"Fight for Ourselves" | ||||
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Single by Spandau Ballet | ||||
from the album Through the Barricades | ||||
B-side | "Fight… The Heartache" | |||
Released | 14 July 1986 | |||
Recorded | Winter 1986 | |||
Studio | Musicland (Munich, West Germany) | |||
Length |
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Label | CBS | |||
Songwriter(s) | Gary Kemp | |||
Producer(s) |
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Spandau Ballet singles chronology | ||||
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"Fight for Ourselves" is a song by English new wave band Spandau Ballet, released as the first single from their 1986 album Through the Barricades . In their native UK, the song reached number 15 on the UK Singles Chart, and reviews were mostly negative.
As Spandau Ballet was touring to promote their 1983 album True , they noticed an improvement in how they were performing together and wanted to capture the chemistry of their live shows on their next studio album. [1] [lower-alpha 1] They attempted this shift with True co-producers Tony Swain and Steve Jolley on their 1984 album Parade , but the band's songwriter/guitarist Gary Kemp was unsatisfied with the result: "I think we were a bit afraid of making a big jump after True. The trouble was that Parade the record wasn't like we did it live. People went home and were disappointed by the record." He explained, "We're a rock band now." [2]
The band decided to change producers since they did not feel Swain and Jolley could help them attain the sound they were after. [3] [lower-alpha 2] They chose to try out Gary Langan, a recording engineer they met while working with Trevor Horn, [3] [lower-alpha 3] in the role of co-producer of one song for their Parade follow-up to see if they worked well together before committing to an entire album with him in that capacity. [3] [lower-alpha 4] The song they chose for their test run was originally titled "Everybody (We've Got to Fight for Ourselves)". [4] They recorded what became known as "Fight for Ourselves" in the winter of 1986 [5] [lower-alpha 5] at Musicland Studios [6] in Munich and decided to keep Langan on as co-producer for the entire album. [5]
"Fight for Ourselves" was released in the UK on 14 July 1986 [7] and peaked at number 15 on the UK Singles Chart, making it their first lead single from any album not to make the top 10 there. [8] It also got as high as number 5 in Italy, [9] number 7 in Ireland, [10] number 10 on the European Hot 100, [11] number 11 in Spain, [12] number 16 in Australia [13] and the Netherlands, [14] number 20 in Belgium, [15] number 23 in Switzerland, [16] number 32 in West Germany [17] and number 33 in New Zealand. [18] Lead singer Tony Hadley wrote in his 2004 autobiography To Cut a Long Story Short that the mostly unimpressive numbers "hardly squared with our hopes of global success". [19]
Most reviews of the song upon its release were negative. As a guest critic for Smash Hits magazine, singer and Parade cover model Samantha Fox opined that it was not very good. [20] Stuart Bailie of Record Mirror described it as "crummy", explaining, "There's a mid-tempo ordinariness about the whole thing, with Steve Norman playing that same old sax solo and a very indifferent vocal from Tony Hadley." [21] Roy Wilkinson of Sounds summed up the song as "absurdly paranoiac". [22] Number One's Andrew Panos, however, called "Fight" a "knockout". He thought its chorus was reminiscent of "Chant No. 1 (I Don't Need This Pressure On)" and liked Kemp's "funky guitar picking", Norman's "sexy sax work" and Hadley's "restrained" vocals. [23]
In a retrospective review of the Through the Barricades album, Dan LeRoy of AllMusic wrote, "Most of the tunes demand guitar and drum bombast; instead, the riff-rocking 'Cross the Line' and 'Fight for Ourselves', in particular, are undercut by the polite-sounding rhythm section." [24]
The story line for the music video involves two young women (one of whom is played by Paul Young's then-girlfriend Stacey Smith) [4] who sneak into a Spandau Ballet concert and use their power to make themselves invisible in order to make out with band members during the performance of the song. Chroma key was used for the disappearing and reappearing sequences. The video was directed by Simon Milne. [25] Concert venue exteriors were shot at 43 King Street, Covent Garden, London.
