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A straitjacket is a garment shaped like a jacket with long sleeves that surpass the tips of the wearer's fingers. Its most typical use is restraining people who may cause harm to themselves or others. Once the wearer slides their arms into the sleeves, the person restraining the wearer crosses the sleeves against the chest and ties the ends of the sleeves to the back of the jacket, ensuring the arms are close to the chest with as little movement as possible.
Although straitjacket is the most common spelling, strait-jacket or straightjacket are also used. Straitjackets are also called camisoles [1] [2] [3] or strait-waistcoats. [4]
The effect of a straitjacket as a restraint makes it of special interest in escapology. The straitjacket is also a staple prop in stage magic.
The straitjacket comes from the Georgian era of medicine. Physical restraint was used both as treatment for mental illness and to pacify patients in understaffed asylums.
Due to their strength, canvas and duck cloth are the most common materials for institutional straitjackets.
The word "strait", in this context, means "confinement". The straitjacket is described as early as 1772, in a book by the Irish physician David Macbride, although there are claims an upholsterer named Guilleret invented it in 1790 France for Bicêtre Hospital. [5] (See the French Wikipedia article, Camisole de force.)
Before the development of psychiatric medications and talking therapy, doctors did not know how to treat mental disorders such as schizophrenia, depression, and anxiety disorders. They attempted treatments that are cruel by modern standards, and the straitjacket was one of them. At the height of its use, doctors considered it more humane than restraints of ropes or chains. It prevented the patient from damaging clothes or furniture, and from injuring self, staff, or fellow inmates. [6]
Before the American Civil War, the mentally ill were often in poorhouses, workhouses, or prisons when their families could no longer care for them. Patients were forced to live with criminals and treated likewise: locked in a cell or even chained to walls. By the 1860s, Americans wanted to provide better assistance to the less fortunate, including the mentally ill. The number of facilities devoted to the care of people with mental disorders saw a dramatic increase. These facilities, meant to be places of refuge, were called insane asylums . Between 1825 and 1865, the number of asylums in the United States increased from nine to sixty-two.
The establishment of asylums did not mean treatment improved. Because doctors did not understand what caused the behavior of their patients, they often listed the possible causes of mental illness as religious excitement, sunstroke, or even reading novels.[ citation needed ] They believed the patient had lost all control over their morals and strict discipline was necessary to help the patient regain self-control. Asylums often employed straitjackets to restrain patients who could not control themselves.
Many assessors, including Marie Ragone and Diane Fenex, considered straitjackets humane, gentler than prison chains. The restraint seemed to apply little to no pressure to the body or limbs and did not cause skin abrasions. Moreover, straitjackets allowed some freedom of movement. Unlike patients anchored to a chair or bed by straps or handcuffs, those in straitjackets could walk. Some registered nurse specialists even recommended restrained individuals stroll outdoors, thereby reaping the benefits of both control and fresh air.[ citation needed ]
Despite its popular consideration as humane, straitjackets were misused. Over time, asylums filled with patients and lacked adequate staff to provide proper care. The attendants were often ill-trained to work with the mentally ill and resorted to restraints to maintain order and calm. In fact, during the late nineteenth and early twentieth centuries, some prisons even used straitjackets to punish or torture inmates. [7]
Modified variants of the garment are still in use. A particular brand of straitjacket is called an "Argentino" suit, manufactured by PSP Argentino Inc. In Canada in 2015, there was a class action lawsuit that won over the misuse of the restraint. [8] [9]
The security of a straitjacket depends very much on its size, which should be as small as practicable to be secure. A tight jacket at the chest and armpits will make it difficult for the wearer to pull the arms out of the sleeves.
The sleeves of the jacket are sewn shut at the ends—a significant restraint in itself because it restrains the use of the hands. The arms are folded across the front, with the ends of the sleeves wrapping around to fasten or tie behind the back. On some jackets, the sleeve-ends are anchored to the garment to allow the fastening or knot to rotate away from the wearer's hands as they move their arms, making it more difficult to undo. Some straitjackets are designed to have the person's arms crossed behind them rather than in front to ensure further restraint.[ citation needed ]
Most jackets feature a crotch-strap to prevent wearers from pulling off the jacket. Some bear loops at the front and/or sides; the sleeves are threaded through these to prevent the arms from being raised over the head. Friction buckles are used to fasten institutional jackets with webbing or cloth straps because they are difficult to open without a free pair of hands.
