Spiritual Machines is the fourth studio album by the Canadian alternative rock band Our Lady Peace, released by Columbia Records in December 2000. Although not initially intended, the project evolved into a conceptual interpretation of futurist and inventor Raymond Kurzweil's 1999 book The Age of Spiritual Machines. Short tracks of spoken dialog from Kurzweil himself are interspersed among the actual songs on the album. The Kurzweil K250 keyboard, one of his inventions, was utilized throughout the recording of the album.
The album was written and recorded in two months while the band was still on tour in support of their previous record, Happiness... Is Not a Fish That You Can Catch, which had only been released 14 months prior. A combination of lead singer-songwriter Raine Maida's prolific songwriting at the time and lead-guitarist Mike Turner's discovery of The Age of Spiritual Machines in a bookstore hurried the completion of the album. The band only took a break from recording to organize and perform at Summersault in 2000. Unlike their previous releases, this one features a more organic, acoustic sound, and less obvious layering and electronic texturing.
Spiritual Machines has been noted as being the end of an era for Our Lady Peace, as it was the last album produced by the band's longtime producer Arnold Lanni, the last to feature original guitarist Mike Turner in full, and the last studio album to feature art model Saul Fox (until 2021) on its cover. It was also the last album to feature Maida's high-falsetto singing voice prominently. The album peaked at number five in Canada, where it is certified double platinum.
In August 2020, the band announced that they would be releasing a direct sequel to the album, titled Spiritual Machines 2,[1][2][3] which was released in 2022.
Background
While touring rigorously in support of Happiness... in mid-2000, Mike Turner came across The Age of Spiritual Machines, a 1999 book by inventor and futurist Ray Kurzweil. "I happened to be lucky enough to discover a really shiny book cover in a book store." Turner stated, "I wish I could say it was like, 'Well, I've been on this intellectual quest.' I picked it up, read it and went mental."[4] Becoming fascinated by the futuristic ideology of the book, he proceeded to share it with the other band members, reading them passages on their tour bus over the next several months.[5][6]
Lead singer Raine Maida first brought up the idea of a concept album after excerpts from the book began influencing his songwriting. Passing time on the road, he had amassed a backlog of songs and had begun to record demos. He jokingly suggested an album title of Kurzweil.[7] "That was not the most graceful sounding name in the world, so we went with Spiritual Machines instead," Turner said.[8] While the other band-members were less enthusiastic about the idea due to its weighty subject matter, Maida and Turner decided to pursue it and Turner contacted Ray Kurzweil via email to ask for permission to use the title of his book for their project. Kurzweil's excitement at the prospect prompted them to invite him to record spoken excerpts from his book for the album and a correspondence developed.[6][9] “I think it’s amazing that Ray Kurzweil sent us a bunch of pieces, and for whatever reason, they really tie in with what we were trying to say on this record,” said Maida.[10]
Recording and production
Select The Age of Spiritual Machines excerpts voiced by author Ray Kurzweil were incorporated into the album.
