Sonny Knight | |
---|---|
Birth name | Joseph Coleman Smith |
Also known as | Joe Smith Joseph C. Smith |
Born | Maywood, Illinois, U.S. | May 17, 1934
Died | September 5, 1998 64) Maui, Hawaii, U.S. | (aged
Genres | Pop, rhythm and blues |
Occupation(s) | Singer, songwriter, pianist, author |
Years active | 1954–1997 |
Labels | Aladdin, Specialty, Vita, Dot, Aura, Original Sound, Fifo, World Pacific |
Joseph Coleman Smith (May 17, 1934 – September 5, 1998), who performed and recorded under the name Sonny Knight, was an American singer, songwriter and author. His biggest hit was "Confidential", which reached the pop and R&B charts in 1956, and he continued to record into the 1960s. In 1981, using his real name, he wrote The Day the Music Died, a fictionalised account of racism in the American music business in the 1950s.
He was born in Maywood, Illinois, and moved to Los Angeles with his family in the early 1950s. He enrolled at Los Angeles State College intending to pursue an academic career, but became interested in the music business and, according to one source, visited the Mesner brothers at Aladdin Records to sell them a song, "Vicious, Vicious Vodka", that he had written for his idol, Amos Milburn; [1] Milburn recorded the song in 1954. [2] Another source suggests that Smith actively sought a recording contract himself, at the behest of a girlfriend. [3] In any event, Aladdin offered him a recording contract, and, using the pseudonym Sonny Knight that he invented himself, released two singles on the label, including "But, Officer," later recorded by Steve Allen. The records were unsuccessful, and he recorded as Joe Smith for the Cal-West label before signing for Specialty Records. [1]
After a couple more unsuccessful singles, recorded again as Sonny Knight, producer Robert "Bumps" Blackwell partnered him with songwriter Dorinda Morgan. She wrote the ballad "Confidential", which he recorded for the small Vita record label in Pasadena. Although the record label states that it was recorded with the Jack Collier Orchestra, in fact it was made with the Ernie Freeman Combo, which also included guitarist Irving Ashby and saxophonist Plas Johnson. [1] Originally the B-side of "Jail Bird", the record was flipped by radio DJs. [4] After initial local success, the record was licensed to the larger Dot label, and rose to no. 17 on the Billboard pop chart, and no. 8 on the R&B chart at the end of 1956. [5]
Knight was unable to follow it up successfully, although he continued to record for Dot. He also worked as a session pianist in Los Angeles, on records by Sandy Nelson and others, and recorded for small labels including Original Sound, Fifo, and World Pacific. [1] [6] [7] In the early 1960s he recorded for the Aura label, and in 1964 his song "If You Want This Love" reached no.71 on the pop chart; its follow-up "Love Me As Though There Were No Tomorrow" reached no.100. [8] He gave up his recording career in the mid 1960s, [3] moving in the 1970s to live in Hawaii, where he continued to sing in nightclubs. [2]
In 1981, credited as Joseph C. Smith, his novel The Day the Music Died was published by Grove Press. [1] [9] It was based on his own experiences in the music business in the 1950s, and received generally good reviews, remaining in print for over 25 years. [1] Rock critic Greil Marcus, in his book Dead Elvis , wrote that: [4]
"[it is] the bitterest book ever written about how rock'n'roll came to be and what it turned into; its theme is racism....[W]hat really interests Smith is how a rich version of American black culture is transformed into a horrible, enormously profitable white parody of itself: as white labels sign black artists only to ensure their oblivion and keep those blacks they can't control penned up in the ghetto of the black charts; as white America, faced with something good, responds with a poison that will ultimately ruin even honest men... There is no question that much of what Smith describes took place.... But.. driven by its bitterness, Smith's story runs away from itself..."
Knight died in Hawaii in 1998 at the age of 64, following a stroke two years earlier. [2]
A compilation CD of Sonny Knight's recordings, Confidential, was issued by Pacific Records in about 2001. [1]
Wynonie Harris was an American blues shouter best remembered as a singer of upbeat songs, featuring humorous, often ribald lyrics. He had fifteen Top 10 hits between 1946 and 1952. Harris is attributed by many music scholars to be one of the founding fathers of rock and roll. His "Good Rocking Tonight" is mentioned at least as a precursor to rock and roll.
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" and "hillbilly", the latter a reference to the country music that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.
