"The Bellero Shield" | |
---|---|
The Outer Limits episode | |
Episode no. | Season 1 Episode 20 |
Directed by | John Brahm |
Story by |
|
Teleplay by | Joseph Stefano |
Based on | A story by Arthur Leo Zagat |
Cinematography by | Conrad Hall |
Production code | 23 |
Original air date | February 10, 1964 |
Guest appearances | |
"The Bellero Shield" is an episode of the original The Outer Limits television show. It first aired on 10 February 1964, during the first season. There are several similarities in the story's theme, plot, and structure to William Shakespeare's Macbeth , and many critics agree it was the series' take on that play. [1]
"There is a passion in the human heart which is called aspiration. It flares with the noble flame, and by its light Man has traveled from the caves of darkness to the darkness of outer space. But when this passion becomes lust, when its flame is fanned by greed and private hunger, then aspiration becomes ambition – by which sin the angels fell."
A scientist, Richard Bellero, builds a powerful laser device that he shoots into the sky from a laboratory on the top floor of his home, but the invention is not practical enough to satisfy his demanding father, Richard Sr., who views his son as a failure and has made plans to hand control of the Bellero company to someone outside the family, to the great chagrin of Richard's ruthlessly ambitious wife Judith. One night after Richard has left the lab, a peaceful bioluminescent extraterrestrial from a world which "hovers just above the ceiling of your universe" rides the laser down to Earth. Judith tries to shoot the alien with a laser gun, but the alien protects himself by using a small device in his hand that instantly raises a powerful shield around him. Recognizing that this technology would bring her husband great acclaim and fortune, Judith gets Richard to leave the house by persuading him to go fetch his father. She then tries to coax the alien into giving her his shield's control device, but he disagrees, fearing his technology would fall into the wrong hands. Judith then tricks him into lowering his shield and shoots him, stealing his shield control device. Judith and her maid Mrs. Dane secretly drag the apparently dead alien's body to the cellar.
During a demonstration in front of Richard and his father, who do not know that the alien has been shot, Judith raises the shield, but is unable to take it down and becomes trapped inside it. Mrs. Dane, desperate to save Judith from death by asphyxiation, goes to the cellar and is startled to find the alien still alive but very weak. The maid begs him "Can you help?" The alien replies, "Can I not?" Just before dying, the alien lowers the shield by using his own glowing blood, the substance that powers the control device. Despite her being rescued, however, Judith insists that she is still trapped by the shield—the imagined shield, perhaps, of her own guilt over killing an alien who thought only of helping her. As the episode ends, she places her hands helplessly on the "shield" that is no longer there. On one hand is a spot: a glowing drop of the murdered alien's blood that presumably will stain her palm forever.
"When this passion called aspiration becomes lust, then aspiration degenerates, becomes vulgar ambition, by which sin the angels fell."
The most obvious parallels to Shakespeare's Macbeth lie in Judith's overweening and heartless ambition (similar to that of Lady Macbeth), both women's apparent madness by the end of their respective tales, and the "damn'd spot" that will not "out" from either woman's hand, a physical manifestation of their guilt. However, Judith's husband Richard shares none of Macbeth's brutality or desire for power. Northwestern University professor Jeffrey Sconce interprets the "shield" as a metaphor for television, a tool of "domestic asylum" that kept women of that era locked up within the home. [2]
Skeptics have pointed to this episode as an origin for the grey aliens described in the 1961 Betty and Barney Hill abduction. In his 1990 article Entirely Unpredisposed, Martin Kottmeyer suggested that Barney's memories revealed under hypnosis might have been influenced by the episode, which was broadcast twelve days before Barney's first hypnotic session. Between the alleged 1961 abduction and the airing of the episode in 1964, Betty Hill's writings had described the aliens as short black-haired men with large "Jimmy Durante" noses. [3] The episode featured an extraterrestrial with large eyes who says, "In all the universes, in all the unities beyond the universes, all who have eyes have eyes that speak." The report from the regression featured a scenario that was in some respects similar to the television show. In part, Kottmeyer wrote: [4]
When a different researcher asked Betty about The Outer Limits, she insisted she had "never heard of it". [5]
Despite Kottmeyer's writing that "wraparound eyes are an extreme rarity in science fiction," exaggeratedly large slanted eyes and a bald head are also features of the "monster" in the following week's episode, "The Children of Spider County," which aired only five days before Barney Hill's hypnosis session. [6]
Grey aliens, also referred to as Zeta Reticulans, Roswell Greys or Grays, are purported extraterrestrial beings. They are frequent subjects of close encounters and alien abduction claims. The details of such claims vary widely. However, Greys are typically described as being human-like with small bodies, smooth, grey-colored skin; enlarged, hairless heads; and large, black eyes. The Barney and Betty Hill abduction claim, which purportedly took place in New Hampshire in 1961, popularized Grey aliens. Precursor figures have been described in science fiction and similar descriptions appeared in early accounts of the 1948 Aztec UFO hoax and later accounts of the 1947 Roswell UFO incident.
The Travis Walton incident was an alleged alien abduction of American forestry worker Travis Walton on November 5, 1975, while he was part of a logging crew in the Apache–Sitgreaves National Forests near Heber, Arizona.
