Jürgen Prochnow is a German actor. His international breakthrough was his portrayal of the good-hearted and sympathetic U-boat Commander "Der Alte" in the 1981 war film Das Boot.
Biala is a Hasidic dynasty originating from the city of Biała Rawska, where it was founded by R. Yaakov Yitzchak Rabinowicz (II). Biala is a branch of Peshischa Hasidism, as R. Yaakov Yitzchak Rabinowicz (II) was the great-grandson of R. Yaakov Yitzchak Rabinowicz, the first Peshischa Rebbe. The dynasty was originally spread throughout many towns in Poland, often taking the names of said towns. However, after the Holocaust, the name "Biala" become synonymous with the entire dynasty. Today the dynasty is mostly concentrated in Israel, America and Switzerland.
Ernst Deutsch, also known as Ernest Dorian, was a Jewish Austrian actor. In 1916, his performance as the protagonist in the world première of Walter Hasenclever's Expressionist play The Son in Dresden was praised. Deutsch also played the antihero Famulus in Paul Wegener's The Golem: How He Came into the World in 1920. He is known by English-speaking audiences for his role as Baron Kurtz in Carol Reed's 1949 film noir, The Third Man.
Carl Wilhelm, was a prolific German film director, film producer and screenwriter of the silent film era, at the end of which his career apparently entirely faded away and he vanished into obscurity.
Schatten – Eine nächtliche Halluzination is a 1923 German silent film directed and co-written by Arthur Robison, and starring Fritz Kortner and Ruth Weyher. It is considered part of German Expressionism.
Werner Johannes Krauss was a German stage and film actor. Krauss dominated the German stage of the early 20th century. However, his participation in the antisemitic propaganda film Jud Süß and his collaboration with the Nazis made him a controversial figure.
Friedrich Rudolf Klein, better known as Rudolf Klein-Rogge, was a German film actor, best known for playing sinister figures in films in the 1920s and 1930s as well as being a mainstay in director Fritz Lang's Weimar-era films. He is probably best known in popular culture, particularly to English-speaking audiences, for playing the archetypal mad scientist role of C. A. Rotwang in Lang's Metropolis and as the criminal genius Doctor Mabuse. Klein-Rogge also appeared in several important French films in the late 1920s and early 1930s.
Carl August Hugo Froelich was a German film pioneer and film director. He was born and died in Berlin.
Frieda Ulricke "Henny" Porten was a German actress and film producer of the silent era, and Germany's first major film star. She appeared in more than 170 films between 1906 and 1955.
Hermann Thimig was an Austrian stage and film actor. He appeared in 102 films between 1916 and 1967.
Elsa Wagner was a German actress who appeared in numerous theatrical productions and feature films during the 20th century, including 1920's The Cabinet of Dr. Caligari.
Hintertreppe is a 1921 silent film. This was the first movie by German director Leopold Jessner, in cooperation with Paul Leni. Carl Mayer specifically wrote this for Leopold Jessner, who would go on to direct Erdgeist (1923). Hintertreppe was a precursor of the 1920s German kammerspielfilm style.
Rudolf Meinert was an Austrian screenwriter, film producer and director.
Hermann Vallentin was a German actor.
Rudolf Biebrach was a German actor and film director. He directed over 70 films between 1909 and 1930; and he appeared as an actor in nearly 110 films between 1909 and 1938. In his youth, Biebrach had worked for some years as an engraver. He got his first engagement as an actor in Gießen during 1890/1891. After a long career as a stage actor, Biebrach managed to become a successful director and character actor in the German film during the 1910s. He directed many films with Henny Porten and Lotte Neumann.
Fritz Delius was a German film actor and theater artist. He played leading parts opposite Henny Porten and Fern Andra in several silent films. After the advent of talkies he shifted his focus to theater. When Adolf Hitler came to power and several restrictions began to be imposed on Jews, Delius emigrated to Switzerland where he continued his theater and film career.
The Merchant of Venice is a 1923 German silent drama film directed by Peter Paul Felner and starring Werner Krauss, Henny Porten and Harry Liedtke. The film is an adaptation of William Shakespeare's play The Merchant of Venice. It was released in the United States in 1926 as The Jew of Mestri. The film was made on location in Venice, with scenes and characters added which were not in the original play. This is the surviving copy, being two reels shorter than the German version. The characters in the German retained Shakespeare's nomenclature, but in the American they were given new names sourced from the Italian work Il Pecorone, a 14th-century short story collection attributed to Giovanni Fiorentino, from which Shakespeare is believed to have drawn his idea. The film purports to be a return to the original, as an excuse for its differences from the play.
Robert Neppach was an Austrian architect, film producer and art director. Neppach worked from 1919 in the German film industry. He oversaw the art direction of over 80 films during his career, including F.W. Murnau's Desire (1921) and Richard Oswald's Lucrezia Borgia (1922). Neppach was comparatively unusual among set designers during the era in having university training.
She and the Three is a 1922 German silent comedy film directed by E. A. Dupont and starring Henny Porten, Hermann Thimig, and Robert Scholz.
Decla-Film was a German film production and distribution company of the silent era, founded by Erich Pommer and Fritz Holz in February 1915.
