The Teatro Manzoni is a theatre in the northern Italian city of Milan, located on the Via Manzoni.
Opened in 1870 it was originally called the Teatro sociale di Milano, before being renamed after Alessandro Manzoni following his death in 1873. It was originally located on the Piazza San Fedele. A growing reputation led to celebrated actors such as Eleonora Duse and Sarah Bernhardt appearing there. In the twentieth century it remained a key venue until it was destroyed by Allied bombing in August 1943 during the Second World War.
The theatre moved to its current location and was rebuilt to designs by the architect Alziro Bergonzo, opening in 1950. The first manager of the relaunched theatre was the impresario Remigio Paone. In 1978 ownership was acquired by Silvio Berlusconi's Fininvest, with artistic control passing to Luigi Foscale. [1]
Salome is a one-act tragedy by Oscar Wilde. The original 1891 version of the play was in French; an English translation was published three years later. The play depicts the attempted seduction of Jokanaan by Salome, step-daughter of Herod Antipas; her dance of the seven veils; the execution of Jokanaan at Salome's instigation; and her death on Herod's orders.
Finanziaria d'investimento Fininvest S.p.A., also known as Fininvest, is an Italian holding company controlled by the Berlusconi family and managed by Silvio Berlusconi's eldest daughter Marina Berlusconi.
The 1996 Italian general election was held on 21 April 1996 to elect members of the Chamber of Deputies and the Senate of the Republic. Romano Prodi, leader of the centre-left The Olive Tree, won the election, narrowly defeating Silvio Berlusconi, who led the centre-right Pole for Freedoms.
The Music of Emilia-Romagna has the reputation of being one of the richest in Europe; there are six music conservatories alone in the region, and the sheer number of other musical venues and activities is astounding. The region, as the name implies, combines the traditions of two different, contiguous areas—Emilia and Romagna—and it is perhaps this blend that contributes to the wealth of musical culture.
Giorgio Strehler was an actor, Italian opera and theatre director.
Luca Ronconi was an Italian actor, theater director, and opera director.
Marco Tutino is an Italian composer. His emergence during the late 1970s was as the spearhead of an Italian Neo-Romantico group, founded with two other composers, Lorenzo Ferrero and Carlo Galante. He graduated from the Milan Conservatory, where he had studied flute and composition, in 1982.
Arnoldo Foà was an Italian actor, voice actor, theatre director, singer and writer. He appeared in more than 130 films between 1938 and 2014.
Michel Altieri is an Italian actor, singer, and musician. After a career in musical theatre, straight plays, TV, and film in Italy and Europe, he is now primarily based in New York City where he continues to work and teach. Altieri became a naturalized U.S. citizen in 2016.
The Piccolo Teatro di Milano is a theatre in Milan, Italy. Founded in 1947, it is Italy's first permanent theatre, and a national "teatro stabile", or permanent repertory company, and is considered a theatre of major national and European importance. The theatre has three venues: Teatro Grassi, in Via Rovello, between Sforza Castle and the Piazza del Duomo; Teatro Studio, which was originally intended to be the theater's rehearsal hall; and Teatro Strehler, which opened in 1998 with a seating capacity of 974. Its annual programme consists of approximately thirty performances. In addition, the venue hosts cultural events, from festivals and films, to concerts, conferences, and conventions, as well as supporting the Paolo Grassi Drama School.
The Teatro Capranica is a theatre situated at 101 Piazza Capranica in the Colonna district of Rome. Originally constructed in 1679 by the Capranica family and housed in the early Renaissance Palazzo Capranica, it was the second public theatre to open in Rome. It was the site of many premieres of Baroque operas including Caldara's Tito e Berenice, Scarlatti's Griselda, and Vivaldi's Ercole su'l Termodonte. The Capranica ceased operating as a full-scale theatre and opera house in 1881 and in 1922 was converted into a cinema. Following the closure of the cinema in 2000, it has functioned on a hire basis as a conference and performance venue.
Teresa Franchini was an Italian stage and film actress. She was a leading lady of the theatre in her youth, appearing in the first Italian staging of Oscar Wilde's Lady Windermere's Fan in 1905. Beginning in 1935, she played supporting roles in around twenty films.
Anton Michailovič Milenin is a Russian theatre actor, director and teacher who has worked in Italy and Russia for more than fifteen years, rector of UNIVERSAL ACADEMY OF HERMENEUTICS.
The Moderate Party, collectively called Moderates, was an Italian pre-Unification political rally, active during the Risorgimento (1815–1861). The Moderates were never a formal party, but only a movement of liberal-minded reformist patriots, usually secular, from politics, military, literature and philosophy.
The Teatro Carcano is a theatre in Milan, Italy, located at 63 Corso di Porta Romana. Although now exclusively devoted to plays and dance, it served as an opera house for much of the 19th century and saw the premieres of several important operas. Completed in 1803, the theatre was commissioned by the Milanese aristocrat and theatre-lover Giuseppe Carcano and originally designed by Luigi Canonica. Over the succeeding two centuries it has undergone several restructurings and renovations and for a time in the mid-20th century functioned as a cinema.
Ermanno Picchi was an Italian composer, pedagogue and music critic who played an active role in the musical life of Florence from 1836 until his early death in 1856.
Alziro Bergonzo was an Italian architect and painter. His primary style was the rationalized Stile Littorio.
Tina Di Lorenzo was an Italian actress on stage and in silent films.
Remigio Paone (1899–1977) was an Italian journalist, theatre producer and director.
The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in Southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours.