The Bends is the second studio album by the English rock band Radiohead, released on 13 March 1995 by Parlophone. It was produced by John Leckie, with extra production by Radiohead, Nigel Godrich and Jim Warren. The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993).
Another Green World is the third solo studio album by Brian Eno, released by Island Records on November 14, 1975. The album marked a transition from the rock-based music of Eno's previous releases toward the minimalist instrumentals of his late 1970s ambient work. Only five of its fourteen tracks feature vocals, a great contrast to his past pop music material, which predominantly featured vocals in their recordings.
The Dunedin sound was a musical and cultural movement and a genre of indie pop and alternative rock, created and pioneered in Dunedin, Otago, in the early 1980s. The Dunedin sound is considered to have been a key factor in the origination of indie rock as a genre. The scene was closely associated with Flying Nun Records, an independent label which has become one of the world's most renowned.
Gaucho is the seventh studio album by the American rock band Steely Dan, released by MCA Records on November 21, 1980. The album marked a significant stylistic shift for the band, with more focus on rhythm and atmosphere than their earlier work, and fewer harmonically complex chord progressions, but the recording sessions demonstrated the group's typical obsessive nature and perfectionism, as they used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. At the 24th Annual Grammy Awards, Gaucho won Best Engineered Recording – Non-Classical, and was nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.
Final Straw is the third studio album and major-label debut by Scottish-Northern Ireland rock band Snow Patrol, released on 4 August 2003 in the United Kingdom and Ireland and in 2004 in the United States. The album is notable for bringing the band their first mainstream success outside of their native countries of Northern Ireland and Scotland. In the 14 months following its release, a total of 5 singles were drawn from it. It is the first album to feature lead guitarist Nathan Connolly and the last to feature bassist Mark McClelland.
The Chills are a New Zealand rock band that formed in Dunedin in 1980. The band is essentially the continuing project of singer/songwriter Martin Phillipps, who is the group's sole constant member. For a time in the 1990s, the act was billed as Martin Phillipps & The Chills. In the 1980s and 1990s, The Chills had some significant chart success in their homeland and were a cult band in other parts of the world as one of the earliest proponents of the Dunedin sound.
Shapeshifter are a live drum and bass act from New Zealand. They are known for their live shows and blend of heavy soul with drum and bass. They have made appearances at Glastonbury, The Big Chill, Big Day Out, Parklife plus sold-out performances across Europe, Australia and New Zealand.
"Diamonds and Pearls" is the title track of American musician Prince and The New Power Generation's 1991 album and was released as a single in November 1991. The song is an upbeat ballad, given a rock edge with guitar and heavy drumming. It also features the vocals of NPG member Rosie Gaines. The ballad is an expression of love and not lust, as is the theme on some of the other singles from the album. It was a top 10 hit, reaching number three in the US and the top spot on the R&B chart. The pearls in the accompanying music video come from Connie Parente, a Los Angeles jewelry collector and designer.
"Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears from their second studio album Songs from the Big Chair (1985). It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. It was released on 22 March 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the album. "Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption.
Submarine Bells is an album by New Zealand group the Chills, released in 1990. This was the band's first album on a major label, as Martin Phillipps signed to Warner Bros. Records subsidiary Slash Records, to release the album in the U.S. The album reached #1 on the New Zealand album charts and had significant support from American college radio. The album was awarded gold status in New Zealand and represents the peak of the Chills' popularity at home. It is considered to be one of the defining albums of the Dunedin sound. The supporting tour for Submarine Bells culminated in a triumphant home-coming concert in Dunedin Town Hall.
"Feel Like Makin' Love" is a song by English supergroup Bad Company. The power ballad originally appeared on the LP Straight Shooter in April 1975 and was released as a single in August of the same year. It was named the 78th best hard rock song of all time by VH1.
Unknown Mortal Orchestra (UMO) is a New Zealand psychedelic rock band formed in Auckland, primarily composed of singer, guitarist, and songwriter Ruban Nielson, and bassist Jacob Portrait. The band is based in Portland, Oregon, US. Nielson started the band in 2009. The band's first album was released in 2011 on Fat Possum Records; four subsequent studio albums have been released on Jagjaguwar, the most recent being V (2023).
"The Sound" is a song by English band the 1975 from their second studio album, I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It (2016). It was written by Matty Healy, George Daniel, Adam Hann and Ross MacDonald. Mike Crossey handled the production alongside Daniel and Healy. The London Community Gospel Choir provide the song's choir vocals. The song was released on 19 February 2016 by Dirty Hit and Polydor Records as the fourth single from the album. Inspired by the pop albums of his youth, Healy sought to channel the memorable melodies from them and create an "unabashed" pop song. Healy first presented the song to One Direction, who declined, so the band decided to record it.
"Pink Frost" is a song by New Zealand band The Chills. The song was originally recorded in 1982. It was released as a single in 1984. Its B-side was the instrumental track "Purple Girl". It reached number 17 on the New Zealand singles chart.
Wildness is the seventh studio album by Northern Irish-Scottish rock band Snow Patrol. The album was released on 25 May 2018. It is their first album with Johnny McDaid as a full member of the band, after his involvement as a guest musician and songwriter on Fallen Empires and participation in its tour. It was also the last album feature bassist Paul Wilson and drummer Jonny Quinn who both left the band in September 2023.
Superorganism is the self-titled debut studio album by indie pop band Superorganism, released through Domino on 2 March 2018.
Lush is the debut studio album by American indie rock musician Snail Mail, released on June 8, 2018 through Matador Records. The album was produced by Jake Aron.
Silver Bullets is an album by New Zealand group the Chills, released in 2015.
"Renegade" is a song recorded by American indie band Big Red Machine featuring American singer-songwriter Taylor Swift, released on July 2, 2021, by 37D03D and Jagjaguwar. It was serviced to US triple-A radio on the same day as the third single from the band's second studio album, How Long Do You Think It's Gonna Last? (2021).
What's Be Happen? is the debut studio album by New Zealand reggae band Herbs. The album was released in July 1981 on the eve of the 1981 Springbok tour by Warrior Records, only the second album to be released by the label at that point. What's Be Happen? is often seen as the first album of both Pacific and New Zealand reggae, blending reggae themes and styles with traditional Polynesian rhythms and musical structure. This is seen through elements such as the use of Cook Islands pātē on the title track and frequent use of the so-called "Māori strum" method of guitar on tracks throughout the record. As a result, the album has been described as representing a watershed moment in the development of a distinct form of reggae within New Zealand and establishing Herbs as a prominent band within that.
