Soldier's Dream

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Soldier's Dream
by Wilfred Owen (1893-1918)
Soldier's Dream.jpg
Original manuscript for Soldier's Dream
WrittenOctober 1917
CountryScotland
LanguageEnglish
Subject(s)World War I
Genre(s) Poetry
Formtwo quatrains
Rhyme scheme ABBA (Enclosed rhyme)
Publisher Chatto & Windus
Publication date1983
LinesEight
Pages1
Scottish suburb where Wilfred Owen wrote "Soldier's Dream" Map of Edinburgh and its Environs OS Map name 003-14, Ordnance Survey, 1894-1896.png
Scottish suburb where Wilfred Owen wrote "Soldier's Dream"

Soldier's Dream

"I dreamed kind Jesus fouled the big-gun gears;
And caused a permanent stoppage in all bolts;
And buckled with a smile Mausers and Colts;
And rusted every bayonet with His tears.

And there were no more bombs, of ours or Theirs,
Not even an old flint-lock, not even a pikel.
But God was vexed, and gave all power to Michael;
And when I woke he'd seen to our repairs.
"

Contents

1917 [1]

Soldier's Dream is a poem written by English war poet Wilfred Owen. It was written in October 1917 in Craiglockhart, a suburb in the south-west of Edinburgh (Scotland), while the author was recovering from shell shock in the trenches, inflicted during World War I. The poet died one week before the Armistice of Compiègne, which ended the conflict on the Western Front (November 1918). [2]

History

The poem was first published in 1983 as part of The Complete Poems and Fragments.

The original manuscript can now be found in The English Faculty Library at the University of Oxford (St. Cross Building, Manor Road OX2 6NN). In this manuscript it is possible to see Owen's self made corrections: notes, additions and edits. The original version of the poem is different from the published one. In particular there are dissimilarities in the syntactic and lexical structure. For example, in the original script it is written '' Christ '' whereas in the published version, the verse reads "Kind Jesus ''. Another difference can be evidenced in the second verse which the author eventually changed: initially he wrote ''Made a permanent stoppage in all bolts'', then he changed it to ''Caused a permanent stoppage in all bolts''. [3]

Themes

The main theme of Wilfred Owen’s Soldier's Dream is the pity of war that he communicates through the image of Jesus smiling kindly. The poet wanted to represent the atrocity of warfare which is why the first stanza is mainly a list of weapons that were used in World War I. Soldier's Dream is a reflection of the author’s feelings about the time he passed in the trenches; unlike other war poets such as Rupert Brooke (author of The Soldier), who did not participate in military actions, Owen had an active role in the conflict. In this poem, the poet represents war as a dreadful parenthesis in human history. He believes that its only purpose is to divide families, friends, and countries. The poem adopts a neutral perspective and does not take anyone's side. It does not state who the enemy is. This means that for the author war is unrighteous no matter which country the soldiers are fighting for or why ("And there were no more bombs, of ours or Theirs"). In the author's opinion war does no good, it is useless and simply unjustifiable. One of the key elements of Owen's conception of poetry is the duty of the poet of being truthful, realistic and inspired by experiences. In the preface of Poems, published posthumously, he wrote: "My subject is war, and the pity of war./ The Poetry is in the pity./ Yet these elegies are to this generation in no sense consolatory. They may be to the next. All a poet can do today is warn. That is why the true Poets must be truthful." [4] [5] [6]

Title

The poet uses a first person narrator to describe the soldier's experience of the dream. This leads the audience to identify the protagonist with the author, a hypothesis strengthened by the fact that Owen himself was a soldier and that he shared his own dreams with the reader in other works (for instance in his poems Strange Meeting , Exposure and Dulce et Decorum est ). It has been stated that the poem indicates that the desire for the end of the war does not belong only to the author or only to one soldier, specifically in the first World War, but is shared by all the soldiers of all the world. [7] The poem “Soldier’s Dream” may have been inspired by a popular contemporary World War I song “A soldiers Dream”. [8] The title closely matches Thomas Campbell’s "The Soldier’s Dream" [9] (1804) written during the Crimean War to address the reading public's anxieties and expectations about the welfare of the common soldier.