Unlike the band's three previous albums, most of the songs on Spiritual Machines were written solely by Maida. “I think that because this record happened quickly, we just ended up using a lot more of my songs this time,” stated Maida. “Whatever happens, happens, and if there are good ideas lying around, we use them.”[10] Also unlike on their previous albums, this one was recorded sporadically piece by piece with songs being added as others were discarded.[10] Raine had made several vocal demos at his new home recording studio before the Spiritual Machines idea had come into play. Many of these demos were used for the final recordings and Raine was given production credits. “It was more a means to an end." he explained, "I would start off with a 4-track, then move to an 8-track, then go to digital. I have a ProTools system set up in my basement, so I just try to finish songs and get them out of the way so I don’t build up this backlog of ideas. We just sift through that stuff, as well as the stuff we do in rehearsal and just pick the best ideas and go. It wasn't like I said I wanted to be a producer or anything, it’s just that the demos I was making came closer to the finished product on one or two occasions, so now, I’m a producer.”[10]
Jamie Edwards, who had helped record and tour for Happiness... was heavily utilized during the recording process and was becoming a big part of the band, considered by some to be the unofficial fifth member of the band at that time. Taggart recounted in 2010, "He’s an amazing guitar player, and he played on the record. People don’t know that he had a lot to do with that stuff. He was very influential. We had him in all our writing sessions. It was a very creative time that was cool because we were all in a room, kind of working together.”[11]
By the time the band was set to perform at Summersault in August 2000, about eight songs, including "Life" and "Everyone's a Junkie", had been recorded as demos while the band was on the road touring. Guitarist Turner noted: "After we were done we brought them in for the record company to hear, with an eye to making plans for next year. They heard what we were doing and said, 'Well, let's finish the album you're working on.' And we thought, 'Album? We're just demoing.' But they told us what we had was great, so we went back into the studio with Arn[old Lanni] and did just that."[12] Over the next two months, the band worked to complete the album with Arnold Lanni at Arnyard Studios in Toronto as well as Avatar Studios in New York City.[13] Rumors had surfaced that, while in New York, Our Lady peace had dropped Lanni as producer to work with The Smashing Pumpkins frontman Billy Corgan. These rumors were later debunked by Maida.[10] The first songs to be played live were "Life" and "Everyone's a Junkie", which debuted during Summersault in August 2000 shortly after they were first recorded.[14] In an August 2000 interview with Chartattack Raine revealed that a song titled "Yesterday" (later to become "Middle of Yesterday") was almost guaranteed to be the first single for Spiritual Machines.[14]
He’s worked with all these huge artists we respect, so we just let him do his thing. The only thing we tried to do in the studio, was to keep it live and not overdo parts, and I think he exemplified it even more. For him, it wasn't about trying to hear every little part, it’s just about putting it all together and making it feel like there is a live band and it has an energy, and he’s really fucking good at that.
Towards the end of recording Spiritual Machines, percussionist Jeremy Taggart suffered a serious ankle injury during a mugging while walking his dog.[15] While he recovered, Taggart's friend Matt Cameron, former drummer for Soundgarden and current drummer for Pearl Jam, filled in for Taggart on the tracks "Right Behind You (Mafia)" and "Are You Sad?", which Taggart had already written the drum parts for.[16] When the final tracks were ready for mixing, the band shopped around before finding a producer they wanted. The album was mixed in Atlanta, Georgia by Brendan O'Brien, Pearl Jam's long time producer.[17] "It was an amazing experience working with Brendan, someone who immediately understood what we were trying to do and was able to capture exactly how we heard this album," noted Maida.[17]
Music and lyrics
The songs for Spiritual Machines were written and partially recorded during a year in which the band was doing extensive touring of Canada, the United States, and Europe. According to lead singer Maida, the live stage-context inspired the band to "keep it really basic and not try to add too many textures... to not overdo it."[9] and giving the technically inclined record an acoustic feel at times. According to Maida, half of the record was completed before the book and its ideas even entered the equation. During an interview in late 2001, he stated, "... even though it seems quite intrinsic to the record, really, it only represents about four or five songs."[7] While the lyrics of several songs were inspired by the futuristic theories of Kurzweil, they were also written as a response to them, saying that the human spirit would always prevail. "Lyrically, this album is about finding the spirituality within ourselves."[18] This is the case with the opening song, "Right Behind You (Mafia)", which Raine said, "..[is] not an 'f-you' to Kurzweil. It's like 'I believe [much of] what you're saying, but we're going to fight it as well because there is a soul and there is a spirit.'"[19] Following "Mafia" is the song "In Repair", which muses on how the human body can be "repaired," whether through heart surgery or after an accident. This song is countered by the following track, "Life" which, explained Maida, "recognizes the pain our minds can experience."[20]
