Joji | |
---|---|
Directed by | Dileesh Pothan |
Written by | Syam Pushkaran |
Based on | Macbeth by William Shakespeare |
Produced by | Fahadh Faasil Dileesh Pothan Syam Pushkaran |
Starring |
|
Cinematography | Shyju Khalid |
Edited by | Kiran Das |
Music by | Justin Varghese |
Production companies | |
Distributed by | Amazon Prime Video |
Release date |
|
Running time | 113 minutes |
Country | India |
Language | Malayalam |
Joji , or stylized as JOJI, is a 2021 Indian Malayalam-language crime drama film [1] directed by Dileesh Pothan and written by Syam Pushkaran. [2] The story is inspired by William Shakespeare's play Macbeth . The film was produced by Bhavana Studios in association with Working Class Hero, and Fahadh Faasil and Friends. Fahadh Faasil plays the title character, while Baburaj, Shammi Thilakan, and Unnimaya Prasad play other pivotal roles. The plot revolves around a wealthy family of three sons and a father living in the countryside of Kerala.
Principal photography took place from November 2020 to January 2021, shot extensively in Kottayam. Joji released through the OTT service Amazon Prime Video on 7 April 2021 to wide critical acclaim.
This article's plot summary may be too long or excessively detailed.(May 2021) |
Joji, an engineering dropout, along with elder brothers Jomon and Jaison lead a life of fear under their dominating father Kuttappan. The family also includes Jaison's wife Bincy and Jomon's teenage son Popy. They live in a vast house in the middle of a sizable plantation in the high ranges of COVID-ridden Kerala. While Joji looks meek among his father and brothers, he appears to share a bond with Bincy and Popy.
Despite being 74, Kuttappan is well-built and is very much in charge of family affairs. Jomon, a divorcee, aids him in agriculture in their vast estate, while Jaison manages their businesses in town. Joji is running unsuccessful ventures, the remains of them being a horse tied in their estate. He is financially dependent on Kuttappan who physically abuses Joji. Bincy manages the household chores and is always shown to be occupied in the kitchen. A pond is being maintained in the family yard by workers including Gireesh and Sudhi. Kuttappan manages to pull out a heavy valve stuck in the mud as nobody else could handle it, but suffers a stroke in the process and is hospitalised. A close relative of the family, Dr Felix, discusses with his fellow doctors and comes to the conclusion that Kuttappan is paralyzed and there is little hope of improvement in his condition. Things look brighter even for Joji as he manages to sell his horse after showing it off to buyers in the family's yard.
However, Kuttappan returns home, bedridden and unable to speak. Jomon is visibly upset over his father's condition, while the others at various levels hope for Kuttappan's speedy death. Joji even visits his father in bed and mocks his paralyzed hand which was used to abuse him. When Kuttappan shows further physical suffering, Jomon decides to sanction a risky surgery, which is fortunately successful. This brings a recovering Kuttappan back home, albeit in a wheelchair, getting everyone in the house back to their old ways.
As prompted by Bincy, Jaison asks his father for money to buy a new house in the town, but is rejected and ridiculed by Kuttappan. Kuttappan also manages to use a pen to sign a cheque indicating his improved condition. An upset Bincy shares her frustration with Joji. Joji decides to stand up against his father and demands him to step down. However, the old man manages to choke Joji with his able left hand and ridicules him as well. Joji decides to kill Kuttappan and begins to secretly replace Kuttappan's daily medication with similar-looking pills. Bincy witnessed this but conceals the truth as she and Jaison are also secretly wishing for Kuttappan's death. Joji's plan works and Kuttappan dies soon.
Jomon, already an alcoholic, bursts firecrackers at the funeral procession, claiming his father would not have wanted a depressing funeral. This leads the family into a scuffle with the church priest, Fr Kevin. Not long after the funeral, the family meets, presided by Dr Felix to partition the dead man's estate. Jomon objects to the partition saying it will be disrespectful to Kuttappan's spirit. Jomon and Jaison enter into a heated argument. Joji rises to the occasion and proposes a solution agreed by both his brothers impressing everyone.
