Stereo | |
---|---|
Directed by | David Cronenberg |
Written by | David Cronenberg |
Produced by | David Cronenberg |
Starring | Ronald Mlodzik Jack Messinger Iain Ewing Clara Mayer Paul Mulholland Arlene Mlodzik Glenn McCauley |
Cinematography | David Cronenberg |
Edited by | David Cronenberg |
Production company | Emergent Films [1] |
Distributed by | Film Canada Presentations |
Release date |
|
Running time | 65 minutes |
Country | Canada |
Language | English |
Budget | $8,500 |
Stereo (full title Stereo (Tile 3B of a CAEE Educational Mosaic)) is a 1969 Canadian science fiction film directed, written, produced, shot and edited by David Cronenberg in his feature film debut. [2] Starring Ronald Mlodzik, who would go on to appear in later Cronenberg films Crimes of the Future , Shivers , and Rabid , the film was Cronenberg's first feature-length effort, following his two short films, Transfer (1966) and From the Drain (1967). The plot follows several young volunteers who participate in a parapsychological experiment.
The film purports to be part of a "mosaic" of educational resources by the Canadian Academy of Erotic Enquiry. It documents an experiment by the unseen Dr. Luther Stringfellow. A young man (Ronald Mlodzik) in a black cloak is seen arriving at the Academy, where he joins a group of young volunteers who are being endowed with telepathic abilities which they are encouraged to develop through sexual exploration. It is hoped that telepathic groups, bonded in polymorphous sexual relationships, will form a socially stabilising replacement for the "obsolescent family unit". One girl develops a secondary personality in order to cope with her new state of consciousness, which gradually ousts her original personality. As the volunteers' abilities develop, the experimenters find themselves increasingly unable to control the progress of the experiment. They decide to separate the telepaths, which results in two suicides. The final sequence shows the young woman who developed an extra personality wearing the black cloak.
Cronenberg used an Arriflex 35 that he gained from a deferred rental from Janet Good at the Canadian Motion Picture Equipment Rental Company. The film was shot in black and white and without synchronized sound [3] due to the noise of the Arriflex 35. [4]
Stereo was shot at the University of Toronto Scarborough [5] from August to 6 November 1968, with a budget of $8,500 (equivalent to $71,029in 2023). [1] Canada Council donated $3,500 to the film's budget under the writer category as it did not establish a cinema category until the next year. [4]
The film was shown in Toronto on 26 February 1969, premiered at the National Arts Centre on 23 June. [1] [6] Cronenberg paid for two screenings of the film before a businessman paid $10,000 for the film's distribution rights. The businessman showed the film at the Museum of Modern Art. [7]
Stereo did not receive a proper home media release until being included as an extra in the 2004 DVD release of Fast Company . [8]
Jacob Siskind, writing in the Montreal Gazette , stated that the film "is at once promising and disappointing". [9] Martin Malina, writing in the Montreal Star , stated that it was "fresh, unconventional and, I suspect, thoroughly uncommercial". [10] Robert Fulford, using the pseudonym Marshall Delaney, also praised the film. [11]
The film has been included as a special feature in multiple releases of other Cronenberg films, including in standard definition on Blue Underground's Blu-ray release of Fast Company , [12] in high definition on Criterion release of Scanners [13] and also in high definition on a bonus disc in Arrow Video's UK Blu-ray release of Videodrome . [14] The bonus disc from Videodrome was later released on its own as David Cronenberg's Early Works together with the director's first two short films and his sophomore feature Crimes of the Future . [15]
A draft of the screenplay was included in a 2002 anthology of scripts for some of Cronenberg's early films. [16]
David Paul Cronenberg is a Canadian film director, screenwriter, producer and actor. He is a principal originator of the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
Naked Lunch is a 1991 surrealist science fiction drama film written and directed by David Cronenberg and starring Peter Weller, Judy Davis, Ian Holm, and Roy Scheider. It is an adaptation of William S. Burroughs's 1959 novel Naked Lunch, and an international co-production of Canada, Britain, and Japan.
Scanners is a 1981 Canadian science fiction horror film written and directed by David Cronenberg and starring Stephen Lack, Jennifer O'Neill, Michael Ironside, and Patrick McGoohan. In the film, "scanners" are psychics with unusual telepathic and telekinetic powers. ConSec, a purveyor of weaponry and security systems, searches out scanners to use them for its own purposes. The film's plot concerns the attempt by Darryl Revok (Ironside), a renegade scanner, to wage a war against ConSec. Another scanner, Cameron Vale (Lack), is dispatched by ConSec to stop Revok.
Rabid is a 1977 independent body horror film written and directed by David Cronenberg. An international co-production of Canada and the United States, the film stars Marilyn Chambers in the lead role, supported by Frank Moore, Joe Silver, and Howard Ryshpan. Chambers plays a woman who, after being injured in a motorcycle accident and undergoing a surgical operation, develops an orifice under one of her armpits that hides a phallic/clitoral stinger she uses to feed on people's blood. Those she bites become infected, and then feed upon others, spreading the disease exponentially. The result is massive chaos, starting in the Quebec countryside, and ending up in Montreal. Rabid made $1 million in Canada, making it one of the highest-grossing Canadian films of all time. A remake of the same name, directed by Jen and Sylvia Soska, was released in 2019.