During a 2001 interview with Gary Graff from Wall of Sound Magazine, Maida recounted the inspiration for the lyrics of "Are You Sad". He was in New York recording "In Repair" at the old Hit Factory studio, which was later known as Avatar Studios. Following those sessions, Maida attempted to call his younger brother from his hotel room but couldn't get through. "When you're making a record, you kind of go into hiding, especially when I'm writing lyrics or writing music; I tend not to keep in touch with any friends or family or stuff. But my brother and I have a good relationship, and I want to keep it good. I couldn't get a hold of him for, like, a week, and I knew he was going through a shitty time — typical young-20s, no job, having a tough life. I wanted to talk to him desperately, and this song just came out of me, "Are You Sad?" It came out really quickly on a shitty travel guitar".[21] The meaning of "If You Believe" was revealed in a 2001 interview with Cleveland.com, "That song's about having an out-of-body experience and seeing that the afterlife is real," Maida confirms, "and telling people that there's something machines can't have, and we've got it.[22]
Spiritual Machines concludes with the track "The Wonderful Future", which is one of the songs on the album that features minimal instrumentation. Raine explained that the song embraces the outcome of Kurzweil's future and accepts it as something new and exciting.[23] It is about a woman who builds her "own satellite from an old rusted chair" who will one day realize that a man of flesh and tears can satisfy her future. "That's one of my favourite songs, for that reason," said Maida. "That song's about building the perfect human – this cyber-human – and realizing that you can't really compete."[19] Following several minutes of silence after "The Wonderful Future", there is a hidden track with Ray Kurzweil communicating with 'Molly'. Molly is a robot from 2099, who at the beginning of the book was a 23-year-old woman who knew nothing about what Kurzweil was trying to explain, and then started to evolve in the way Kurzweil predicted.[24]
In a March 2010 interview with The Montreal Gazette, Maida looked back fondly on the making of the album and while saying it took a while to get it right both musically and lyrically, he said "I appreciate the work I did lyrically; it does all tie together. As I sing these songs, it has that feeling of fixing things, and kind of where Ray was going in terms of being able to fix anything and possibly living beyond the realm of any human being and whatever anyone could think of a human living."[25]
Release
Guitarist Mike Turner posing with Spiritual Machines artwork
Promotion
Following a virtual listening party on the band's website where the full ten songs from the record were made available to listen to, Spiritual Machines was released in Canada on December 12, 2000.[26] For those who pre-ordered the album, a limited edition version of the CD was released in a black jewel case in which the artwork was not visible, only the band's name and logo in embossed lettering.[27][28]Spiritual Machines sold 36,394 copies in its debut week,[29] and would sell a total of 100,000 units in the first month after its release, making it their fastest selling album to date.[30] It went on to be certified 2× Platinum in Canada.[31] As was common practice, the album was released several months later in the United States on March 13, 2001.[32][33] Upon release in the United States, it spent a total of four weeks on the Billboard 200 charts, peaking at number 81.[34] In the United States, the album has yet to be certified by the RIAA.[11] It was released to Asian and European markets on May 9, 2001, under the Epic Records label. The record was re-released in 2008 under the Sony's Special Markets division.[16]
The lead off single for Spiritual Machines was "In Repair". It was only promoted in Canada and though reaching number one on the Canadian Rock Radio charts,[35] quickly fell off the charts shortly after its November 15, 2000 release.[28] While the single was a failure in the United States, the music video, directed by Oli Goldsmith won multiple awards at the MuchMusic Video Awards including Best Video and Best Director.[36] The second single was "Life", released shortly after the album's Canadian release in December 2000. It was the only single that was commercially released, in Australia (EPK 6718742). It fared better on the charts, reaching number 27 on the U.S. Modern Rock Tracks chart on March 10, 2001, after 13 weeks.[37] In Canada, the song peaked at number two on the Canadian Rock Radio charts[38] while the music video eventually reached number one on the MuchMusic Countdown.[36] The third and final single was "Right Behind You (Mafia)". By this time, Spiritual Machines was proving itself to be commercial failure in the States. The release of the single, set to be in June 2001,[36] was aborted and the promotional copies were instead distributed to the band's fan club.[36] The Oli Goldsmith directed music video's release was also cancelled and the video had not been seen until it was released on the band's official website in 2009.[39]
Packaging
