Sounds from the Thievery Hi-Fi | ||||
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Studio album by | ||||
Released | 1996 (Germany) June 7, 1997 (United States) | |||
Recorded | 1996 | |||
Genre | Electronic music | |||
Length | 72:09 | |||
Label | ESL | |||
Producer |
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Thievery Corporation chronology | ||||
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Sounds from the Thievery Hi-Fi is the debut studio album by American electronic music duo Thievery Corporation. [1] [2] It was first released in 1996 in Germany and on June 7, 1997, by ESL Music in the United States. The guest vocalists include Pam Bricker and Bebel Gilberto. As of 2002, the album has sold over 33,000 copies in US according to Nielsen SoundScan. [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
The Guardian | [5] |
The Pittsburgh Post-Gazette noted that "the Corporation raids our cultural memory for beats and wafts of melody that emerge as new, seamless commentaries on modern life." [6] Music Week concluded that, "despite lapses into easy listening territory, it should appeal broadly to beatheads, post-clubbers and esoteric indie fans alike." [7] The Guardian said that "Thievery Corporation are a couple of sonic pickpockets whose insatiable thirst for sampling encompasses genres as disparate as hip-hop, dub, easy listening and all manner of samba beats currently nestling on their hi-fi." [5]
This version was released in 1996 by ESL Music in Germany. It was later released by 4AD in the United Kingdom and by Rough Trade Germany in Germany and in 2002 by Labels in France.
This was released by Eighteenth Street Lounge Music on June 7, 1997.
Eighteenth Street Lounge Music rereleased the album in early 2006 with the following track listing.
Chart (2006) | Peak position |
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US Top Dance/Electronic Albums (Billboard) [8] | 12 |
HiM is a dub-influenced post-rock group formed in 1995 by Doug Scharin, drummer for the bands Codeine, Rex and June of 44. Their first album, Egg, was their most dub-based effort. Each successive album has gone more in a quasi-world music direction. After some recording for Crooklyn Dub Consortium and Wordsound, Interpretive Belief System, HiM settled on a lineup of Scharin with Bundy K. Brown, Rob Mazurek and Jeff Parker, members or occasional members of Tortoise and Isotope 217. Their first album was the underground hit Sworn Eyes, produced by Doug Scharin. A few personnel changes followed, and the revamped lineup including members of June of 44. HiM released Our Point of Departure in 1999, which signified a very clear shift toward a more jazz-like sound, followed by a major American and European tour. In 2003, HiM released Many in High Places Are Not Well on Fat Cat Records, which was received as their most successful and fully realized release. Peoples was released in mid-2006, featuring a cleaner sound with more vocals than any of HiM's previous releases. Included in this line-up are Martin Perna and Jordan McLean from Antibalas, Griffin Rodriguez from Need New Body/Icy Demons, Adam Pierce. The latest HiM records, 1110 and ん, released in 2008 and 2009 on Afterhours in Tokyo, are collaborations between Doug Scharin, Josh Larue and the Tokyo-based group, Ultra Living.
ARP Instruments, Inc. was a Lexington, Massachusetts manufacturer of electronic musical instruments, founded by Alan Robert Pearlman in 1969. It created a popular and commercially successful range of synthesizers throughout the 1970s before declaring bankruptcy in 1981. The company earned a reputation for producing excellent sounding, innovative instruments and was granted several patents for the technology it developed.
Thievery Corporation is an American electronic music duo consisting of Rob Garza and Eric Hilton. Their musical style mixes elements of dub, acid jazz, reggae, Indian classical, Middle Eastern music, hip hop and Brazilian music, including bossa nova.
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972.
DJ-Kicks: Thievery Corporation is a DJ mix album by Thievery Corporation. It was released on May 10, 1999, on the Studio !K7 independent record label as part of the DJ-Kicks series.
Dubsound & Power is a 2000 album by Christafari. It contains instrumental mixes of songs from his WordSound&Power album.
DJ-Kicks: Rockers Hi-Fi is a DJ mix album, mixed by Rockers Hi-Fi. It was released on 19 May, 1997 on the Studio !K7 independent record label as part of the DJ-Kicks series.
Desmond Williams is an American electronica musician, as well as a record producer and was the chief sound engineer for the Eighteenth Street Lounge Music record label. Born in Jamaica and raised in Montclair, New Jersey, Williams has been known for his remixing and producing style.
The Cosmic Game is the fourth studio album by American electronic music duo Thievery Corporation, released on February 22, 2005, by ESL Music. After the success of their previous album The Richest Man in Babylon (2002), the guest artists on The Cosmic Game are of higher profile. The album features various styles of music including club, future-bossa, breaks, rock, and more.
The Mirror Conspiracy is the second studio album by American electronic music duo Thievery Corporation, released in 2000 by ESL Music and 4AD. All the songs on the album were written, recorded and produced by Rob Garza and Eric Hilton, although Pam Bricker contributed vocals to "Air Batucada", "The Mirror Conspiracy" and "Lebanese Blonde".
Versions is an album by Thievery Corporation, released in May 2006. The album consists of a collection of rare remixes done by Thievery Corporation, largely of other artists' material, and the original Thievery Corporation track, "Originality".
The Richest Man in Babylon is the third studio album by American electronic music duo Thievery Corporation. It was first released on September 30, 2002 in Belgium and on October 1, 2002 in the United States by ESL Music. The album features contributions from Emiliana Torrini, LouLou, Pam Bricker, and Notch, and features both electronic and live instrumentation. The album combines influences such as dub, jazz, dance music, rap, reggae, and Indian music, and incorporates protest music into the group's sound. A remix/dub version of the album was released in 2004 titled Babylon Rewound featuring the unreleased track "Truth And Rights".
Celestial Hi-Fi is a studio album from Canadian stoner rock band Sheavy, released in 2000.
Da Undaground Heat, Vol. 1 is the seventh studio album and ninth album released overall by MC Lyte. It was released on March 18, 2003 for iMusic and was produced by Maad Phunk, Gerard Harmon, Fred Crawford, Keith Wilkins and MC Lyte.
Radio Retaliation is the fifth studio album by American electronic music duo Thievery Corporation, released on September 23, 2008 by ESL Music. Intended to be a political album, it was recorded in the band's hometown of Washington, D.C. from April 2007 to August 2008.
Zomby is a British electronic musician who began releasing music in 2007. He has released music on several labels, including Hyperdub, Werk Discs, and 4AD. Zomby's influences include oldschool jungle music and Wiley's eskibeat sound.
Culture of Fear is the sixth studio album by American electronic music duo Thievery Corporation, released on June 28, 2011 by ESL Music.
Saint-Germain-des-Prés Café is a series of nu-jazz compilations distributed by Wagram Music. Its name evokes the cafés of the area in Paris associated with the existentialism movement. As of 2016 the series includes eighteen volumes, and has sold more than 950,000 copies worldwide.
Tony Harrington, grew up in Bracktown, Lexington, Kentucky. He was often better known to his friends as Doctah X, was a DJ, singer, and musician who operated the House of Dub Studio in Columbus, Ohio, and hosted a radio program on WCRS Columbus. He died of natural causes on December 24, 2020, at his home in Columbus, Ohio.
Kenton in Hi-Fi is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s recorded in 1956 and released on the Capitol label. This album was re-released as 'Kenton in Stereo' in 1959. A 7-1/2 i.p.s.stereo reel tape - Catalog no. ZDS -10 - was recorded by Capitol and released in 1956. Apparently the stereo mix for the reel tape is unique, but the same stereo master tape was probably used for the stereo vinyl LP record.