 1969 song by Ten Years After, was originally planned as Slade's follow-up single to their 1971 breakthrough hit "Get Down and Get With It". However, the band couldn't better the song in the studio and the idea was dropped. In 2011, the vinyl acetate containing the studio version appeared as a bonus track on the 2011 Salvo remaster of Sladest . [17] In a 1981 interview, drummer Don Powell said of "In Like a Shot from My Gun": "It was originally meant to be put down in the studio. But after we recorded it for Slade Alive!, we didn't think that we could do it any more justice by doing it in the studio - as it's basically a live number." [18] [19]
"Darling Be Home Soon", a cover of the 1967 song by The Lovin' Spoonful, notably features Holder burping into the microphone. In 2000, he admitted on The Frank Skinner Show that the burp was accidental as the band had a lot to drink before performing. Holder also stated that from then on, he had to continue to do the burp whenever the song was performed otherwise the audience would be disappointed. [20] "Know Who You Are" is an original song which originally appeared on the band's 1970 album Play It Loud . [21] "Get Down With It" is a cover of the 1965 Bobby Marchan song. Aside from being Slade's breakthrough hit, it was regularly featured as part of the band's live set for the band's entire live career. "Born to be Wild", a cover of the 1968 song by Steppenwolf, was originally recorded in the studio by Slade for their 1969 debut Beginnings. [22]
Review scores | |
---|---|
Source | Rating |
AllMusic | [23] |
Christgau's Record Guide | B+ [24] |
Upon release, Record Mirror felt the "rocking album" was a "good quality live recording". They added: "The excitement of the group and crowd has been captured well". [25] New Musical Express said: "Slade Alive! is just what it implies. If you've ever been to one of their noisy gigs, you'll know exactly what I mean." [26] [27] The album would later be rated No. 2 in the magazine's Top 10 albums of 1972. [28] Melody Maker commented: "Because it was recorded in a studio proper, before an audience, they've achieved the kind of balance and sound not often heard on a live recording." [26] [27]
Gregor Vaule of Colorado Springs Gazette-Telegraph felt the album "crammed" much of the band's "famous in-person excitement", adding: "The LP thunders in on Alvin Lee's "Hear Me Calling" and from that point on there is never a dull moment." [29] Mike Diana of Daily Press Newport News described the album as a "real toe tapper", adding: "The boys play a frenetic kind of rock 'n' roll that features screaming lyrics, monosimple rhythms and buzzing guitars." [30] Robert Hilburn of the Los Angeles Times commented on the band's "forceful, celebrative nature" and concluded: "As with any band worth its rock 'n' roll shoes, Slade Alive sounds better the louder you play it." [31] Rich Aregood of the Philadelphia Daily News described the album as "eminently enjoyable", noting: "...Slade is something else again. A loud, rude, and exciting flatout rock-and-roll band that could even get Pat Nixon tapping her toe." [32]
In 1991, Q described the album as "distinctly heavy" with a "laddish rock style". They concluded: "It's just fun and beers all the way." In 2010, Classic Rock considered the album "superior: reputation cementing". AllMusic commented: "Slade showed why they were one of England's best live acts with this fevered concert recording. Set alight by plenty of stomping beats, lumbering bass, fat guitars, and Noddy Holder's hoarse vocal scream, Slade Alive! finds the lads from Wolverhampton goading on their rabid fans at every juncture." [23]
No. | Title | Writer | Length |
---|---|---|---|
1. | "Hear Me Calling" | Alvin Lee | 5:46 |
2. | "In Like a Shot from My Gun" | Noddy Holder, Jim Lea, Don Powell | 3:33 |
3. | "Darling Be Home Soon" | John Sebastian | 5:43 |
4. | "Know Who You Are" | Holder, Lea, Dave Hill, Powell | 3:37 |
No. | Title | Writer | Length |
---|---|---|---|
5. | "Keep on Rocking" | Holder, Lea, Hill, Powell | 6:29 |
6. | "Get Down and Get with It" | Bobby Marchan | 5:33 |
7. | "Born to Be Wild" | Mars Bonfire | 8:12 |
Slade
Additional personnel
Chart (1972–1973) | Peak position |
---|---|
Australian Albums (Kent Music Report) [33] | 1 |
Austrian Albums (Ö3 Austria) [34] | 8 |
Canada Top Albums/CDs ( RPM ) [35] | 77 |
Finnish Albums (Suomen virallinen lista) [36] | 5 |
German Albums (Offizielle Top 100) [37] | 25 |
Norwegian Albums (VG-lista) [38] | 18 |
UK Albums (OCC) [39] | 2 |
US Billboard 200 [40] | 158 |
US Cash Box Top Albums (101 to 165) [41] | 105 |
US Record World The Album Chart [42] | 96 |
Slade are an English rock band formed in Wolverhampton in 1966. They rose to prominence during the glam rock era in the early 1970s, achieving 17 consecutive top 20 hits and six number ones on the UK Singles Chart. The British Hit Singles & Albums names them the most successful British group of the 1970s based on sales of singles. They were the first act to have three singles enter the charts at number one; all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea. As of 2006, total UK sales stood at over 6,500,000. Their best-selling single, "Merry Xmas Everybody", sold in excess of one million copies. According to the 1999 BBC documentary It's Slade, the band have sold more than 50 million records worldwide.
Old New Borrowed and Blue is the fourth studio album by the British rock group Slade. It was released on 15 February 1974 and reached No. 1 on the UK Albums Chart. It has been certified Gold by BPI. The album was produced by Chas Chandler. For the album, Slade attempted to begin breaking away from their usual rock formula. For example, the singles "My Friend Stan" and "Everyday" were piano-led and did not have the typical "Slade" sound.
