| Super Roots 3 | ||||
|---|---|---|---|---|
 | ||||
| EP by | ||||
| Released | November 30, 1994 | |||
| Genre | Noise rock | |||
| Length | 33:32 | |||
| Label | Warner Music Japan | |||
| Producer | Boredoms | |||
| Boredoms chronology | ||||
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Super Roots 3 is the third installment of the Super Roots EP series by Japanese experimental band Boredoms. It consists of one song, half an hour in length, which has a repetitive rhythm throughout. It was released in 1994 by Warner Music Japan, and was reissued in 2007 by Vice Music and the Very Friendly label. [1] [2] [3] [4]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [4] |
| Pitchfork | 6.9/10 [5] |
| The New Rolling Stone Album Guide | [6] |
| The Virgin Encyclopedia of Nineties Music | [7] |
In a review for AllMusic, Thom Jurek called the music "one solid blast-ass cut," and wrote: "This is the Boredoms at their most monotonous, but then again, the riff progression has teeth and great drums, and its subtle change is hypnotic in a brutal but no less hedonistic manner." [4]
Pitchfork's Dominique Leone described the album as "a straightforward fusion of hardcore punk and purity through repetition," and commented: "Perhaps Eye got the idea from his heroes Bad Brains, who while never playing any 30-minute hardcore jams, did suggest the possibility that cosmic enlightenment and violent pummeling via riffs and beats were by no means mutually exclusive." [5]
Mark Fisher of Frieze noted that, on the album, the goal was to "combine Acid Rock's expansive wig-outs with Punk's cropped economy." He remarked: "'Hard Trance Away...' produces psychedelic effects with the barest of means... The locked groove repetition soon attains a kind of agitated stillness, a thrashing stasis." [8]
A writer for Freq stated: "33 minutes of monolithic manic pulverising powerful riffs. A full on headlong assault. This is essential stuff." [9]
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
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Boredoms is a rock band from Osaka, Japan formed in 1986. The band's sound is often referred to as noise rock, or sometimes Japanoise, though their more recent records have moved toward repetitive psychedelic rock, ambient soundscapes, and tribal drumming.
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The Complete In a Silent Way Sessions is a three-disc box set by trumpeter Miles Davis released by Legacy Records, featuring recordings from the sessions that would produce his 1969 album In a Silent Way as well as transitional pieces from the era. Besides two tracks previously released on the 1968 album Filles de Kilimanjaro, the set also includes material for Columbia outtake compilations Water Babies, Circle in the Round, and Directions. The box set features previously unreleased music, mostly from the In a Silent Way sessions proper. As well as the CDs, it includes essays by Michael Cuscuna and Bob Belden and details of the recording sessions. It is number five in the Legacy series of Miles Davis' Complete Sessions box sets.
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Super Roots is the first installment of the Super Roots EP series by Japanese experimental band Boredoms, released in 1993 by WEA Japan, in 1994 by Reprise/Warner Bros. Records in the United States, and rereleased in 2007 by Very Friendly Records in the United Kingdom and Vice/Atlantic Records in the United States.
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Super Roots 2 is the second installment of the Super Roots EP series by Japanese experimental band Boredoms. Released as a 3" CD, it was mailed to people in Japan who completed and sent a survey card enclosed with the Japanese release of Chocolate Synthesizer. Because of its short duration, it was the only Super Roots not to be rereleased by Vice Records in 2007.
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A Jackson in Your House is a 1969 album by the Art Ensemble of Chicago recorded for the French BYG Actuel label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Favors Maghostut. When issued on CD by Affinity in 1989, the track "The Waltz" was replaced by a six-minute live excerpt entitled "Hey Friend" which has never reappeared on any subsequent reissue.
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