Thanh Lan | |
---|---|
Born | Phạm Thái Thanh Lan March 1, 1948 Vinh, Nghệ An, Vietnam |
Citizenship |
|
Occupation(s) | Singer, actor, producer, presenter |
Years active | 1960s–present |
Spouse | 1 (divorced) |
Children | 1 daughter |
Awards | National Award of Literature and Arts (1970) |
Website | www |
Thanh Lan (born 1 March 1948) is a popular Vietnamese American singer and actress. She was unable to leave Vietnam at the Fall of Saigon in 1975. In 1994 during a sponsored series of concerts in the United States, Vietnamese protesters accused her of colluding with the Hanoi government and being a communist sympathizer. [1] Although she had been a beloved singer during the 1970s, in the US she became the subject of forceful protests and even death threats. [2] She canceled all but one of her concerts, gave interviews pleading her case, and finally prevailed in her quest for asylum. [3]
Phạm Thái Thanh Lan was born on 1 March 1948 in Vinh town, Nghệ An, a province of the State of Vietnam (now Vinh city, Nghệ An province, Vietnam). Her saint's name is Catherine (which she would later use when registering for her first visa in the United States), but she is known by her stage name, Thanh Lan. Although both of Lan's parents were from Nghệ An, known as a "throat-clear voice area" (the equivalent of received pronunciation in Britain or "standard" Italian or French), she lived in a Northern community in her childhood. This gave her a distinctive singing voice, and her Vietnamese accent is between that of Hanoi (nasal) and Saigon (tongue). [4]
As a high school student, Lan attended the prestigious Lycée Marie Curie. [5] She studied piano at Saint Paul's school, run by the Sisters of Christian Charity, and she remains Roman Catholic. She later studied with Trần Anh Đào (composer Thẩm Oánh's wife), and musician Nghiêm Phú Phi. She majored in French literature at Saigon University, and from childhood she spoke French, Vietnamese, and English. She audited classes in tranh, traditional, and reformed music at the Vietnam National Academy of Music.
While in her school years she joined a Vietnamese children's band (ban Việt Nhi) in order to perform in the VTVN and Vũ-đức-Duy drama bands (ban kịch Vũ Đức Duy) on the Vietnam Television Network. She also sang with the Seagull band (ban Hải Âu), and the Life Source band (ca đoàn Nguồn Sống).
In the early 1970s, Lan took part in the Young Music Festival. [6] She became known for her interpretations of French popular music. [7] She also translated English-language songs into Vietnamese. Such music in its original language, especially French, was considered highbrow, and more for world travelers and academics than common people. Part of her goal in translating into Vietnamese was to make both the words and music and their specific cultural meanings accessible to a much wider audience. [8]
In 1970, Lan starred as a main character in the coming-of-age movie Students Singing. It was produced by Alpha Films, owned by her maternal uncle Thái Thúc Nha. He was a famous filmmaker in Asia during the 1960-70s, and also president of Vietnam Cinema Society (Tổng-trưởng Hiệp-hội Điện-ảnh Việtnam), which launched and hosted the Vietnam Film Day. [9] "Students Singing" included a nude scene that generated controversy in the Southern press, with several tabloids calling Lan a "sexy bomb," or using the highly euphemistic term "princess of gifted arts." [10] Film critics were more positive, however, and she received the Promising Actress prize at National Award of Literature and Arts ceremony. [11] She often collaborated with Nhật Trường.
In 1974, Japanese director Norio Osada [12] traveled to Saigon to make the film Number Ten Blues with stars from both Japan and Vietnam. Lan suggested that Osada add a main female character and cast her, because she had been well-known in Tokyo since 1971. She had become even more famous throughout Japan after 1973, when she performed at the Yamaha Music Festival. The film was completed in March 1975 even as the political situation in South Vietnam deteriorated around them. At the Fall of Saigon in April, Lan became stranded during the panic and confusion that concluded the Vietnam War, and she was unable to escape. [13]
The Japanese filmmakers worried when Lan went missing, and even wondered if she had died. They left the film unreleased when the studio disbanded. Later, however, the director was able to release it with the title Goodbye Saigon, to memorialize that historic event.
During a "campaign to proscribe corrupt cultural products" under the new regime, Lan was censored for ten years. The censors particularly blocked her the film Students Singing, about South Vietnamese soldiers, but also for pretty much all of her discography. Her name disappeared from official mentions in Vietnamese literature and the arts during these years.
During the Renovation period, Lan performed some songs which the censorship offices accepted. She returned as one of the golden voices on the HTV channel. Though she only starred in a few films, for example, Cards on the Table (with Nguyễn Chánh Tín) and Behind a Fate (with Trần Quang), most were extremely popular. Northern young audiences particularly admired her character Thùy Dung in Cards on the Table. [10] However, her principal work was as a voice actor and vocalist. During the 1980s her Northern sound became quite popular on Vietnamese television and in movies. Her talent was even praised by some Soviet filmmakers.