Symbols

"By creating a simple image of the weapons of war and their destruction followed by the image of their reinstatement, Owen creates a powerful picture of the pro- and anti-war lobbies of his time". [10]

Structure

This poem is written entirely in quatrains and each of the two stanzas is divided into four verses. The poet's choice of the ABBA rhyme scheme (or enclosed rhyme scheme) emphasizes the simplicity of the poem. The pararhyme of 'Theirs', ‘gears’, ‘tears’ and ‘repairs’ combines the two quatrains together and puts 'Theirs' (take note of the capital letter) at the heart of the poem. [12]

Style

In this poem Owen uses the modern form and language typical of the war poets: the realistic and colloquial language a common soldier might use, to express a strong anti-war message. His poetry (and war poets' poetry in general) is a negation of Georgian poetry which belonged to the pre-war society. The former describes the daily experience of soldiers on the front with realistic and shocking images and language (an excellent example is given by Owen's poem Dulce et Decorum est ), in order to show how brutal and meaningless war really is; the latter uses a very bombastic and artificial poetry, intending to present war as a noble affair. [13]

The tone of the poem is melancholic because the soldier misses peace. In the first stanza, the humanity of tone is given by the description of a "kind" Jesus, and of his "tears" and "smile". This tone contrasts with Jesus' act of destroying the weapons of war. In the second stanza, the initial peaceful tone describes how every weapon has been destroyed on either side and contrasts with the penultimate line where God repairs the reality of war, a change introduced by the conjunction "but" at the start of the line.

The poet uses harsh consonants and alliterations to draw attention to the weapons and to stress their power to hurt. Several applications of this device compare in the poem: the alliteration of ‘g’ in the ‘gun gears’; of 'b', in ‘big’ / ‘bolts’ / ‘buckled’ / ‘bayonet’ / ‘bombs’; of ‘p’ in ‘permanent stoppage’ / ‘pikel’ / ‘power’; and the sounds ‘t’ and ‘k’ in ‘bolts’ / ‘Colts’ / ‘bayonet’ / ‘flint lock’ / ‘pikel’. [12]

Bibliography

Related Research Articles

<span class="mw-page-title-main">Wilfred Owen</span> English poet and soldier (1893–1918)

Wilfred Edward Salter Owen MC was an English poet and soldier. He was one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was much influenced by his mentor Siegfried Sassoon and stood in contrast to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Spring Offensive" and "Strange Meeting". Owen was killed in action on 4 November 1918, a week before the war's end, at the age of 25.

"Dulce et Decorum est" is a poem written by Wilfred Owen during World War I, and published posthumously in 1920. Its Latin title is from a verse written by the Roman poet Horace: Dulce et decorum est pro patria mori. In English, this means "it is sweet and fitting to die for one's country". The poem is one of Owen's most renowned works; it is known for its horrific imagery and its condemnation of war. It was drafted at Craiglockhart in the first half of October 1917 and later revised, probably at Scarborough, but possibly at Ripon, between January and March 1918. The earliest known manuscript is dated 8 October 1917 and is addressed to the poet's mother, Susan Owen, with the note "Here is a gas poem done yesterday ."

<span class="mw-page-title-main">Norman MacCaig</span> Scottish poet

Norman Alexander MacCaig DLitt was a Scottish poet and teacher. His poetry, in modern English, is known for its humour, simplicity of language and great popularity.

Jessie Pope was an English poet, writer, and journalist, who remains best known for her patriotic, motivational poems published during World War I. Wilfred Owen wrote his 1917 poem Dulce et Decorum est to Pope, whose literary reputation has faded into relative obscurity as those of war poets such as Owen and Siegfried Sassoon have grown.

Pararhyme is a half-rhyme in which there is vowel variation within the same consonant pattern.

Jon Howie Stallworthy, was a British literary critic and poet. He was Professor of English at the University of Oxford from 1992 to 2000, and Professor Emeritus in retirement. He was also a Fellow of Wolfson College, Oxford, from 1986, where he was twice acting president. From 1977 to 1986, he was the John Wendell Anderson Professor of English at Cornell University.

"Insensibility" is a poem written by Wilfred Owen during the First World War which explores the effect of warfare on soldiers, and the long- and short-term psychological effects that it has on them. The poem's title refers to the fact that the soldiers have lost the ability to feel due to the horrors which they faced on the Western Front during the First World War.

"Mental Cases" is one of Wilfred Owen's more graphic poems. It describes war-torn men suffering from post-traumatic stress disorder, otherwise known as shell shock. Owen based the poem on his experience of Craiglockhart Military Hospital, near Edinburgh, where he was invalided in the summer of 1917 with neurasthenia, and became the patient of Dr A.J. Brock. Using imagery of death and violence, Owen presents a chilling portrait of men haunted by their experiences.

