Steve Norman | |
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![]() Norman in October 2009 | |
Background information | |
Birth name | Steven Antony Norman |
Born | London, England | 25 March 1960
Genres | Synthpop, new wave, pop rock |
Occupation(s) | Musician, producer, songwriter |
Instrument(s) | Saxophone, guitar, percussion, vocals, keyboards |
Years active | 1979–present |
Labels | Chrysalis |
Website | stevenorman-official |
Steven Antony Norman (born 25 March 1960)[ citation needed ] is an English musician who plays tenor saxophone, guitar, percussion and other instruments, for the English new romantic band Spandau Ballet.
Steve Norman was born in Stepney, east London, and was considered a musical child prodigy. [1] He started pursuing an interest in popular music as a guitarist in a Dame Alice Owen's School band called The Cut with Gary Kemp, Tony Hadley and John Keeble in 1976. [2] The band was later named The Makers, The Gentry and then Spandau Ballet.
Spandau Ballet signed with Chrysalis Records. By the third Spandau Ballet album, Norman brought percussion to the mix and introduced the tenor saxophone, which has since become his signature instrument. With Spandau Ballet, Norman toured the globe and continued to have hits throughout the 1980s. In 1985 Norman appeared with the band at Live Aid at Wembley Stadium. [3]
Because of a dispute over royalties, the band split up in the early 1990s. [4] [5] After a 20-year hiatus, newspaper reports claimed early in 2009 that Spandau Ballet was set to reform later that year.[ citation needed ] On 25 March 2009, Norman, Gary Kemp, Martin Kemp, Tony Hadley and John Keeble announced their reunion at a press conference on board HMS Belfast. The band also announced their 'Reformation Tour' starting in October 2009. [6]
Norman co-wrote the song "Once More" which became the first new Spandau Ballet single in 20 years. [7]
In the early 1990s after the band went their separate ways, Norman moved to Ibiza and took some time off from performing. During his time on the island, Norman collaborated with numerous musicians and producers who lived there, including Lenny Krarup, Nacho Sotomayor, Stefan Zauner and DJ Pippi. Norman also worked with Rafa Peletey on various projects, including Funky Jack's "Saxomatic" percussion mix. Norman also sourced and compiled the music for the Made in Ibiza Chills n' Thrills compilation album and co-compiled A Journey Through Savannah with Peletey for their record label, Island Pulse Records. [8]
Norman continued to play live at house music events throughout the UK and on the international club scene, [9] performing with his saxophone, or occasionally percussion alongside such musicians as Byron Stingily of Ten City, Frankie Knuckles, Angie Brown, Steve Edwards, Alison Limerick, Jeremy Healy and Brandon Block. Norman formed a partnership with Hed Kandi, DJ John Jones and Martin Ikin from Soul Purpose called 'The Collective'. Their first production was a re-working of Joe Smooth's "Promised Land" featuring Peyton on lead vocals and Shelley Preston (formerly of Bucks Fizz) on backing vocals. [9]
In 2012 and again in 2014, Norman was the featured guest saxophonist and percussionist for Steve Harley’s performances of the first two Cockney Rebel albums with orchestra and choir. In 2013, Norman played on three tracks on Bruce Foxton's album, Back in the Room. He also played on James Stevenson's album Everything's Getting Closer To Being Over released in 2014. The band he is performing live with as of 2021 is called The Sleevz. [10]
Norman has performed at various concerts in aid of The Prince's Trust charity. He also played at the "Free Nelson Mandela Concert" some years later along with Tony Hadley. [8]
In 2001, Norman and Rafa Peletey formed a production team called Cloudfish and invited Shelley Preston to provide the vocals. [11] As a result, Cloudfish became a band with Norman, Preston and Peletey writing and producing their own songs. Peletey left in 2003 to front his own band, joining up with Norman and Preston from time to time.
Cloudfish have continued to write, produce and perform [12] and were featured artists on the eponymous CD of the Italian quintet, Quintessenza. Cloudfish sold out a number of concerts including the one at Ronnie Scott's. Their song "So High" was included on the CD compilation, Dome Ibiza: The Chillout Session Vol. 2.
Norman writes a regular column reviewing CDs for the magazine Ibiza Now. [13]
Norman's first wife was Carmen Norman De Arquero. They were married from 1990 until their divorce in 2000. Together they have two children, a son named Jack, and a daughter named Lara. [14]
Norman later married ex-Bucks Fizz singer Shelley Preston. The marriage ended after more than thirteen years when they divorced in 2015.[ citation needed ]
He is a fan of Tottenham Hotspur F.C. [15]
Spandau Ballet were an English new wave band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.
True is the third studio album by English pop band Spandau Ballet, released on 4 March 1983 by Chrysalis Records. The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop. He no longer felt obligated to keep writing music for them and shifted his focus to soul and R&B influences such as Marvin Gaye and Al Green for this album. Kemp thought that bandmate Steve Norman's newfound interest in the saxophone would be well-suited to the sound he was going for, as would the decision to record most of the album at Compass Point Studios in the Bahamas.
Anthony Patrick Hadley is an English pop singer. He rose to fame in the 1980s as the lead singer of the new wave band Spandau Ballet and launched a solo career following the group's split in 1990. Hadley returned to the band in 2009 but left again in 2017. Hadley has been noted for his expressive voice and vocal range.
The Blitz Kids were a group of people who frequented the Tuesday club-night at Blitz in Covent Garden, London in 1979–1980, and are credited with launching the New Romantic subcultural movement.
John Leslie Keeble is an English pop and rock drummer. He is best known for his membership of the 1980s new wave band Spandau Ballet.