Joseph Amos Milburn was an American R&B singer and pianist, popular in the 1940s and 1950s. One commentator noted, "Milburn excelled at good-natured, upbeat romps about booze and partying, imbued with a vibrant sense of humour and double entendre, as well as vivid, down-home imagery in his lyrics."
David Louis Bartholomew was an American musician, bandleader, composer, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century. Originally a trumpeter, he was active in many musical genres, including rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland. In his induction into the Rock and Roll Hall of Fame, he was cited as a key figure in the transition from jump blues and swing to R&B and as "one of the Crescent City's greatest musicians and a true pioneer in the rock and roll revolution".
Albert George Hibbler was an American baritone vocalist, who sang with Duke Ellington's orchestra before having several pop hits as a solo artist. Some of Hibbler's singing is classified as rhythm and blues, but he is best seen as a bridge between R&B and traditional pop music. According to one authority, "Hibbler cannot be regarded as a jazz singer but as an exceptionally good interpreter of twentieth-century popular songs who happened to work with some of the best jazz musicians of the time."
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"Tell Me Why" is a popular song, written by Titus Turner in 1956. It is a slow, strong rhythm and blues ballad, and has a melody reminiscent of "Just a Closer Walk with Thee". The first hit version was by Marie Knight, a black R&B singer, on the Mercury's subsidiary label, Wing. It was a local hit in New Orleans and Texas.
"It's a Sin to Tell a Lie" is a 1936 popular song written by Billy Mayhew, introduced early that year on records by many dance bands including Dick Robertson on the 78rpm record Champion 40106, and later popularized by Fats Waller on Victor 25342 and re-issued on Victor 20-1595. It was recorded in French by Cajun singer Cléoma Breaux in 1936 or 1937. Four further recordings of the song were made in 1936, namely by Freddy Ellis and His Orchestra (April), Victor Young and His Orchestra (April), Elton Britt (September), Roy Smeck and His Serenaders and Vera Lynn.
Ernest Aaron Freeman was an American pianist, organist, bandleader, and arranger. He was responsible for arranging many successful rhythm and blues and pop records from the 1950s to the 1970s.
"One Night" is a song written by Dave Bartholomew, Pearl King, and Anita Steiman. It originally was an R&B hit for Smiley Lewis in 1956, before being recorded with greater commercial success by Elvis Presley in 1958.
Allen Rathel Bunn, who was sometimes credited as Alden Bunn and who performed as Tarheel Slim, was an American singer, guitarist and songwriter whose work spanned gospel, blues, doowop, R&B, pop, and rockabilly. After singing in various gospel groups he became a member of The Larks before recording with his wife Anna Lee "Little Ann" Sandford, and then as a solo performer.
James William Gilreath was an American pop singer and songwriter, whose single "Little Band of Gold" went to #21 on the Billboard Hot 100 chart in 1963.
"It's Just a Matter of Time" is a Pop song written by Brook Benton, Clyde Otis, and Belford Hendricks. The original recording by Benton topped the Billboard Hot R&B Sides chart in 1959 and peaked at No. 3 on the Hot 100 pop chart, the first in a string of hits for Benton that ran through 1970.
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"Hurt" is a 1954 song by Jimmie Crane and Al Jacobs. "Hurt" was originally performed by Roy Hamilton, whose version peaked at number eight on the R&B Best Seller chart and spent a total of seven weeks on the chart. A version by Ricky Denell also received considerable radio airplay in 1954 on pop radio stations. The song is considered to be the signature hit of Timi Yuro, whose version went to number four on the Billboard pop chart in 1961. Elvis Presley’s 1976 version reached the top 40 on the Billboard Hot 100 and the top 10 on Billboard’s Hot Country Singles chart. Juice Newton's 1985 version scored number one on Billboard's Country chart.
Titus Lee Turner was an American R&B and East Coast blues singer and songwriter. His best-remembered recordings are "We Told You Not to Marry" and "Sound-Off". He also wrote "Leave My Kitten Alone", "Sticks and Stones" and "Tell Me Why".
"It's Too Soon to Know" is an American doo-wop ballad by Deborah Chessler (1923–2012), performed first by The Orioles. It was number one on the American Rhythm and blues charts in November 1948. It is considered by some to be the first "rock and roll" song, and described by others as "the first rhythm and blues vocal group harmony recording".
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