Charles Henry Christian was an American swing and jazz guitarist.
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
One O'Clock Jump is a 1957 album by the Count Basie Orchestra, arranged by Ernie Wilkins and featuring vocalist Joe Williams on seven of the ten tracks.
Ella and Basie! is a 1963 studio album by Ella Fitzgerald, accompanied by Count Basie and his orchestra, with arrangements by Quincy Jones and Benny Carter. It was later reissued with slightly different cover art as On the Sunny Side of the Street.
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.
Lady Day: The Complete Billie Holiday on Columbia 1933–1944 is a 10-CD box set compiling the complete known studio master recordings, plus alternate takes, of Billie Holiday during the time period indicated, released in 2001 on Columbia/Legacy, CXK 85470. Designed like an album of 78s, the medium in which these recordings initially appeared, the 10.5" × 12" box includes 230 tracks, a 116-page booklet with extensive photos, a song list, discography, essays by Michael Brooks, Gary Giddins, and Farah Jasmine Griffin, and an insert of appreciations for Holiday from a diversity of figures including Tony Bennett, Elvis Costello, Marianne Faithfull, B.B. King, Abbey Lincoln, Jill Scott, and Lucinda Williams. At the 44th Grammy Awards on February 27, 2002, the box set won the Grammy Award for Best Historical Album of the previous year.
The Metronome All-Stars were a collection of jazz musicians assembled for studio recordings by Metronome Magazine, based on its readers' polls. The studio sessions were held in the years 1939-42, 1946–53, and 1956, and typically consisted of two tracks which allowed each participant a chance to solo for one chorus. Earlier recordings feature more swing style, while the later sessions tend more toward bebop.
Count Basie/Sarah Vaughan is a 1961 album by the American jazz singer Sarah Vaughan, accompanied by the Count Basie Orchestra, with arrangements by Frank Foster, Thad Jones and Ernie Wilkins. According to James Gavin's liner notes to the 1996 CD release, Basie himself does not perform on any of the tracks.
Earl Bud Powell, Vol. 1: Early Years of a Genius, 44–48 is the first of eleven albums of Bud Powell material released by Francis Paudras on his Mythic Sound label. It features a selection of Powell's early work from 1944 to 1948.
Basie Land is a 1964 studio album by Count Basie and his orchestra, of music composed and arranged by Billy Byers.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
The Benny Goodman Treasure Chest is a jazz album by Benny Goodman, released in 1959. This three-LP Record Box Set was released by MGM Records These are Performance Recordings 1937–1938 by the original orchestra, trio, and quartet featuring Benny Goodman (clarinet) with Harry James/Ziggy Elman/Chris Griffin (trumpet), Murray McEachern/Red Ballard/Vernon Brown (trombone), Lionel Hampton (vibes), Teddy Wilson/Jess Stacy (piano), Hymie Shertzer/Vido Musso/Jerry Jerome/George Koenig/Dave Matthews/Arthur Rollini/Babe Russin (sax), Harry Goodman/Artie Bernstein (bass), Charlie Christian/Allan Reuss (guitar) and Gene Krupa/Dave Tough/Nick Fatool (drums).
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
A Study in Frustration: The Fletcher Henderson Story is a box set compilation surveying studio recordings of the Fletcher Henderson Orchestra from 1923 to 1938, released in 1961 on Columbia Records, CXK 85470. It initially appeared as a four-album set produced by Frank Driggs and assembled by John Hammond, both of whom also wrote the liner notes. The set was part of a Thesaurus of Classic Jazz series on Columbia which included King of the Delta Blues Singers also worked on by Hammond and Driggs and released in 1961, the first album reissue of songs by blues legend Robert Johnson.
Kansas City Suite is an album by pianist, composer and bandleader Count Basie featuring tracks recorded in 1960 and originally released on the Roulette label.
Dance Session is an album by pianist/bandleader Count Basie recorded in 1953 and became Basie's first 12-inch LP when it was originally released on the Clef label. Selections from this album were also released on the 1956 Clef LPs Basie Roars Again and King of Swing.
The Count! is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1955.
Hall of Fame is an album by pianist/bandleader Count Basie and His Orchestra recorded in 1956 and first released on the Verve label in 1959.
Rainbow Mist is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.
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