Meanwhile, rumours begin to spread about Kuttappan's death. Joji has nightmares of his father and tries to destroy the pieces of evidence by burning all medicine strips that were used in the gruesome act. But this leads to a fire near the pond. Jomon notices the sign of fire the next morning. Joji manages to escape and lies to Jomon that he doesn't visit the pond at all. Jomon is upset over rumours that Kuttappan's death and is suspicious that someone in the family is behind it. Jomon wants to confront Thotta Sudhi who was loud about Joji's apathetic walking towards the house as Bincy was crying out when Kuttappan died. Joji joins Jomon in searching for Sudhi in the plantations. They find Sudhi working alone on the plantation making thotta (a crude explosive used in breaking stones). When confronted, he runs away after a heated exchange with the brothers but not before spilling some beans which makes Jomon suspect Joji. Realizing Joji is hiding something, Jomon attacks him, and Joji subdues him using Popy's air gun, after which he throws Sudhi's explosives at him, killing Jomon instantly. Joji provides a statement to the police, thus framing Sudhi for Jomon's death.
Over the next few days, Jaison notices weird changes in Joji's behaviour, including him becoming overtly religious, as Bincy begins to question the possibility of Joji's involvement in Jomon's murder as well. During the autopsy, the police find the pellets from the gun in Jomon's body, and Popy realizes that Joji was the only other person who knew of the gun, which was purchased with money stolen from Kuttappan. The family confronts Joji, who continues to deny these claims. Realizing that he will not get away, Joji tries to blackmail Jaison that unless he stands with Joji, he will be implicated as a co-conspirator in the murders. Realising the true colours of Joji, Jaison refuses this categorically. Bincy confesses to Jaison of knowing about some of Joji's acts. Having no way out, Joji attempts suicide by shooting himself with the air gun to his head. He also sends a suicide note to the remaining family members blaming society for all his acts.
In the mid-credits scene, it is shown that Joji survives and awakens in the hospital, paralyzed. When the police officer asks a bedridden Joji to confess to his crimes by blinking his eyes, Joji forcefully does not blink.
On 3 October 2020, Fahadh Faasil announced his next collaboration with Dileesh Pothan after Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum . [3] Titled as Joji, the announcement featured a poster which informed that the film will be based on William Shakespeare's play Macbeth , [4] also becoming the third Macbeth-based Indian film after Maqbool and Veeram . [5] The poster also contained details about the crew, which include Shyju Khalid as cinematographer, Justin Varghese as music director and Kiran Das as editor. [6]
Principal photography began on 13 November 2020 and was shot in Cheruvally estate and Erumely. [7] [8] Shooting of the film got wrapped up on 14 January 2021, [9] within a duration of two months. [10]
The film score is composed by Justin Varghese.