The Brood is a 1979 Canadian psychological body horror film written and directed by David Cronenberg and starring Oliver Reed, Samantha Eggar, and Art Hindle. Its plot follows a man and his mentally ill ex-wife, who has been sequestered by a psychiatrist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
The Dead Zone is a 1983 American science-fiction thriller film directed by David Cronenberg. The screenplay, by Jeffrey Boam, is based on the 1979 novel of the same title by Stephen King. The film stars Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Martin Sheen, Anthony Zerbe, and Colleen Dewhurst. Walken plays a schoolteacher, Johnny Smith, who awakens from a coma to find he has psychic powers. The film received positive reviews. The novel also inspired a television series of the same name in the early 2000s, starring Anthony Michael Hall, the pilot episode of which borrowed some ideas and changes used in the 1983 film.
M. Butterfly is a 1993 American romantic drama film directed by David Cronenberg and written by David Henry Hwang based on his 1988 play. The film stars Jeremy Irons and John Lone, with Ian Richardson, Barbara Sukowa, and Annabel Leventon. The story is loosely based on true events which involved French diplomat Bernard Boursicot and Chinese opera singer Shi Pei Pu.
Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source, complicated by increasingly intense hallucinations that cause him to lose his grasp on reality.
The Fly is a 1986 American science fiction horror film directed and co-written by David Cronenberg. Produced by Brooksfilms and distributed by 20th Century Fox, the film stars Jeff Goldblum, Geena Davis, and John Getz. Loosely based on George Langelaan's 1957 short story of the same name and the 1958 film of the same name, The Fly tells of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature. The score was composed by Howard Shore and the make-up effects were created by Chris Walas, along with makeup artist Stephan Dupuis.
Shivers, also known as The Parasite Murders and They Came from Within, and, for Canadian distribution in French, Frissons, is a 1975 Canadian science fiction body horror film written and directed by David Cronenberg and starring Paul Hampton, Lynn Lowry, and Barbara Steele.
From the Drain is a 1967 Canadian short film directed by David Cronenberg.
Crash is a 1996 Canadian erotic thriller film written, produced and directed by David Cronenberg, based on J. G. Ballard's 1973 novel of the same name. Starring James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter and Rosanna Arquette, it follows a film producer who, after surviving a car crash, becomes involved with a group of symphorophiliacs who are aroused by car crashes and tries to rekindle his sexual relationship with his wife.
Crimes of the Future is a 1970 Canadian science fiction film written, shot, edited and directed by David Cronenberg. Like Cronenberg's previous feature, Stereo, Crimes of the Future was shot silent with a commentary added afterwards, spoken by the character Adrian Tripod.
Fast Company is a 1979 Canadian action film directed by David Cronenberg and starring William Smith, John Saxon, Claudia Jennings and Nicholas Campbell. It was written by Phil Savath, Courtney Smith, Alan Treen and Cronenberg. It was primarily filmed at Edmonton International Speedway, in addition to other locations in Edmonton, Alberta, and Western Canada.
Camera is a 2000 Canadian short film written and directed by David Cronenberg. The six-minute short was one of several made for the special Preludes program in celebration of the 25th anniversary of the Toronto International Film Festival. These films, all by Canadian directors, were commissioned as preludes for the festival in 2000.
Transfer is a 1966 short film written, shot, produced, edited and directed by David Cronenberg. It features Mort Ritts and Rafe Macpherson and has a runtime of 7 minutes.
Scanner Cop is a 1994 science fiction action horror film. It is the fourth film in the Scanners series and the first of two films in the Scanner Cop sub-series. It is written, produced, and directed by longtime series producer Pierre David, and stars Daniel Quinn, Darlanne Fluegel, Mark Rolston and Richard Lynch. It was released direct-to-video in March 1994.
The 8th Toronto International Film Festival (TIFF) took place in Toronto, Ontario, Canada between September 9 and September 17, 1983. This year, the festival introduced Contemporary World Cinema programme. The festival also shone light on Paul Verhoeven's work. The festival also held a retrospective in honor of David Cronenberg, first time for a Toronto-reared director. The censor board insisted that the censored version of Cronenberg's film The Brood, approved in 1979 be used.
David Cronenberg is a Canadian film director, screenwriter, and actor. He is known as a principal originator of the genre commonly known as body horror, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.
Ronald Mlodzik is a Canadian character actor, Archdeacon and retired professor best known for his myriad appearances in the early films of body horror director David Cronenberg, including Stereo (1969), Crimes of the Future (1970), Secret Weapons (1972), Rabid (1977), and Shivers (1975), in which he played his most prominent role as Mr. Merrick, the building manager of the fictional Starliner Towers condominium complex. Mlodzik ceased to appear in any films or television post-1977.