Soldier's Dream | |
---|---|
by Wilfred Owen (1893-1918) | |
Written | October 1917 |
Country | Scotland |
Language | English |
Subject(s) | World War I |
Genre(s) | Poetry |
Form | two quatrains |
Rhyme scheme | ABBA (Enclosed rhyme) |
Publisher | Chatto & Windus |
Publication date | 1983 |
Lines | Eight |
Pages | 1 |
Soldier's Dream
"I dreamed kind Jesus fouled the big-gun gears;
And caused a permanent stoppage in all bolts;
And buckled with a smile Mausers and Colts;
And rusted every bayonet with His tears.
And there were no more bombs, of ours or Theirs,
Not even an old flint-lock, not even a pikel.
But God was vexed, and gave all power to Michael;
And when I woke he'd seen to our repairs."Contents
1917 [1]
Soldier's Dream is a poem written by English war poet Wilfred Owen. It was written in October 1917 in Craiglockhart, a suburb in the south-west of Edinburgh (Scotland), while the author was recovering from shell shock in the trenches, inflicted during World War I. The poet died one week before the Armistice of Compiègne, which ended the conflict on the Western Front (November 1918). [2]
The poem was first published in 1983 as part of The Complete Poems and Fragments.
The original manuscript can now be found in The English Faculty Library at the University of Oxford (St. Cross Building, Manor Road OX2 6NN). In this manuscript it is possible to see Owen's self made corrections: notes, additions and edits. The original version of the poem is different from the published one. In particular there are dissimilarities in the syntactic and lexical structure. For example, in the original script it is written '' Christ '' whereas in the published version, the verse reads "Kind Jesus ''. Another difference can be evidenced in the second verse which the author eventually changed: initially he wrote ''Made a permanent stoppage in all bolts'', then he changed it to ''Caused a permanent stoppage in all bolts''. [3]
The main theme of Wilfred Owen’s Soldier's Dream is the pity of war that he communicates through the image of Jesus smiling kindly. The poet wanted to represent the atrocity of warfare which is why the first stanza is mainly a list of weapons that were used in World War I. Soldier's Dream is a reflection of the author’s feelings about the time he passed in the trenches; unlike other war poets such as Rupert Brooke (author of The Soldier), who did not participate in military actions, Owen had an active role in the conflict. In this poem, the poet represents war as a dreadful parenthesis in human history. He believes that its only purpose is to divide families, friends, and countries. The poem adopts a neutral perspective and does not take anyone's side. It does not state who the enemy is. This means that for the author war is unrighteous no matter which country the soldiers are fighting for or why ("And there were no more bombs, of ours or Theirs"). In the author's opinion war does no good, it is useless and simply unjustifiable. One of the key elements of Owen's conception of poetry is the duty of the poet of being truthful, realistic and inspired by experiences. In the preface of Poems, published posthumously, he wrote: "My subject is war, and the pity of war./ The Poetry is in the pity./ Yet these elegies are to this generation in no sense consolatory. They may be to the next. All a poet can do today is warn. That is why the true Poets must be truthful." [4] [5] [6]
The poet uses a first person narrator to describe the soldier's experience of the dream. This leads the audience to identify the protagonist with the author, a hypothesis strengthened by the fact that Owen himself was a soldier and that he shared his own dreams with the reader in other works (for instance in his poems Strange Meeting , Exposure and Dulce et Decorum est ). It has been stated that the poem indicates that the desire for the end of the war does not belong only to the author or only to one soldier, specifically in the first World War, but is shared by all the soldiers of all the world. [7] The poem “Soldier’s Dream” may have been inspired by a popular contemporary World War I song “A soldiers Dream”. [8] The title closely matches Thomas Campbell’s "The Soldier’s Dream" [9] (1804) written during the Crimean War to address the reading public's anxieties and expectations about the welfare of the common soldier.
"By creating a simple image of the weapons of war and their destruction followed by the image of their reinstatement, Owen creates a powerful picture of the pro- and anti-war lobbies of his time". [10]
This poem is written entirely in quatrains and each of the two stanzas is divided into four verses. The poet's choice of the ABBA rhyme scheme (or enclosed rhyme scheme) emphasizes the simplicity of the poem. The pararhyme of 'Theirs', ‘gears’, ‘tears’ and ‘repairs’ combines the two quatrains together and puts 'Theirs' (take note of the capital letter) at the heart of the poem. [12]
In this poem Owen uses the modern form and language typical of the war poets: the realistic and colloquial language a common soldier might use, to express a strong anti-war message. His poetry (and war poets' poetry in general) is a negation of Georgian poetry which belonged to the pre-war society. The former describes the daily experience of soldiers on the front with realistic and shocking images and language (an excellent example is given by Owen's poem Dulce et Decorum est ), in order to show how brutal and meaningless war really is; the latter uses a very bombastic and artificial poetry, intending to present war as a noble affair. [13]
The tone of the poem is melancholic because the soldier misses peace. In the first stanza, the humanity of tone is given by the description of a "kind" Jesus, and of his "tears" and "smile". This tone contrasts with Jesus' act of destroying the weapons of war. In the second stanza, the initial peaceful tone describes how every weapon has been destroyed on either side and contrasts with the penultimate line where God repairs the reality of war, a change introduced by the conjunction "but" at the start of the line.
The poet uses harsh consonants and alliterations to draw attention to the weapons and to stress their power to hurt. Several applications of this device compare in the poem: the alliteration of ‘g’ in the ‘gun gears’; of 'b', in ‘big’ / ‘bolts’ / ‘buckled’ / ‘bayonet’ / ‘bombs’; of ‘p’ in ‘permanent stoppage’ / ‘pikel’ / ‘power’; and the sounds ‘t’ and ‘k’ in ‘bolts’ / ‘Colts’ / ‘bayonet’ / ‘flint lock’ / ‘pikel’. [12]
Wilfred Edward Salter Owen MC was an English poet and soldier. He was one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was much influenced by his mentor Siegfried Sassoon and stood in contrast to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Spring Offensive" and "Strange Meeting". Owen was killed in action on 4 November 1918, a week before the war's end, at the age of 25.
"Dulce et Decorum est" is a poem written by Wilfred Owen during World War I, and published posthumously in 1920. Its Latin title is from a verse written by the Roman poet Horace: Dulce et decorum est pro patria mori. In English, this means "it is sweet and fitting to die for one's country". The poem is one of Owen's most renowned works; it is known for its horrific imagery and its condemnation of war. It was drafted at Craiglockhart in the first half of October 1917 and later revised, probably at Scarborough, but possibly at Ripon, between January and March 1918. The earliest known manuscript is dated 8 October 1917 and is addressed to the poet's mother, Susan Owen, with the note "Here is a gas poem done yesterday ."
Norman Alexander MacCaig DLitt was a Scottish poet and teacher. His poetry, in modern English, is known for its humour, simplicity of language and great popularity.
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"Mental Cases" is one of Wilfred Owen's more graphic poems. It describes war-torn men suffering from post-traumatic stress disorder, otherwise known as shell shock. Owen based the poem on his experience of Craiglockhart Military Hospital, near Edinburgh, where he was invalided in the summer of 1917 with neurasthenia, and became the patient of Dr A.J. Brock. Using imagery of death and violence, Owen presents a chilling portrait of men haunted by their experiences.
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