The band contacted local Toronto artist Oli Goldsmith who happened to be reading the same book, to create the artwork for the upcoming album.[40] In total, he made around 200 paintings relating to the project, many of which were used for the album art, promotional singles and the band's website. Based on the success of that commission, the record label asked him to also create and direct music videos for the singles "In Repair"[5] and "Right Behind You (Mafia)", which took his paintings and brought them to life with animation and stylized live motion.[36][41] His artwork was described as "Integrating photographs, logos, television images, signs, as well as a variety of written forms, such as epigrams and poetry, Goldsmith's art juxtaposes the unexpected, resulting in pieces that are bold, colourful, and energetic."[42] When the album insert is unfolded, it reveals a surrealistic panorama that appears to be set in a hospital. The official photo shoot for Spiritual Machines took place on October 7, 2000, on the sixth floor of St. Joseph's Health Centre in Toronto, formerly an intensive-care unit.[43]
Although Spiritual Machines was not as successful as Our Lady Peace's previous three albums,[53][54] it was highly praised by fans and critics alike[16][44][51] as being one of Our Lady Peace's finest releases, and has also been proclaimed as being the height of their artistic creativity.[55][56][57] Selena Gomez of the University Star of Texas State University–San Marcos called the album incredible, but also pointed out that it was a commercial disaster due to it being "flighty and difficult to palate."[58] MacKenzie Wilson of Allmusic gave the album 4 out of 5 stars saying that "They can still deliver pinch-hitting licks and the brash attitude they did when they first formed in 1993, but they are a little older and a little wiser."[16] A review from the Hamilton Spectator noted that the album's concluding tracks "If You Believe" and "The Wonderful Future" demonstrated a particular facility for mixing sonic textures and that there were "actually moments when vocalist Raine Maida varies from his impersonation of a singing head cold."[45] Ashley Bird of Kerrang! noted that the album was packed with crisp, clean songwriting, odd searing post-grunge riffs and Raine Maida's nasal croon. He went on to say that the song "Life" "is one of the most perfectly weighted slices of pop-rock you'll hear."[47]
Eddie Fournier of The New Hampshire reviewed Spiritual Machines positively but said that "The spoken word sections are intriguing, but in a way, they detract from the overall strength of the album, breaking up the momentum created by the powerful 10 songs." He concluded by saying "Overall, Spiritual Machines is a lovely album from start to finish, and even better, it is an album that will make you wonder."[59] Cheryl Hunter of the Hartford Courant said that "It may sound formulaic, yet Maida's intelligent songwriting and nasally, but forthright vocals make Our Lady Peace more than just another faceless modern rock band."[60] Bartley Kives of Winnipeg Free Press gave the album 31⁄2 stars out of 5, saying that Our Lady Peace had finally gotten control of their sound and calling it "easily the finest thing they've ever created."[52]
Touring
Maida, Turner and Coutts during the original Spiritual Machines tour
Original tours (2000–2001)
Our Lady Peace toured in support of Spiritual Machines from November 2000 until September 2001. The first leg of the tour began with a university warm-up tour in Ontario, then a cross-Canadian fan club appreciation tour from Vancouver, British Columbia to Ste-Foy, Quebec in which members of their fan club received free tickets.[4][26] The tour continued into the United States in March 2001 with American Hi-Fi joining them as an opening act.[33] During May 2001, the band debuted a new song they had written for WWF pro-wrestler Chris Benoit that would be included on the soundtrack WWF Forceable Entry much to the chagrin of Maida.[61] The song had been recorded in early March and was mixed in Seattle.[62]
Several shows during the Summer leg had to be rescheduled or canceled after Maida contracted a throat infection. A cancer scare which turned out to be harmless caused bassist Duncan Coutts to miss six weeks of touring following the shoot for the "Life" video in February.[35][63] Rob Higgins of the band Change of Heart filled in for him while he recovered from surgery.[64] Coutts would also miss several shows in June after breaking his wrist in a biking accident.[33] The band wrapped up the tour with a performance at Music Without Borders at Toronto's Air Canada Centre on October 21, 2001.[4][65] This would be their last live performance with Mike Turner. Several songs were recorded live by the band in Syracuse, New York with hopes of releasing a live album with producer Bob Rock and then to continue touring for the album. The live tracks were instead spread across various promos and singles and the band decided to record a full-length album, Gravity, with Rock.[66]
Recreation tour (2010)
In December 2009, after a poll on Facebook, the band announced that they would be "recreating"[67] both Spiritual Machines and their 1997 record Clumsy by performing them live in their entireties[67][68] throughout a new tour that began in March 2010; nine months before the 10-year anniversary of the release of Spiritual Machines.[67] Prior to this tour, the song "All My Friends" had never been played live and many more songs had never been played by present guitarist Steve Mazur, having joined the band in 2002.[25][69]
"The Wonderful Future" ends at 4:30, and is followed by roughly 12 minutes of silence, after which a hidden conversation between R.K. and Molly is heard.
