| Lady Macbeth Seizing the Daggers | |
|---|---|
 | |
| Artist | Henry Fuseli |
| Year | 1812 |
| Medium | Oil on canvas |
| Dimensions | 127 cm× 101.6 cm(50 in× 40.0 in) |
| Location | Tate Britain, London |
Lady Macbeth Seizing the Daggers is an oil on canvas painting by the Swiss-British artist Henry Fuseli, created in 1812. The work is held at the Tate Britain, in London. [1]
Fuseli was a great admirer of William Shakespeare; he himself had translated the play Macbeth to German. He created several paintings inspired by Shakespeare's works. This painting, most likely a sketch for an intended larger work, represents a passage from the second scene of the second act of the same play. In this scene the protagonist, Macbeth, holds at arm's length the still bloody daggers with which he has just killed King Duncan, while his wife Lady Macbeth, the instigator of the regicide, signals him to be silent while rushing towards his husband to disarm him. Macbeth appears remorseful, while his wife appears more confident. The scene isn't realistical, the characters are depicted in a dark background, in white, ghost-like appearances. [2] [3] [4]
LordBanquo, the Thane of Lochaber, is a semi-historical character in William Shakespeare's 1606 play Macbeth. In the play, he is at first an ally of Macbeth and they meet the Three Witches together. After prophesying that Macbeth will become king, the witches tell Banquo that he will not be king himself, but that his descendants will be. Later, Macbeth in his lust for power sees Banquo as a threat and has him murdered by three hired assassins; Banquo's son, Fleance, escapes. Banquo's ghost returns in a later scene, causing Macbeth to react with alarm in public during a feast.
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