Steve Masakowski | |
---|---|
Background information | |
Birth name | Stephen Alphonse Masakowski |
Born | New Orleans, Louisiana, U.S. | September 2, 1954
Genres | Jazz, jazz fusion, Afro-Cuban, Brazilian |
Occupation(s) | Musician, educator |
Instrument(s) | Guitar, keytar |
Years active | 1970s–present |
Labels | Blue Note |
Website | www |
Steve Masakowski (born September 2, 1954) is an American jazz guitarist, educator, and inventor. He invented the guitar-based keytar and the switch pick, and has designed three custom-built seven-string guitars. He developed an approach to playing the guitar by using his pick design, allowing him to switch from fingerpicking to flatpicking.
He has released solo albums and has worked with Johnny Adams, Mose Allison, Dave Liebman, Ellis Marsalis, Jr., Carl Fontana, Rick Margitza, Bobby McFerrin, Nicholas Payton, Dianne Reeves, Sam Rivers, Woody Shaw, Alvin Tyler, and Bennie Wallace. Since 1987, he has been a member of the band Astral Project. [1]
He has been voted Best Guitarist twice and included as a member of Astral Project in the Best Contemporary Jazz Group three times by Gambit and Offbeat magazines in their annual readers' poll. He has published lessons in Guitar Player magazine and wrote the book Jazz Ear Training – Learning to Hear Your Way Through Music for Mel Bay Publications. He has also been recognized by Down Beat magazine as Guitar Talent Deserving Wider Recognition. [2]
Masakowski was born in New Orleans, Louisiana, on September 2, 1954. [3] The Beatles influenced his desire to play guitar. [4] When he was fourteen, he played bass guitar and co-founded the band Truth, which was based on the rock band Cream. In high school he became interested in composing, and he started taking guitar lessons to learn about harmony. His teacher introduced him to the music of jazz guitarists Joe Pass, Wes Montgomery, Pat Martino, and Lenny Breau. [1]
He went to the Berklee College of Music in 1974, studying music theory, arranging, and composition. After getting his degree, he returned to New Orleans with his girlfriend, jazz guitarist Emily Remler, and founded the group Fourplay (not to be confused with the later jazz group of the same name). [1] From 1976 to 1978, he studied classical composition and orchestration with Bert Braud, a teacher at the New Orleans Center for Creative Arts who also taught Terence Blanchard, Harry Connick, Jr., Branford Marsalis, and Wynton Marsalis.
In the early 1980s, Masakowski played regularly with local New Orleans musicians such as Earl Turbinton, Jr., Alvin Tyler, and Willie Tee. With Singleton and drummer Johnny Vidacovich, he accompanied visiting musicians such as Randy Brecker, Tom Harrell, Art Baron, and Dave Liebman. He founded the group Mars with Larry Sieberth (keyboards), James Singleton (bass), and James Black (drums). The band played a mixture of jazz and electronic music, sometimes combined with visual art created by Jon Graubarth. Dave Liebman played on the first Mars album (1983).
In 1982, Masakowski founded the Composers Recording Studio with harpist Patrice Fisher, guitarist Jimmy Robinson, and violinist Denise Villere. He often acted as audio engineer and sometimes record producer. The studio lasted about ten years and recorded Harry Connick Jr., Ellis Marsalis Jr., Tony Dagradi, the Dirty Dozen Brass Band, and pianist James Drew.
For three years, Masakowski worked in a duet with pianist Ellis Marsalis, Jr. [1] [5] In 1987, he joined Astral Project. From 1993–1996, he toured with singer Dianne Reeves. He leads the band Nova NOLA, whose members include his son, double bassist Martin, and his daughter, vocalist Sasha Masakowski. [1] He released two albums for Blue Note Records: What It Was (1994) and Direct AXEcess (1995). New Orleans guitarist, banjoist, and historian Danny Barker wrote the liner notes for What It Was. When Barker died in 1994, he bequeathed his acoustic guitar to Masakowski. [1]
Masakowski was hired by Marsalis to teach in the jazz program at the University of New Orleans (UNO). In 1991, he became a full-time faculty member. After the retirement of Marsalis and a short tenure by Terence Blanchard, he became Chair of Jazz Studies and director of the jazz program in 2004. Masakowski retired from UNO in 2022.
