Snowbug

Last updated

Snowbug
Snowbug.webp
Studio album by
Released1999
Genre Pop
Label Alpaca/V2 [1]
Producer The High Llamas
The High Llamas chronology
Lollo Rosso
(1998)
Snowbug
(1999)
Buzzle Bee
(2000)

Snowbug is an album by the Anglo-Irish band the High Llamas, released in 1999. [2] [3] It was a commercial failure. [4]

Contents

The album's first single was "Cookie Bay". [5]

Production

The album was produced by the High Llamas, and engineered by John McEntire. [6] Mary Hansen and Laetitia Sadier sang on "Cookie Bay". [7] Unlike previous albums, Snowbug was mainly improvised in the studio, with frontman Sean O'Hagan deciding to sing on fewer tracks. [8] [9] O'Hagan also decided to mostly steer away from electronic sounds in favor of acoustic ones. [10]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [11]
Dayton Daily News A [9]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [12]
Orange County Register B+ [13]
Pitchfork 5.8/10 [14]

Salon wrote that "the album's crystalline production and understated mid-tempo gait make it a near Adult Contemporary exercise in musical pleasantry, but the studied sweep of its craftsmanship clearly has other, more ambitious designs." [15] The Birmingham Post thought that "if there's a chink in the Lamas' armour it's O'Hagan's fragile, insubstantial vocals which frequently fail to do justice to his elaborate Brian Wilsonesque arrangements." [8] The Orange County Register stated that the "recycling is so beguiling." [13]

The Herald opined that, "in 'Cut The Dummy Loose', the band may have recorded the theme for a kids' TV show so weird that only David Lynch could film it." [16] The Guardian concluded that "the chief problem with this electroid whimsy, however, isn't that it doesn't come from the heart; it's that it doesn't make any discernible attempt to reach it." [17] The Chicago Tribune determined that Snowbug "plays like a batch of singles instead of a suite, making it not only a perfect introduction, but a solid disc of individual, well-constructed ideas." [18]

AllMusic wrote that, "at one point, there was charm and invention to his music, even if it was merely an homage, but now that it's become the patented High Llamas sound, it's clear that he's boxed himself into a corner, and worse, he doesn't seem that concerned about it." [11]

Track listing

No.TitleLength
1."Bach Ze" 
2."Harpers Romo" 
3."Hoops Hooley" 
4."Cookie Bay" 
5."Triads" 
6."The American Scene" 
7."Go to Montecito" 
8."Janet Jangle" 
9."Amin" 
10."Daltons Star" 
11."Cotton to the Bell" 
12."Green Coaster" 
13."Cut the Dummy Loose" 

Related Research Articles

<span class="mw-page-title-main">Stereolab</span> English-French avant-pop band

Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's sound features influences from krautrock and 1960s French pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. While performing, they play in a more feedback-driven and guitar-oriented style. From the mid-1990s, the band began to draw from funk, jazz and Brazilian music.

<span class="mw-page-title-main">Sean O'Hagan</span> Musical artist

Sean O'Hagan is an Irish singer and songwriter who leads the avant-pop band the High Llamas, which he founded in 1992. He is also known for being one half of the songwriting duo in Microdisney and for his work during the early 1990s with the English-French band Stereolab.

<i>The Bootlicker</i> 1999 studio album by Melvins

The Bootlicker is the eleventh studio album by the Melvins, released in 1999 through Ipecac Recordings. The album is the second part of a trilogy preceded by The Maggot and followed by The Crybaby. The trilogy was later released on vinyl by Ipecac.

<i>Cobra and Phases Group Play Voltage in the Milky Night</i> 1999 studio album by Stereolab

Cobra and Phases Group Play Voltage in the Milky Night is the sixth studio album by English-French rock band Stereolab. It was released on 21 September 1999 and was issued by Duophonic Records and Elektra Records. The album was largely co-produced by Stereolab, John McEntire, and Jim O'Rourke.

<i>Hotwired</i> (The Soup Dragons album) 1992 studio album by The Soup Dragons

Hotwired is the third studio album by the Scottish band the Soup Dragons. It was released on April 21, 1992.

<span class="mw-page-title-main">The High Llamas</span> Anglo-Irish avant-pop band

The High Llamas are an Anglo-Irish avant-pop band formed in London circa 1991. They were founded by singer-songwriter Sean O'Hagan, formerly of Microdisney, with drummer Rob Allum and ex-Microdisney bassist Jon Fell. O'Hagan has led the group since its formation. Their music is often compared to the Beach Boys, a band he acknowledges as an influence, although more prominent influences were drawn from bossa nova and European film soundtracks.

Chamber pop is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture.

<i>Dreamy</i> (Beat Happening album) 1991 studio album by Beat Happening

Dreamy is an album by the indie pop band Beat Happening, released in 1991. The band recorded the tracks in a living room and in a professional recording studio.

<i>Audience with the Mind</i> 1993 studio album by The House of Love

Audience with the Mind is the fourth studio album by British alternative rock band The House of Love. It was the band's final new release until 2005.