JOJI [11] | |||||
---|---|---|---|---|---|
Soundtrack album by Justin Varghese | |||||
Released | April 22, 2021 | ||||
Genre | Feature film soundtrack | ||||
Length | 23:44 | ||||
Label | Bhavana Studios | ||||
Producer | Justin Varghese | ||||
Justin Varghese chronology | |||||
| |||||
|
No. | Title | Length |
---|---|---|
1. | "Main Theme" | 02:35 |
2. | "Prophecy" | 00:45 |
3. | "He Is Back" | 01:59 |
4. | "The Lady Macbeth Element" | 00:34 |
5. | "The Hook" | 04:47 |
6. | "Fire" | 01:29 |
7. | "Execution" | 02:47 |
8. | "Desperation" | 01:04 |
9. | "Fear" | 02:03 |
10. | "Reality" | 01:17 |
11. | "Marana Mozhi" | 02:20 |
12. | "Trailer Music" | 02:05 |
On 31 March 2021, Amazon Prime Video India released a teaser and trailer on 2 April 2021 announcing that the film will premiere through the streaming platform on 7 April 2021. [14] Joji was selected as the winner for the Best International Feature Film at Swedish International Film Festival, 2021 [15]
The film received highly positive reviews from critics. Anupama Chopra of Film Companion wrote, "Joji is a reworking of Macbeth and while these words might suggest a period setting, Shakespeare’s tragedy has been reimagined in contemporary times, on a sprawling rubber plantation in Kerala. But Joji, the youngest of three brothers, is very much a subject of his father’s kingdom." [16] Rating 4.5 out of 5 stars, Sajin Shrijith of The New Indian Express said "Joji is another brilliant, debate-worthy film about oppressed characters from the enviable imagination of Syam Pushkaran and director Dileesh Pothan. It's the duo's darkest film yet". [17] Richard Brody of The New Yorker gave the film a positive review, noting, "The script, by Syam Pushkaran, is both practical and fiercely expressive," and concludes, writing, "Long before the plot is resolved, Joji offers a sardonic vision of patriarchal tyranny and the pathologies it spawns... [it] declares, with bitter irony, that there’s no end in sight." [18]
The Indian Express rated 3.5 and wrote, "Shakespeare’s grand meshing of crime and punishment in Macbeth has spawned many film and stage versions in many languages around the world. Joji picks up the overarching theme beautifully (both writer and director have incorporated crime and punishment most innovatively in their previous work). The only time the film loses its grip, ever so slightly, is in the way it slides on the guilt which is part-and-parcel of a killing, and rolls towards an ending which feels pat. I wanted to see more of how the ‘damned spot’ would deepen, and how everyone, especially Joji, would experience it: the climactic coda feels a tad hurried." Firstpost rated 3.5 and wrote, "Joji paints an intriguing portrait of the antonym to mourning in this house of intrigue. Like some of the best of Malayalam cinema’s New New Wave, it is a thoughtful, watchful film in which a chain of events unfolds at a natural pace, presenting a wealth of insights into Malayali culture and customs along the way. The succession-related concerns in the Panachel home, gossip by those claiming to support them, the local church’s influence in their lives, the tense relationship between the parish priest (Basil Joseph) and this moneyed family all add up to a delightful black comedy that perhaps only Dileesh Pothan and writer Syam Pushkaran could have made."
The Times of India rated 3 and wrote, "And this is not a reflection on Dileesh Pothan’s able direction, or the acting talent. Baburaj plays his part with neat restraint, whether he is drunk, comic, angry or confused, and Sunny PN conveys menace perfectly. The camera by Shyju Khalid captures the mood and is immersive, while Justin Varghese’s bgm is quirky and sets the perfect tone. Ultimately, it’s an exaggerated story about the darkness in a man’s heart. But it will definitely be a movie that will be a part of popular culture for its characters." Sify rated 4 and wrote, "Joji is the kind of movie that shakes you up and refuses to leave you long after the end titles start rolling. It is affecting and makes you feel how easy it is for a human to give in to greed and then, face the consequences. This one is a MUST WATCH!" . The Hindu wrote, "Joji is as much a perceptive study of the slow unravelling of a criminal mind, as it is an indictment of the society and the family structure that is the origin point of that criminality. Dileesh Pothan has scored a hat-trick, with three films that are unlike each other"
Critics have also pointed out striking similarities with the 1985 Malayalam film Irakal . [19] [20]
Year | Award/Festival | Category | Recipient | Notes |
---|---|---|---|---|
2021 | Swedish International Film Festival [21] | Best International Feature Film [22] | Joji | Won [23] [24] |
New York Movie Awards | Feature Film (Special Mention) | Won | ||
Vegas Movie Awards | Best Narrative Feature Award | Won | ||
Barcelona International Film Festival | Best Feature Film | Won | ||
Kerala State Film Awards [25] | Best Director | Dileesh Pothan | Won | |
Best Character Actress | Unnimaya Prasad | Won | ||
Best Adapted Screenplay | Syam Pushkaran | Won | ||
Best Original Score | Justin Varghese | Won | ||
2022 | 10th South Indian International Movie Awards | Best Film | Bhavana Studios, Working Class Hero, Fahadh Faasil and Friends | Nominated |
Best Director | Dileesh Pothan | Nominated | ||
Best Actor in a Supporting Role | Baburaj | Won | ||
Best Actress in a Supporting Role | Unnimaya Prasad | Won | ||
Best Debut Actor | Joji Mundakayam | Nominated | ||
Alex Alister |
Baburaj Jacob, mononymously known as Baburaj, is an Indian actor, director, and screenwriter who works predominantly in Malayalam cinema and has also appeared in Tamil and Hindi films. He began and established his career in cinema by playing antagonistic roles and graduated to comedic and character roles after the 2011 film Salt N' Pepper.
