Alive at Reading | ||||
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EP by | ||||
Released | 3 October 1980 [1] | |||
Genre | Rock | |||
Length | 13:14 | |||
Label | Cheapskate | |||
Producer | Slade | |||
Slade chronology | ||||
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"'Alive at Reading'" is an extended play (EP) by the British rock band Slade, released in 1980. Alive at Reading includes three live tracks recorded at the band's performance at the 1980 Reading Festival. The EP was produced by Slade and reached No. 44 in the UK, remaining in the charts for five weeks. [2] The EP was later included in its entirety on the 2006 Salvo compilation Slade Alive! – The Live Anthology .
Having returned to the UK from the United States in August 1976, Slade found themselves out-of-favour at the time of the UK's Punk rock explosion. The band's 1977 album Whatever Happened to Slade proved a commercial failure while their tour that spring had shown that they could no longer fill large venues. Slade's waning success soon led to the band playing small gigs after that, including universities and clubs. Despite being successful at filling small venues for their live performances, the band's new records were barely selling. After the commercial failure of the band's 1979 album Return to Base and 1980 EP Six of the Best , the band were on the verge of disbanding. [3] The band's fortunes changed after they were offered a headlining slot at the Reading festival in August 1980, following a late cancellation by Ozzy Osbourne. The band's performance in front of the 65,000-strong crowd was a triumph and the band found themselves back in the public eye. The music press began to take an interest in the band again, while heavy metal followers also began deeming the band 'cool'. [3]
Slade's entire performance at the festival was recorded by BBC and forty-five minutes of their set was soon broadcast on the Friday Rock Show. In order to capitalise on their new-found success, and in response to the many requests made for a Reading-related release, the band decided to release the Alive at Reading EP. A deal was struck between the BBC and the band for use of the tracks. Released in October 1980, the EP reached No. 44 in the UK, giving the band their first chart action since 1977. Both this EP and its November follow-up, Xmas Ear Bender , along with the Polydor compilation Slade Smashes! continued public interest in the band, allowing them time to plan their next steps for 1981. The band would return to the UK Top Ten with "We'll Bring the House Down" in early 1981, while the album of the same name would also be a UK Top 30 success. [2]
Alive at Reading was released on 7" vinyl in the UK only on Cheapskate. [4] The EP featured three songs from the Reading Festival. The first was the band's "When I'm Dancin' I Ain't Fightin'". The second was a cover of Steppenwolf's "Born to Be Wild", while the third was a medley of three tracks; "Somethin' Else, Pistol Packin' Mama, Keep a Rollin'". In the Netherlands, Three of the Best - Alive at Reading was released by WEA. It featured three songs from Six of the Best and all three songs from Alive at Reading. [5] [4]
In a 1980 fan club interview, lead vocalist Noddy Holder spoke of the EP:
"Well, it was just a matter of fact really. The BBC recorded the whole of the Reading Festival, we went down amazingly well. Tommy Vance played 40 minutes of our set on his show and got a fantastic response from it - thus it was public reaction really that prompted us to release something from the Reading Festival. You've seen the reaction on "When I'm Dancin' I Ain't Fightin'" now - when we first brought the track out on the "Six of the Best EP", it didn't see the light of day as far as charts were concerned - but now it's on the Reading EP and all the crowds are singing it! The turning point has been that we have been doing our songs in a live manner - and it seems to be working. I don't know whether it's good or bad that we have to do this, but the live thing has always been our main strong-point. "Get Down and Get With It" was our first hit because it had basically a live feel to it, the same applies to "When I'm Dancin' I Ain't Fightin'" from Reading." [6] [7]
In a 1986 fan club interview, guitarist Dave Hill described his experience of the Reading Festival:
"One heck of an experience, 'cos I wasn't going to do that gig. Slade manager Chas Chandler talked me into it, which I will always say was one of the best things he ever did for me. I thought we were going to get booed off. I remember Tommy Vance came into the dressing room and said "You're going to go down great". We said, "Well we hope to do okay", 'cos we're not the sort of band that pre-judges things, although we do have an inner confidence in ourselves. We walked on stage and there was this roar from the crowd. I thought "that's pretty good". We went into the first number and I could see the reporters looking at us. I was dreading the end of the first number, as that is the point at which we can usually tell how a show is going to go. As it happens, I think we went straight into "My Baby Left Me", so we didn't really wait or a reaction. The confidence came when there was a reaction, as it built and built, sort of got bigger and bigger. I could see Chas at the side grinning." [8]
Upon release, Sounds said: "Aaah... now you're talking. Slade were the best out and out pop band of them all, bar none. They show they can still get a few asses wiggling with these three cuts from Reading, where they wiped the floor with Whitesnake, UFO et all by all accounts." In a Sounds article from November, the magazine said the EP "deserves your attention." They also described "When I'm Dancin' I Ain't Fightin'" as "smashing sledgehammer pop in the grand old tradition." [9] [10]
Slade
Additional personnel
Chart (1980) | Peak position |
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UK Singles (OCC) [11] | 44 |
UK The Singles Chart ( Record Business ) [12] | 41 |
Slade are an English rock band formed in Wolverhampton in 1966. They rose to prominence during the glam rock era in the early 1970s, achieving 17 consecutive top 20 hits and six number ones on the UK Singles Chart. The British Hit Singles & Albums names them the most successful British group of the 1970s based on sales of singles. They were the first act to have three singles enter the charts at number one; all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea. As of 2006, total UK sales stood at over 6,500,000. Their best-selling single, "Merry Xmas Everybody", sold in excess of one million copies. According to the 1999 BBC documentary It's Slade, the band have sold more than 50 million records worldwide.