Chart (1986–1987) | Peak position |
---|---|
Australia (Kent Music Report) [13] | 16 |
Belgium (Ultratop 50 Flanders) [15] | 20 |
Europe (European Hot 100 Singles) [11] | 10 |
Ireland (IRMA) [10] | 7 |
Italy ( Musica e dischi ) [9] | 5 |
Netherlands (Dutch Top 40) [28] | 16 |
Netherlands (Single Top 100) [14] | 18 |
New Zealand (Recorded Music NZ) [18] | 33 |
Spain (AFYVE) [12] | 11 |
Switzerland (Schweizer Hitparade) [16] | 23 |
UK Singles (OCC) [8] | 15 |
West Germany (Official German Charts) [17] | 32 |
Spandau Ballet were an English pop band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.
True is the third studio album by English pop band Spandau Ballet, released on 4 March 1983 by Chrysalis Records. The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop. He no longer felt obligated to keep writing music for them and shifted his focus to soul and R&B influences such as Marvin Gaye and Al Green for this album. Kemp thought that bandmate Steve Norman's newfound interest in the saxophone would be well-suited to the sound he was going for, as would the decision to record most of the album at Compass Point Studios in the Bahamas.
"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's guitarist/songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan, influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and The Beatles. It eventually reached number one on the UK chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.
"To Cut a Long Story Short" is the debut single by the English new wave band Spandau Ballet, released on 31 October 1980. The band began recording the song before they were signed to a record label because of the interest they had generated with a debut concert for patrons of the exclusive weekly London nightclub the Blitz as well as a Christmas party at that establishment. After having tried other popular genres, the band had been preparing to make their debut as performers of dance music and wanted the public to associate them with the young crowd who met at the Blitz every Tuesday. They needed their guitarist/songwriter, Gary Kemp, to come up with something that they could feel confident about presenting to the top tier of the club's regulars at their first performance.
Diamond is the second studio album by English new wave band Spandau Ballet, released on 12 March 1982 by Chrysalis Records. As with their debut album, Journeys to Glory, all songs were produced by Richard James Burgess and written by band guitarist Gary Kemp. The music was inspired by a variety of genres, including the renewed interest in funk around Soho, American film scores with roots in eastern Europe, the second side of David Bowie's Low album, Pink Floyd records and the mood pieces of another English new wave band, Japan.
Parade is the fourth studio album by English new wave band Spandau Ballet, released on 25 June 1984 by Chrysalis Records. The band wanted the album to sound more like how they played together live, and their guitarist/songwriter Gary Kemp came up with material that he felt would be more appropriate for the arenas in which they performed now since they were attracting larger audiences. Because they would be parading themselves around the world as part of the album's corresponding tour, he hit upon the idea of a parade as the theme of the album and included an international cast of characters taking part in a parade on the album cover.
Through the Barricades is the fifth studio album by English new wave band Spandau Ballet, released on 17 November 1986 by CBS Records in the United Kingdom and by Epic Records in the United States. The album reached number seven and remained on the UK Albums Chart for 19 weeks. It spawned three commercially successful singles in the UK: "Fight for Ourselves", "How Many Lies" and the band's final top-10 entry, "Through the Barricades".
"Gold" is a song by English new wave band Spandau Ballet, released on 5 August 1983 as the fourth single from their third album, True. The song was written by the band's guitarist/songwriter Gary Kemp as an homage to the film themes of composer John Barry that was especially influenced by his scores for the James Bond series. This was apparent to some music critics, but they were sharply divided in their reviews. Some appreciated the energy and drama behind it while others found it affected and overwrought. The song peaked at number 2 on the UK Singles Chart and made the top 10 in several other countries, but its number 29 showing in the US and the disappointing chart performances of the next two singles released there led to the band's decision to change record labels.
"Lifeline" is a song by English pop band Spandau Ballet, released on 24 September 1982 as the first single from what would be their third album, True (1983). The song confirmed the band's intent to transition from dance music to pop that was hinted at with their previous single, "Instinction". Some band members found an enjoyable chemistry with "Lifeline" producers Tony Swain and Steve Jolley that was lacking in recording sessions with previous producers. The new song received mixed reviews but reached number 7 on the UK Singles Chart. It was also their first single to chart in the United States, missing the Billboard Hot 100 but charting on the Bubbling Under Hot 100 at number 8. The music video for the song received airplay on the U.S. cable channel MTV.