In stage magic, gimmicked jackets, made for magicians who practice escape stunts, omit arm loops, fasten with simpler buckles, and/or leave hidden openings in the sleeves.
Wearing an institutional straitjacket for long periods of time may cause pain for wearers. Blood pools in the elbows, causing swelling. The hands may become numb from lack of proper circulation. Bone and muscle stiffness causes the upper arms and shoulders to experience pain. Many wearers in these situations attempt to move and stretch their arms by thrashing around in their jackets, which is why institutions take great precautions, such as monitoring patients and conforming to strict protocols, when outfitting people in straitjackets.
To remove a straitjacket with both back and crotch-straps, it is not necessary to be able to dislocate one's shoulders in order to gain the slack necessary to pull an arm out of the sleeves. The necessity of this ability was fictitiously created by Harry Houdini and his brother Hardeen to try to lessen the amount of competition. Houdini later in his career published his technical handling of the escape in a newspaper. Escape artists around the world commonly continue this rumor to "spice up" the escape. Without dislocating the shoulder, it is sometimes possible to get more room by pulling at the inside of the arms as they are being strapped or by keeping an elbow held outward to gain slack in the sleeves when the arm is relaxed. Another way to gain slack is to take and hold a deep breath while the jacket is being done up.
It is possible for one person to put a willing volunteer into a straitjacket, but it generally takes at least two people to straitjacket a struggling person. For a jacket without a front strap, the most common way to escape is to hoist the arms over the head before undoing the crotch strap and at last the strap at the back of the neck. This allows the jacket to simply be peeled off upward over the head. The straitjacket escape was popularized by Houdini, who "discovered" it. Houdini first did it behind a curtain, forcing the audience to listen to thumps while watching a billowing curtain for many minutes. He found the trick went over better when the audience could see his struggles. In a few of his later and more popular acts, he performed the straitjacket escape while hung upside down from a crane, and also did the same when placed in a sealed milk can which was filled. Houdini's (and many other illusionists) acts showed the straitjacket in action in a variety of ways.
Straitjacket escape is one of the most sensational and famous magicians' tricks; it was a staple in illusionist Harry Houdini's act. Thus, new world records for straitjacket escape are constantly being attempted, in various ways and with various degrees of difficulty added. Some of the more newsworthy attempts and successes include:
Escapology is the practice of escaping from restraints or other traps. Escapologists escape from handcuffs, straitjackets, cages, coffins, steel boxes, barrels, bags, burning buildings, fish-tanks, and other perils, often in combination.
Physical restraint refers to means of purposely limiting or obstructing the freedom of a person's or an animal's bodily movement.
Handcuffs are restraint devices designed to secure an individual's wrists in proximity to each other. They comprise two parts, linked together by a chain, a hinge, or rigid bar. Each cuff has a rotating arm which engages with a ratchet that prevents it from being opened once closed around a person's wrist. Without a key, handcuffs cannot be removed without specialist knowledge, and a handcuffed person cannot move their wrists more than a few centimetres or inches apart, making many tasks difficult or impossible.
A sweater or pullover, also called a jersey or jumper, is a piece of clothing, typically with long sleeves, made of knitted or crocheted material that covers the upper part of the body. When sleeveless, the garment is often called a slipover, tank top, or sweater vest.
A shirt is a cloth garment for the upper body.
A waistcoat or vest is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three-piece male suit. Any given waistcoat can be simple or ornate, or for leisure or luxury. Historically, the waistcoat can be worn either in the place of, or underneath, a larger coat, dependent upon the weather, wearer, and setting.
A coat is typically an outer garment for the upper body, worn by any gender for warmth or fashion. Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps, and hoods.
Bondage in BDSM is the activity of tying or restraining people using equipment such as chains, cuffs, or collars for mutual erotic pleasure. According to the Kinsey Institute, 12% of females and 22% of males respond erotically to BDSM.
