Terrahawks | |
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Genre | Children's science fiction |
Created by |
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Written by |
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Directed by |
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Voices of |
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Music by |
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Country of origin | United Kingdom |
Original language | English |
No. of series | 3 |
No. of episodes | 39 (list of episodes) |
Production | |
Producers |
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Cinematography | Harry Oakes Paddy Seale |
Editors | Alan Killick Tony Lenny Desmond Saunders Tony Hunt |
Running time | 25 minutes |
Production company | Anderson Burr Pictures in association with LWT |
Budget | |
Original release | |
Network | ITV |
Release | 8 October 1983 – 26 July 1986 |
Terrahawks, is a 1980s British science fiction television series produced by Anderson Burr Pictures for London Weekend Television and created by the production team of Gerry Anderson and Christopher Burr. The show was Anderson's first in over a decade to use puppets for its characters, and also his last. Anderson's previous puppet-centric TV series included Thunderbirds and Captain Scarlet and the Mysterons . [2]
Set in the year 2020, the series follows the adventures of the Terrahawks, a taskforce responsible for protecting Earth from invasion by a group of extraterrestrial androids and aliens led by Zelda. Like Anderson's previous puppet series, futuristic vehicles and technology featured prominently in each episode.
The series is set in the year 2020, after an alien force has destroyed NASA's Mars base and Earth is under threat. A small organisation, The Terrahawks, is set up to defend the planet. From Hawknest, their secret base in South America, they develop sophisticated weapons to prepare for the battles to come.
Terrahawks was less strait-laced than any of Anderson's previous series, featuring a wry, tongue-in-cheek humour as well as dramatic jeopardy. The ensemble cast, with each member assigned a vehicle, had many similarities with Anderson's Thunderbirds , whilst the alien invasion plot was reminiscent of Captain Scarlet and the Mysterons and the live action UFO .
Terrahawks (technically, the Earth Defence Squadron) is an elite task force that protects Earth from alien invasion.
This section may contain an excessive amount of intricate detail that may interest only a particular audience.(May 2016) |
Robots ("androids") from the planet Guk rebelled when their creators and masters deteriorated into a state of apathy. Zelda and company are modelled after the oldest and wisest citizens of their planet, explaining their grey hair and wrinkled skin. Zelda hopes to conquer Earth and make it a home for her Family of Androids and NONE-Human Beings. They need to consume only small amounts of silicate minerals a month to sustain their functions.
Zelda possesses a collection of monstrous servants, Outcasts from various worlds or civilizations, who she keeps in cryogenic storage until needed.
Characters who only appear in the Big Finish audio series include;
Prior to Terrahawks and throughout the entirety of the 1960s, Anderson's series were noted for their use of his patented Supermarionation technique, which made use of electronically augmented marionettes (the final series to use this technique was the live action/Supermarionation hybrid The Secret Service in 1969; Anderson switched to live action production beginning with 1970's UFO ). In contrast, producers of Terrahawks made use of latex muppet-style hand puppets to animate the characters, in a process Anderson dubbed Supermacromation .
This was partly dictated by the relatively low budget (latex hand puppets being much cheaper to produce than the sculpted wooden marionettes of previous series), but the absence of strings allowed for much smoother movement, and could be used to more easily produce the illusion of the puppets walking. The necessarily static puppets of previous series had been a source of frustration to Anderson during his Supermarionation days.
Split into three series, Terrahawks' 39 episodes were filmed between January 1983 and August 1984. [1] The first 13 episodes were filmed on a budget of £3 million at Bray Studios with a crew of 65. [10]
Tony Barwick, the series' most prolific scriptwriter, constantly used tongue-in-cheek aliases whenever he wrote a different episode, calling himself, for instance, "Anne Teakstein," and "Felix Catstein." (He was not alone in this; Donald James wrote the episodes "From Here To Infinity" and "The Sporilla" under the names "Katz Stein" and "Leo Pardstein" respectively.) The only episodes of the series not credited to pseudonyms ending in "-stein" are "The Midas Touch," scripted by Trevor Lansdowne and Tony Barwick, the latter billed under his real name for the only time on the series, and the two-part opener "Expect The Unexpected," written by Gerry Anderson.