Gary James Kemp is an English songwriter, musician and actor, best known as the lead guitarist, backing vocalist, and principal songwriter for the new wave band Spandau Ballet.
"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan. Kemp was influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and the Beatles. "True" reached number one on the UK singles chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.
Shelley Preston is a singer who is known for being a former member of the pop group Bucks Fizz, when she replaced Jay Aston in June 1985. Preston's biggest hit as a member of the band was the 1986 track "New Beginning", which reached the UK top ten. She left the group in 1990. From 2004 to 2009, she was a member of the group The Original Bucks Fizz, along with former Bucks Fizz members Cheryl Baker and Mike Nolan.
Journeys to Glory is the debut studio album by English synth-pop band Spandau Ballet, released on 6 March 1981 by Chrysalis Records. All of the songs on the album were produced by Richard James Burgess and written by band guitarist Gary Kemp to appeal to the patrons of a weekly Tuesday night club the band started attending called the Blitz, where they were accustomed to hearing "white European dance music". Their performances at the Blitz and other exclusive venues attracted the attention of record labels eager to sign them, and one of the songs they had been performing, "To Cut a Long Story Short", gained popularity through a recording session made at BBC Radio 1.
Diamond is the second studio album by English band Spandau Ballet, released on 12 March 1982 by Chrysalis Records. As with their debut album, Journeys to Glory, all songs were produced by Richard James Burgess and written by band guitarist Gary Kemp. The music was inspired by a variety of genres, including the renewed interest in funk around Soho, American film scores with roots in eastern Europe, the second side of David Bowie's Low album, Pink Floyd records and the mood pieces of another English new wave band, Japan.
Parade is the fourth studio album by English new wave band Spandau Ballet, released on 25 June 1984 by Chrysalis Records. The band wanted the album to sound more like how they played together live, and their guitarist/songwriter Gary Kemp came up with material that he felt would be more appropriate for the arenas in which they performed now since they were attracting larger audiences. Because they would be parading themselves around the world as part of the album's corresponding tour, he hit upon the idea of a parade as the theme of the album and included an international cast of characters taking part in a parade on the album cover.
Heart Like a Sky is the sixth studio album by English new wave band Spandau Ballet, released on 18 September 1989 by CBS Records. Several of the songs were written as a result of lead guitarist and songwriter Gary Kemp's new relationship. The band, however, was not happy with the material, and lead singer Tony Hadley had so little confidence in the songs and the direction of the band in general that it affected his mental health. That and the involvement of Kemp and his brother, bassist Martin Kemp, in the making of a feature film created tension during the recording sessions. Preparation for filming interrupted the recording of the album and postponement of principal photography delayed the album's release. Gary Kemp alienated some of the band members even further by deciding to receive a separate production credit for the album and discontinuing regular payments of a share of publishing royalties to them, which caused them to file a lawsuit against him.
"Gold" is a song by English pop band Spandau Ballet, released on 5 August 1983 as the fourth single from their third album, True. The song was written by the band's guitarist/songwriter Gary Kemp as an homage to the film themes of composer John Barry and was especially influenced by his scores for the James Bond series. This was apparent to some music critics, but they were sharply divided in their reviews. Some appreciated the energy and drama behind it, while others found it affected and overwrought. The song peaked at number two on the UK singles chart and made the top 10 in several other countries, but its number 29 showing in the US and the disappointing chart performances of the next two singles released there led to the band's decision to change record labels.
Once More is the seventh and final studio album by English new wave band Spandau Ballet, released on 19 October 2009 by Mercury Records. The album includes 11 re-recordings from the band's back catalogue and two newly written songs. The first single, the title track "Once More", one of the two brand-new songs, was released as a promotional single on 5 October 2009 and as a digital download on the same day as the album was released. The album entered at number seven on the UK Album Chart on 25 October 2009, becoming their seventh UK Top 10 album.
"Through the Barricades" is a song by English new wave band Spandau Ballet, released as the second single from their 1986 studio album of the same name. The song was inspired by the murder of a member of the band's road crew in Belfast during The Troubles and emerged as the Spandau Ballet song that the band members rated the best. It reached number six on the UK Singles Chart, becoming their final top ten hit, and made the top ten elsewhere.
"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.
The Story: The Very Best of Spandau Ballet is a greatest hits album by English new wave band Spandau Ballet, released on 13 October 2014. The compilation included three new songs that were produced by Trevor Horn. It reached number eight on the UK Albums Chart.
"She Loved Like Diamond" is a song by the English new wave band Spandau Ballet, released on 11 January 1982 as the third single from what would be their second album, Diamond. The music video and cover art for the single focused on the sexual themes in the lyrics and the allure of the title character. In writing the song, their guitarist/songwriter Gary Kemp was influenced by American Jewish music with an eastern European flavour that he had heard in movie themes and musicals. Most reviews singled out lead singer Tony Hadley's performance as the main problem with the recording, which only mustered a number 49 peak position on the UK Singles Chart. The poor showing prompted the idea to release another song from the album, but the band realized that getting a new single to succeed would require a remix of the disappointing work of their current producer and decided to discontinue their association with him in doing so.
"Once More" is a song by English new wave band Spandau Ballet, released as the second single from their 2009 acoustic album album of the same name. It reached number 82 on the UK Singles Chart and received mixed reviews.
40 Years: The Greatest Hits is a greatest hits album by English new wave band Spandau Ballet, released in 2020. The collection includes every song issued as a single by the band to that point, although the original recording of "Instinction" from the 1982 Diamond album was chosen over the hit remix by Trevor Horn. Their 1990 recording of "The Boxer" made its debut here. Other tracks from their first five albums were also included along with several mixes of their hits that were released as 12-inch singles.