Chinese water torture, or use of a dripping machine, is a mentally painful process in which cold water is slowly dripped onto the scalp, forehead or face for a prolonged period of time. The process causes fear and mental deterioration of the subject. The pattern of the drops is often irregular, and the cold sensation is jarring, which causes anxiety as a person tries to anticipate the next drip.
A camisole is a sleeveless undershirt typically worn by women, extending to the waist. The camisole is usually made of satin, nylon, silk, or cotton.
A jerkin is a man's short close-fitting jacket, made usually of light-coloured leather, and often without sleeves, worn over the doublet in the 16th and 17th centuries. The term is also applied to a similar sleeveless garment worn by the British Army in the 20th century. A buff jerkin is an oiled oxhide jerkin, as worn by soldiers.
A teddy, also called a camiknicker, is a garment which covers the torso and crotch in the one garment. It is a similar style of garment to a one-piece swimsuit or bodysuit, but is typically looser and sheerer. The garment is put on by stepping into the leg holes and pulling the garment up to cover the torso. It may cover the whole of the torso or partially and may also cover the arms. They may open at the crotch so that the wearer may use the bathroom without taking it completely off. As an undergarment, it combines the functions of a camisole and panties, and may be preferred to avoid a visible panty line. It is also found as lingerie.
A sleeveless shirt, is a shirt that is manufactured without sleeves or with sleeves that have been cut off. Depending on the style, they can be worn as undershirts, by athletes in sports such as track and field and triathlon, or as casual wear by both men and women.
Medical restraints are physical restraints used during certain medical procedures to restrain patients with (supposedly) the minimum of discomfort and pain and to prevent them from injuring themselves or others.
A cuff is a layer of fabric at the lower edge of the sleeve of a garment at the wrist, or at the ankle end of a trouser leg. The function of turned-back cuffs is to protect the cloth of the garment from fraying, and, when frayed, to allow the cuffs to be readily repaired or replaced, without changing the garment. Cuffs are made by turning back (folding) the material, or a separate band of material can be sewn on, or worn separately, attached either by buttons or studs. A cuff may display an ornamental border or have lace or some other trimming. In US usage, the word trouser cuffs refers to the folded, finished bottoms of the legs of a pair of trousers. In the UK, while this usage is now sometimes followed, the traditional term for the turned up trouser hem is 'turnup'.
The Denison smock was a coverall jacket issued to Special Operations Executive (SOE) agents, the Parachute Regiment, the Glider Pilot Regiment, Air Landing Regiments, air observation post squadrons, Commando units, and other Commonwealth airborne units, to wear over their Battle Dress uniform during the Second World War, remaining in service with the British Army until the early 1970s when it was replaced by a version in the Disruptive Pattern Material (DPM) smock. The garment was also issued as standard to the scout and sniper platoons of line infantry battalions.
The Chinese Water Torture Cell is a predicament escape made famous by Hungarian-American magician Harry Houdini. The illusion consists of three parts: first, the magician's feet are locked in stocks; next, he is suspended in mid-air from his ankles with a restraint brace; finally, he is lowered into a glass tank overflowing with water and the restraint is locked to the top of the cell.
An armbinder or monoglove is a type of restraint device primarily used in bondage play, designed to bind the arms and/or hands to each other or to the body, usually behind the back, and employing a range of bondage equipment including cuffs, rods, straps, and gloves.
A Posey vest is a type of medical restraint used to restrain a patient to a bed or chair. Its name comes from the J.T. Posey Company, its inventor, though the term "Posey" is used generically to describe all such devices. The vest is placed on the patient, and meshy straps extending from each corner are tied either individually to each side of the bed or together to the back of a chair. Poseys are most often used to prevent patients from injuring themselves by falling or climbing out of the bed or chair. They allow patients the freedom to move around their arms and legs if no limb restraints have been applied.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive, and both men and women were divided into social classes by regulating the colors and styles that various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
A short light garment worn by ladies when dressed in negligee; strait jacket for lunatics or criminals condemned to the guillotine.