In 1978, Masakowski invented the key-tar, a guitar-like instrument with seven rows of keys instead of strings, one key at each fret. This pre-MIDI controller was hardwired to a Moog synthesizer. One advantage of such an instrument was that it allowed playing more than one note in a row of keys at the same time, the equivalent on the guitar of playing multiple simultaneous notes on one string. Masakowski's song "Stepping Stone" was composed on the keytar, which allowed for the cluster-type chord voicings. [3] For the duration of the Mars era, his rig included a Gretsch seven-string guitar with the keytar fastened to the top. He chose not to pursue a patent for the keytar, opting to concentrate on a revised prototype of the instrument that failed due to lack of funding.
In 1987, Masakowski invented the switch pick to help when switching from fingers to plectrum. "I invented something I call a switch-pick, which is a sort of thumb pick...[made] in such a way that if I slide it up my finger, the support part doesn't come in contact with my thumb, so it feels like a normal pick. And then if I want to use it as a thumb pick, I just slide it up my finger, and I can play finger style with the thumb pick using all five fingers." [3]
He told an interviewer, "The pick is more efficient and has a better sound on fast lines where I need swing drive, but certain ideas, like fast diatonic-fourth runs, are easier to play fingerstyle." [6]
Inspired by a visit to New Orleans by seven-string guitarist Bucky Pizzarelli, Masakowski began to explore the seven-string guitar, first finding an early Gretsch, then designing his own models which have the expanded range of a normal guitar and bass guitar combined. His custom designs were built by luthiers Jimmy Foster and Salvador Giardina.
In 1982, Masakowski married German pianist Ulrike Antonie Sprenger. The couple have two children, both professional musicians: vocalist Sasha Masakowski (b. 1986) and double bassist Martin (b. 1990). Since 2007, the Masakowski family has been playing in bands together, including the group Nova NOLA.
In 2017 the Masakowski Family released the album N.O. Escape, a combination of jazz, gypsy jazz, and vocal jazz. Steve Masakowski co-wrote three songs based on the novel A Confederacy of Dunces . [7]
Date | Album title | Personnel | Label |
---|---|---|---|
1983 | Mars | Dave Liebman, Kent Jordan, Patrice Fisher, David Torkanowsky, Larry Sieberth, James Black, Ricky Sebastian, Mark Sanders | Prescription |
1991 | Friends | Rick Margitza, Michael Pellera, Ellis Marsalis Jr., Bill Huntington, Herlin Riley | Nebula |
1994 | What It Was | Rick Margitza, Michael Pellera, Larry Sieberth, Bill Huntington, David Torkanowsky, James Genus, Ricky Sebastian, Don Alias, Hector Gallardo | Blue Note |
1995 | Direct AXEcess | James Singleton, Brian Blade | Blue Note |
1998 | Live at Snug Harbor | Earl Turbinton, Jason Marsalis, Bill Huntington, Johnny Vidacovich | Marzian |
2000 | (For Joe) | Bill Huntington, Johnny Vidacovich | Compass |
2002 | Los Tres Amigos, Moon and Sand | James Singleton, Hector Gallardo | Mirliton |
2009 | Nova NOLA, Wetland | Sasha Masakowski, Martin Masakowski, Ulrike Masakowski, James Westfall, Ricky Sebastian, Hector Gallardo, Scott Myers, Nick Solnick | privately published |
2013 | Things I Like | Rex Gregory, Peter Harris, Julian Garcia | self-release |
2017 | N.O. Escape | Steve Masakowski, Sasha Masakowski, Martin Masakowski, Paul Thibodeaux | self-release |
2020 | Have Yourself A Merry Little Christmas | Steve Masakowski, Sasha Masakowski, Martin Masakowski, Jamison Ross, Shea Pierre, Jason Marsalis | self-release |