Whatever Happened to Slade is the seventh studio album by the British rock group Slade. It was released on 21 March 1977 by Barn Records, but did not enter any national album chart. By the time of the album's release, Slade's popularity was waning as were their record sales, which they acknowledged in the album's title. The glam rock movement, with which Slade was associated, had died, and the careers of other glam rock artists such as Mud, Gary Glitter and Sweet had hit the buffers. In Britain, where Slade had traditionally been most popular, the fashion of the day was punk rock. With this album, Slade stood their ground as a straight-ahead rock group; gone were their "glam" statements of the early decade.
Slade Alive, Vol. 2 is the second live album by the British rock band Slade. It was released on 27 October 1978 and did not enter the charts. Titled as the follow-up to the band's commercially and critically successful 1972 album Slade Alive!, the performances on Slade Alive, Vol. 2 were taken from the band's autumn 1976 tour of the United States and their spring 1977 UK tour. The album was produced by Chas Chandler.
Return to Base is the eighth studio album by the British rock group Slade. It was released on 1 October 1979 by Barn Records, and did not enter any national album charts. At the time of the album's release, the band's success had waned and were receiving little fortune. Forced to play at small halls and clubs around the UK, the only income they were reliant on was Noddy Holder and Jim Lea's songwriting royalties. Their recent singles had sold poorly and they were no longer drawing in large audiences. Prior to their last-minute call up for the 1980 Reading Festival, they were on the verge of disbanding.
"Mama Weer All Crazee Now" is a song by the British rock band Slade, released in 1972 as the lead single from their third studio album Slayed? It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 1 in the UK, giving the band their third number one single, and remained in the charts for ten weeks. In the United States, the song reached No. 76.
"Coz I Luv You" is a song by the British rock band Slade, released in 1971 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached number 1 in the UK Singles Chart, giving the band their first number one single, and remained in the top 50 for fifteen weeks.
"Take Me Bak 'Ome" is a song by the British rock band Slade, released in 1972 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 1 in the UK, giving the band their second number one single, and remained in the charts for thirteen weeks. The song was certified UK Silver by BPI in 1972. In the United States, the song reached No. 97. The song would be included on the band's 1973 compilation album Sladest.
Live at the BBC is a live compilation album by the British rock band Slade. It was released by Salvo in September 2009 and features two discs of material recorded by the band live at the BBC. The first disc comprises songs recorded for various BBC sessions between 1969–72, along with Radio One jingles recorded in 1973–74. The second disc is a twelve-song set recorded live at the Paris Theatre, London, in August 1972.
"Look Wot You Dun" is a song by the British rock band Slade, released in 1972 as a non-album single. The song was written by lead vocalist Noddy Holder, bassist Jim Lea and drummer Don Powell, and produced by Chas Chandler. It reached No. 4 in the UK, remaining in the charts for ten weeks. The song would be included on the band's 1973 compilation album Sladest.
"Ruby Red" is a song by English rock band Slade, released in 1982 as the third single from the band's tenth studio album, Till Deaf Do Us Part. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by Slade. "Ruby Red" reached number 51 in the UK Singles Chart and remained in the top 75 for three weeks.
"Get Down and Get with It" is a song by American R&B singer-songwriter Bobby Marchan, first released as "Get Down with It" as the B-Side to his 1964 single "Half a Mind". In 1967, American singer Little Richard would record his own version, which was released as a single. In 1971, the British rock band Slade recorded a version of the song as "Get Down and Get with It", based on Little Richard's version, which gave the band their first UK chart hit.
"Xmas Ear Bender" is an extended play (EP) by the British rock band Slade, released in 1980. Xmas Ear Bender includes three tracks; two of which were recorded at the band's performance at the 1980 Reading Festival. The EP was produced by Slade and reached No. 70 in the UK, remaining in the charts for two weeks. The EP was later included in its entirety on the 2006 Salvo compilation Slade Alive! – The Live Anthology.
"Slam the Hammer Down" is a song by the British rock band Slade, released in 1984 as a promotional-only single from the band's American studio album Keep Your Hands Off My Power Supply. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Lea.
Slade Alive! – The Live Anthology is a two-disc live compilation album by the British rock band Slade. It was released in August 2006 by Salvo. It reached No. 191 in the UK.
Coz I Luv You is a compilation album by the British rock band Slade. It was released in 1972 in certain European countries, Australia and Argentina. It was the band's first compilation album and reached No. 10 in the Netherlands.
"Wild Winds Are Blowing" is a song by the British rock band Slade, released in 1969 as a non-album single under the name "The Slade". The song was written by Bob Saker and Jack Winsley, and produced by Chas Chandler. It failed to make an appearance in the UK charts.
"When the Lights Are Out" is a song by the British rock band Slade, released in 1974 as the fourth and final single from their fourth studio album Old New Borrowed and Blue. The single was released in America and Belgium only. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler.
"Sign of the Times" is a song by the British rock band Slade, released in 1979 as the second single from the band's eighth studio album Return to Base. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade.
When Slade Rocked the World 1971–1975 is a compilation box set by the British rock band Slade, released by Salvo in November 2015. The box set, housed in a 12-inch box, covers the band's commercial heyday from 1971 to 1975, with a mix of reproduced vinyl LPs, 7" vinyl singles, a two-disc CD, a scrapbook-style book and a reproduced edition of the book The Slade Story, written by George Tremlett.
{{cite web}}
: CS1 maint: numeric names: authors list (link){{cite web}}
: CS1 maint: archived copy as title (link)