Studio outtakes Several known outtakes from the Spiritual Machines sessions were demos carried over from the Happiness... sessions, such as "Ordinary Day" and "Sleeping In". "Ordinary" is seen being played during demo sessions for Happiness... on the band's 1998 holiday fan club video. The lyrics were published in the Pied Piper's Union Christmas 1998 newsletter.[70] A poor quality recording of the latter is available on YouTube as well as in trading circles. Other song names such as "La Bra" and "A Waste of Violence" (or The Weight of Violence) were revealed on web casts of the recording sessions or seen on original artwork by Oli Goldsmith.[71] A narrative outtake by Ray Kurzweil titled "R.K. Jack" was included as an intro to the track "Life" on A Decade.[72]
In an August 18, 2000 article, it was revealed at that point that 8 songs were complete with four more being recorded in the past five weeks. This was before heading to New York to record "In Repair" and "Are You Sad", among others. Turner even noted "We've got so much music, we could even put another (album) out."[73]
Raymond Kurzweil is an American computer scientist, author, inventor, and futurist. He is involved in fields such as optical character recognition (OCR), text-to-speech synthesis, speech recognition technology and electronic keyboard instruments. He has written books on health technology, artificial intelligence (AI), transhumanism, the technological singularity, and futurism. Kurzweil is a public advocate for the futurist and transhumanist movements and gives public talks to share his optimistic outlook on life extension technologies and the future of nanotechnology, robotics, and biotechnology.
Our Lady Peace is a Canadian rock band formed in Toronto, Ontario in 1992. Led by lead vocalist Raine Maida since its formation, the band currently also features Duncan Coutts on bass, Steve Mazur on guitars, and Jason Pierce on drums. The band has sold several million albums worldwide, won four Juno Awards, and won ten MuchMusic Video Awards—the most MMVAs ever awarded to a band. Nineteen of their singles have reached the Top Ten on one of Canada's singles charts. Between 1996 and 2016, Our Lady Peace was the third best-selling Canadian band and the ninth best-selling Canadian artist overall in Canada.
Raine Maida is a Canadian musician best known as being the lead vocalist and primary songwriter of the alternative rock band Our Lady Peace. He has come to be known for his unique countertenor nasal falsetto singing voice, as well as his cryptic and poetry-influenced song lyrics. He occasionally plays certain instruments, such as the acoustic guitar, while performing with Our Lady Peace. Following guitarist Mike Turner's departure from Our Lady Peace in 2001, Maida is the only remaining original member of the band.
Clumsy is the second studio album by the Canadian rock band Our Lady Peace, released on January 23, 1997, by Columbia Records. The album is the band's most successful to date, achieving diamond status in Canada and strong sales in other countries, including platinum status in the U.S. for another 1 million sales. In 2007, it ranked No. 76 on "The Top 100 Canadian Albums" by Bob Mersereau and No. 33 on The Top 102 New Rock Albums of All Time by 102.1 The Edge. The album features five hit singles: "Superman's Dead", "Automatic Flowers", "Clumsy", "4am" and "Carnival". Each single except "Carnival" has a music video.
Happiness... Is Not a Fish That You Can Catch is the third studio album by Canadian alternative rock band Our Lady Peace. It was released on September 21, 1999, by Columbia Records. The album was very successful in Canada, debuting at #1 on the Canadian Albums Chart. The album was certified 3× Platinum in July 2001. Hit singles from the album include "One Man Army", "Annie", "Is Anybody Home?", and "Thief". The final track on the CD, "Stealing Babies", features Elvin Jones, a prominent post-bop jazz drummer. The photo shoot for this album took place around Staten Island in New York State.
