| "Spoliarium" | |
|---|---|
 | |
| Song by Eraserheads | |
| from the album Sticker Happy | |
| Released | September 11, 1997 |
| Recorded | 1997 |
| Genre | |
| Length | 5:27 |
| Label | |
| Songwriter(s) | Ely Buendia |
| Producer(s) | Robin Rivera |
| Audio sample | |
"Spoliarium" | |
"Spoliarium" is a song by the Philippine alternative rock band Eraserheads from their fifth album Sticker Happy (1997).
The song got its name from the Juan Luna painting of the same name. It features six guitar parts and a mix of live drums and drum loops inspired by trip hop, according to drummer Raimund Marasigan. [1]
"Spoliarium" became the subject of an urban legend referencing Filipino-American actress Pepsi Paloma's rape case in 1982. The song's bridge mentions the names Enteng and Joey, which are nicknames for actors Vic Sotto and Joey de Leon, whom Paloma publicly accused of sexually assaulting her. [2]
Writer Ely Buendia later clarified the meaning of the song in a podcast interview in 2021, stating that it is "all about getting piss-drunk" on Goldschläger. “‘Spoliarium’ is one of those cases where really the myth has sort of taken over the facts and I kinda like it," he continued. "I kinda like the myth, because the actual meaning of the song is also again, just really mundane." [2] The names Enteng and Joey refer to the band's roadies, Vincent Villasanta and Joey Navera, who designed the artwork for the band's third album Cutterpillow (1995). [3]
The music video for "Spoliarium" was directed by Matthew Rosen. It was shot in black and white at the Cultural Center of the Philippines in February 1999 and was aired on commercial TV. It shows a woman (Lara Fabregas) being approached and followed by mysterious men in a theatre. [4] [2]
Eraserheads is a Filipino rock band formed in Quezon City in 1989. The band is composed of lead singer and primary songwriter Ely Buendia, guitarist Marcus Adoro, bassist Buddy Zabala, and drummer Raimund Marasigan. Regarded as “the Beatles of the Philippines”, the band is considered as one of the most influential and successful bands in the country.
Ely Eleandre Basiño Buendia is a Filipino musician. He is best known as the lead vocalist and primary songwriter of the alternative rock band Eraserheads, with whom he has released seven albums since their founding in 1989.
Raimund Emmanuel Parcon Marasigan is a Filipino musician and record producer. He is best known as the drummer of the alternative rock band Eraserheads. Marasigan has been described as "the busiest man in the Pinoy music scene".
Natin99 is the sixth studio album by the Philippine alternative rock band Eraserheads, released on May 18, 1999 by BMG Records (Pilipinas), Inc.
Eraserheads are a Philippine alternative rock band. Formed in Quezon City in 1989, the group consists of singer Ely Buendia, bassist Buddy Zabala, guitarist Marcus Adoro, and drummer Raimund Marasigan. The Eraserheads discography consists of seven studio albums, two live albums, five compilation albums, three extended plays (EP), 21 singles, two video albums and 13 music videos.
Cutterpillow is the third studio album by the Philippine alternative rock band Eraserheads, released on December 8, 1995 through BMG Records (Pilipinas), Inc.
"Ang Huling El Bimbo" is a song by the Philippine alternative rock band Eraserheads from their third album Cutterpillow (1995).
Circus is the second studio album by the Philippine alternative rock band Eraserheads, released on November 4, 1994 through BMG Records (Pilipinas), Inc.
Ultraelectromagneticpop! is the debut studio album by the Philippine alternative rock band Eraserheads, first released on July 1, 1993 by BMG Records (Pilipinas) Inc. It was produced by the band and Ed Formoso.
Fruitcake is the fourth studio album by the Philippine alternative rock band Eraserheads, released on December 6, 1996 by BMG Records (Pilipinas), Inc.
Sticker Happy is the fifth studio album by the Philippine alternative rock band Eraserheads, released on September 11, 1997 by BMG Records (Pilipinas) Inc.
Bananatype is the second extended play by the Philippine alternative rock band Eraserheads, released in June 1997 through BMG Records (Pilipinas), Inc. It serves as promotional material for the band’s fifth album Sticker Happy, which was released three months later.
Carbon Stereoxide is the seventh and final studio album by the Philippine alternative rock band Eraserheads, first released on March 10, 2001 by BMG Records (Pilipinas), Inc.
Aloha Milkyway is a compilation album by the Philippine alternative rock band Eraserheads. It was released on August 12, 1998 under BMG Records (Pilipinas), Inc. in Southeast Asian territories and in the Philippines on October 14.
Please Transpose is the third and final extended play by the Philippine alternative rock band Eraserheads. Released in August 2002, it was self-produced by the band with their new vocalist Kris Gorra-Dancel, who joined the group after Ely Buendia left earlier that year.
Eraserheads: The Reunion Concert 08.30.08 is the first live album by the Philippine alternative rock band Eraserheads, released on November 3, 2008 by Sony BMG Music Entertainment (Philippines). The live album recorded the band’s reunion concert at the Bonifacio Global City Open Grounds on August 30, 2008.
Pare Ko is a song by the Philippine alternative rock band Eraserheads. A censored version of the song titled Walang Hiyang Pare Ko was released as the second promotional single from their debut album, Ultraelectromagneticpop! (1993).
Eraserheads: The Reunion Concert is a 2008 concert film documenting the Philippine alternative rock band Eraserheads' reunion concert on August 30, 2008. It was released on a limited run in Philippine theaters on November 26, 2008, and on DVD on January 31, 2009. A live album was also released by Sony BMG Music Entertainment (Philippines) in the same month.
"Kaliwete" is a song by the Philippine alternative rock band Eraserheads. It was released in August 1997 as the first promotional single from their fifth studio album Sticker Happy (1997).
"Para sa Masa" is a song by the Philippine alternative rock band Eraserheads. It was released in April 1998 as the third promotional single from their fifth studio album Sticker Happy (1997).
