| "Once More" | ||||
|---|---|---|---|---|
 | ||||
| Single by Spandau Ballet | ||||
| from the album Once More | ||||
| Released | October 2009 | |||
| Recorded | 2009 | |||
| Genre | Pop | |||
| Length | 4:06 | |||
| Label | Mercury | |||
| Songwriter(s) | ||||
| Producer(s) | Danton Supple | |||
| Spandau Ballet singles chronology | ||||
| ||||
"Once More" is a song by English new wave band Spandau Ballet, released as the second single from their 2009 acoustic album album of the same name. It reached number 82 on the UK Singles Chart and received mixed reviews.
Spandau Ballet reunited in 2009, ten years after a disagreement over publishing royalties resulted in a court case and twenty years after the release of their last and least successful album, Heart Like a Sky . A tour was planned to mark the occasion along with an album of acoustic re-recordings of their biggest hits. [1] Regarding the reunion, their saxophonist Steve Norman said, "[W]e bonded more than we ever have before, and it was important we did that." [2] : 0:53 He found covering their own material to be beneficial in that "it kind of eased us into the studio process together. If we'd all gone into the studio and tried to have written songs together, it might have been a bit too much to handle at the time." He also explained that the record company wanted a new song for the album and that "the intention was really to build a bridge between now and the future of Spandau Ballet." [2] : 0:25
The record company wanted the new song to be a ballad. The band's lead guitarist and songwriter Gary Kemp decided to have it showcase the talents of lead singer Tony Hadley. [3] : 1:15 He told John Wilson in a Mastertapes interview in 2013 that he wrote the song specifically with Hadley in mind, which was the first time he had needed to do so in two decades. He said, [4] : 9:30
[T]he inspiration of knowing I was now going to write a song for Tony, I just went straight back and wrote the music for 'Once More' straight away. That was enough inspiration to write what I think turned out to be a really good song.
I know when we play on stage now and we all sing the words "once more"… it touches my heart.
– Gary Kemp in 2009 [3] : 2:21
He also wanted it to be something "epic" and "cinematic" that would convey emotions similar to what the band had just been through and described the song as "a love affair about people trying [to have a relationship] again." [3] : 2:01
The band wanted the video to emphasize performing; [3] : 3:00 the black-and-white clip takes place in a recording studio. Kemp said, "We didn't want it to be telling some drippy story as we walked across some landscape." [3] : 3:11
"Once More" spent its sole week on the UK Singles Chart on 31 October 2009 at number 82. [5]
When the band released the album Once More, the title song was mentioned by critics alongside the other new composition included, "Love Is All", and received mixed reviews. Stephen Schnee of AllMusic wrote, "Both tracks are wonderful ballads that may not be as drop-dead gorgeous as 'True', but they are right up there with other favorites like 'How Many Lies'." [6] Paul Lester of the BBC was not as impressed by either of the new songs, writing, "[T]hey are, in this context, and given the consistently bland treatment, virtually indistinguishable from their 80s hits." [7]
| Chart (2009) | Peak position |
|---|---|
| UK Singles (OCC) [5] | 82 |
Spandau Ballet were an English pop band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.
True is the third studio album by English pop band Spandau Ballet, released on 4 March 1983 by Chrysalis Records. The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop. He no longer felt obligated to keep writing music for them and shifted his focus to soul and R&B influences such as Marvin Gaye and Al Green for this album. Kemp thought that bandmate Steve Norman's newfound interest in the saxophone would be well-suited to the sound he was going for, as would the decision to record most of the album at Compass Point Studios in the Bahamas.
Anthony Patrick Hadley is an English pop singer. He rose to fame in the 1980s as the lead singer of the new wave band Spandau Ballet and launched a solo career following the group's split in 1990. Hadley returned to the band in 2009 but left again in 2017. Hadley is known for his "expressive voice" and "vocal range".
Steven Antony Norman is an English musician who plays tenor saxophone, guitar, percussion and other instruments, for the English new wave band Spandau Ballet.
John Leslie Keeble is an English pop and rock drummer. He is best known for his membership of the 1980s new wave band Spandau Ballet.
Gary James Kemp is an English songwriter, musician and actor, best known as the lead guitarist, backing vocalist, and principal songwriter for the new wave band Spandau Ballet.
"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan. Kemp was influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and the Beatles. "True" reached number one on the UK singles chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.
"To Cut a Long Story Short" is the debut single by the English new wave band Spandau Ballet, released on 31 October 1980. The band began recording the song before they were signed to a record label because of the interest they had generated with a debut concert for patrons of the exclusive weekly London nightclub the Blitz as well as a Christmas party at that establishment. After having tried other popular genres, the band had been preparing to make their debut as performers of dance music and wanted the public to associate them with the young crowd who met at the Blitz every Tuesday. They needed their guitarist/songwriter, Gary Kemp, to come up with something that they could feel confident about presenting to the top tier of the club's regulars at their first performance.
Journeys to Glory is the debut studio album by English synth-pop band Spandau Ballet, released on 6 March 1981 by Chrysalis Records. All of the songs on the album were produced by Richard James Burgess and written by band guitarist Gary Kemp to appeal to the patrons of a weekly Tuesday night club the band started attending called the Blitz, where they were accustomed to hearing "white European dance music". Their performances at the Blitz and other exclusive venues attracted the attention of record labels eager to sign them, and one of the songs they had been performing, "To Cut a Long Story Short", gained popularity through a recording session made at BBC Radio 1.
