"So Fine" | |
---|---|
Song by Electric Light Orchestra | |
from the album A New World Record | |
Released | 1976 |
Recorded | 1976 |
Genre | Rock, art rock, funk rock |
Length | 3:54 |
Label | Jet Records, United Artists |
Songwriter(s) | Jeff Lynne |
Producer(s) | Jeff Lynne |
A New World Record track listing | |
9 tracks
|
"So Fine" is the title of the fifth track from A New World Record by Electric Light Orchestra.
Recorded in 1976 at Musicland Studios in Munich, Germany, this track is peppy and upbeat, contrasting with "Mission (A World Record)", the previous track. It is a typical example of ELO's (at the time) cutting-edge use of technology and recording techniques, which would become the conventional sound of pop music within 10 years.
The middle section contains drums and electronic percussion created by a then state of the art Moog processor, and continues with rising intensity. More and more instruments join in, until the vocal again takes over. As the song fades out, it segues into the violin of "Livin' Thing".
According to ELO drummer Bev Bevan (regarding the Moog processor):
Uh, yeah, I used it on one track on the album, So Fine. It really - It's quite a new item, really. It's made by the Moog people. It's an electronic - It's a drum itself and it's electronic. You plug it through the keyboard setup into the Moog itself. And according to what setting you put on the Moog, you can get a sound accordingly on the drum. And, uh, it's very new. Very innovative." Bev Bevan (1976 - Rock Around The World radio show interview) [1]
Composer Jeff Lynne described writing the song in a 1990 radio interview with Roger Scott:
"So Fine's a bouncy little (number). I really don't know much about it. It's just that I wrote it and sang the thing. And um- I suppose it was along the lines of a - like an American, trying to sound like an American style. Maybe like The Doobie Brothers or something, y'know, trying to sound a bit like an American group with harmonies. I wasn't trying to copy 'em, but it was... it was sort of bouncy American style with a wobbly bit on the top." Jeff Lynne (August 21, 1990 - Classic Albums radio interview by Roger Scott) [1]
Regarding the dropping end of So Fine to segue into the next song on the LP, Livin' Thing:
"(It) was getting the two track and - and just basically switching it off, y'know, the motors off. So that it went '(SQUEAL)' and when it got to the - to the key that, uh, Livin' Thing was in, we cut it there and just but it straight on. So as it reached C, what Livin' Thing was in. So it went down from like - maybe F sharp all the way down to C, y'know, the tape went. Somewhere like that. I can't remember the exact keys. I know it was quite a long drop." Jeff Lynne (August 21, 1990 - Classic Albums radio interview by Roger Scott) [1]
In the book about ELO, Unexpected Messages , the authors expounded:
"The end of the song So Fine fades into Livin' Thing. This was created by unplugging the tape machine and when it got to the key 'A' (which starts off Livin' Thing) Jeff cut it."
Patrik Guttenbacher, Marc Haines, & Alexander von Petersdorff (1996 Unexpected Messages)
The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. From this point until their first break-up in 1986, Lynne, Bevan, and keyboardist Richard Tandy were the group's only consistent members.
Jeffrey Lynne is an English musician, singer-songwriter and record producer. He is the co-founder and leader of the rock band Electric Light Orchestra (ELO), which was formed in 1970. and as a songwriter has written most of the band's hits, including "Evil Woman", "Livin' Thing", "Telephone Line", "Mr. Blue Sky", "Don't Bring Me Down" and "Hold On Tight".
Face the Music is the fifth studio album by Electric Light Orchestra (ELO). It was released in September 1975 by United Artists Records and on 14 November 1975 in the United Kingdom by Jet Records. The album moves away from the large-scale classical orchestrated sound from the previous album, Eldorado, in favour of more "radio-friendly" pop/rock songs, though the string sections are still very prominent. The new sound proved successful for the group as Face the Music was the first ELO album to go platinum.
A New World Record is the sixth studio album by Electric Light Orchestra (ELO). It was released in October 1976 on United Artists Records in the U.S., and on 19 November 1976 on Jet Records in the United Kingdom. A New World Record marked ELO's shift towards shorter pop songs, a trend which would continue across their career.
"Livin' Thing" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). It appears on ELO's 1976 album A New World Record and was also released as a single. Patti Quatro sang uncredited vocals, particularly the "higher and higher" parts.
Richard Tandy is an English musician. He is best known as the keyboardist in the rock band Electric Light Orchestra ("ELO"). His palette of keyboards was an important ingredient in the group's sound, especially on the albums A New World Record, Out of the Blue, Discovery, and Time.
Beverley “Bev” Bevan is an English rock musician who was the drummer and one of the original members of the Move and Electric Light Orchestra (ELO). After the end of ELO in 1986, he founded ELO Part II.
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"Beatles Forever" is an unreleased song by Electric Light Orchestra in 1983, written by Jeff Lynne and intended for the album Secret Messages. Initially, it was to be the seventh track of the double album configuration, featured on side two of the LP. When the album was shortened to a single LP by CBS Records, eight of the eighteen total tracks were removed, including "Beatles Forever." The other seven tracks have since had official releases on various albums and remasters in some form prior to the 2018 double album release. Though this reissue of the parent album was meant to follow the original 1983 intended configuration, "Beatles Forever" was again excluded, making it the only track from the original album not to appear later as an official bonus track or part of a compilation.
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