| Talker | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1999 | |||
| Studio | B.C., New York City | |||
| Genre | Art rock, noise rock | |||
| Label | Drag City | |||
| Producer | Michael Gira | |||
| U.S. Maple chronology | ||||
| ||||
Talker is the third album by the American band U.S. Maple, released in 1999. [1] [2] It was their first album for Drag City Records. [3] The band supported it with a North American tour that included a stint opening for Pavement. [4] [5]
Recorded over 10 days at B.C. Studio, in New York City, the album was produced by Michael Gira, who worked with the band to achieve a leaner sound and advise on overdubs. [6] [7] U.S. Maple were primarily influenced by the blues, experimental music, and Captain Beefheart, unlike many of their Chicago band contemporaries, who were attracted more to Brazilian music and jazz influences. [8] Frontman Al Johnson admired the lyrical clichés and language of 1970s classic rock, which he adopted for his lyrics. [9] He rejected the experimental music label, instead claiming that U.S. Maple was a rock band creating rock music. [5]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Pitchfork | 8.5/10 [7] |
| Spin | 8/10 [11] |
The Globe and Mail noted that "swamp-horror noise and jigsaw-puzzle riffs meet ... Johnson's howls and groans." [12] The Philadelphia Inquirer opined that "somewhere between the sonic morass of Pere Ubu and the fey artifice of Roxy Music lies the deconstructionist sound of U.S. Maple." [13] The Rocket called Talker "a very unique and clever album devoid of the oft-accused mathrock pretense associated with these post-noiserock, post-Skin Graft veterans." [14] Spin stated that "you can actually hear [rock 'n' roll] rules being crushed altogether and the results still ... swing." [11]
The Staten Island Advance said that the band's "unusual, atonal instrument voicings, tribalistic rhythms and bizarre sing song intonations create an eerie unworldly environment." [15] The Chicago Tribune labeled the album "a spacious, mesmerizing soundscape of microtonal guitar chords, twisted rhythms and imaginatively offbeat songcraft that potently fulfills both components of the 'art-rock' formula." [16] Two years later, the paper concluded that "this abstract, ungainly beast of an album ... increasingly sounds like a classic." [17]
In 2021, Record Collector included Talker on its list of "10 of the Best" Chicago noise rock albums. [18]
| No. | Title | Length |
|---|---|---|
| 1. | "Bumps and Guys" | |
| 2. | "Running from Kabob" | |
| 3. | "Go to Bruises" | |
| 4. | "More Horror" | |
| 5. | "Apollo, Don't You Crust" | |
| 6. | "Breeze, It's Your High School" | |
| 7. | "Stupid Deep Indoors" | |
| 8. | "[untitled]" | |
| 9. | "So Long Bonus..." |