Gravity is the fifth studio album by the Canadian rock band Our Lady Peace. It was released on June 18, 2002 by Columbia Records in North America. The album became a worldwide success, charting highly both in Canada and the United States with the hit singles "Somewhere Out There" and "Innocent".
Healthy in Paranoid Times is the sixth studio album by Canadian rock band Our Lady Peace, released on August 30, 2005, by Columbia Records. The disc was released on a standard CD as well as a DualDisc, with the reverse side containing a documentary on the making of the album. The album fared well in both Canada and the U.S., but didn't match up to the success of its 2002 predecessor, Gravity. The first single was "Where Are You", released in Canada during June 2005 and released in the United States a month later. The second and third singles were "Angels/Losing/Sleep" and "Will the Future Blame Us", respectively.
Edwin is a Canadian alternative rock singer from Toronto. He is the lead vocalist for the Canadian rock band I Mother Earth, as well as a solo artist. He is also the lead singer for the Canadian supergroup Crash Karma. In 2016, he reunited with I Mother Earth for a series of shows and a tour commemorating the twentieth anniversary of their most commercially successful release, Scenery and Fish.
Michael A. Turner, also known as Emtee, is an English-born Canadian musician and producer. He is best known as the former lead guitarist and founding member of the band Our Lady Peace and current member of alternative rock supergroup Crash Karma.
"Somewhere Out There" is a song by Canadian alternative rock group Our Lady Peace. It was released on April 1, 2002, as the lead single from their fifth studio album, Gravity. It was the most successful single from the album, reaching number 44 on the US Billboard Hot 100 and peaking inside the top 40 on five other Billboard charts. "Somewhere Out There" was the ninth-most played song on radio in Canada in 2002.
Between 1994 and present, Our Lady Peace discography has amounted to twelve total albums. These include ten studio albums, one live album and two compilation albums.
Naveed is the debut studio album by Canadian rock band Our Lady Peace. It was produced by Arnold Lanni, and was released on March 22, 1994, by Sony Music Canada. Naveed became a success in Canada, being certified 4× Platinum in the country. There were six singles released for the album, including "The Birdman", "Starseed" and "Naveed". This is the only album to feature bass player Chris Eacrett, who was replaced by Duncan Coutts in 1995.
"In Repair" is a song by Canadian alternative rock group Our Lady Peace. It was released in November 2000 as the lead single from their fourth studio album Spiritual Machines.
Burn Burn is the seventh studio album by Canadian alternative rock band Our Lady Peace, released in North America on July 21, 2009. The album's title is based on a quote by Jack Kerouac from his 1957 novel On the Road.
"Automatic Flowers" is a song by Canadian alternative rock group Our Lady Peace. It was released in July 1997 as the third single from their second studio album, Clumsy.
"Life" is a song by Canadian rock group Our Lady Peace. It was released in December 2000 as the second single from their fourth studio album, Spiritual Machines and the most successful from that album. The song was nominated for "Best Single" at the 2002 Juno Awards, losing to Nickelback's "How You Remind Me". A sample can be heard in the Trailer Park Boys episode "Say Goodnight to the Bad Guys". It can also be heard in the show's 2006 film adaptation.
"Right Behind You (Mafia)" is a song by Canadian alternative rock group Our Lady Peace. It was released in July 2001 as the third and final single from their fourth studio album, Spiritual Machines. The single underperformed, ultimately causing its release as well as that of its music video to be aborted. It was also their last single released with founding guitarist Mike Turner in the band. Matt Cameron of Pearl Jam performed the drums on this song while Our Lady Peace's own drummer, Jeremy Taggart, was recovering from injury.
Curve is the eighth studio album by Canadian alternative rock band Our Lady Peace (OLP), released on April 3, 2012. The album was recorded from 2010 through 2012 at vocalist Raine Maida's home recording studio. Curve's first single, "Heavyweight", was released on December 20, 2011. The music from Curve has been touted by lead singer Maida as being "more experimental and ambitious" than the band's 2000 concept album Spiritual Machines. The album's cover features Canadian heavyweight boxer George Chuvalo, whose vocal excerpts are featured in the album's tenth and final track "Mettle".