"Only When You Leave" is a song by English new wave band Spandau Ballet, released as the first single from their fourth album Parade. It peaked at number 3 on the UK Singles Chart and made the top 10 in several other countries but only reached number 34 in the US, where it was their last song to appear on the Billboard Hot 100. Most critics were impressed with Tony Hadley's vocals and enjoyed the song. The music video used its theme of revenge as a way of paying tribute to the late film director Alfred Hitchcock.
"Through the Barricades" is a song by English new wave band Spandau Ballet, released as the second single from their 1986 studio album of the same name. The song was inspired by the murder of a member of the band's road crew in Belfast during The Troubles and emerged as the Spandau Ballet song that the band members revered most. It reached number six on the UK Singles Chart and made the top 10 elsewhere.
"Chant No. 1 " is a song by the English new wave band Spandau Ballet, released on 10 July 1981 as the first single from their upcoming second album, Diamond. The band's guitarist/songwriter, Gary Kemp, wanted to pay homage to the latest London hotspot, Le Beat Route, by emulating the funk music that was popular there and even using the club as the location for the music video, all in order to show that the band was still part of the trendy Soho scene. Except for the remix of the song from the album's box set, "Chant No. 1" received good reviews, and the 7-inch single became their third top ten hit in the United Kingdom, peaking at number 3 on the UK Singles Chart.
"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.
"I'll Fly for You" is a song by English new wave band Spandau Ballet, released as the second single from their fourth studio album, Parade (1984). It became the band's ninth top-10 entry in their native United Kingdom, reaching number 9 on the UK Singles Chart. It also performed well in several other countries. Critics were divided, with some finding fault with the lyrics and others calling it their best single in quite some time. The music video was shot in and around New Orleans and incorporated a Mardi Gras parade into its storyline.
"Highly Strung" is a song by English new wave band Spandau Ballet, released as the third single from the 1984 album Parade. In their native UK, the song reached number 15 on the UK Singles Chart, and critics had a variety of responses to it. The music video used the population density of Hong Kong to demonstrate the song's emotional themes.
"The Freeze" is a song by the English new wave band Spandau Ballet, released on 12 January 1981 as the follow-up to their debut single, the number 5 UK hit "To Cut a Long Story Short". As was the case with that release, the 7-inch single of "The Freeze" featured a dub mix on its B-side, and the 12-inch single had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze" were mixed. It reached number 17 on the UK Singles Chart.
"Paint Me Down" is a song by the English new wave band Spandau Ballet, released on 2 November 1981 as the second single from what would be their second album, Diamond. Their guitarist/songwriter Gary Kemp copied some of the elements of their previous hit, "Chant No. 1 ", and the conflict between producer Richard James Burgess and lead singer Tony Hadley that began with that song continued as they recorded the vocals for "Paint Me Down". A controversial music video for the song was rejected by the British music chart television programme Top of the Pops, and its number 30 peak position on the UK Singles Chart was not enough to justify airing the studio performance they had filmed for the show either.
"She Loved Like Diamond" is a song by the English new wave band Spandau Ballet, released on 11 January 1982 as the third single from what would be their second album, Diamond. The music video and cover art for the single focused on the sexual themes in the lyrics and the allure of the title character. In writing the song, their guitarist/songwriter Gary Kemp was influenced by American Jewish music with an eastern European flavour that he had heard in movie themes and musicals. Most reviews singled out lead singer Tony Hadley's performance as the main problem with the recording, which only mustered a number 49 peak position on the UK Singles Chart. The poor showing prompted the idea to release another song from the album, but the band realized that getting a new single to succeed would require a remix of the disappointing work of their current producer and decided to discontinue their association with him in doing so.
"Communication" is a song by English pop band Spandau Ballet, released on 4 February 1983 as the second single from what would be their third album, True. The song was recorded at Compass Point Studios in Nassau, Bahamas along with most of the material from that album and received several good reviews. It reached number 12 on the UK Singles Chart and made the pop charts in other countries as well. The music video for the song was made to look like a film with lead singer Tony Hadley as the main character and received airplay on the U.S. cable channel MTV.
"How Many Lies" is a song by English new wave band Spandau Ballet, released as the third single from their 1986 album Through the Barricades. It charted in several countries but received mixed reviews.
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