| "Crashed Into Love" | ||||
|---|---|---|---|---|
 | ||||
| Single by Spandau Ballet | ||||
| from the album Heart Like a Sky | ||||
| B-side | "How Many Lies (live)" | |||
| Released | 12 February 1990 | |||
| Recorded | 1988–1989 | |||
| Length | 4:40 | |||
| Label | CBS | |||
| Songwriter(s) | Gary Kemp | |||
| Producer(s) |
| |||
| Spandau Ballet singles chronology | ||||
| ||||
"Crashed Into Love" is a song by English new wave band Spandau Ballet, released as the fourth single from their 1989 album Heart Like a Sky . It was poorly received and became their fourth consecutive single that failed to make the top 40 in the UK.
In October 1987 Spandau Ballet lead guitarist and songwriter Gary Kemp serendipitously reconnected with actress Sadie Frost, who had appeared in the band's videos for "Gold" and "Fight for Ourselves". He began a romance with her that replaced his tendency to be cautious with a devil-may-care attitude. The newfound freedom he felt as a result of the relationship recharged his desire to write again, which lead to several songs for their 1989 album Heart Like a Sky , including "Crashed Into Love". [1]
The music video for "Crashed Into Love" was filmed in Los Angeles. [2]
"Crashed Into Love" debuted on the UK Singles Chart on 24 February 1990 in its peak position at number 96. [3] It also reached number 28 in Italy. [4]
In his review of the single, Phil Cheeseman of Record Mirror wrote, "No matter how they slipped up on their last record or perhaps, with hindsight, didn't release the best version, they always manage to create a new record even more unspeakable." [5]
|
|
| Chart (1990) | Peak position |
|---|---|
| Italy ( Musica e dischi ) [4] | 28 |
| UK Singles (OCC) [3] | 96 |
"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan. Kemp was influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and the Beatles. "True" reached number one on the UK singles chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.
"Gold" is a song by English pop band Spandau Ballet, released on 5 August 1983 as the fourth single from their third album, True. The song was written by the band's guitarist/songwriter Gary Kemp as an homage to the film themes of composer John Barry that was especially influenced by his scores for the James Bond series. This was apparent to some music critics, but they were sharply divided in their reviews. Some appreciated the energy and drama behind it while others found it affected and overwrought. The song peaked at number 2 on the UK Singles Chart and made the top 10 in several other countries, but its number 29 showing in the US and the disappointing chart performances of the next two singles released there led to the band's decision to change record labels.
"Lifeline" is a song by English pop band Spandau Ballet, released on 24 September 1982 as the first single from what would be their third album, True (1983). The song confirmed the band's intent to transition from dance music to pop that was hinted at with their previous single, "Instinction". Some band members found an enjoyable chemistry with "Lifeline" producers Tony Swain and Steve Jolley that was lacking in recording sessions with previous producers. The new song received mixed reviews but reached number 7 on the UK Singles Chart. It was also their first single to chart in the United States, missing the Billboard Hot 100 but charting on the Bubbling Under Hot 100 at number 8. The music video for the song received airplay on the U.S. cable channel MTV.
"Empty Spaces" is a song by English new wave band Spandau Ballet, released as the third single from their 1989 album Heart Like a Sky. It was poorly received and became their third consecutive single that failed to make the top 40 in the UK.
"Only When You Leave" is a song by English new wave band Spandau Ballet, released as the first single from their fourth album Parade. It peaked at number 3 on the UK Singles Chart and made the top 10 in several other countries but only reached number 34 in the US, where it was their last song to appear on the Billboard Hot 100. Most critics were impressed with Tony Hadley's vocals and enjoyed the song. The music video used its theme of revenge as a way of paying tribute to the late film director Alfred Hitchcock.
"Through the Barricades" is a song by English new wave band Spandau Ballet, released as the second single from their 1986 studio album of the same name. The song was inspired by the murder of a member of the band's road crew in Belfast during The Troubles and emerged as the Spandau Ballet song that the band members rated the best. It reached number six on the UK Singles Chart, becoming their final top ten hit, and made the top ten elsewhere.
"Chant No. 1 " is a song by the English new wave band Spandau Ballet, released on 10 July 1981 as the first single from their second album, Diamond. The band's guitarist/songwriter, Gary Kemp, wanted to pay homage to the latest London hotspot, Le Beat Route, by emulating the funk music that was popular there and even using the club as the location for the music video, all in order to show that the band was still part of the trendy Soho scene. Except for the remix of the song from the album's box set, "Chant No. 1" received good reviews, and the 7-inch single became their third top ten hit in the United Kingdom, peaking at number 3 on the UK Singles Chart.
