Sunday Go to Meetin' Time

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Sunday Go to Meetin' Time
Nicodemus steals a chicken.png
Nicodemus tries to steal a chicken. Sunday Go to Meetin' Time features African American characters who look and act like blackface minstrel show and coon song stereotypes.
Directed byI. Freleng
Story byAllen Rose
J.B. Hardaway (uncredited)
Produced by Leon Schlesinger
Starring Ben Carter
Roy Glenn [1]
Music by Norman Spencer
Animation by
Color process Technicolor
Distributed by
Release dates
  • August 8, 1936 (1936-08-08)(U.S.)
  • October 28, 1944 (1944-10-28)(Blue Ribbon reissue)
Running time
7 minutes (one reel)
LanguageEnglish

Sunday Go to Meetin' Time is a 1936 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. [2] The short was released on August 8, 1936. [3] The name of the short comes from the colloquial adjective "sunday-go-to-meeting," describing something appropriate for church or otherwise presentable. [4]

Contents

Because of the racial stereotypes of black people throughout the short, it is withheld from circulation, one of the "Censored Eleven" shorts.

Plot

Ringing bells in a lazy town announce that it is time to go to church. A black preacher with caricatured enormous lips greets his parishioners as he sings the song for which the short is named. A minstrel show dandy and his gal jazz up the song as they dance their way to church. A succession of gags featuring stereotyped black characters follows: a mammy and old uncle shine the heads of pickaninny children; a woman takes a bra off a clothesline to use as a bonnet for her twin children. Lindvall notes that mammies were "ubiquitous in films dealing with black culture". [5]

Freleng introduces the cartoon's protagonist, Nicodemus, when Mammy Two-Shoes finds him playing dice. She exclaims, "You good fo’ nothin’! Get yo’self to dat church. De Debbil’s gonna get you sho as yo’ born!" and drags him off by the ear. Nevertheless, Nicodemus slinks out the door, opting to steal some chickens instead. Unfortunately, a knock on the head sends him to the "Hades Court of Justice", where a demon reviews his crimes and sends him deeper into hell. Big-lipped demons carry him to the Devil himself, who sings to Nicodemus that "you've got to give the Devil his due." The boss orders some demons to "give 'em the works," but Nicodemus wakes to find the prods of pitchforks are nothing but the pecks of chickens in the land of the living. He hears the church bells and makes haste to the meeting house.

Reception

Boxoffice (Aug 22, 1936): "When a cartoon arouses enthusiasm in a projection room of hard-boiled critics, it denotes a hit. In Technicolor, this subject tells the story mostly in Negro rhythm and tuneful jazz." [6]

National Exhibitor (Sept 5, 1936): "One of the best in the series this, however, should not be played on the same bill with Green Pastures . The shiftless darky doesn't want to go to church on Sunday, escapes from his wife, runs away, is knocked out chasing a chicken, dreams he is in Hell where he is made the ball in a bagatelle (pinball) game with other things happening to him. Finally he wakes up, heads for church. Color, animation, gags are above average with the whole thing a stand out. Very Good." [6]

Notes

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References

  1. ↑ Scott, Keith (2022). Cartoon Voices from the Golden Age, 1930-70. BearManor Media. p. 19. ISBN   979-8-88771-010-5.
  2. ↑ Beck, Jerry; Friedwald, Will (1989). Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. Henry Holt and Co. p. 48. ISBN   0-8050-0894-2.
  3. ↑ Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 104–106. ISBN   0-8160-3831-7 . Retrieved 6 June 2020.
  4. ↑ "Merriam-Webster.com, Definition of SUNDAY-GO-TO-MEETING". www.merriam-webster.com. Retrieved 13 March 2022.
  5. ↑ Lindvall 128.
  6. 1 2 Sampson, Henry T. (1998). That's Enough, Folks: Black Images in Animated Cartoons, 1900-1960. Scarecrow Press. p. 210. ISBN   978-0810832503.
  7. ↑ "Likely Looney, Mostly Merrie: 140. Sunday Go to Meetin' Time (1936)". April 2012.

Further reading

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