"Take Me I'm Yours" | ||||
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Single by Squeeze | ||||
from the album Squeeze | ||||
Released | 3 February 1978 (UK) | |||
Recorded | 1977 | |||
Genre | ||||
Length | 2:45 | |||
Label | A&M | |||
Songwriter(s) | Chris Difford and Glenn Tilbrook | |||
Producer(s) | Squeeze | |||
Squeeze singles chronology | ||||
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"Take Me I'm Yours" is the debut single by English new wave band Squeeze. [3] It established the band's trademark vocal style, with Chris Difford singing an octave lower than Glenn Tilbrook. [4]
"Take Me I'm Yours" was one of the first songs the band had written. As Chris Difford recalled, "[It was] written very early on in our career. I don't know a lot of songs lyrically I find that it takes a while to discover what they're about. You write them down, they're almost negatives of a photograph that need to develop and with that one, it's still developing." [5] The song has been described by writers as "synth-pop" and one of Squeeze's "power pop hits", [2] [1] differentiating it from the punk style of much of the band's first album; Difford later named the song one of the only tracks on the album that was representative of Squeeze. [6]
Lyrically, the song features images of exotic locations and travels. Difford was inspired to write these lyrics after visiting the home of the band's manager, Miles Copeland: "I was staying at my manager's house and his mother was or is an archaeologist. And she'd worked a lot in Egypt where Miles went to school. She had pictures and matching ornaments from that part of the world, and it inspired that kind of lyric. But it changed into a very different song over the years." [7]
The song's synth arrangement led the song to be described by author Mark Spicer as possibly the first recording by a UK group featuring a drum machine. Tilbrook explained of the song's sound: "We hired lots of synths and a bloke who knew how to work them and pretended to be Kraftwerk." [8] Tilbrook cited engineer John Wood as "very helpful" in that he "knew how to rein in what we were producing and gave us some structure". [9] Wood would go on to co-produce the band's subsequent two studio albums.
"Take Me I'm Yours" was released as the first single from the band's debut 1978 album Squeeze . The track peaked at number 19 in the UK Singles Chart in May 1978. [3] The single's success not only established Squeeze as a new wave player, but provided manager Copeland the leverage to negotiate a favorable deal with A&M Records for another band he was managing: the Police, featuring his brother Stewart on drums. [10]
Record World said that "the synthesizer underpinnings make this offbeat love song stand out; it's a bit like 10cc." [11]
The band filmed a music video for the song. Tilbrook later singled out the video for featuring him using "a 1959 Strat" that he described as the "first proper guitar" he ever had. He commented, "It was a lovely guitar and the best Strat I ever had. ... It played like a dream but was stolen." [12]
In 1998, the song was used in an American television commercial for Dockers jeans.
The song has been covered several times, including a unique take by Tim Curry on his 1981 album Simplicity , and more recently by Andrea Corr on her album Ten Feet High .
Squeeze are an English rock band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording in the 1980s, 1990s and 2010s. In the UK, their singles "Cool for Cats", "Up the Junction", and "Labelled with Love" were top-ten chart hits. Though not as commercially successful in the United States, Squeeze had American hits with "Tempted", "Black Coffee in Bed", and "Hourglass", and were considered a part of the Second British Invasion.
Sweets from a Stranger is the fifth studio album by the British new wave group Squeeze, released April 30, 1982 through A&M. The album peaked at number 20 in the UK Albums Chart. The band split up soon after a world tour for the record, and the two main songwriters went on to record 1984's Difford & Tilbrook. Squeeze reunited and released Cosi Fan Tutti Frutti in 1985. As with all Squeeze albums, Chris Difford wrote the words first and Glenn Tilbrook would write the music afterwards often editing Difford's material to create a streamlined narrative. Tilbrook would record a demo afterwards and play it for Difford.
Squeeze is the debut studio album released by English group Squeeze. The album title was simply Squeeze in the United Kingdom, but in the United States, Canada, Australia and other countries the album, like the band, was marketed under the name U.K. Squeeze to avoid confusion with similarly-named American and Australian groups.
Glenn Martin Tilbrook is an English singer, songwriter and guitarist, best known as the lead singer and guitarist of the English new wave band Squeeze, a band formed in the mid-1970s who broke through in the new wave era at the decade's end. He generally writes the music for Squeeze's songs, while his writing partner, Chris Difford, writes the lyrics. In addition to his songwriting skills, Tilbrook is respected both as a singer and an accomplished guitarist.
Argybargy is the third studio album by the English new wave band Squeeze. Written and recorded after the band's successful sophomore release, Cool for Cats, the album's lyrics were written by Chris Difford while living with his wife in New York City. The band reunited with Cool for Cats producer John Wood and, after Glenn Tilbrook composed music for Difford's new lyrics, recorded the album in late 1979.
Babylon and On is the seventh album released in September 1987 by the British new wave group Squeeze.
Some Fantastic Place is the tenth studio album by the British new wave group Squeeze, released in 1993 by A&M Records. Their first album since the departure of original Squeeze drummer Gilson Lavis, it features Pete Thomas and the brief return of keyboardist/vocalist Paul Carrack, who had previously appeared on East Side Story (1981). "Loving You Tonight" became only the second Squeeze song cut in thirteen years to feature Carrack singing a lead part. Additionally, bassist Keith Wilkinson wrote and sang "True Colours ", the first song on a Squeeze album not written by Glenn Tilbrook, Chris Difford, Jools Holland, or any combination of those three.
"Cool for Cats" is a song by English rock band Squeeze, released as the second single from their album of the same name. The song features a rare lead vocal performance from cockney-accented Squeeze lyricist Chris Difford, one of the only two occasions he sang lead on a Squeeze single A-side. The song, slightly edited from the album track, peaked at No. 2 on the UK Singles Chart in 1979, making "Cool for Cats" one of the band's biggest hits.
"Slap And Tickle" was the fourth and final single released from Squeeze's second album, Cool for Cats. Co-written by Chris Difford and Glenn Tilbrook, the song took influence lyrically from the crowd that the band had been associating with at the time. Its synth-heavy arrangement was inspired by Kraftwerk and Giorgio Moroder.
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"Is That Love" is a new wave song by Squeeze that was released on the band's fourth album, East Side Story. Written by Glenn Tilbrook and Chris Difford, the song features lyrics about Difford's marriage and features a quick tempo with a piano-based ending.
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Difford & Tilbrook are the songwriting team of Chris Difford and Glenn Tilbrook, known for their work as the principal writers for the new wave rock band Squeeze. In addition to playing guitar for the band, they are responsible for the group's many hits, including "Cool for Cats", "Up the Junction", "Another Nail in My Heart", "Pulling Mussels ", "Tempted" and "Annie Get Your Gun". They have both written independently outside the band, and together wrote the music for the British sit-com Girls on Top starring Dawn French, Jennifer Saunders, Ruby Wax and Tracey Ullman.
"Black Coffee in Bed" is the first single released from Squeeze's fifth album, Sweets from a Stranger. It peaked at number 51 in the UK Singles Chart in April 1982.
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