Systems / Layers | ||||
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Studio album by | ||||
Released | October 7, 2003 (U.S.) | |||
Recorded | July 2001 – June 2003 | |||
Genre | Chamber music, post-rock | |||
Length | 1:02:21 | |||
Label | Quarterstick 75 [1] | |||
Rachel's chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Encyclopedia of Popular Music | [3] |
Systems/Layers is the final LP by the instrumental group Rachel's. [4] It was released on October 7, 2003, on Quarterstick Records. The album is a collaborative dance/theater piece with the New York ensemble SITI Company. [2] [5]
The album peaked at No. 16 on the Billboard Classical Albums chart. [6]
Initial critical response to Systems/Layers was positive. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 81, based on 14 reviews. [7] PopMatters called the album "one of the year's finest releases," writing that "its greatest gift ... is its sheer compatibility -- you can take Systems/Layers anywhere and it will speak to you." [8] Exclaim! called it "at once touching and haunted, intimate and disturbingly uncomfortable." [9] The Times deemed it the band's worst album. [10] The East Bay Express labeled it "the soundtrack to your most brilliant, reflective life." [11]
Rachel's was an American chamber music group that formed in Louisville, Kentucky, in 1991. Former Rodan guitarist Jason Noble played music individually and referred to himself as Rachel's but then began collaborating with core members violist Christian Frederickson and pianist Rachel Grimes. The group's work was strongly influenced by classical music, particularly inspired by the minimalist music of the late 20th century, and its compositions reflect this. While the trio formed the core part of the band, the group's recordings and performances featured a varying ensemble of musicians, who played a range of string instruments in combination with piano, guitars, electric bass guitar, and a drum set that included a large orchestral bass drum. A key influence on the music of Rachel's was the music of the English composer Michael Nyman, whose music the group's work resembles in both instrumentation and compositional style.
Calexico is an American indie rock band based in Tucson, Arizona. Founded in 1996, the band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records and City Slang, and their 2005 EP, In the Reins, recorded with Iron & Wine, reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi, conjunto, cumbia, and tejano mixed with country, jazz, and post-rock.
C'mon, C'mon is the fourth studio album by American singer-songwriter Sheryl Crow, released on April 8, 2002, in the United Kingdom and April 16, 2002 in the United States. Lead single "Soak Up the Sun" peaked at No. 1 on the Billboard Adult Contemporary chart and No. 17 on the Billboard Hot 100, becoming one of her biggest hits since "All I Wanna Do". The album was arguably her most pop-influenced to date, a big departure from the folk and rock sound on her previous release, The Globe Sessions.
Invincible Summer is the fifth solo album by k.d. lang, released by Warner Bros. Records in 2000. The album's title derives from a quote by Albert Camus: "In the depths of winter, I finally learned that within me there lay an invincible summer."
My Private Nation is the third studio album by American pop rock band Train. It was released June 3, 2003. The album was reissued February 8, 2005, as a CD+DVD dual disc set. The album is certified Platinum in the US.
The Sea and the Bells is the third studio album by American post-rock band Rachel's. It was released on October 22, 1996 by Quarterstick Records.
Handwriting is the debut album by the instrumental group Rachel's. It was released in May 1995 on Quarterstick Records.
High Mileage is the seventh studio album by American country music artist Alan Jackson. It was released on September 1, 1998, and produced four hit singles on the Hot Country Songs charts for Jackson: "I'll Go on Loving You" (#3), "Right on the Money" (#1), "Gone Crazy" (#4) and "Little Man" (#3). Upon its release in late 1998, "I'll Go on Loving You" became the highest-debuting single of Jackson's career at the time, entering the country charts at #35.
David Archuleta is the debut album by American singer David Archuleta. It was released first released in the Asia on November 10, 2008, by Jive Records. The album was certified gold by the RIAA on January 29, 2009. The first single, "Crush", was released to radio on August 1. The album was released in the UK on May 11, 2009. The UK album release was set to coincide with his UK tour with Rock/Pop band McFly in April/May 2009.
Kris Allen is the second album from American Idol eighth season winner Kris Allen. The album was released on November 17, 2009, through Jive Records.
Dust is the sixth solo studio album by English musician Peter Murphy. It was released on 23 April 2002 through Metropolis Records. Produced by Turkish musician Mercan Dede, Dust utilizes traditional Turkish instrumentation and songwriting, abandoning Murphy's previous pop and rock incarnations, and juxtaposing elements from progressive rock, trance, classical music and Middle Eastern music, coupled with Dede's trademark atmospheric electronics.
III is the third studio album from Canadian jazz instrumental hip hop band BadBadNotGood. It was released on May 6, 2014. It is the group's first album of completely original material.
Lighght is the second studio album by indie pop artist Kishi Bashi. It was released on May 13, 2014. It was produced by Kishi Bashi and recorded in multiple locations, including Home Studios in Athens, Georgia and Clay Garden Studios in Norfolk, Virginia.
Beautiful Lies is the third studio album by British musician Birdy, released on 25 March 2016 by Atlantic Records. The album includes the singles "Keeping Your Head Up", "Wild Horses", "Words", and "Hear You Calling".
Made in the Manor is the fifth studio album by British rapper Kano. The album was released on 4 March 2016 by Parlophone Records and Bigger Picture Music. It is Kano's first album release for six years following Method to the Maadness (2010), featuring guest appearances from Wiley, Giggs, Jme and Damon Albarn. The production was handled by frequent collaborators Mikey J, Fraser T Smith, Blue May and Damon Albarn, alongside Jodi Milliner, Kwes, Mele, Rustie, Sam Beste, Swifta Beater and Zeph Ellis.
Man About Town is the fourth studio album by American singer Mayer Hawthorne. It was released on April 8, 2016, by BMG Rights Management and Vagrant Records.
Conscious is the second studio album recorded by New Zealand music duo Broods, released on 24 June 2016. It builds on the electropop sound established in their 2014 debut, Evergreen, with elements of industrial and R&B. The album includes collaborations with Tove Lo and Lorde, and was preceded in April 2016 by the RMNZ Gold-certified single, "Free".
Isolation is the debut studio album by American singer Kali Uchis, released worldwide on April 6, 2018, through Rinse Recordings, Virgin EMI Records, and Universal Music Group. The album was supported by five singles: "Dead to Me", "Tyrant" featuring Jorja Smith, "Nuestro Planeta" featuring Reykon, "After the Storm" featuring Tyler, the Creator and Bootsy Collins, and "Just a Stranger" featuring Steve Lacy. The album was later certified Gold by the Recording Industry Association of America.
There Will Be No Intermission is the third solo studio album by American musician Amanda Palmer. It was released on March 8, 2019, through Cooking Vinyl. It was crowdfunded through Patreon and recorded by Palmer in collaboration with John Congleton over the course of a month. It was supported by a 2019–2020 tour. The vinyl version of the album was released on March 29, 2019.
Take the Sadness Out of Saturday Night is the third studio album by American indie pop act Bleachers, released on July 30, 2021, by RCA Records. Jack Antonoff began working on the album in 2019 and finished it during the COVID-19 pandemic. It received generally positive reviews from critics, and peaked at number 27 on the US Billboard 200.