Julie Taymor is an American director and writer of theater, opera, and film. Her stage adaptation of The Lion King debuted in 1997 and received eleven Tony Award nominations, with Taymor receiving Tony Awards for her direction and costume design. Her film Frida, about Mexican artist Frida Kahlo, was nominated for five Academy Awards, including a Best Original Song nomination for Taymor's composition "Burn It Blue". She also directed the jukebox movie musical Across the Universe, based on the music of The Beatles.
In theatre, a thrust stage is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area. Entrances onto a thrust are most readily made from backstage, although some theatres provide for performers to enter through the audience using vomitory entrances. A theatre in the round, exposed on all sides to the audience, is without a backstage and relies entirely on entrances in the auditorium or from under the stage. As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides. Because the audience can view the performance from a variety of perspectives, it is usual for the blocking, props and scenery to receive thorough consideration to ensure that no perspective is blocked from view. A high backed chair, for instance, when placed stage right, could create a blind spot in the stage left action.
The American Repertory Theater (A.R.T.) is a professional not-for-profit theater in Cambridge, Massachusetts. Founded in 1979 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. Over the past forty years it has garnered many of the nation's most distinguished awards, including a Pulitzer Prize (1982), a Tony Award (1986), and a Jujamcyn Award (1985). In 2002, the A.R.T. was the recipient of the National Theatre Conference's Outstanding Achievement Award, and it was named one of the top three theaters in the country by Time magazine in 2003. The A.R.T. is housed in the Loeb Drama Center at Harvard University, a building it shares with the Harvard-Radcliffe Dramatic Club. The A.R.T. operates the Institute for Advanced Theater Training.
The Scottish play and the Bard's play are euphemisms for William Shakespeare's Macbeth. The first is a reference to the play's Scottish setting, the second a reference to Shakespeare’s popular nickname. According to a theatrical superstition, called the Scottish curse, speaking the name Macbeth inside a theatre, other than as called for in the script while rehearsing or performing, will cause disaster. On top of the aforementioned alternative titles, some people also refer to the classical tragedy as Mackers for this reason. Variations of the superstition may also forbid quoting lines from the play within a theatre except as part of an actual rehearsal or performance of the play.
Commonwealth Shakespeare Company (CSC) was formed in 1996 by artistic director Steven Maler and associate Joan Moynagh to bring free, outdoor Shakespeare to the people of the city of Boston. Since 1996, CSC has produced one full Shakespeare production each summer starting with A Midsummer Night's Dream in 1996 at Copley Square. All subsequent productions have taken place in Boston Common, first at the Parkman Bandstand and now at the Parade Ground. In addition to the annual Boston Common productions, CSC presents several free play-reading events during the year: Theatre in the Rough, Shakespeare and Law, as well as Shakespeare and Leadership. CSC has actor-training programs for both high school students and pre-professional actors with its Summer Academy. Throughout the year, CSC partners with area high schools and Boys & Girls Clubs to provide in and after-school theater activities to inner-city youth. In 2013, CSC became the theatre in residence at Babson College.
Aikaterini Hadjipateras, known professionally as Kathryn Hunter, is an American-born British actress and theatre director, known for her appearances as Arabella Figg in the Harry Potter film series, Eedy Karn in the Disney+ Star Wars spinoff series Andor, and as the Three Witches in Joel Coen’s The Tragedy of Macbeth.
Michael Wilson is an American stage and screen director working extensively on Broadway, Off-Broadway, and at the nation's leading resident theaters.
John Doyle is a Scottish stage director of musicals and plays, as well as operas. He served as artistic director at several regional theatres in the United Kingdom, where he staged more than 200 professional productions during his career spanning over 40 years.
Punchdrunk is a British theatre company, formed in 2000 by Felix Barrett.
John Kuntz is an American actor, playwright, director, and solo performer. Kuntz is the author of 14 full-length plays, a founding company member at Actors' Shakespeare Project, has taught at Emerson College, Suffolk University, and Concord Academy, and is currently an associate professor of theater at the Boston Conservatory at Berklee. He was an inaugural playwriting fellow with the Huntington Theatre Company and a fellow at the Eugene O’Neill Theatre Center in 2007. Kuntz is the recipient of six Elliot Norton Awards, two Independent Reviewers of New England (IRNE) Awards, and New York International Fringe Festival Award, among others.
The Nashville Shakespeare Festival is a Shakespeare festival in Nashville, Tennessee.
Sergio Trujillo is a theater director, choreographer, dancer and actor. Born in Colombia and raised in Toronto, Canada, he is now an American citizen and resides in New York City. Trujillo was the recipient of the 2019 Tony Award for Best Choreography for Ain't Too Proud and the 2015 Laurence Olivier Award for Best Theatre Choreographer for Memphis. He is the first ever Hispanic recipient of the Tony Award for Best Choreography.
Careena Melia is an Irish-American actress.
Sleep No More is the New York City production of an immersive work of theatre created by the British theatre company Punchdrunk. It is primarily based on William Shakespeare's Macbeth, with inspiration also taken from noir films, as well as some reference to the 1697 Paisley witch trials. It is expanded from their original 2003 London incarnation and their Brookline, Massachusetts 2009 collaboration with Boston's American Repertory Theatre. The company reinvented Sleep No More as a co-production with Emursive, and began performances on March 7, 2011. Sleep No More won the 2011 Drama Desk Award for Unique Theatrical Experience and won Punchdrunk special citations at the 2011 Obie Awards for design and choreography.
Company One is a non-profit theatre company located in the Boston Center for the Arts in Boston, Massachusetts, USA. The company is known for socially conscious theatre programming. Company One has produced more than 50 plays since 1998.
The Drowned Man was an original theatre production by British theatre company Punchdrunk, in collaboration with the Royal National Theatre.
Bianca Amato is a South African actress known for her work in American theatre, as a prolific audiobook performer and for her portrayal of Philippa De Villiers in the original cast of the South African soap opera Isidingo.
Audience immersion is a storytelling technique which attempts to make the audience feel as though they are a part of the story or performance, a state which may be referred to as "transportation" into the narrative, permitting high levels of suspension of disbelief. Audience immersion may be used to enhance learning or to create a more realistic experience. Various methods may be employed to this end, including narrative perspective in writing or technical design in the performing arts. An early example of audience immersion is from the 1846 travelogue Pictures from Italy by Charles Dickens, in which the narrator, speaking in the first person, addresses the reader using second-person pronouns, allowing the reader to "picture themselves with Dickens as he travels."
Immersive theater differentiates itself from traditional theater by removing the stage and immersing audiences within the performance itself. Often, this is accomplished by using a specific location (site-specific), allowing audiences to converse with the actors and interact with their surroundings (interactive), thereby breaking the fourth wall.
Felix Barrett, MBE is the artistic director of Punchdrunk, a British theatre company founded in 2000. In 2015, a new company was formed, Punchdrunk International, which produces a selection of Punchdrunk’s commercial productions for national and international audiences.
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