Here Northumbria is defined as Northumberland, the northernmost county of England, and County Durham. According to 'World Music: The Rough Guide', "nowhere is the English living tradition more in evidence than the border lands of Northumbria, the one part of England to rival the counties of the west of Ireland for a rich unbroken tradition. The region is particularly noted for its tradition of border ballads, the Northumbrian smallpipes and also a strong fiddle tradition in the region that was already well established in the 1690s. Northumbrian music is characterised by considerable influence from other regions, particularly southern Scotland and other parts of the north of England, as well as Irish immigrants.
The Northumbrian Pipers' Society was founded to promote both types of Northumbrian bagpipes – the Northumbrian smallpipes and the half-long pipes, now generally known as the Border pipes. There had been several attempts to encourage the pipes and their music during the 19th century, but no society was formed with this specific aim until the Northumbrian Small Pipes Society in 1893. That society organised a series of competitions, in which Richard Mowat and Henry Clough were both prizewinners. However it was short-lived, dissolving around 1899. Today the society is divided into two branches, the main branch based in Morpeth, and the Cleveland branch based in Sedgefield.
John Peacock was one of the finest Northumbrian smallpipers of his age, and probably a fiddler also, and the last of the Newcastle Waits. He studied the smallpipes with Old William Lamshaw, of Morpeth, and later with Joseph Turnbull, of Alnwick.
John Adamson (1787–1855) was a lawyer, antiquary and scholar of Portuguese from Newcastle upon Tyne, England. He was decorated by Queen Maria II of Portugal for his services to Portuguese literature.
The Vallum is a huge earthwork associated with Hadrian's Wall in England. Unique on any Roman frontier, it runs practically from coast to coast to the south of the wall. It was built a few years after the Wall.
Milecastle 0 is a possible milecastle of the Roman Hadrian's Wall which may have preexisted the fort of Segedunum. Although its existence has been suggested by historian Peter Hill, no evidence of this milecastle has been found. It is not known whether the decision to establish forts on the line of the wall predated the decision to extend the wall to Wallsend, so it is possible that this milecastle was never built.
Aballava or Aballaba was a Roman fort on Hadrian's Wall, between Petriana (Stanwix) to the east and Coggabata (Drumburgh) to the west. It is about one and a half miles south of the Solway Firth, and its purpose was to guard the south end of two important Solway fords, the Peat Wath and the Sandwath, which were also to become favourite routes for medieval border raiders.
John Dunn was a noted pipemaker, or maker of bagpipes. Born in Newcastle upon Tyne, England, Dunn was a cabinet maker by profession, initially a junior partner with George Brummell. In the trade directories, he also appears in his own right as a turner and a plumb maker and turner. His address was Bell's Court, off Pilgrim Street. He was buried on 6 February 1820 in St. John's, Newcastle. His father may have been one John Dunn of Longhorsley; if so, he was born on 3 September 1764. He should not be confused with one M. Dunn, the maker of several surviving sets of Union pipes.
Colin Ross was an English folk musician who played fiddle and Northumbrian smallpipes. He was a noted maker of Northumbrian smallpipes, border pipes and Scottish smallpipes, and one of the inventors of the modern Scottish smallpipes.
William Alfred Cocks (1892-1971) was a master clock maker from Ryton, County Durham. He had a lifelong interest in the history and culture of the North-east of England, and particularly in the Northumbrian smallpipes and half-long pipes. He assembled a large collection of historic bagpipes, their music, and related materials, which forms the core of the collection now housed at the Morpeth Chantry Bagpipe Museum. He was elected to the Society of Antiquaries of Newcastle upon Tyne in 1920, remaining a member until his death. In 1928, he was one of the earliest members of the Northumbrian Pipers' Society, being elected one of the technical advisers, with responsibility for smallpipes. He became a Vice-President of the Society in 1938. When an exhibition of historic pipes was held in the Black Gate Museum in 1961, most of the exhibits were from Cocks's collection.
John Hodgson (1779–1845) was an English clergyman and antiquary, known as the county historian of Northumberland.
The Reverend John Collingwood Bruce, FSA was an English nonconformist minister and schoolmaster, known as a historian of Tyneside and author. He co-operated with John Stokoe in compiling the major song collection Northumbrian Minstrelsy published in 1882
John Stokoe was a 19th-century Tyneside author and historian. He co-operated with the author John Collingwood Bruce in compiling the hugely important “Northumbrian Minstrelsy” published in 1882.
Northumbrian Minstrelsy is a book of 18th and 19th century North East of England folk songs and pipe music, intended to be a lasting historical record. The book was edited by John Stokoe and the Rev John Collingwood Bruce LL.D., F.S.A., and published by and on behalf of the Society of Antiquaries of Newcastle upon Tyne in 1882. It was reprinted in 1965 by Folklore Associates, Hatboro, Pennsyslvania, with a foreword by A. L. Lloyd.
David John Breeze, OBE, FSA, FRSE, HonFSAScot, Hon MIFA is a British archaeologist, teacher and scholar of Hadrian's Wall, the Antonine Wall and the Roman army. He studied under Eric Birley and is a member of the so-called "Durham School" of archaeology. He was a close friend and colleague of the late Dr Brian Dobson.
The Northumbrian Small Pipes Society was founded in 1893, by members of the Society of Antiquaries of Newcastle upon Tyne to promote interest in, and playing of Northumbrian smallpipes, and their music. As it only continued in existence for seven years, it is now regarded primarily as a short-lived precursor to the Northumbrian Pipers' Society. However, despite its short life, it played a significant role, publishing the first tutor for the instrument, J. W. Fenwick's Instruction Book for the Northumbrian Small-Pipes (1896), holding regular meetings, and organising annual competitions. In 1894 and 1896–7, the society published Transactions, as well as publishing an account of their Annual Meeting of 1897. As well as Members, who paid an annual 5s. subscription, there was a category of Honorary Playing Members. Since the society's records include the names and addresses of all members, of either kind, they have listed the names and addresses for 37 known pipers. Two articles in the Newcastle Courant, in April 1900, gave an account of their Annual General Meeting, at the Literary and Philosophical Society, and referred to the society as flourishing, with 200 members, of whom almost half were pipers. Officers were elected for the following year; however there is no subsequent record of any formal activity of the society, such as meetings or competitions. In 1906, when the Cloughs played for King Edward VII at Alnwick Castle, an account of this in the Berwickshire News stated that the Northumbrian Small Pipes Society had done some good work in reviving interest, but that 'seven winters had passed without it giving any signs of life'. This suggests that the society had been largely inactive for some time before its final AGM.
The Rook manuscript, a music manuscript compiled by John Rook, of Waverton, Cumbria in 1840, is "A Collection of English, Scotch, Irish and Welsh tunes, containing upwards of 1260 airs". These include many tunes, or versions of tunes, not found elsewhere. It is a particularly valuable resource for the study of the traditional music of Northern England, and specifically of music for the Northumbrian Smallpipes.
Cornelius Stanton was a mid-19th-century Northumbrian piper.
Elizabeth Jean Elphinstone Pirie was a British numismatist specialising in ninth-century Northumbrian coinage, and museum curator, latterly as Keeper of Archaeology at Leeds City Museum from 1960 to 1991. She wrote eight books and dozens of articles throughout her career. She was a fellow of the Royal Numismatic Society, president of the Yorkshire Numismatic Society and a fellow of the Society of Antiquaries of London.