Abdul Hameed Mohammed Fahadh Fazil, professionally known as Fahadh Faasil or FaFa, is an Indian actor and producer who primarily works in Malayalam and Tamil films. Noted for his diverse portrayals, Fahadh is among the highest-paid and most popular Malayalam actors. Fahadh is a recipient of several accolades including a National Film Award, four Kerala State Film Awards and four Filmfare Awards South.
New generation films is a Malayalam film movement developed in the early 2010s, characterized by fresh and unusual themes and new narrative techniques. Films of the new wave differ from conventional themes of the past two decades and introduced several new trends and techniques to the Malayalam film industry. While the new generation formats and styles are deeply influenced by global trends, their thematics are firmly rooted in Malayalee life and mindscapes.
Mariyam Mukku is a 2015 Indian Malayalam-language romantic fantasy drama written and directed by James Albert. It marks the directorial debut of screenwriter James. The film was distributed by LJ Films and stars Fahadh Faasil and Sana Althaf in the lead roles along with Manoj K. Jayan, Joy Mathew, Irshad, Sadiq, Nandhu, Prathap Pothan, and Saju Navodaya in other important roles. The film score and songs were composed by Vidyasagar.
Dileesh Philip, also known as Dileesh Pothan is an Indian film director, actor and producer, who works in Malayalam cinema. He made his directorial debut with the 2016 comedy drama film Maheshinte Prathikaaram, starring Fahadh Faasil. The film received the Best Feature Film in Malayalam Award at the 64th National Film Awards. Pothan also won the Best Director Award at the 64th Filmfare Awards South.
Dileesh Nair is an Indian film director and screenwriter who works in Malayalam cinema. He started out as a 2D animator. He made his script writing debut with Salt N' Pepper (2011) along with Syam Pushkaran. He debuted as film director with Tamaar Padaar (2014).
Syam Pushkaran is an Indian scriptwriter who works in Malayalam cinema. He is known for his collaboration with directors Aashiq Abu and Dileesh Pothan. He made his debut with Salt N' Pepper (2011), co-written with Dileesh Nair. He has written screenplays for popular films such as 22 Female Kottayam (2012), Da Thadiya (2012), Idukki Gold (2013), Iyobinte Pusthakam (2014), Rani Padmini (2015), Maheshinte Prathikaaram (2016), Mayaanadhi (2017), and Kumbalangi Nights (2019) and Joji (2021). He also served as co-director and wrote the dialogues for Thondimuthalum Driksakshiyum (2017). Pushkaran won the National Film Award for Best Screenplay for Maheshinte Prathikaram at the 64th National Film Awards (2016).
Maheshinte Prathikaaram is a 2016 Indian Malayalam-language comedy drama film directed by Dileesh Pothan, in his directorial debut and produced by Aashiq Abu. The film stars Fahadh Faasil in the title role alongside a supporting cast including Aparna Balamurali, Anusree, Alencier Ley Lopez and Soubin Shahir. Written by Syam Pushkaran, the story is based on an incident in the life of Thampan Purushan from Thuravoor, Cherthala. Shyju Khalid was the film's cinematographer, and the music was composed by Bijibal.
