The Collection | ||||
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Compilation album by | ||||
Released | 14 April 1997 | |||
Recorded | 1980–1984, 1988 | |||
Genre | New wave | |||
Length | 59:03 | |||
Label | EMI | |||
Spandau Ballet chronology | ||||
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The Collection is a compilation album by Spandau Ballet. It was released in 1997 by EMI. William Ruhlmann of AllMusic wrote that there was "no discernible selection criterion" used to decide which songs would be on it and described it as "a seemingly random collection of Spandau Ballet performances, including various singles, LP tracks, live recordings, and remixes in no particular order." [1] In 2001 it was reissued by the Dutch reissue label Disky.
1999 release | |
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Review scores | |
Source | Rating |
Allmusic | [2] |
2001 reissue | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
Ruhlmann summarized, "Some of the band's better material is here, some isn't," warning potential buyers that the studio versions of their biggest U.S. chart entries were not included. He decided, "If there is any organizing principle, it seems to be danceability, since, at least until near the end, all of the tracks maintain a steady beat." [1] His AllMusic colleague Bradley Torreano also noted that their biggest hit, "True", was missing and was less kind: [2]
What is in its place is some of the most soulless soul music that was ever thrust upon the listening public; songs like "Reformation" and "Foundation" are devoid of the emotion and power that this sort of music needs to survive. Singer Tony Hadley tries his hardest to give the album a heart, but the crisp production style leaves out the minor blemishes that makes this genre as good as it is. The new wave/soul combination disappeared with the decade, leaving behind some interesting music but obviously missing the essential elements that keeps certain kinds of music around longer than others. And Spandau Ballet is the perfect model for that situation; they had a few interesting songs but did not have the staying power of their techno-minded contemporaries, thus as the decade ended, so did their career. This album is a sad testimonial to a band and a genre that were never that great to begin with.
All tracks are written by Gary Kemp
No. | Title | Original album or single | Length |
---|---|---|---|
1. | "To Cut a Long Story Short" | Journeys to Glory (1981) | 3:22 |
2. | "Paint Me Down" | Diamond (1982) | 3:44 |
3. | "The Freeze" | Journeys to Glory (1981) | 3:33 |
4. | "She Loved Like Diamond" | Diamond (1982) | 2:54 |
5. | "Lifeline" | True (1983) | 3:21 |
6. | "Gold" (live, edited version*) | 12" single (1983) | 4:05 |
7. | "Coffee Club" (remix) | Diamond – 12" box set (1982) | 6:47 |
8. | "Foundation" (live) | "Gold" – 12" single (1983) | 3:56 |
9. | "Highly Re-Strung" (remix) | 12" single (1984) | 5:29 |
10. | "Reformation" | Journeys to Glory (1981) | 4:54 |
11. | "Pleasure" | True (1983) | 3:31 |
12. | "Nature of the Beast" | Parade (1984) | 5:15 |
13. | "Innocence and Science" | Diamond (1982) | 4:26 |
14. | "Raw" | Heart Like a Sky (1989) | 3:46 |
Total length: | 59:03 |
*the first verse is not included
Spandau Ballet were an English pop band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.
True is the third studio album by English pop band Spandau Ballet, released on 4 March 1983 by Chrysalis Records. The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop. He no longer felt obligated to keep writing music for them and shifted his focus to soul and R&B influences such as Marvin Gaye and Al Green for this album. Kemp thought that bandmate Steve Norman's newfound interest in the saxophone would be well-suited to the sound he was going for, as would the decision to record most of the album at Compass Point Studios in the Bahamas.
Steven Antony Norman is an English musician who plays tenor saxophone, guitar, percussion and other instruments, for the English new wave band Spandau Ballet.
Gary James Kemp is an English songwriter, musician and actor, best known as the lead guitarist, backing vocalist, and principal songwriter for the new wave band Spandau Ballet.
Power Metal is the fourth studio album by American heavy metal band Pantera, released on June 24, 1988, through Metal Magic Records. It is the first Pantera album to feature Phil Anselmo on lead vocals, as part of Pantera's best-known lineup which would last until the band's breakup in 2003.
Stage Fright is the third studio album by Canadian-American rock band the Band, released on August 17, 1970, by Capitol Records. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan. Kemp was influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and the Beatles. "True" reached number one on the UK singles chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.
Gold: The Best of Spandau Ballet is a greatest hits album by English new wave band Spandau Ballet, released on 4 September 2000 by Chrysalis Records. Two versions of the compilation were offered, each with the same 16 of their biggest hits; however, one version also included 1982's "She Loved Like Diamond" while the other featured their late 80s singles "Raw" and "Be Free with Your Love" instead. The album was re-released on 17 August 2008 with a bonus music video DVD.
"To Cut a Long Story Short" is the debut single by the English new wave band Spandau Ballet, released on 31 October 1980. The band began recording the song before they were signed to a record label because of the interest they had generated with a debut concert for patrons of the exclusive weekly London nightclub the Blitz as well as a Christmas party at that establishment. After having tried other popular genres, the band had been preparing to make their debut as performers of dance music and wanted the public to associate them with the young crowd who met at the Blitz every Tuesday. They needed their guitarist/songwriter, Gary Kemp, to come up with something that they could feel confident about presenting to the top tier of the club's regulars at their first performance.