A fourth series would have developed the characters of Kate's producer Stewart Dapples and Kate Kestrel further. This was explained in a documentary on the special features disc of the series, in the Gerry Anderson book Supermarionation and the Terrahawks DVDs. Two of the scripts were called "101 Seed" (a parody of the title "Number One Seed"), written by Anderson himself (as "Gerry Anderstein"), and "Attempted MOIDer" by Tony Barwick (alias in this case D.I. Skeistein).
In the UK, six specially prepared compilations of Terrahawks were released on video cassette, covering 24 out of 26 episodes from the first series. The first tape contained a few scenes in the premiere episode that had been edited out of the broadcast master due to time constraints (those scenes are not on DVD). The final volume, entitled "Zero Strikes Back" had a smaller print run than the rest of the tapes, and was quite a collectors' item, with copies generally going for around £100 on eBay until the series began to be released on DVD. The series is available on DVD in the United Kingdom and North America. A Blu-ray release of the first series was released in June 2016.
Unlike virtually all of Gerry Anderson's other puppet-based series, Terrahawks was not produced by ITC Entertainment. This meant that after Terrahawks repeats disappeared from UK airwaves in the late 1980s and the six compilation video tapes went out of production, the series was noticeably hard to find compared to Anderson's other series, most of which received a renaissance throughout the 1990s.
As of 2024, the complete series is available for streaming in the UK (along with many other Anderson productions) on ITVX.
The opening and closing sequences were created using hand-drawn cel animation to imitate computer graphics. The opening title sequence begins with a video game playing on a screen when Doctor "Tiger" Ninestein appears and says: "Terrahawks! Stay on this channel! This is an emergency!". The end credits, the Zeroid and Cube robots would often "play" noughts and crosses (tic-tac-toe) with each other, resulting in a different winner each week (the Cubes usually had to cheat and steal a Zeroid's position in order to win). The exception to this was the episode "A Christmas Miracle", which featured the song "I Believe in Christmas" as sung by Kate Kestrel played over a still of a Zeroid.
The original opening title sequence was used for both the United States and the UK versions of the series, but a different version of the end credits was produced for the US variant, featuring a Zeroid bouncing up and down next to one of Zelda's Cubes as a "Kate Kestrel" song plays. At the conclusion of the credits the Zeroid jumps off of the screen and crashes back down onto the Cube.
When the series was purchased for airing in Japan, the title and ending credits were augmented by an all-new anime-style sequence, the first highlighting the Terrahawks craft and the Zeroids, and the ending credits showcasing a lonesome spacesuited female remembering her life on Earth as Spacehawk flies over her. The songs used in these sequences are "Galactica Thrilling" (ギャラクティカ・スリリング, Gyarakutika Suriringu) and "Taisetsu na One Word" (大切な言葉(ワン・ワード), Taisetsu na Wan Wādo, "One Important Word"), respectively, by The Lillies Naomi and Mayumi Tsubame.
Without the lavish budgets of his earlier television series, it was apparent to Gerry Anderson from a very early stage of production that it would not be possible to record full orchestral scores for Terrahawks. However, the development of synthesised music had advanced considerably since the early days of the experimental 'electromusic' composed and recorded by Barry Gray for Supercar and Fireball XL5 , and by 1983 it was possible to create electronic music that could at least approach the scale and majesty of a full orchestra, but at a fraction of the cost.
Richard Harvey was introduced to Anderson by a mutual friend, music producer Tony Prior, who has previously suggested Derek Wadsworth as composer of the music for Space: 1999 Year Two. A graduate of the Royal College of Music with a background in ancient and classical music, Harvey had worked extensively with film composer Maurice Jarre in the late 1970s. This experience made him the ideal choice to compose the music for Terrahawks, combining his knowledge of the structure of classical orchestral music with the latest synthesised music reproduction techniques. Anderson and his business partner Christoper Burr had regular meetings with Harvey to discuss the style of music that they wanted for Terrahawks, particularly the main theme which was envisaged as a combination of the 'best bits' of the themes to Star Wars , E.T. and Dallas .