Date | Album title | Label |
---|---|---|
1988 | Dreams of Love with Tony Dagradi | Rounder |
1994 | Acoustic Fusion | Dorn |
1995 | Astral Project New Orleans LA | Astral Project |
1997 | Elevado | Compass |
1999 | Voodoobop | Compass |
2002 | Big Shot | Astral Project |
2004 | The Legend of Cowboy Bill | Astral Project |
2006 | Astral Project Live in New Orleans | Astral Project |
2008 | Blue Streak | Astral Project |
Date | Artist | Album title | Label |
---|---|---|---|
1987 | Christopher Mason | Sakura | GSR |
1987 | Damon Short | Penguin Shuffle | Blue Room |
1987 | Alvin 'Red' Tyler | Graciously | Rounder |
1988 | Ramsey McLean & the Survivors | The New New Orleans Music: Jump Jazz | Rounder |
1989 | Rick Margitza | Color | Blue Note |
1989 | David Torkanowsky | Steppin' Out | Rounder |
1990 | Mose Allison | My Backyard | Blue Note |
1990 | I migliori | Live at Gino's | Chromatose |
1991 | Rick Margitza | Hope | Blue Note |
1992 | Phillip Manuel | A Time for Love | All for One |
1992 | Harry Sheppard | Points of View | Justice |
1992 | Harry Sheppard | This-a-Way That-a-Way | |
1994 | Tony Dagradi Trio | Live at the Columns | Turnipseed |
1995 | Johnny Adams | The Verdict | Rounder |
1995 | Denise Mangiardi | Fine Tuning | Crow Hill |
1995 | Betty Shirley | Unveiled | Summit |
1995 | Johnny Vidacovich | Mystery Street | Record Chebasco |
1996 | Denise Mangiardi | A River of My Own | Crow Hill |
1997 | Michael Pellera | Cloud 9 | Pajacis |
1999 | Leigh Harris | House of Secrets | Deeva |
1999 | Phillip Manuel | Swingin' in the Holidays | Glad-Man |
2000 | Phillip Manuel | Loved Happened to Me | Maxjazz |
2001 | Albert–Ankrum Project | Albert-Ankrum Project | Lakefront |
2001 | Olivier Bou | Boo-Shah-o-Ray | Olga |
2001 | Kevin Clark and the Crescent City Moonlighters | Big Band Music | KC |
2002 | Samirah Evans | Give Me a Moment | Misha |
2003 | Ricky Sebastian | The Spirit Within | STR |
2004 | Harold Battiste | Lagniappe: The 2nd 50 Years: The Future of our Past | AFO |
2004 | James Black | (I Need) Altitude | Night Train |
2004 | Phil deGruy | Just Duet | Heard Instinct |
2004 | Dr. John | N'Awlinz: Dis Dat or D'Udda | Blue Note |
2005 | Dorothy Doring | Southern Exposure | Quarter Note |
2005 | John Ellis | One Foot in the Swamp | privately printed |
2006 | Colleen Porter | Faith in New Orleans | Independent |
2006 | Colleen Porter | I Love My City New Orleans | Independent |
2007? | Mary Jane Ewing | I Love Bein' Here with You | privately published |
2008 | Samirah Evans | My Little Bodhisattva | Misha |
2008 | Sasha Masakowski | Musical Playground | self-produced |
2008 | TriFunctA | Hangin' | self-produced |
2009 | Kaya Martinez | Emergence | Polyamorous |
2011 | Sasha Masakowski and Musical Playground | Wishes | Hypersoul |
2012 | Stephanie Jordan Big Band | Stephanie Jordan Sings a Tribute to the Fabulous Lena Horne | Vige |
2013 | Clarence Johnson III | Watch Him Work | Like Father Like Son |
2014 | Charlie Dennard | From Brazil to New Orleans | self-published |
2015 | Mary Jane Guiney | Stay True | Moxiemuzic |
2015 | Irvin Mayfield | New Orleans Jazz Playhouse | Basin Street |
Chester Burton Atkins, also known as "Mister Guitar" and "the Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang.
Joe Pass was an American jazz guitarist. Although Pass collaborated with pianist Oscar Peterson and vocalist Ella Fitzgerald, his status as one of the most notable jazz guitarists of the 20th century is generally attributed to his work on his solo albums, such as Virtuoso.
