Symphony No. 5 (Sessions)

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The Symphony No. 5 of Roger Sessions was commissioned in 1960 and completed in 1964. [1] [2] [3] It was commissioned by Eugene Ormandy and the Philadelphia Orchestra, and the first movement only was premiered by them in February 1964, [3] the rest not being completed until that December.

Roger Sessions American composer, critic, and teacher of music

Roger Huntington Sessions was an American composer, teacher, and writer on music.

Eugene Ormandy Hungarian conductor and violinist

Eugene Ormandy was a Hungarian-American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. The maestro's 44-year association with the orchestra is one of the longest enjoyed by any conductor with a single orchestra. Under his baton, the Philadelphia Orchestra had three gold records and won two Grammy Awards.

Philadelphia Orchestra American symphony orchestra in Philadelphia, PA

The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the "Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, in Verizon Hall.

Contents

It is in three connected movements, with a pause after the first. [2]

A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".

A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.

It is scored for three flutes, three oboes, four clarinets, three bassoons, four horns, two trumpets, three trombones, one tuba, timpani, percussion, piano, harp and strings. [4]

Flute Musical instrument of the woodwind family

The flute is a family of musical instruments in the woodwind group. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute can be referred to as a flute player, flautist, flutist or, less commonly, fluter or flutenist.

Oboe musical instrument of the woodwind family

The Oboe is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic or resin. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore

Clarinet type of woodwind instrument

The clarinet is a family of woodwind instruments. It has a single-reed mouthpiece, a straight, cylindrical tube with an almost cylindrical bore, and a flared bell. A person who plays a clarinet is called a clarinetist.

Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 5 being one of four with, "quiet reflective endings." [5]

Discography

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Sergei Prokofiev's Symphony No. 7 in C-sharp minor, Op. 131, was completed in 1952, the year before his death. It is his last symphony.

The Second Symphony was written by Charles Ives between 1897 and 1902. It consists of five movements and lasts approximately 40 minutes.

The Symphony No. 6 of Roger Sessions, a symphony written using the twelve-tone technique, was composed in 1966. It was commissioned by the state of New Jersey and the New Jersey Symphony Orchestra. The score carries the dedication: "In celebration of the three hundredth anniversary of the state of New Jersey".

The Symphony No. 4 of Roger Sessions was composed in 1958.

The Symphony No. 2 of Roger Sessions was begun in 1944 and completed in 1946.

The Symphony No. 3 of Roger Sessions was written in 1957. It was a result of a commission by the Koussevitzky Foundation to celebrate the 75th anniversary of the Boston Symphony Orchestra, and was premiered by the Boston Symphony on December 6, 1957, conducted by Charles Munch. Sessions later was commissioned by the Boston Symphony on their centenary, when he provided them with his Concerto for Orchestra. Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 3 being one of four with, "quiet reflective endings."

The Symphony No. 7 of Roger Sessions was written in 1967 for the 150th anniversary of the University of Michigan. It was premiered in Ann Arbor, Michigan, on October 1, 1967, by the Chicago Symphony Orchestra, conducted by Jean Martinon.

The Symphony No. 1 of Roger Sessions is a symphony in three movements, in E minor.

The Symphony No. 8 of Roger Sessions was composed in 1968.

Roger Sessions' Violin Concerto was composed between 1927 and 1935, and is scored for violin and orchestra.

The Symphony No. 4, H. 305, by Bohuslav Martinů was composed in New York City from April 1945, and completed at Martinů's summer home at Cape Cod in June 1945. The finale bears the inscription South Orleans, 14th June, 1945.

The Third Essay, Op. 47, is a short orchestral work composed by Samuel Barber in 1978. The score is dedicated to Audrey Sheldon.

The Symphony No. 9 by Roger Sessions is a symphony in three movements, completed in 1978. A performance lasts about 28 minutes.

References

  1. "Sessions Society Worklist". Archived from the original on 16 April 2009. Retrieved 7 June 2009.
  2. 1 2 "Dialogues and Extensions". American Symphony Orchestra. March 1992. Archived from the original on 10 June 2011. Retrieved 7 June 2009.
  3. 1 2 "Eugene Ormandy Information Site" . Retrieved 7 June 2009.
  4. "Presser Information for Sessions". Archived from the original on 26 May 2003. Retrieved 7 June 2009.
  5. Olmstead, Andrea (2012). Roger Sessions: A Biography, p.356. Routledge. ISBN   9781135868925.

Further reading