From 1991 to 1993, Lan focused on the development of her music. She cooperated with many studios for recordings, and she organized two live shows: Thanh Lan's Singing (1991) and Thanh Lan's Music Night (1992).
In 1993, Thanh Lan planned a tour across the United States. Because she had been unable to leave Vietnam at the fall of Saigon in 1975, this later drew the suspicion of some of her fans that she might be cooperating with the state. During a Congressionally-sponsored series of concerts in the United States in 1994 on a three-month visa, she initially planned a tour, and she registered at the USCIS office as "Catherine Pham," her saint's name at birth (加大肋納•范). However, she soon became the target of protestors who claimed she was a tool of the Hanoi government. [14] [15] Lan's only scheduled performance after the cancellations was in San Jose, and protesters turned out in force. "We are against the Hanoi propaganda scheme. Thanh Lan is only a tool. She would be welcomed back if she shows remorse for what she did and cancels the concert." [16] During radio interviews in San Jose pleading her case, her goal was convince the protestors that she was not an agent of the communist party. [17] She attempted to describe how much she had suffered, but she allegedly made a misstep in the eyes of many former fans when she said that Vietnam paid her well. Despite the controversy, however, she was successful in her quest for asylum, and this calmed much of the rage. [18] Protestors were later re-angered in part by President Bill Clinton's decision to end the trade embargo with Vietnam, but these demonstrations were quieter, and Lan was no longer a target because of her asylum status. [19] Composer Trúc Hồ from Asia Entertainment offered her a contract, and she remained in the United States permanently.
Initially, Lan collaborated with singer Ngọc Lan and some French-speaking amateur vocalists to perform French songs. After Ngọc Lan's death there was also a decline in interest surrounding pop française, so she collaborated again with Trần Thiện Thanh, focusing on songs of soldiers.
Scene of the soldiers coming to combat about March 1975 what makes me always thrilled although I watched the movie oftentimes. They [were] real warriors and also really into the battle, but nowadays no ones can answer that how was their fates after the fall...
About 2012, an old Number Ten Blues tape was found and restored by NHK's experts. After looking for more information from Vietnamese people who lived in Japan, NHK sent staff to California. They showed Lan the restored version's DVD and invited her to attend the 2013 Fukuoka International Film Festival. In this event, she received the Audience Award for Number Ten Blues and Goodbye Saigon.
During the COVID-19 pandemic, Lan often could not fly to shows. However, she did return to Saigon to guest star on the Vietnamese TV show "Happy Memories, Season 2," a program on channel VTV3. [20]
Lan entered a brief marriage at 19. Her husband - Mr. Dũng - was a man from the Long Biên district of Hanoi whose family had settled in Dalat after Operation Passage to Freedom. After an amicable divorce, Thanh Lan and her ex-husband remain close friends.
NB | Song | With | Program | Year |
---|---|---|---|---|
1 | Tình (Văn Phụng) | solo | Paris By Night 27 | 1994 |
2 | Yêu Thầm (Lam Phương) | Paris By Night 28 | ||
3 | Dấu Vết Tình Yêu (Ngô Thụy Miên) | Paris By Night 29 | ||
4 | T'aimer | Franck Olivier | ||
5 | LK Hai Sắc Hoa Ti-gôn | Thái Châu | Paris By Night 32 | 1995 |
6 | Con Quỳ Lạy Chúa Trên Trời (Phạm Duy, Nhất Tuấn) | solo | Paris By Night 34 | |