"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.
"Muscle Bound" is a song by the English new wave band Spandau Ballet, released as part of the third single from their debut album Journeys to Glory. In the UK, it was released as a double A-side with the song "Glow"; elsewhere, "Glow" was included as the B-side. "Muscle Bound" received mostly good reviews, and the combined single was their third consecutive top 20 hit in their native UK, reaching number 10 on the UK Singles Chart. The music video for "Muscle Bound" was more ambitious than their previous promotional clips and went over budget because of snowy weather that caused delays during the location shoot.
"Highly Strung" is a song by English new wave band Spandau Ballet, released as the third single from the 1984 album Parade. In their native UK, the song reached number 15 on the UK Singles Chart, and critics had a variety of responses to it. The music video used the population density of Hong Kong to demonstrate the song's emotional themes.
"The Freeze" is a song by the English new wave band Spandau Ballet, released on 12 January 1981 as the follow-up to their debut single, the number 5 UK hit "To Cut a Long Story Short". As was the case with that release, the 7-inch single of "The Freeze" featured a dub mix on its B-side, and the 12-inch single had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze" were mixed. It reached number 17 on the UK Singles Chart.
"Glow" is a song by the English new wave band Spandau Ballet, released on 27 March 1981 in the UK as a double A-side single with "Muscle Bound". The combined single was their third consecutive top 20 hit in their native UK, reaching number 10 on the UK Singles Chart. Elsewhere, "Glow" was released as the B-side with "Muscle Bound" as the A-side. "Glow" was written while their debut album, Journeys to Glory, was in the finishing stages and was subsequently not included, but a few different versions of the song were on the 2010 reissue of the album.
"Paint Me Down" is a song by the English new wave band Spandau Ballet, released on 2 November 1981 as the second single from what would be their second album, Diamond. Their guitarist/songwriter Gary Kemp copied some of the elements of their previous hit, "Chant No. 1 ", and the conflict between producer Richard James Burgess and lead singer Tony Hadley that began with that song continued as they recorded the vocals for "Paint Me Down". A controversial music video for the song was rejected by the British music chart television programme Top of the Pops, and its number 30 peak position on the UK Singles Chart was not enough to justify airing the studio performance they had filmed for the show either.
"She Loved Like Diamond" is a song by the English new wave band Spandau Ballet, released on 11 January 1982 as the third single from what would be their second album, Diamond. The music video and cover art for the single focused on the sexual themes in the lyrics and the allure of the title character. In writing the song, their guitarist/songwriter Gary Kemp was influenced by American Jewish music with an eastern European flavour that he had heard in movie themes and musicals. Most reviews singled out lead singer Tony Hadley's performance as the main problem with the recording, which only mustered a number 49 peak position on the UK Singles Chart. The poor showing prompted the idea to release another song from the album, but the band realized that getting a new single to succeed would require a remix of the disappointing work of their current producer and decided to discontinue their association with him in doing so.
"Communication" is a song by English pop band Spandau Ballet, released on 4 February 1983 as the second single from what would be their third album, True. The song was recorded at Compass Point Studios in Nassau, Bahamas along with most of the material from that album and received several good reviews. It reached number 12 on the UK Singles Chart and made the pop charts in other countries as well. The music video for the song was made to look like a film with lead singer Tony Hadley as the main character and received airplay on the U.S. cable channel MTV.
"How Many Lies" is a song by English new wave band Spandau Ballet, released as the third single from their 1986 album Through the Barricades. It charted in several countries but received mixed reviews. It was the band's last UK top 40 single.
"Fight for Ourselves" is a song by English new wave band Spandau Ballet, released as the first single from their 1986 album Through the Barricades. In their native UK, the song reached number 15 on the UK Singles Chart, and reviews were mostly negative.
"Round and Round" is a song by English new wave band Spandau Ballet, released as the fourth single from the 1984 album Parade. In their native UK, the song reached number 18 on the UK Singles Chart, and reviews were mixed.
"Be Free with Your Love" is a song by English new wave band Spandau Ballet, released as the second single from their 1989 album Heart Like a Sky. It received mostly negative reviews and became their second consecutive single that failed to make the top 40 in the UK.
"Raw" is a song by English new wave band Spandau Ballet, released as the first single from their 1989 album Heart Like a Sky. It failed to make the top 40 in the UK but received mostly positive reviews.
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