Diamond is the second studio album by English band Spandau Ballet, released on 12 March 1982 by Chrysalis Records. As with their debut album, Journeys to Glory, all songs were produced by Richard James Burgess and written by band guitarist Gary Kemp. The music was inspired by a variety of genres, including the renewed interest in funk around Soho, American film scores with roots in eastern Europe, the second side of David Bowie's Low album, Pink Floyd records and the mood pieces of another English new wave band, Japan.
Parade is the fourth studio album by English new wave band Spandau Ballet, released on 25 June 1984 by Chrysalis Records. The band wanted the album to sound more like how they played together live, and their guitarist/songwriter Gary Kemp came up with material that he felt would be more appropriate for the arenas in which they performed now since they were attracting larger audiences. Because they would be parading themselves around the world as part of the album's corresponding tour, he hit upon the idea of a parade as the theme of the album and included an international cast of characters taking part in a parade on the album cover.
Through the Barricades is the fifth studio album by English new wave band Spandau Ballet, released on 17 November 1986 by CBS Records. The band was continuing their efforts to replicate the sound of their live performance on a studio album that they had attempted unsuccessfully with their previous album, Parade. They were also wanting to address any misconceptions about their music that came from the success of their first US hit song, "True", and reshape the style of their music to that of a rock band. The title song, which details the struggles in a relationship, was chosen as the album title because of how they felt they were being perceived. Through the Barricades was also their first album with the label after leaving Chrysalis Records because of the downturn in their popularity in the US after "True".
Heart Like a Sky is the sixth studio album by English new wave band Spandau Ballet, released on 18 September 1989 by CBS Records. Several of the songs were written as a result of lead guitarist and songwriter Gary Kemp's new relationship. The band, however, was not happy with the material, and lead singer Tony Hadley had so little confidence in the songs and the direction of the band in general that it affected his mental health. That and the involvement of Kemp and his brother, bassist Martin Kemp, in the making of a feature film created tension during the recording sessions. Preparation for filming interrupted the recording of the album and postponement of principal photography delayed the album's release. Gary Kemp alienated some of the band members even further by deciding to receive a separate production credit for the album and discontinuing regular payments of a share of publishing royalties to them, which caused them to file a lawsuit against him.
"Gold" is a song by English pop band Spandau Ballet, released on 5 August 1983 as the fourth single from their third album, True. The song was written by the band's guitarist/songwriter Gary Kemp as an homage to the film themes of composer John Barry that was especially influenced by his scores for the James Bond series. This was apparent to some music critics, but they were sharply divided in their reviews. Some appreciated the energy and drama behind it while others found it affected and overwrought. The song peaked at number 2 on the UK Singles Chart and made the top 10 in several other countries, but its number 29 showing in the US and the disappointing chart performances of the next two singles released there led to the band's decision to change record labels.
Once More is the seventh and final studio album by English new wave band Spandau Ballet, released on 19 October 2009 by Mercury Records. The album includes 11 re-recordings from the band's back catalogue and two newly written songs. The first single, the title track "Once More", one of the two brand-new songs, was released as a promotional single on 5 October 2009 and as a digital download on the same day as the album was released. The album entered at number seven on the UK Album Chart on 25 October 2009, becoming their seventh UK Top 10 album.
"Lifeline" is a song by English pop band Spandau Ballet, released on 24 September 1982 as the first single from what would be their third album, True (1983). The song confirmed the band's intent to transition from dance music to pop that was hinted at with their previous single, "Instinction". Some band members found an enjoyable chemistry with "Lifeline" producers Tony Swain and Steve Jolley that was lacking in recording sessions with previous producers. The new song received mixed reviews but reached number 7 on the UK Singles Chart. It was also their first single to chart in the United States, missing the Billboard Hot 100 but charting on the Bubbling Under Hot 100 at number 8. The music video for the song received airplay on the U.S. cable channel MTV.
"Through the Barricades" is a song by English new wave band Spandau Ballet, released as the second single from their 1986 studio album of the same name. The song was inspired by the murder of a member of the band's road crew in Belfast during The Troubles and emerged as the Spandau Ballet song that the band members rated the best. It reached number six on the UK Singles Chart, becoming their final top ten hit, and made the top ten elsewhere.
"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.
"I'll Fly for You" is a song by English new wave band Spandau Ballet, released as the second single from their fourth studio album, Parade (1984). It became the band's ninth top-10 entry in their native United Kingdom, reaching number 9 on the UK Singles Chart. It also performed well in several other countries. Critics were divided, with some finding fault with the lyrics and others calling it their best single in quite some time. The music video was shot in and around New Orleans and incorporated a Mardi Gras parade into its storyline.
"She Loved Like Diamond" is a song by the English new wave band Spandau Ballet, released on 11 January 1982 as the third single from what would be their second album, Diamond. The music video and cover art for the single focused on the sexual themes in the lyrics and the allure of the title character. In writing the song, their guitarist/songwriter Gary Kemp was influenced by American Jewish music with an eastern European flavour that he had heard in movie themes and musicals. Most reviews singled out lead singer Tony Hadley's performance as the main problem with the recording, which only mustered a number 49 peak position on the UK Singles Chart. The poor showing prompted the idea to release another song from the album, but the band realized that getting a new single to succeed would require a remix of the disappointing work of their current producer and decided to discontinue their association with him in doing so.