John William Dominic Hibberd FRSL was an English freelance author, academic and broadcaster, best known for his biographies of the poets Wilfred Owen and Harold Monro and his collections of First World War poetry. He was an Honorary Fellow of the War Poets Association and contributed numerous articles to the Oxford Dictionary of National Biography.

William Harold Owen was the younger brother and biographer of the English poet and soldier, Wilfred Owen. He was born at the home of his paternal grandparents in Canon Street, Shrewsbury, Shropshire, where his parents and older siblings then lodged before his father moved on promotion to a station master's post at Birkenhead in 1898.

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"Futility" is a poem written by Wilfred Owen, one of the most renowned poets of World War I. The poem was written in May 1918 and published as no. 153 in The Complete Poems and Fragments. The poem is well known for its departure from Owen's famous style of including disturbing and graphic images in his work; the poem instead has a more soothing, somewhat light-hearted feel to it in comparison. A previous secretary of the Wilfred Owen Association argues that the bitterness in Owen's other poems "gives place to the pity that characterises his finest work". "Futility" details an event where a group of soldiers attempts to revive an unconscious soldier by moving him into the warm sunlight on a snowy meadow. However, the "kind old sun" cannot help the soldier – he has died.

"Wild With All Regrets" is a poem by Wilfred Owen. It deals with the atrocities of World War I.

"At a Calvary near the Ancre" is a poem by Wilfred Owen on the Ancre, a tributary of the Somme. It was the scene of two notable battles in 1916. The poem is composed of three quatrains with rhyme scheme ABAB.

"Apologia Pro Poemate Meo" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The title means "in defence of my poetry" and is often viewed as a rebuttal to a remark in Robert Graves' letter "for God's sake cheer up and write more optimistically - the war's not ended yet but a poet should have a spirit above wars."

"Strange Meeting" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The poem was written sometime in 1918 and was published in 1919 after Owen's death. The poem is narrated by a soldier who goes to the underworld to escape the hell of the battlefield and there he meets the enemy soldier he killed the day before.

<span class="mw-page-title-main">Miners (poem)</span>

"Miners" is a poem by Wilfred Owen. He wrote the poem in Scarborough in January 1918, a few weeks after leaving Craiglockhart War Hospital where he had been recovering from shell-shock. Owen wrote the poem in direct response to the Minnie Pit Disaster in which 156 people died.

With an Identity Disc is a poem written by English poet Wilfred Owen. The poem was drafted on 23 March 1917.

<span class="mw-page-title-main">A Cradle Song</span>

"A Cradle Song" is a poem written by William Blake in 1789, as part of his book Songs of Innocence.

<span class="mw-page-title-main">Poems (Wilfred Owen)</span>

Poems was a quarto volume of poetry by Wilfred Owen published posthumously by Chatto and Windus in 1920. Owen had been killed on 4 November 1918. It has been described as "perhaps the finest volume of anti-war poetry to emerge from the War".

References

  1. Stallworthy, Jon (1983). The Complete Poems and Fragments of Wilfred Owen. Chatto & Windus.
  2. "Soldier's Dream - Synopsis and commentary". Crossref-it Info. The Bible Society, 2017. Retrieved 5 October 2017.
  3. "Soldier's Dream | First World War Poetry Digital Archive". ww1lit.nsms.ox.ac.uk. Retrieved 22 November 2017.
  4. Roberts, David. "What the war poets knew and didn't know about the First World War". www.warpoetry.co.uk.
  5. Drąg, Wojciech; Krogulec, Jakub; Marecki, Mateusz (11 May 2016). War and Words: Representations of Military Conflict in Literature and the Media. Cambridge Scholars Publishing. ISBN   9781443894241.
  6. Mahmud, Mohammad Riaz (December 2007). "The impact of the First World War on the poetry of Wilfred Owen". IIUC Studies. 4.
  7. "Soldier's Dream | The Wilfred Owen Association". www.wilfredowen.org.uk.
  8. "A soldier's dream". Library of Congress. Retrieved 24 November 2017.
  9. Ho, Tai-Chun (2015). "The Afterlife of Thomas Campbell and 'The Soldier's Dream' in the Crimean War". 19: Interdisciplinary Studies in the Long Nineteenth Century. Tai-Chun Ho. 2015 (20). doi: 10.16995/ntn.714 .
  10. "Weapons of War". Crossref-it.info. Retrieved 12 November 2017.
  11. "Symbolism". Crosseref-it.info. Retrieved 12 November 2017.
  12. 1 2 "Soldier's Dream - Language, tone and structure". Crossref-it.info. Bible Society.
  13. "The Trench Poets (The War Poets)". Modern English Literature.