Smell the Magic | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 1, 1990 | |||
Recorded | 1989 | |||
Studio |
| |||
Genre | ||||
Length | 29:36 | |||
Label | Sub Pop [1] | |||
Producer | Jack Endino [2] | |||
L7 chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Christgau's Consumer Guide | A [4] |
Collector's Guide to Heavy Metal | 7/10 [5] |
The Encyclopedia of Popular Music | [6] |
MusicHound Rock: The Essential Album Guide | [2] |
The Rolling Stone Album Guide | [7] |
Spin Alternative Record Guide | 8/10 [8] |
Smell the Magic is the second studio album by American rock band L7, released in 1990 by Sub Pop. [9] Originally issued as a 12" EP containing only the first six songs, it was reissued on CD in July 1991, expanded to album length with three more tracks: "Packin' a Rod," "Just Like Me," and "American Society." The opening track "Shove" was released as the band's first single.
The Encyclopedia of Popular Music called the album "a raucous, grunge-flavored blast." [6] Trouser Press wrote that "L7 still brings the noise, but with a melodicism that isn’t as evident on the first album." [10]
Rolling Stone placed Smell the Magic at #37 in their list of the 50 Greatest Grunge Albums, noting that "they were one of the few non-Seattle bands signed to Sub Pop," and the album "was an electric shock in a sea of grey." Likewise, the article mentions L7's formation out of Los Angeles' metal scene, then acting as a crossover act, and states conclusively that Smell the Magic is one of the "most widely cited as an inspiration by the next wave of punk and riot grrrl bands". [11]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Shove" | Suzi Gardner, Donita Sparks | 3:10 |
2. | "Fast and Frightening" | Gardner, Sparks | 2:37 |
3. | "(Right On) Thru" | Jennifer Finch | 3:13 |
4. | "Deathwish" | Sparks, Finch, Demetra Plakas | 3:45 |
5. | "Till the Wheels Fall Off" | Gardner, Sparks | 3:43 |
6. | "Broomstick" | Gardner, Sparks, Finch | 3:49 |
7. | "Packin' a Rod" | Scott Morrow | 2:08 |
8. | "Just Like Me" | Gardner, Sparks, Finch, Plakas, Dusty | 3:32 |
9. | "American Society (Eddie and the Subtitles cover)" | Eddie Joseph, Mike Patton | 3:53 |
Total length: | 29:36 |
Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. The album was the final LP recorded by the original Funkadelic lineup; after its release, founding members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
L7 is an American all-female rock band founded in Los Angeles, California, first active from 1985 to 2001 and re-formed in 2014. Their longest standing lineup consists of Suzi Gardner, Donita Sparks, Jennifer Finch, and Dee Plakas. L7 has released seven studio albums and has toured widely in the US, Europe, Japan, Australia, and South America. "Pretend We're Dead" was heavily played on US alternative radio and entered the top 10 on the Billboard Modern Rock chart in 1992.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Blues for the Red Sun is the second studio album by American rock band Kyuss, released in 1992. While the album received mainly favorable reviews, it fared poorly commercially, selling only 39,000 units. It has since become a very influential album within the stoner rock genre. It was the last Kyuss album to feature bassist Nick Oliveri, who was replaced by Scott Reeder shortly after recording had been completed. The album is dedicated to Oliveri's father who died in a car accident in 1991.
Congregation is the third studio album by American alternative rock band The Afghan Whigs. It was released on January 31, 1992, by Sub Pop and followed two years of the band's touring in support of their first album for the label, Up in It (1990).
Ultramega OK is the debut studio album by American rock band Soundgarden, released on October 31, 1988, by SST Records. Following the release of the EPs Screaming Life (1987) and Fopp (1988), both for the Sub Pop record label, Soundgarden signed with SST and went to work on their debut full-length. The resulting album contained elements of heavy metal, psychedelic rock, and hardcore punk. The band supported the album with a tour of the United States, as well as its first overseas tour.
Every Good Boy Deserves Fudge is the second studio album by American rock band Mudhoney. It was recorded at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop in 1991. The album shipped 50,000 copies on its original release. It was credited with helping to keep Sub Pop in business.
Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992, by Slash Records. The album peaked at number 160 on the US Billboard 200 and number one on the Heatseekers Albums chart. As of June 2000, Bricks Are Heavy has sold 327,000 copies in the United States, according to Nielsen Soundscan.
Stoner Witch is the seventh studio album by American rock band Melvins, released on October 18, 1994, by Atlantic Records.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
Screaming Life is the debut EP by American rock band Soundgarden, released in October 1987 by Sub Pop. Screaming Life was later combined with the band's next EP, Fopp (1988), and released as the Screaming Life/Fopp compilation album in 1990.
L7 is the debut studio album by American rock band L7, released in 1988 by Epitaph Records. It demonstrates the band's punk rock origins, although there are traces of the heavier grunge sound that dominated their later work.
Hungry for Stink is the fourth studio album by L7, released in July 1994 by Slash Records. The album peaked at number 117 on the Billboard 200 chart, as well as number 2 on the Heatseekers Albums chart.
Happy Hour is the fifth studio album by experimental music band King Missile, and released on December 15, 1992, by Atlantic Records. The album is exactly one hour long, hence its title.
Hunkpapa is the third studio album by Throwing Muses, released in 1989. It peaked at number 59 on the UK Albums Chart.
Smash Your Head on the Punk Rock is a compilation album by the American indie rock band Sebadoh. It was released in 1992, and marked the band's debut on Sub Pop.
"Slateman" is a song by English industrial metal band Godflesh. It was released as a 7-inch single in 1991 through Sub Pop and later reissued on Earache Records as a CD, a 7-inch and a 12-inch. In 1996, the single was repackaged alongside Cold World (1991) on one disc by Earache Records as the compilation Slateman/Cold World. Both "Slateman" and its b-side, "Wound '91", were appended to the end of most issues of Godflesh's 1991 EP Slavestate.
The Dictators Go Girl Crazy! is the debut album by American punk rock band The Dictators. It was released in March 1975 and is considered one of the first examples of punk rock.
Manifest Destiny is the second album by the Dictators and their first after switching to the Asylum label.
Dragline is the debut studio album by the American grunge band Paw. It was released in 1993 through A&M Records. It sold around 80,000 copies.
rolling stone l7 album guide.