In 2002, Fanderson records released a soundtrack compiling 75 minutes worth of music, the album included 3 of Harvey's Demo Themes for the show, 6 full episode scores and 3 surviving Kate Kestrel songs, "S.O.S", "It’s So Easy" and the latter half of "Living in the 21st Century" which was used as the End Titles music in the U.S. syndication run. The remaining songs and first half of "Living in the 21st Century" are currently missing, presumed destroyed. [11]
Terrahawks | |
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Soundtrack album by Richard Harvey | |
Released | 2002 |
Genre | Television soundtrack |
Label | Fanderson |
Producer | Andrew Frampton |
All tracks are written by Richard Harvey
No. | Title | Notes | Length |
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1. | "Terrahawks Main Theme" | 1:09 | |
2. | "Invaders from Mars" | From "Expect The Unexpected Part 1" | 5:59 |
3. | "First Encounter" | From "Expect The Unexpected Part 1" | 5:39 |
4. | "Terrahawks Demo Theme 1" | 1:29 | |
5. | "War and Peace" | From "Expect The Unexpected Part 2" | 6:27 |
6. | "Guks Bearing Gifts" | From "Expect The Unexpected Part 2" | 7:10 |
7. | "S.O.S." | Performed by Kate Kestrel | 3:12 |
8. | "Star Roars" | From "Thunder-Roar" | 4:36 |
9. | "Thunder and Frightening" | From "Thunder-Roar" | 4:13 |
10. | "Terrahawks Demo Theme 2" | 1:01 | |
11. | "Special Delivery" | From "Close Call" | 4:07 |
12. | "Cuckoo in the Nest" | From "Close Call" | 6:04 |
13. | "It’s So Easy" | Performed by Kate Kestrel | 4:09 |
14. | "Tethered Goats" | From "To Catch A Tiger" | 2:53 |
15. | "The Chamber of Death" | From "To Catch A Tiger" | 5:01 |
16. | "Terrahawks Demo Theme 3" | 1:36 | |
17. | "Attack of the Space Bear!" | From "Operation S.A.S." | 3:45 |
18. | "Roll of Honour" | From "Operation S.A.S." | 5:14 |
19. | "Living in the 21st Century (US End Titles)" | Performed by Kate Kestrel | 1:05 |
20. | "Terrahawks End Titles" | 1:07 |
It was announced on 19 April 2014 [12] [13] that Terrahawks would be returning as a run of full cast audio dramas featuring original cast members. The new audio series were produced by Anderson Entertainment in association with Big Finish Productions. The first new series was released in April 2015, and consists of eight episodes. Ann Ridler who played Kate Kestrel and Cy-Star was replaced by Beth Chalmers, as Ridler had since died, and Windsor Davies who played Sergeant Major Zero was replaced by Jeremy Hitchen, as Davies had retired from acting.
A second series was released by Big Finish Productions in April 2016, and a third in July 2017. Free sample episodes are available on the Big Finish website.
A comic strip adaptation was drawn by Jim Baikie and Steve Kyte for Look-In magazine. [14]
The 1982 shoot 'em up Attack of the Timelord! for the Odyssey 2 console was rebranded as Gerry Anderson's Terrahawks for its UK release, where it was published by CRL in 1984. [15] It was one of the first video games with a TV show tie-in. [16]
On 10 December 2014, an animated spin-off web series was announced titled Zeroids Vs Cubes. [17] It is produced by IDO Design & Animation and Anderson Entertainment and it came to YouTube on 19 June 2015. [18] Both Jeremy Hitchen and Robbie Stevens reprised their roles as the Sergeant Major Zero and Space Sergeant 101. [19] However, only one episode was released:
No. | Title | Directed by | Written by | Original air date | Prod. code |
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1 | "Party [20] " | Dave Low | Dave Low | 19 June 2015 | 01 |
Sergeant Major Zero and Space Sergeant 101 decide to have a party themed around the 80s. |
On 12 August 2019, Anderson Entertainment announced that a revival of Terrahawks is currently in the works entitled Kate Kestrel and the Terrahawks. They revealed that it is to be co-produce with Tiny Giant and "is being executively produced by Jamie Anderson ( Firestorm ) and Stu Gamble (Mansour, Nexo Knights). Showrunner is Mark Hoffmeier ( Spider-Man, Nexo Knights, Marvel Super Heroes – Guardians of the Galaxy: The Thanos Threat) who is producing with Mike Penketh ( Bob’s Burgers, Gravity Falls, Wander Over Yonder and Tron ) and Vicky Kjaer Jensen ( Ninjago )" [21] [22] There has been no new information since its announcement.