James Whild Lea is an English musician, most notable for playing bass guitar, keyboards, piano, violin, guitar, and singing backing vocals in Slade from their inception until 1992, and for co-writing most of their songs.
Slade Alive! is the first live album by the British rock band Slade. The album was released on 24 March 1972 and reached No. 2 on the UK Albums Chart, remaining in the chart for 58 weeks. It was Slade's first album to enter the UK charts and also the first to enter the Billboard 200 in the United States, where it reached No. 158. The album was produced by Chas Chandler.
Beginnings is the debut album by the British rock band Ambrose Slade, who later achieved fame as Slade. It was released on 9 May 1969, but failed to enter the charts. In the US, it was released under the title Ballzy. A re-issue as Beginnings of Slade was briefly released by Contour in 1975, but was quickly withdrawn from sale due to copyright issues.
Nobody's Fools is the sixth studio album by the British rock group Slade. It was released in March 1976 and reached No. 14 in the UK. The album was produced by Chas Chandler.
Slade Alive, Vol. 2 is the second live album by the British rock band Slade. It was released on 27 October 1978 and did not enter the charts. Titled as the follow-up to the band's commercially and critically successful 1972 album Slade Alive!, the performances on Slade Alive, Vol. 2 were taken from the band's autumn 1976 tour of the United States and their spring 1977 UK tour. The album was produced by Chas Chandler.
Return to Base is the eighth studio album by the British rock group Slade. It was released on 1 October 1979 by Barn Records, and did not enter any national album charts. At the time of the album's release, the band's success had waned and were receiving little fortune. Forced to play at small halls and clubs around the UK, the only income they were reliant on was Noddy Holder and Jim Lea's songwriting royalties. Their recent singles had sold poorly and they were no longer drawing in large audiences. Prior to their last-minute call up for the 1980 Reading Festival, they were on the verge of disbanding.
We'll Bring the House Down is the ninth studio album by the British rock group Slade. It was released on 13 March 1981 and reached No. 25 in the UK. The album was produced by Slade, except "My Baby's Got It" which was produced by Chas Chandler. The album was the first studio album released by the band after their successful appearance at the 1980 Reading Festival. In order to capitalise on their revival, Slade quickly compiled this new album, made up of some new tracks and some recycled ones, mainly from their failed Return to Base album of 1979.
Till Deaf Do Us Part is the tenth studio album by the British rock group Slade. It was released on 13 November 1981 and reached No. 68 on the UK charts. The album was produced by Slade. Although not as successful as We'll Bring the House Down earlier in the year, this album sold well.
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Slade Smashes is a compilation album by the British rock band Slade. It was released 1 November 1980 and reached No. 21 on the UK charts. The album was issued by Polydor in the wake of new interest in the band following their successful appearance at the 1980 Reading Festival, filling in for Ozzy Osbourne. The album featured most of the band's big hits from their early and mid 1970s heyday in the UK as well as three of the band's singles from post-1977. This collection, alongside the band's subsequent 1981 studio release We'll Bring the House Down, further cemented Slade's comeback in the UK and Europe.
"We'll Bring the House Down" is a song by the British rock band Slade, released in 1981 as the lead single from their ninth studio album We'll Bring the House Down. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade. The band's first single to reach the UK Top 40 since 1977, the song peaked at No. 10 in the UK, remaining in the chart for nine weeks.
"Wheels Ain't Coming Down" is a song by the British rock band Slade, released in 1979 as the opening track from their eighth studio album Return to Base. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade. In 1981, the song re-appeared on the band's follow-up album We'll Bring the House Down and was released as the second single from it in March, which reached No. 60 in the UK.
"Xmas Ear Bender" is an extended play (EP) by the British rock band Slade, released in 1980. Xmas Ear Bender includes three tracks; two of which were recorded at the band's performance at the 1980 Reading Festival. The EP was produced by Slade and reached No. 70 in the UK, remaining in the charts for two weeks. The EP was later included in its entirety on the 2006 Salvo compilation Slade Alive! – The Live Anthology.
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