<i>Buzzle Bee</i> 2000 studio album by the High Llamas

Buzzle Bee is a studio album by English musical project the High Llamas. It was released in 2000 on Duophonic.

<i>Hawaii</i> (The High Llamas album) 1996 studio album by The High Llamas

Hawaii is the third studio album by the Anglo-Irish avant-pop band the High Llamas, released on 25 March 1996 on the band's Alpaca Park label. The arrangements of Hawaii incorporate more electronic sounds than its predecessor Gideon Gaye (1994), while its lyrics loosely address themes of nomadism, nostalgia, film and musical theatre, and the effects of colonialism. The record peaked at 62 on the UK Albums Chart for a one-week stay. In the United States, the album was issued with a 40-minute bonus CD containing material that was previously unreleased in that region.

Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously.

<span class="mw-page-title-main">Andy Paley sessions</span> Studio album (unreleased) by Brian Wilson & Andy Paley with the Beach Boys

The "Andy Paley sessions" is the unofficial name given to an unfinished recording project by American musicians Brian Wilson and Andy Paley. During the 1990s, the duo planned to record an album that would have comprised original material written and produced by themselves with participation from other members of the Beach Boys. It was the last time Brian worked with his bandmates before Carl Wilson's death in 1998.

<i>Gideon Gaye</i> 1994 studio album by The High Llamas

Gideon Gaye is the second studio album by the Anglo-Irish avant-pop band the High Llamas, released in 1994 on the Brighton-based Target label. Notable for anticipating the mid 1990s easy-listening revivalism, the album's music was influenced by Brian Wilson, Steely Dan, Brazilian bossa nova and European film soundtracks, and was recorded with a £4000 budget. It was met with high praise by the British press. Q dubbed the LP "the best Beach Boys album since 1968's Friends". In the US, the album was indifferently promoted.

<i>Cold and Bouncy</i> 1998 studio album by the High Llamas

Cold and Bouncy is the fourth studio album by Anglo-Irish avant-pop band the High Llamas, released on 27 January 1998 by V2 Records. According to bandleader Sean O'Hagan, the title refers to electronica's "paradoxical" combination of "cold" or digital sounds and "bouncy" rhythms.

<i>Bulk</i> (album) 1994 studio album by Jack Logan

Bulk is the debut album by the American musician Jack Logan, released in 1994. The album's 42 songs were chosen by Twin/Tone's Peter Jesperson from a pool of around 600, recorded over a period of more than 10 years; Jesperson had been alerted to Logan by Peter Buck.

<i>Prize</i> (album) 1999 studio album by Arto Lindsay

Prize is an album by the American musician Arto Lindsay, released in 1999. Lindsay considered it an attempt at pop music; it is one of a number of his solo albums inspired by the Brazilian music he heard while growing up in the country.

<i>Sound ... Goodbye to Your Standards</i> 1991 studio album by The Mighty Lemon Drops

Sound ... Goodbye to Your Standards is an album by the English band the Mighty Lemon Drops, released in 1991.

<i>Funky Little Demons</i> 1995 studio album by The Wolfgang Press

Funky Little Demons is the fifth and final studio album by the English band the Wolfgang Press, released in 1995.

<i>White Out</i> (album) 2000 studio album by Verbow

White Out is the second and final studio album by the American band Verbow, released in 2000. The band broke up two years later.

References

  1. "High Llamas". Trouser Press. Retrieved 8 February 2022.
  2. "The High Llamas Biography, Songs, & Albums". AllMusic.
  3. "A Certain Wimpy Charm". MTV News.
  4. Buckley, Peter (8 February 2003). The Rough Guide to Rock. Rough Guides. ISBN   9781843531050.
  5. "The High Llamas: Cookie Bay". Music Week. 4 September 1999. p. 20.
  6. "Cookie Crew". NME. 22 June 1999.
  7. "Review". SF Weekly. 3 November 1999.
  8. 1 2 Evans, Simon (16 October 1999). "The High Llamas Snowbug". Birmingham Post. p. 6.
  9. 1 2 Underwood, Bob (7 January 2000). "Recordings in Review". Go!. Dayton Daily News. p. 21.
  10. Heaney, Mick (24 October 1999). "Llamas pop out – Interview". Features. The Sunday Times. p. 8.
  11. 1 2 "Snowbug". AllMusic.
  12. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 4. MUZE. p. 282.
  13. 1 2 Wener, Ben (29 October 1999). "The Quick Hit". Orange County Register. p. F55.
  14. "Snowbug". Pitchfork.
  15. Battaglia, Andy (3 November 1999). "Sharps & Flats". Salon.
  16. Belcher, David (21 October 1999). "Snowbug, The High Llamas". The Herald. p. 16.
  17. Cox, Tom (22 October 1999). "Music: Pop CD Releases". Friday. The Guardian. p. 17:1.
  18. Hedblade, Jay (14 November 1999). "Recordings". Chicago Tribune. p. 7.6.