7 | Giàn thiên lý đã xa (LV: Phạm Duy) | Paris By Night 36 | 1996 | |
8 | LK Trả Lại Em Yêu, Kỷ Vật Cho Em (Phạm Duy) | Joseph Hiếu | Paris By Night 37 | |
9 | Ru Đêm (Thanh Lan) | solo | Paris By Night 40 | 1997 |
10 | Điệu Buồn Dang Dở (Hoàng Thi Thơ) | Paris By Night 41 | ||
11 | Chiếc Bóng Bên Đường (Phạm Duy) | Paris By Night 43 | 1998 | |
12 | LK Nhạc Pháp: Histoire D'un Amour, Et Pourtant, J'entends Siffler Le Train (500 Miles), Je Sais, Mal, Si L'amour Existe Encore, Main Dans La Main | Elvis Phương | Paris By Night 50 | 1999 |
NB | Song | With | Program | Year |
---|---|---|---|---|
1 | Tình Trong Phút Giây (Ngọc Trọng) | solo | ASIA 4 | 1994 |
2 | Một Ngày Vui Mùa Đông (Lê Uyên Phương) | ASIA 6 | ||
3 | Huế Xưa (Anh Bằng) | ASIA 10 | 1995 | |
4 | Có Những Niềm Riêng (Lê Tín Hương) | ASIA 11 | 1996 | |
5 | LK Nhạc Pháp | Jo Marcel, Julie | ASIA 12 | |
6 | Chiều Winnipeg (Trần Chí Phúc) | solo | ASIA 14 | 1997 |
7 | Nếu Vắng Anh (Anh Bằng) | ASIA 15 | ||
8 | Đêm Khuya Trên Đường Canita (Trần Văn Trạch) | ASIA 18 | 1998 | |
9 | Thu Vàng (Cung Tiến) | ASIA 20 | ||
10 | Người Ở Lại Charlie (Trần Thiện Thanh) | Duy Quang | ASIA 21 | |
11 | Que Sera Sera | solo | ASIA 22 | |
12 | Ngày Xưa Hoàng Thị (Phạm Duy) | ASIA 23 | ||
13 | Bài Luân Vũ Mùa Mưa (LV:Trường Kỳ) | Elvis Phương | ASIA 26 | 1999 |
14 | Hoa Soan Bên Thềm Cũ (Tuấn Khanh) | solo | ASIA 27 | |
15 | Tưởng Như Còn Người Yêu (Phạm Duy) | ASIA 29 | 2000 | |
16 | Biệt Khúc Cho Tình Nhân (Trầm Tử Thiêng) | ASIA 30 | ||
17 | Hội Trùng Dương (Phạm Đình Chương) | Thanh Tuyền, Hoàng Oanh | ASIA 31 | |
18 | Nhân Chứng | solo | ASIA 32 | 2001 |
19 | Trầu Cau (Phan Huỳnh Điểu) | ASIA 33 | ||
20 | Hòn Vọng Phu (Lê Thương) | Hoàng Oanh, Duy Quang | ASIA 34 | |
21 | Vắng Bóng Người Yêu (LV: Phạm Duy) | solo | ASIA 35 | |
22 | Hai Hàng Cây So Đũa (Nguyên Huy, Trọng Minh) | ASIA 36 | 2002 | |
23 | LK Tình Yêu Và Tuổi Trẻ | Duy Quang | ASIA 37 | |
24 | Mẹ Việt Nam Ơi! Chúng Con Vẫn Còn Đây (Việt Dzũng, Nguyệt Ánh) | Lê Uyên | ASIA 38 | |
25 | Mưa Ngâu (Thanh Tùng) | Dạ Nhật Yến | ASIA 48 | 2005 |
26 | Anh Không Chết Đâu Anh (Trần Thiện Thanh) | solo | ASIA 50 | 2006 |
27 | LK Em Đi Rồi, Cho Em Quên Tuổi Ngọc (Lam Phương) | Diễm Liên | ASIA 51 | |
28 | LK Đêm Nguyện Cầu, Nó, Một Ông Già (Lê Minh Bằng) | Trung Chỉnh, Chế Linh | ASIA 52 | |
29 | LK Mộng Sầu, Hối Tiếc (Trầm Tử Thiêng) | Anh Khoa | ASIA 54 | 2007 |
30 | LK Tình Yêu Ôi Tình Yêu, Búp bê không tình yêu | Doanh Doanh | ASIA 55 | |
31 | LK Thôi, Ảo Ảnh (Y Vân) | Tuấn Vũ | ASIA 56 | |
32 | Người Chết Trở Về (Trần Thiện Thanh) | Nhật Trường | ASIA 58 | 2008 |
33 | LK Delilah, Je Sais, Mùa Tình Yêu, Một Thời Để Yêu | Paolo | ASIA 59 | |
34 | Khúc Hát Thanh Xuân (LV: Phạm Duy) | Ngọc Hạ | ASIA 60 | |
35 | Bà Mẹ Trị Thiên (Trần Thiện Thanh) | Vũ Khanh | ASIA 61 | 2009 |
36 | LK Trả Lại Em Yêu, Em Hiền Như Masour (Phạm Duy) | ASIA 65 | 2010 | |
37 | Kỷ Vật Cho Em (Phạm Duy) | ASIA 66 | ||
38 | Nụ Tầm Xuân (Phạm Duy) | ASIA 67 | ||
39 | Con Đường Tình Ta Đi (Phạm Duy) | ASIA 68 | 2011 | |
40 | LK Nhạc Pháp: Maman (LV: Thanh Lan), La Vie, C'est Une Histoire D'Amour (LV: Lê Hựu Hà), Elle (LV: Duy Quang) | Sỹ Đan, Vũ Tuấn Đức | ASIA 71 | 2012 |
41 | Lòng mẹ (Y Vân) | Lê Anh Quân | ASIA 72 | 2013 |
42 | LK Nghẹn Ngào (Lam Phương), Anh Biết Em Đi Chẳng Trở Về (Anh Bằng, Thái Can) | Anh Khoa | ASIA 77 | 2015 |
43 | Tuổi Biết Buồn (Phạm Duy, Ngọc Chánh) | solo | ASIA 78 | 2016 |
44 | Xóm Đêm (Phạm Đình Chương) | ASIA 82 | 2018 | |
45 | Giáng Sinh Phận Người (Lê Đức Long) | Loan Châu | ASIA Christmas Special 2020 | 2020 |
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