Srimad Virata Parvam | |
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Directed by | N. T. Rama Rao |
Written by | Kondaveeti Venkatakavi (dialogues) N. T. Rama Rao (story / screenplay) |
Based on | Virata Parva of Mahabharata |
Produced by | N. T. Rama Rao |
Starring | N. T. Rama Rao Vanisri Nandamuri Balakrishna |
Cinematography | M. A. Rehman |
Edited by | K. Babu Rao N. S. Prasad |
Music by | Susarla Dakshina Murthy |
Production company | Ramakrishna Cine Studios [1] |
Release date |
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Running time | 155 minutes |
Country | India |
Language | Telugu |
Srimad Virata Parvam is a 1979 Telugu-language Hindu mythological film, produced and directed by N. T. Rama Rao under his Ramakrishna Cine Studios banner. It stars N. T. Rama Rao, Vanisri, Nandamuri Balakrishna and music composed by Susarla Dakshina Murthy. [3] [4] The film is based on Virata Parva from epic Mahabharata in which NTR has performed 5 pivotal roles, after blockbuster success of Daana Veera Soora Karna (1977), in which he emoted 3 different roles. It is a color remake of the 1966 movie Nartanasala both starring N.T.Rama Rao as Arjuna.
The film begins with Pandavas' triumphs against their 12 exiles and starts the 13th year of Agnathavasam, i.e. living incognito under different identities. Krishna advises that the Matsya Kingdom, ruled by Virata, is a haven for them. Moreover, his liaison is necessary for the upcoming battle. Besides, he caveats the hindrance of his brother-in-law Kichaka, the soulmate of Duryodhana. Right now, Pandavas abide under various forms of disguise: Dharmaraja as an advisor, Kankubhattu, Bhima as the cook Valala, Nakula as a horse groomsman Damagranthi, and Sahadeva as a cowherd Tantripala. Eventually, Draupadi infiltrates as Sairandhri Malini, a decorator to the queen Sudheshna Devi.
Now, their petrify is about Arjuna crossing the hazard of easy detection. Then he recollects a Apsara Urvashi's curse. After procurement of a Pashupatastra from Siva, Indra felicitates Arjuna. At the behest of Indra, Arjuna acquires the dance skill from Urvasi, which is vital in the future. Urvasi lusts for Arjuna, which he denies, considering her a motherly figure. Being enraged, she curses him to lose his masculinity and turn him into a eunuch. However, Indra proclaims to treat it as a boon in disguise. So, Arjuna molds into a transgender dance mentor Brihannala and enrolls in tuition for Princess Uttara.
Meanwhile, Kichaka returns victorious from the conquest of the Matsya and observes changes in the fort. Parallelly, Duryodhana & Shakuni conspire to knit Lakshmana Kumara with Uttara to gain reinforcement, which Kichaka graciously accords. Knowing it, Pandavas kindles Ghatothkacha to couple up Uttara with Abhimanyu. Just as he mingles Uttara & Abhimanyu, he boomerangs the wedding by purporting to be Uttara. All at once, fulminated Kitchaka seeks to strike actuality behind the Uttara's disappearance. Soon, he surmises Pandavas' presence in the kingdom, and excluding Arjuna, he fathoms remaining and Draupadi. At the juncture, Kitchaka affirms Sudheshna, abet of Sairandhri behind the turbulence, and instructs her to send wine through her. Thereupon, Kitchaka hails and badly humiliates her in between the court. Due to the stipulation, Pandavas persevered with patience. After that, they tactically plot by alluring Kichaka through Draupadi and invite him to the dancing hall, where Bhima backstabs him.
Being conscious of it, Duryodhana unearths the Pandavas concealed in Matsya. So, they launch an attack on their cattle when all the soldiers are engaged in war. The next day, they attack cattle from another side. Immediately, Uttara Kumara swears to fight against them, taking Brihannala as his charioteer. However, after watching their troops, he loses his confidence. During that plight, Brihannala volunteers to fight and angles Uttara Kumara to handle the chariot. Before, they move to the Shami tree where the Pandavas hide their divine weapons and procure the Gandeevam when Brihannala regains his original form. At present, Arjuna fires Sammohanastra a smoke weapon, which puts the Kaurava army to sleep and rescues the cattle. The 13th year of the Pandavas' Agnathavasam was completed. Finally, the movie ends on a happy note with the marriage of Uttara & Abhimanyu.
