"Thaxted" is a hymn tune by the English composer Gustav Holst, based on the stately theme from the middle section of the Jupiter movement of his orchestral suite The Planets and named after Thaxted, the English village where he lived much of his life. He adapted the theme in 1921 to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice but that was as a unison song with orchestra. [1] It did not appear as a hymn-tune called "Thaxted" until his friend Ralph Vaughan Williams included it in Songs of Praise in 1926. [2]
Many Christian hymns have been written to the tune. Notable ones include:
The tune has been played at various major events:
Secular songs written to the tune include:
Other uses of the melody include:
A literary reference appears in "The Adventure of the Lost World", [18] a Sherlock Holmes pastiche written by Dominic Green, where the tune is a major plot element, though the story contains a chronological error in that its Autumn 1918 setting would pre-date the publishing of the tune under the name "Thaxted".
Gustav Theodore Holst was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style.
The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character.
"I Vow to Thee, My Country" is a British patriotic hymn, created in 1921 when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named "Thaxted", taken from the "Jupiter" movement of Holst's 1917 suite The Planets.
"Old Hundredth" is a hymn tune in long metre, from the second edition of the Genevan Psalter. It is one of the best known melodies in many occidental Christian musical traditions. The tune is usually attributed to the French composer Louis Bourgeois.
"Abide with Me" is a Christian hymn by Scottish Anglican cleric Henry Francis Lyte. A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung to the tune "Eventide" by the English organist William Henry Monk.
"Eternal Father, Strong to Save" is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, its author, William Whiting, was inspired by the dangers of the sea described in Psalm 107. It was popularised by the Royal Navy and the United States Navy in the late 19th century, and variations of it were soon adopted by many branches of the armed services in the United Kingdom and the United States. Services who have adapted the hymn include the Royal Marines, Royal Air Force, the British Army, the Royal Australian Navy, the United States Coast Guard, United States Marine Corps and the United States Space Force, as well as the navies of many other Commonwealth realms. Accordingly, it is known by many names, variously referred to as the Hymn of His Majesty's Armed Forces, the Royal Navy Hymn, the United States Navy Hymn, and sometimes by the last line of its first verse, "For Those in Peril on the Sea". The hymn has a long tradition in civilian maritime contexts as well, being regularly invoked by ship's chaplains and sung during services on ocean crossings.
Twilight of the Gods is the sixth studio album by Swedish extreme metal band Bathory. It continues the exploration of the newly created Viking metal style, and also displays heavy epic doom and classical influences; it is titled after an opera by Wagner. It is a mid-tempo, more acoustic album than previous Bathory releases, though it follows on from Hammerheart. Of significance is Quorthon's total control of the album, playing all electric and acoustic guitar, keyboards, bass, and drum programming. The background vocals are a particular feature of the album, with Quorthon multi-tracking himself, as he did on Hammerheart, though on this album he sounds more like a chorus than previously.
"Nearer, My God, to Thee" is a 19th-century Christian hymn by Sarah Flower Adams, which retells the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: "So he came to a certain place and stayed there all night because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it..."
"Just as I Am" is a Christian hymn, written by Charlotte Elliott in 1835, first appearing in the Christian Remembrancer, of which Elliott became the editor in 1836. The final verse is taken from Elliott's Hours of Sorrow Cheered and Comforted (1836).
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"Holy, Holy, Holy! Lord God Almighty!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826).
Picardy is a hymn tune used in Christian churches, based on a French carol; it is in a minor key and its meter is 8.7.8.7.8.7. Its name comes from the province of France from where it is thought to originate. The tune dates back at least to the 17th century, and was originally used for the folk song "Jésus-Christ s'habille en pauvre". First published in the 1848 collection Chansons populaires des provinces de France, "Picardy" was most famously arranged by Ralph Vaughan Williams in 1906 for the hymn "Let All Mortal Flesh Keep Silence", in the English Hymnal, the words of which are taken from the Byzantine Greek Liturgy of St. James translated by Gerard Moultrie a chaplain at Shrewsbury School.
"World in Union" is a theme song for the Rugby World Cup. Its melody is "Thaxted", from the middle section of "Jupiter, the Bringer of Jollity", a movement from Gustav Holst's The Planets, and was originally adapted by Holst for its use in the British/Anglican patriotic hymn, "I Vow to Thee, My Country", using words by Sir Cecil Spring Rice.
"O Valiant Hearts" is a hymn remembering the fallen of the First World War. It often features prominently in annual Remembrance Day services in the United Kingdom and the British Commonwealth.
"Thine Be the Glory, Risen Conquering Son", also titled "Thine Is the Glory", is a Christian hymn for Easter, written by the Swiss Protestant minister, Edmond Budry (1854–1932), and set to the tune of the chorus "See, the Conqu'ring hero comes" from the third section of Handel's oratorio Judas Maccabaeus. The hymn is sometimes sung at weddings or funerals.
Jupiter is the largest planet in the Solar System, named after Jupiter (god), king of the gods in ancient Roman mythology.
Psalm 86 is the 86th psalm of the Book of Psalms, beginning in English in the King James Version: "Bow down thine ear, O Lord, hear me: for I am poor and needy". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 85. In Latin, it is known as "Inclina Domine". It is attributed to David.
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Gustav Holst's suite The Planets has been the subject of frequent adaptations and additions, and many later works, particularly in popular music, have been derived from it. There are numerous references to the suite in popular culture.