Sylvie Brunet, known as Sylvie Brunet-Grupposo, is a contemporary French opera singer (mezzo-soprano).
Born to a Sicilian father and a French mother, Brunet was hired to sing the title role of Verdi's Aida in Bercy, one of her first professional engagements.
She moved towards the "Falcon" mezzo-soprano repertoire, a type of voice that is not very frequent. She has performed on several international stages and takes part in recordings, notably at Sony, Dynamic, and EMI.
Brunet performed Gluck's Iphigénie en Tauride at La Scala of Milan, under the baton of Riccardo Muti, Samson and Delilah at the Teatro Regio of Turin, the title-role of Carmen at the Zürich Opera House, the role of Suzuki in Madame Butterfly at the Paris Opera directed by Bob Wilson, Madame de Croissy in Dialogues des Carmélites at the Paris Opera and the Zürich Opera, Santuzza in Cavalleria Rusticana at the Séville Opera, Marguerite in La Damnation de Faust in Zürich and eventually the title role in Meyerbeer's l'Africaine at the Opéra national du Rhin.
Noticed by Sergio Segalini, [1] she is invited to sing Azucena in Verdi's Il trovatore at the Martina Franca Festival. On this occasion, an Italian critic wrote of her: "Verdi has finally found her Azucena, Sylvie Brunet is currently one of the rare Verdian singers, as much for her dramatic potential as for the breadth of her voice".
Sylvie Brunet collaborates with the French conductor Marc Minkowski who invites her to sing the title role of Carmen in Paris and Grenoble as well as for productions of l’Incoronazione di Poppea at the Aix-en-Provence Festival and Vienna directed by Klaus Michael Gruber, and The Tales of Hoffmann at the Lausanne Opera.
Sylvie Brunet has sung in concert, among others Verdi's Requiem at Monte-Carlo under the direction of Georges Prêtre, Beethoven's Symphony No. 9 with the Orchestre National de France under the direction of Kurt Masur as well as the cantata Faust et Hélène by Lili Boulanger with the Orchestre philharmonique de Radio France and the Berliner Philharmonie.
A mezzo-soprano or mezzo (; Italian:[ˌmɛddzosoˈpraːno]; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic.
Régine Crespin was a French singer who had a major international career in opera and on the concert stage between 1950 and 1989. She started her career singing roles in the dramatic soprano and spinto soprano repertoire, drawing particular acclaim singing Wagner and Strauss heroines. She went on to sing a wider repertoire that embraced Italian, French, German, and Russian opera from a variety of musical periods. In the early 1970s Crespin began experiencing vocal difficulties for the first time and ultimately began performing roles from the mezzo-soprano repertoire. Throughout her career she was widely admired for the elegance, warmth and subtlety of her singing, especially in the French and German operatic repertories.
Rita Gorr was a Belgian operatic mezzo-soprano. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud (Lohengrin) and Amneris (Aida), two of her greatest roles.
Sharon Coste is a French soprano of Canadian origin.
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Sylvie Valayre is a French operatic soprano known for her versatile interpretations of lyric, spinto, and dramatic coloratura soprano parts. She sings grueling roles like Abigaille, Lady Macbeth or Turandot as well as lighter pieces like Giordano's Maddalena, Cio-Cio San, or Verdi's Desdemona at major opera houses around the world.
Viorica Cortez is a noted Romanian-born mezzo-soprano, later French by naturalisation. Starting her operatic and concert career in the mid-1960s, she went on to become one of the most prominent female performers of the '70s and '80s. An example of professional longevity, she is present on some of the most prestigious European opera scenes.
Gianna Pederzini was an Italian mezzo-soprano.
Qiulin Zhang is an opera contralto of Chinese descent. Zhang was born in 1964 into a family of traditional Chinese Opera singers. Her father was a local opera singer of Qinqiang and play writer. Zhang is the winner of the Grand Prix of the International Contest of Marmande in 1995 and winner of the Masters of French Song in Paris the same year. She appears regularly in European opera houses such as the Toulouse Théâtre du Capitole, Opéra Bastille in Paris, the Dublin Opera, and others in London, Amsterdam, and Madrid. Known for her performances in Wagner's operas, in 2010, she sang Erda in the Paris Opera's first performance of the complete Ring Cycle in 53 years.
Géraldine Chauvet is a French operatic mezzo-soprano.
Marguerite Bériza (1879–1970) was a French opera singer who had an active international career during the first half of the 20th century. She began her career as a mezzo-soprano at the Opéra-Comique in 1900; ultimately transitioning into the leading soprano repertoire at that theatre in 1912. She performed extensively in the United States from 1914 to 1917 and was also heard as a guest artist at theatres in the French provinces, Monaco, Portugal, and Switzerland during her career. In 1924 she founded her own opera company in Paris with whom she actively performed up until 1930.
Marina Poplavskaya is a Russian operatic soprano. Her repertoire includes leading roles in operas of the Romantic era; she is particularly known for her performances in the operas of Verdi.
Béatrice Uria Monzon is a French mezzo-soprano.
Andréa Guiot was a French operatic soprano. A long-term member of the Paris opera houses, she was known internationally for leading roles especially in the French repertoire, such as Gounod's Mireille and Marguerite, Massenet's Manon and Micaëla in Bizet's Carmen. She appeared as Micaëla when Carmen was first performed at the Opéra de Paris in 1959, and as Mireille in the 1000th performance of the opera at the Opéra-Comique. She performed in the world premiere of Poulenc's Dialogues des Carmélites at the Teatro Colón in Buenos Aires in 1965. Among her many recordings, the 1964 Carmen conducted by Georges Prêtre, with Maria Callas in the title role and Nicolai Gedda as her lover, brought her lasting fame. She appeared at major opera house in France, Europe, and the Americas. After retiring from the stage, she was a voice teacher at the Conservatoire de Paris, succeeding Janine Micheau, her own former instructor.
Suzanne Sarroca was a 20th-century French operatic soprano.
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Nora Sourouzian is a French-Canadian mezzo-soprano with Armenian roots.
Isabelle Andréani was a French operatic mezzo-soprano and voice teacher. She was a member of the Paris Opera troupe from the mid-1950s, appearing in the title role of Bizet's Carmen in 1960, which became her signature role, also for international performances. She was a voice teacher in Aix-en-Provence from 1965, and at the Conservatoire de Toulon from 1972.
Agnieszka Rehlis is a Polish operatic mezzo-soprano who has made an international career. She is known for portraying Verdi characters including Amneris and Azucena. She participated in music by Krzysztof Penderecki, including the world premiere of his Eighth Sinfonie and the Grammy Award–winning collection Penderecki Conducts Penderecki.
Isabelle Cals is a French operatic soprano and mezzo-soprano who made an international career in opera and concert. Her roles include Bizet's Carmen and Wagner's Kundry.