Sri Madvirata Parvam | |
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Film score by | |
Released | 1979 |
Genre | Soundtrack |
Length | 27:24 |
Label | EMI Columbia Audio |
Producer | Susarla Dakshinamurthi |
Music composed by Susarla Dakshinamurthi. Music released on EMI Columbia Audio Company.
S. No | Song Title | Lyrics | Singers | length |
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1 | "Ramani Pilichindira" | Veturi | Vani Jayaram | 4:37 |
2 | "Jeevithame Krishna Sangeetamu" | Veturi | M. Balamuralikrishna | 3:43 |
3 | "Aadave Hamsagamana" | Veturi | M. Balamuralikrishna | 5:22 |
4 | "Nirajanam Jayanirajanam" | C. Narayana Reddy | S. Janaki | 2:22 |
5 | "Muddisthe Muripintha" | C. Narayana Reddy | Madhavapeddi Ramesh, S. Janaki | 3:25 |
6 | "Neeku Nene Sari" | C. Narayana Reddy | S. P. Balasubrahmanyam, Madhavapeddi Ramesh, S. Janaki | 3:30 |
7 | "Manasayena Mathipoyena" | C. Narayana Reddy | S. P. Balasubrahmanyam, P. Susheela | 4:25 |
Bhima, also known as Bhimasena, is a divine hero and one of the most prominent figures in the Indian epic Mahabharata, renowned for his incredible strength, fierce loyalty, and key role in the epic’s narrative. As the second of the five Pandava brothers, Bhima was born to Kunti—the wife of King Pandu—through the blessings of Vayu, the wind god, which bestowed upon him superhuman strength from birth. His rivalry with the Kauravas, especially Duryodhana, defined much of his life, with this tension ultimately erupting in the Kurukshetra War, where Bhima killed all hundred Kaurava brothers.
Daana Veera Soora Karna is a 1977 Indian Telugu-language Hindu mythological film co-written, produced and directed by N. T. Rama Rao under his banner, Ramakrishna Cine Studios. Based on the life of Karna from the Mahabharata, it stars Rama Rao in three roles: the title character, Duryodhana, and Krishna. It also stars Rao's sons Nandamuri Harikrishna and Nandamuri Balakrishna, who play the roles of Arjuna and Abhimanyu, respectively. Music for the film was composed by Pendyala Nageswara Rao.
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Sahadeva was the youngest of the five Pandava brothers in the ancient Indian epic, the Mahabharata. He and his twin brother Nakula were the sons of Madri, one of the wives of the Pandava patriarch Pandu, and Ashvini Kumaras, the divine twin physicians of the gods, whom she invoked to beget her sons due to Pandu's inability to progenate. Kunti, Sahadeva's step-mother, loved him the most despite his birth to Madri. Sahadeva is renowned for his wisdom, knowledge of astrology, and skill in swordsmanship.
Virata was the king of the Matsya Kingdom, in whose court the Pandavas spent a year in concealment during their exile. Virata was married to Queen Sudeshna and was the father of Prince Uttara and Princess Uttarā, who married Abhimanyu, the son of Arjuna. Abhimanyu and Uttara's son Parikshit succeeded Yudhishthira on the throne of Hastinapura, after the war of Mahabharata. He is the titular character of the Virata Parva, the fourth book of the epic Mahabharata
In the Hindu epic Mahabharata, Kichaka or Keechaka is the commander-in-chief of Matsya kingdom, the country ruled by King Virata. He was the younger brother of Sudeshna, the queen of Virata. Kichaka was a very powerful man and had immense strength. He saved Virata's kingdom many times from foes. He was killed by Bhima because he was harassing Draupadi and received a punishment.
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