| Lady Macbeth Seizing the Daggers | |
|---|---|
 | |
| Artist | Henry Fuseli |
| Year | 1812 |
| Medium | Oil on canvas |
| Dimensions | 127 cm× 101.6 cm(50 in× 40.0 in) |
| Location | Tate Britain, London |
Lady Macbeth Seizing the Daggers is an oil on canvas painting by the Swiss-British artist Henry Fuseli, created in 1812. The work is held at the Tate Britain, in London. [1]
Fuseli was a great admirer of William Shakespeare; he himself had translated the play Macbeth to German. He created several paintings inspired by Shakespeare's works. This painting, most likely a sketch for an intended larger work, represents a passage from the second scene of the second act of the same play. In this scene the protagonist, Macbeth, holds at arm's length the still bloody daggers with which he has just killed King Duncan, while his wife Lady Macbeth, the instigator of the regicide, signals him to be silent while rushing towards her husband to disarm him. Macbeth appears remorseful, while his wife appears more confident. The scene has a fantastical appearance; the characters resemble glowing spectres before a dark background. [2] [3] [4]
LordBanquo, the Thane of Lochaber, is a semi-historical character in William Shakespeare's 1606 play Macbeth. In the play, he is at first an ally of Macbeth and they meet the Three Witches together. After prophesying that Macbeth will become king, the witches tell Banquo that he will not be king himself, but that his descendants will be. Later, Macbeth in his lust for power sees Banquo as a threat and has him murdered by three hired assassins; Banquo's son, Fleance, escapes. Banquo's ghost returns in a later scene, causing Macbeth to react with alarm in public during a feast.
Macbeth is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
Henry Fuseli was a Swiss painter, draughtsman, and writer on art who spent much of his life in Britain. Many of his works depict supernatural experiences, such as The Nightmare. He painted works for John Boydell's Shakespeare Gallery and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake.
Lord Macduff, the Thane of Fife, is a character and the heroic main antagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act. He can be seen as the avenging hero who helps save Scotland from Macbeth's tyranny in the play.
Macbeth is a 1971 historical drama film directed by Roman Polanski, and co-written by Polanski and Kenneth Tynan. A film adaptation of William Shakespeare's tragedy of the same name, it tells the story of the Highland lord who becomes King of Scotland through treachery and murder. Jon Finch and Francesca Annis star as the title character and his wife, noted for their relative youth as actors. Themes of historic recurrence, greater pessimism and internal ugliness in physically beautiful characters are added to Shakespeare's story of moral decline, which is presented in a more realistic style.
In his own time, William Shakespeare (1564–1616) was rated as merely one among many talented playwrights and poets, but since the late 17th century has been considered the supreme playwright and poet of the English language.
Fleance is a figure in legendary Scottish history. He was depicted by 16th-century historians as the son of Lord Banquo, Thane of Lochaber, and the ancestor of the kings of the House of Stuart. Fleance is best known as a character in William Shakespeare's play Macbeth, in which the Three Witches prophesy that Banquo's descendants shall be kings. Some screen adaptations of the story expand on Fleance's role by showing his return to the kingdom after Macbeth's death.
Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and premiered on 14 March 1847. It was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, Macbeth was revised and expanded into a French version and given in Paris on 21 April 1865.
Macbeth is a 1948 American historical drama directed by Orson Welles. A film adaptation of William Shakespeare's tragedy of the same name, it tells the story of the Scottish general who becomes the King of Scotland through treachery and murder. The film stars Welles in the lead role and Jeanette Nolan as Lady Macbeth.
Samuel Phelps was an English actor and theatre manager. He is known for his productions of William Shakespeare's plays which were faithful to their original versions, after the derived works by Nahum Tate, Colley Cibber and David Garrick had dominated the stage for over a century.
Lady Macduff is a character in William Shakespeare's Macbeth. She is married to Lord Macduff, the Thane of Fife. Her appearance in the play is brief: she and her son are introduced in Act IV Scene II, a climactic scene that ends with both of them being murdered on Macbeth's orders. Though Lady Macduff's appearance is limited to this scene, her role in the play is quite significant. Later playwrights, William Davenant especially, expanded her role in adaptation and in performance.
The Nightmare is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with a demonic and ape-like incubus crouched on her chest. The painting's dreamlike and haunting erotic evocation of infatuation and obsession was a huge popular success.
The Tragical History of King Richard Iii, Alter'd From Shakespeare (1699) is a history play written by Colley Cibber. It is based on William Shakespeare's Richard III, but reworked for Williamite audiences.
Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth. The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology. Their origin lies in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland. Other possible sources, apart from Shakespeare, include British folklore, contemporary treatises on witchcraft as King James VI of Scotland's Daemonologie, the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae.
George Henry Harlow was an English painter known mostly for his portraits.
The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting. In addition to the establishment of the gallery, Boydell planned to produce an illustrated edition of William Shakespeare's plays and a folio of prints based upon a series of paintings by different contemporary painters. During the 1790s the London gallery that showed the original paintings emerged as the project's most popular element.
Ellen Terry as Lady Macbeth is an oil painting by John Singer Sargent, now in Tate Britain, in London. Painted in 1889, it depicts actress Ellen Terry in a famous performance as Lady Macbeth in William Shakespeare's tragedy Macbeth, wearing a green dress decorated with iridescent beetle wings. The play was produced by Henry Irving at the Lyceum Theatre, London, with Irving also playing Macbeth opposite Terry. Sargent attended the opening night on 29 December 1888 and was inspired to paint Terry's portrait almost immediately.
The tragic play Macbeth by William Shakespeare has appeared and been reinterpreted in many forms of art and culture since it was written in the early 17th century.
Titania and Bottom is an oil painting by the Anglo-Swiss painter Henry Fuseli. It dates to around 1790 and is in Tate Britain, in London. It was commissioned for the Boydell Shakespeare Gallery and depicts a scene from A Midsummer Night's Dream by William Shakespeare.
 | This article about a nineteenth-century painting is a stub. You can help Wikipedia by expanding it. |