Slapping and popping are ways to produce percussive sounds on a stringed instrument. They are primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately.
Clawhammer, sometimes called down-picking, overhand, or most commonly known as frailing, is a distinctive banjo playing style and a common component of American old-time music. The style likely descends from that of West African lutes, such as the akonting which are also the direct ancestors of the banjo.
Tapping is a playing technique that can be used on any stringed instrument, but which is most commonly used on guitar. The technique involves a string being fretted and set into vibration as part of a single motion. This is in contrast to standard techniques that involve fretting with one hand and picking with the other. Tapping is the primary technique intended for instruments such as the Chapman Stick.
Lead guitar is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are often supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs.
A keytar is a keyboard instrument similar to a synthesizer or MIDI controller that is supported by a strap around the neck and shoulders, similar to the way a guitar is held.
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo.
Jason Marsalis is an American jazz drummer, vibraphone player, composer, producer, band leader, and member of the Marsalis family of musicians. He is the youngest son of Dolores Ferdinand Marsalis and the late Ellis Marsalis, Jr.
Emily Remler was an American jazz guitarist, active from the late 1970s until her death in 1990.
Ellis Louis Marsalis Jr. was an American jazz pianist and educator. Active since the late 1940s, Marsalis came to greater attention in the 1980s and 1990s as the patriarch of the musical Marsalis family, when sons Branford and Wynton became popular jazz musicians.
James Singleton is an American acoustic bassist, composer, and producer. He is a member of the New Orleans–based jazz group Astral Project with Johnny Vidacovich, Tony Dagradi, and Steve Masakowski. He has been described as one of the best and most sought-after bassists in New Orleans.
John Joseph Vidacovich Jr. is an American jazz drummer and a member of the band Astral Project with James Singleton, Tony Dagradi, and Steve Masakowski.
Astral Project is a modern jazz quartet from New Orleans, Louisiana. It was founded by saxophonist Tony Dagradi in 1978 and includes drummer Johnny Vidacovich, bassist James Singleton and 7-string guitarist Steve Masakowski. The band originally included pianist David Torkanowsky who left in 2001. Astral Project blends jazz, funk, rock, and world music and has been called one of New Orleans' premier jazz groups.
Guitar picking is a group of hand and finger techniques a guitarist uses to set guitar strings in motion to produce audible notes. These techniques involve plucking, strumming, brushing, etc. Picking can be done with:
Shannon Powell is an American jazz and ragtime drummer. He has toured internationally and played with Ellis Marsalis, Harry Connick, Jr., Danny Barker, Branford Marsalis, Wynton Marsalis and the Lincoln Center Jazz Orchestra, Diana Krall, Earl King, Dr. John, Preservation Hall, Marcus Roberts, John Scofield, Jason Marsalis, Leroy Jones, Nicholas Payton, and Donald Harrison Jr. Powell toured and recorded with fellow New Orleans native, Harry Connick Jr.
Lionel Victor Chamberland was an American jazz guitarist born and based in Norwalk, Connecticut. After playing with The Orchids in the 1960s, he stopped touring, became a private teacher, and performed regionally.
Kipori Jermaine Woods, also known by stage name Kipori 'Baby Wolf' Woods, is an American actor, singer, songwriter and guitarist raised in New Orleans, Louisiana, United States. He has played gospel, blues, jazz, funk and rap music and plays a blend of these music genres. Woods is the grandson of band-leader and blues bass player 'Luscious' Lloyd Lambert. Woods began singing gospel and playing guitar as a young child, he has played professionally since the 1990s.
Sasha Masakowski is an American jazz singer. She was born in New Orleans and is the daughter of jazz guitarist Steve Masakowski and concert pianist Ulrike Antonie Sprenger. She heard jazz at an early age due to her father's association with Ellis Marsalis Jr.
Kyle Roussel is an American musician, producer, composer, arranger, engineer, bandleader, educator, and actor from New Orleans, Louisiana. He is known as one of New Orleans’ most prominent pianists and has worked with a number of high-profile New Orleans acts.