Journeys to Glory is the debut studio album by English synth-pop band Spandau Ballet, released on 6 March 1981 by Chrysalis Records. All of the songs on the album were produced by Richard James Burgess and written by band guitarist Gary Kemp to appeal to the patrons of a weekly Tuesday night club the band started attending called the Blitz, where they were accustomed to hearing "white European dance music". Their performances at the Blitz and other exclusive venues attracted the attention of record labels eager to sign them, and one of the songs they had been performing, "To Cut a Long Story Short", gained popularity through a recording session made at BBC Radio 1.
Diamond is the second studio album by English band Spandau Ballet, released on 12 March 1982 by Chrysalis Records. As with their debut album, Journeys to Glory, all songs were produced by Richard James Burgess and written by band guitarist Gary Kemp. The music was inspired by a variety of genres, including the renewed interest in funk around Soho, American film scores with roots in eastern Europe, the second side of David Bowie's Low album, Pink Floyd records and the mood pieces of another English new wave band, Japan.
Parade is the fourth studio album by English new wave band Spandau Ballet, released on 25 June 1984 by Chrysalis Records. The band wanted the album to sound more like how they played together live, and their guitarist/songwriter Gary Kemp came up with material that he felt would be more appropriate for the arenas in which they performed now since they were attracting larger audiences. Because they would be parading themselves around the world as part of the album's corresponding tour, he hit upon the idea of a parade as the theme of the album and included an international cast of characters taking part in a parade on the album cover.
Through the Barricades is the fifth studio album by English new wave band Spandau Ballet, released on 17 November 1986 by CBS Records. The band was continuing their efforts to replicate the sound of their live performance on a studio album that they had attempted unsuccessfully with their previous album, Parade. They were also wanting to address any misconceptions about their music that came from the success of their first US hit song, "True", and reshape the style of their music to that of a rock band. The title song, which details the struggles in a relationship, was chosen as the album title because of how they felt they were being perceived. Through the Barricades was also their first album with the label after leaving Chrysalis Records because of the downturn in their popularity in the US after "True".
Kill, I Oughtta is the debut extended play of American heavy metal band Mudvayne. It was self-released by the band in 1997. In 2001, the EP was reissued by Epic Records under the title The Beginning of All Things to End. The reissue featured, as additional tracks, remixes of "Dig", and "L.D. 50", a 17-minute sound collage which originally appeared as interludes on that album. It is the only release by Mudvayne to have any participation from original bassist Shawn Barclay.
"Lifeline" is a song by English pop band Spandau Ballet, released on 24 September 1982 as the first single from what would be their third album, True (1983). The song confirmed the band's intent to transition from dance music to pop that was hinted at with their previous single, "Instinction". Some band members found an enjoyable chemistry with "Lifeline" producers Tony Swain and Steve Jolley that was lacking in recording sessions with previous producers. The new song received mixed reviews but reached number 7 on the UK Singles Chart. It was also their first single to chart in the United States, missing the Billboard Hot 100 but charting on the Bubbling Under Hot 100 at number 8. The music video for the song received airplay on the U.S. cable channel MTV.
"Chant No. 1 " is a song by the English new wave band Spandau Ballet, released on 10 July 1981 as the first single from their second album, Diamond. The band's guitarist/songwriter, Gary Kemp, wanted to pay homage to the latest London hotspot, Le Beat Route, by emulating the funk music that was popular there and even using the club as the location for the music video, all in order to show that the band was still part of the trendy Soho scene. Except for the remix of the song from the album's box set, "Chant No. 1" received good reviews, and the 7-inch single became their third top ten hit in the United Kingdom, peaking at number 3 on the UK Singles Chart.
"The Freeze" is a song by the English new wave band Spandau Ballet, released on 12 January 1981 as the follow-up to their debut single, the number 5 UK hit "To Cut a Long Story Short". As was the case with that release, the 7-inch single of "The Freeze" featured a dub mix on its B-side, and the 12-inch single had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze" were mixed. It reached number 17 on the UK Singles Chart.
The Story: The Very Best of Spandau Ballet is a greatest hits album by English new wave band Spandau Ballet, released on 13 October 2014. The compilation included three new songs that were produced by Trevor Horn. It reached number eight on the UK Albums Chart.
"Glow" is a song by the English new wave band Spandau Ballet, released on 27 March 1981 in the UK as a double A-side single with "Muscle Bound". The combined single was their third consecutive top 20 hit in their native UK, reaching number 10 on the UK Singles Chart. Elsewhere, "Glow" was released as the B-side with "Muscle Bound" as the A-side. "Glow" was written while their debut album, Journeys to Glory, was in the finishing stages and was subsequently not included, but a few different versions of the song were on the 2010 reissue of the album.
"Once More" is a song by English new wave band Spandau Ballet, released as the second single from their 2009 acoustic album album of the same name. It reached number 82 on the UK Singles Chart and received mixed reviews.