Roger William Corman is an American film director, producer, and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he is known as a trailblazer in the world of independent film. Many of Corman's films are low-budget cult films including some which are adapted from the tales of Edgar Allan Poe.
Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.
Aristide Massaccesi, known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres but is best known for his horror, erotic and adult films.
Pamela Suzette Grier is an American actress and singer. Described by Quentin Tarantino as cinema's first female action star, she achieved fame for her starring roles in a string of 1970s action, blaxploitation and women in prison films for American International Pictures and New World Pictures. Her accolades include nominations for an Emmy Award, a Golden Globe Award, a Screen Actors Guild Award, a Satellite Award and a Saturn Award.
Joseph James Dante Jr. is an American filmmaker, producer, editor and actor. His films—notably Gremlins (1984) alongside its sequel, Gremlins 2: The New Batch (1990)—often mix the 1950s-style B movie genre with 1960s radicalism and cartoon comedy.
Richard Miller was an American character actor who appeared in more than 180 films, including many produced by Roger Corman. He later appeared in the films of directors who began their careers with Corman, including Joe Dante, James Cameron, and Martin Scorsese, with the distinction of appearing in every film directed by Dante. He was known for playing the beleaguered everyman, often in one-scene appearances.
Boxcar Bertha is a 1972 American romantic crime drama film directed by Martin Scorsese and produced by Roger Corman, from a screenplay by Joyce H. Corrington and John William Corrington. Made on a low budget, the film is a loose adaptation of Sister of the Road, a pseudo-autobiographical account of the fictional character Bertha Thompson. It was Scorsese's second feature film.
Paul Bartel was an American actor, writer and director. He was perhaps most known for his 1982 hit black comedy Eating Raoul, which he co-wrote, starred in and directed.
The Arena is a direct-to-video film from producer Roger Corman on the subject of female gladiators. It is a remake of the 1974 The Arena with Pam Grier. It was shot in Russia by Kazakh director Timur Bekmambetov with a Russian crew and it featured Playboy Playmates Karen McDougal and Lisa Dergan, in their feature film debut, playing Amazon slaves forced to be gladiators in a Roman arena.
Black Mama White Mama, also known as Women in Chains, Hot, Hard and Mean and Chained Women, is a 1973 women in prison film directed by Eddie Romero and starring Pam Grier and Margaret Markov. The film has elements of blaxploitation.
Margaret Mary Markov is an American retired actress. She had a supporting role in the romantic drama The Sterile Cuckoo (1969) with Liza Minnelli and co-starred in There Is No 13 (1974), as well as appearing in other films.
Big Bad Mama is a 1974 American action-crime-sexploitation comedy movie produced by Roger Corman, starring Angie Dickinson, William Shatner, and Tom Skerritt, with Susan Sennett and Robbie Lee. This movie is about a mother, Wilma, and her two daughters, Polly and Billie Jean, who go on a crime spree. After the mother unexpectedly falls in love with a bank robber it all ends, with tragic consequences. Big Bad Mama became a cult hit and was followed by a sequel, Big Bad Mama II, in 1987.
Hollywood Boulevard is a 1976 American satirical exploitation film directed by Allan Arkush and Joe Dante, and starring Candice Rialson, Paul Bartel, and Mary Woronov. It follows an aspiring actress who has just arrived in Los Angeles, only to be hired by a reckless B movie film studio where she bears witness to a series of gruesome and fatal on-set accidents. The film blends elements of the comedy, thriller, and slasher film genres.
The Big Doll House is a 1971 American women-in-prison film starring Pam Grier, Judy Brown, Roberta Collins, Brooke Mills, and Pat Woodell. The film follows six female inmates through daily life in a gritty, unidentified tropical prison. Later the same year, the film Women in Cages featured a similar story and setting and much the same cast, and was shot in the same abandoned prison buildings. A nonsequel follow-up, titled The Big Bird Cage, was released in 1972.
Steve Carver was an American film director, producer, and photographer.
The Hot Box is a 1972 women in prison film from Joe Viola and Jonathan Demme, who had previously made Angels Hard as They Come (1971) for New World Pictures. It was shot in the Philippines and was originally known as The Prescription Revolution.
I Escaped from Devil's Island is a 1973 exploitation film about an escape attempt from Devil's Island. Roger Corman and Gene Corman produced this grim adventure saga which was made to cash in on the release of Papillon.
The Devil's Wedding Night is a 1973 Italian horror film.
Machete Maidens Unleashed! is a 2010 Australian documentary film directed by Mark Hartley.
Corman's World: Exploits of a Hollywood Rebel is a 2011 documentary film directed by Alex Stapleton about the life and career of filmmaker Roger Corman.