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Sylvia Beatrice Anderson was an English television and film producer, writer, voice actress and costume designer, best known for her collaborations with Gerry Anderson, her husband between 1960 and 1981. In addition to serving as co-creator and co-writer on their TV series during the 1960s and early 1970s, Anderson's primary contribution was character development and costume design. She regularly directed the fortnightly voice recording sessions, and provided the voices of many female and child characters. She also helped develop the shows and characters, in particular creating the iconic characters of Lady Penelope and Parker in Thunderbirds.
Gerald Alexander Anderson was an English television and film producer, director, writer and occasional voice artist, who is known for his futuristic television programmes, especially his 1960s productions filmed with "Supermarionation".
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Fireball XL5 is a 1960s British children's science-fiction puppet television series about the missions of Fireball XL5, a vessel of the World Space Patrol that polices the cosmos in the year 2062. Commanded by Colonel Steve Zodiac, XL5 defends Earth from interstellar threats while encountering a wide variety of alien civilisations.
The Secret Service is a 1969 British science fiction television series created by Gerry and Sylvia Anderson and filmed by their production company, Century 21, for ITC Entertainment. It follows the exploits of Father Stanley Unwin, a puppet character voiced by, and modelled on, the comedian of the same name. Outwardly an eccentric vicar, Unwin is secretly an agent of BISHOP, a division of British Intelligence that counters criminal and terrorist threats. Assisted by fellow agent Matthew Harding, Unwin's missions involve frequent use of the Minimiser, a device capable of shrinking people and objects to facilitate covert operations. In hostile situations, Unwin spouts a form of gibberish to distract the enemy.
Thunderbirds Are Go is a 1966 British science-fiction puppet film based on Thunderbirds, a Supermarionation television series created by Gerry and Sylvia Anderson and produced by their company Century 21 Productions. Written by the Andersons and directed by David Lane, Thunderbirds Are Go concerns spacecraft Zero-X and its human mission to Mars. When Zero-X suffers a malfunction during re-entry, it is up to life-saving organisation International Rescue, supported by its technologically-advanced Thunderbird machines, to activate the trapped crew's escape pod before the spacecraft hits the ground.
New Captain Scarlet is a British computer generated action-adventure reboot of the 1967 Supermarionation series, Captain Scarlet and the Mysterons. Both series were produced by Gerry Anderson. As a nod to Supermarionation, the new series' computer animation was promoted as "Hypermarionation". It was the last show produced by Gerry Anderson.
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X Bomber is a Japanese marionette tokusatsu TV series created by manga artist Go Nagai, and produced by Cosmo Productions and Jin Productions. The show aired on Fuji TV from October 4, 1980 to March 28, 1981, with a total of 25 episodes, and was billed in Japan as being filmed in "Sūpāmariorama" (スーパーマリオラマ), a puppeteering process similar to Gerry Anderson's Supermarionation works.
Lavender Castle is a British stop motion/CGI science fantasy television series created by Rodney Matthews and produced by Gerry Anderson. It was produced in 1997 through a collaboration between Carrington Productions International and Cosgrove Hall Films, and was first broadcast on CITV from 1999 to 2000.
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Thunderbirds is a British science fiction television series created by Gerry and Sylvia Anderson, filmed by their production company AP Films (APF) and distributed by ITC Entertainment. It was filmed between 1964 and 1966 using a form of electronic marionette puppetry called "Supermarionation" combined with scale model special effects sequences. Two series, totalling 32 fifty-minute episodes, were made; production ended with the sixth episode of the second series after Lew Grade, APF's financial backer, failed in his efforts to sell the programme to US network television.
This article primarily discusses screen and audio works of fiction based on Thunderbirds, a British Supermarionation television series created by Gerry and Sylvia Anderson. It also covers imitations and references in other media.
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