Alien abduction refers to the phenomenon of people reporting what they believe to be the real experience of being kidnapped by extraterrestrial beings and subjected to physical and psychological experimentation. People claiming to have been abducted are usually called "abductees" or "experiencers". Most scientists and mental health professionals explain these experiences by factors such as suggestibility, sleep paralysis, deception, and psychopathology. Skeptic Robert Sheaffer sees similarity between some of the aliens described by abductees and those depicted in science fiction films, in particular Invaders From Mars (1953).
Elliot Budd Hopkins was an American artist, author, and ufologist. He was a prominent figure in alien abduction phenomena and related UFO research.
Antônio Vilas-Boas (1934–1991) was a Brazilian farmer who claimed to have been abducted by extraterrestrials in 1957. Though similar stories had circulated for years beforehand, Vilas-Boas' claims were among the first alien abduction stories to receive wide attention. Some skeptics today consider the abduction story to be little more than a hoax, although Boas nonetheless reportedly stuck to his account throughout his life.
In ufology, the psychosocial hypothesis, abbreviated PSH, argues that at least some UFO reports are best explained by psychological or social means. It is often contrasted with the better-known extraterrestrial hypothesis (ETH), and is particularly popular among UFO researchers in the United Kingdom, such as David Clarke, Hilary Evans, the editors of Magonia magazine, and many of the contributors to Fortean Times magazine. It has also been popular in France since the publication in 1977 of a book written by Michel Monnerie, Et si les ovnis n'existaient pas?.
Major Glenn Talbot is a fictional character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist Steve Ditko, he first appeared in Tales to Astonish #61.
In ufology, alien implants is a term used to describe physical objects allegedly placed in someone's body after they have been abducted by aliens. Claimed capabilities of the implants range from telepresence to mind control to biotelemetry. As with UFO subjects in general, the idea of "alien implants" has seen very little attention from mainstream scientists.
John Hoyt was an American actor. He began his acting career on Broadway, later appearing in numerous films and television series.
"The Architects of Fear" is an episode of the original The Outer Limits television show. It first aired on September 30, 1963, during the first season.
"Corpus Earthling" is an episode of the original The Outer Limits television show. It first aired on 18 November 1963, during the first season.
"The Invisibles" is an episode of the original The Outer Limits television show. It first aired on 3 February 1964, during the first season.
"Jose Chung's From Outer Space" is the 20th episode of the third season of the science fiction television series The X-Files. The episode first aired in the United States on April 12, 1996, on Fox. It was written by Darin Morgan and directed by Rob Bowman. "Jose Chung's From Outer Space" earned a Nielsen household rating of 10.5, being watched by 16.08 million people in its initial broadcast, and also received praise from critics.
The Flintstones: On the Rocks is a 2001 American animated made-for-television comedy-drama film featuring characters from The Flintstones franchise. Co-directed by Chris Savino and David Smith, it was dedicated to Hoyt Curtin and William Hanna. Debuting on November 3, 2001 on Cartoon Network, On the Rocks was the last Flintstones production until the 2015 direct-to-video film The Flintstones & WWE: Stone Age SmackDown!. In addition to the show's traditional animation style, the film also utilizes stop-motion animation.
For over a century, hypnosis has been a popular theme in fiction – literature, film, and television. It features in movies almost from their inception and more recently has been depicted in television and online media. As Harvard hypnotherapist Deirdre Barrett points out in 'Hypnosis in Popular Media', the vast majority of these depictions are negative stereotypes of either control for criminal profit and murder or as a method of seduction. Others depict hypnosis as all-powerful or even a path to supernatural powers.
The narrative of the abduction phenomenon is an alleged core of similarity in contents and chronology underlying various claims of forced temporary abduction of humans by apparently otherworldly beings. Proponents of the abduction phenomenon contend that this similarity is evidence of the veracity of the phenomenon as an objective reality, although this belief is disregarded by most scientists, who regard alien abduction as a purely psychological and cultural phenomenon.
Perspectives on the abduction phenomenon are explanations that are intended to explain claims of abduction and examination by apparently otherworldly beings. The main differences between these perspectives lie in the credence ascribed to the claims. Perspectives range from the assertion that all abductions are hoaxes to the belief that the claims are of objective happenings and separate from the consciousness of the claimants.
Alien abduction entities are the beings alleged to secretly abduct and subject experiencers to a forced medical examination which often emphasizes their reproductive system. Mainstream scientists and mental health professionals overwhelmingly doubt that the phenomenon occurs literally as reported and instead attribute the experiences to "deception, suggestibility, personality, sleep phenomena, psychopathology, psychodynamics [and] environmental factors." Skeptic Robert Sheaffer also sees similarity between the aliens depicted in early science fiction films, in particular, Invaders From Mars, and those reported to have actually abducted people. The first alien abduction claim to be widely publicized was the Betty and Barney Hill abduction in 1961, which featured diminutive, large-eyed beings who wore military-style uniforms.
The UFO Incident is a 1975 American made-for-television biographical film starring James Earl Jones and Estelle Parsons based on the alleged 1961 alien abduction of Barney and Betty Hill.
Barney and Betty Hill were an American couple who claimed they were abducted by extraterrestrials in a rural portion of the state of New Hampshire from September 19 to 20, 1961. The incident came to be called the "Hill Abduction" and the "Zeta Reticuli Incident" because two ufologists connected the star map shown to Betty Hill with the Zeta Reticuli system. Their story was adapted into the best-selling 1966 book The Interrupted Journey and the 1975 television film The UFO Incident.