Somethingness is the ninth studio album by Canadian alternative rock band Our Lady Peace (OLP). Produced under Warner Music Records label by Jason Lader, who also produced their preceding album Curve, this is the band's first studio album in nearly six years and it was promoted using the PledgeMusic platform, a website which facilitates musicians reaching out to their fans to market and distribute music.
Spiritual Machines 2 is the tenth studio album from Canadian alternative rock band Our Lady Peace, a sequel to their 2000 art rock concept album Spiritual Machines. The album was produced by Dave Sitek, and released through BMG's Shelter Music Group in the form of a non-fungible token (NFT) on October 29, 2021. All 500 NFTs were reported sold out in January 2022. A traditional release of the album was planned for 2022, and a multi-media tour was scheduled to begin in June 2022.
1 2 Chiu, Ellen ""OLP Are Spiritual Machines"". Archived from the original on October 4, 2003. Retrieved February 26, 2017.{{cite web}}: CS1 maint: unfit URL (link) Chartattack.com October 25, 2000. Retrieved 2009-11-16
↑ Anon. "Snowjob Bio" – MuchMusic February 2001. Retrieved 2009-11-16
1 2 Bliss, Karen "Making Peace With the Future: Man just might have created a monster – the computer." What Magazine February 2001. Retrieved 2009-11-16
↑ Saxberg, Lynn "The spiritual machine of Our Lady Peace: Album inspired by keyboard genius Kurzweil; [Final Edition]." Ottawa Citizen December 11, 2001. Retrieved 2010-09-27
↑ Graff, Gary (2001). ""Our Lady Peace Sound Off"". Archived from the original on April 6, 2001. Retrieved April 6, 2001.{{cite web}}: CS1 maint: bot: original URL status unknown (link) Wallofsound, go.com at the Internet Archive. Retrieved 2009-09-19
↑ Cherry, Robert. "Our Lady Peace's Maida knows what 'Life' is about" Cleveland.com April 13, 2001. Retrieved 2009-10-23."
↑ "Pamela Wallin interviews Ray Kurzweil, with Mike Turner and Raine Maida of Our Lady Peace". Pamela Wallin's TalkTV. February 10, 2001.
1 2 Spiritual Machines (CD). Our Lady Peace. Columbia Records. 2001. 85368.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
1 2 ChartAttack.com Staff ""Our Lady Peace Announce Club-Crawl Dates"". Archived from the original on August 26, 2003. Retrieved February 26, 2017.{{cite web}}: CS1 maint: unfit URL (link) Chartattack November 21, 2000. Retrieved 2009-11-16
1 2 Chiu, Ellen ""Our Lady Peace Announce Album Date"". Archived from the original on August 21, 2003. Retrieved February 26, 2017.{{cite web}}: CS1 maint: unfit URL (link) Chartattack.com November 8, 2000. Retrieved 2009-11-16
↑ Staff ""Our Lady Peace Re-Launch Website"". Archived from the original on August 15, 2002. Retrieved February 26, 2017.{{cite web}}: CS1 maint: unfit URL (link) Chartattack.com November 16, 2000. Retrieved 2009-09-26
↑ Fournier, Eddie "CD Review: Our Lady Peace: Spiritual Machines – The United States finally gets its hands on Our Lady Peace" – The New Hampshire April 6, 2001
↑ Hunter, Sheryl "Spiritual Machines – Our Lady Peace (Columbia)" – Hartford Courant July 26, 2001.
↑ Somewhere Out There (Import) (CD single). Our Lady Peace. Columbia Records. 2002. 672965.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ "Our Lady Peace Gets Spiritual" – Pollstar March 14, 2001. Retrieved 2009-11-16
↑ Gangadeen, Paul. ""Live: Music Without Borders"". Archived from the original on August 13, 2003. Retrieved February 26, 2017.{{cite web}}: CS1 maint: unfit URL (link) – Chartattack October 22, 2001. Retrieved 2009-10-23.
↑ Anon. ""Old News"". Archived from the original on April 8, 2003. Retrieved February 26, 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link) – Ourladypeace.cc October 4, 2000. Retrieved 2009-12-13
↑ A Decade (CD). Our Lady Peace. Columbia Records. 2006. 930624.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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