Role Models is a 2017 Indian Malayalam-language romantic comedy-drama film written and directed by Rafi. It stars Fahadh Faasil, Vinayakan, Namitha Pramod, Sharaf U Dheen and Vinay Forrt. It was shot in various locations of Goa and Dubai and released on 25 June 2017 in Kerala.
Thondimuthalum Driksakshiyum is a 2017 Indian Malayalam-language crime drama film directed by Dileesh Pothan and written by Sajeev Pazhoor. The film stars Fahadh Faasil and Suraj Venjaramoodu, with Nimisha Sajayan, Alencier Ley Lopez, Vettukili Prakash, and Sibi Thomas in supporting roles. Syam Pushkaran served as a creative director of the film. Bijibal composed the music and Rajeev Ravi handled the cinematography.
CPC Cine Awards was an annual awards ceremony for films in the Malayalam film industry, which was crowd-sourced and hosted by a Facebook group named Cinema Paradiso Club.
Kumbalangi Nights is a 2019 Indian Malayalam-language drama film directed by Madhu C. Narayanan. The directorial debut was written by Syam Pushkaran and jointly produced by Fahadh Faasil and Nazriya Nazim under their production house Fahadh Faasil and Friends, in association with Dileesh Pothan and Syam Pushkaran under Working Class Hero. The film stars Soubin Shahir, Shane Nigam, Fahadh Faasil and Sreenath Bhasi, along with debutants Anna Ben, Grace Antony and Mathew Thomas in pivotal roles. The cinematography and editing were handled by Shyju Khalid and Saiju Sreedharan, respectively. The soundtrack and background score is composed by Sushin Shyam.
Abdul Hameed Mohammed Fahadh Fazil, professionally known as Fahadh Faasil or FaFaa, is an Indian actor and producer who predominantly works in Malayalam and Tamil films. Fahadh is a recipient of several accolades including a National Film Award, four Kerala State Film Awards and three Filmfare Awards South.
Malik (transl. King), stylized as mālik with diacritics, is a 2021 Indian Malayalam-language political thriller film directed, written and edited by Mahesh Narayanan. It was produced by Anto Joseph through Anto Joseph Film Company along with Carnival Movie Network. The film stars Fahadh Faasil with Nimisha Sajayan, Vinay Forrt Jalaja, Joju George, Dileesh Pothan and Indrans in supporting roles. The music was composed by Sushin Shyam.
Kiran Das is an Indian film editor who predominantly works in Malayalam cinema. He is a recipient of the Kerala State Film Award for Best Editor in 2019 for the movie Ishq. His other notable works include Thondimuthalum Driksakshiyum (2017), Joseph (2018), Ambili (2019) and Joji (2021).
A.V. Gokuldas is a production designer in the Indian film industry. He has won the Kerala State Film Award for Best Production Design four times.
Naslen K. Gafoor is an Indian actor who appears in Malayalam films. He is best known for his roles in the films Thanneer Mathan Dinangal (2019), Kuruthi (2021), Home (2021), Super Sharanya (2022), Jo and Jo (2022), Neymar (2023) and Premalu (2024), which went on to become one of the highest grossing Malayalam movies of all time, earning him fame across various states of India.
Palthu Janwar is a 2022 Indian Malayalam-language film directed by debutante Sangeeth P. Rajan starring Basil Joseph in lead role and Indrans, Johny Antony, Dileesh Pothan and Shammy Thilakan in supporting roles. The film is produced by Fahadh Faasil, Dileesh Pothan and Syam Pushkaran under the banner Bhavana Studios. The film was released on 2 September 2022.
Thankam (transl. Gold) is a 2023 Indian Malayalam-language crime film directed by Saheed Arafath and written by Syam Pushkaran. It stars Biju Menon, Vineeth Sreenivasan and Aparna Balamurali in the lead roles. The film is produced by Bhavana Studios in association with Working Class Hero and Fahadh Faasil and Friends. The film is based on an incident that happened to a jeweller in Thrissur.