Author | Katherine Arden |
---|---|
Language | English |
Series | Winternight Trilogy #1 |
Genre | Historical Fantasy |
Publisher | Del Rey Books |
Publication date | 10 January 2017 [1] |
Publication place | United Kingdom |
Pages |
|
ISBN | 1101885939 |
Followed by | The Girl in the Tower |
The Bear and the Nightingale is a historical fantasy novel written by Katherine Arden, published in 2017 by Del Rey Books. It is Arden's debut novel, and the first novel in the Winternight trilogy. [2]
The Bear and the Nightingale is set in medieval Russia and incorporates elements of Russian folklore. The central character is a young girl, Vasya Petrovna, who is able to communicate with mythological creatures, at a time when Orthodox Christianity is attempting to stamp out all belief in such beings.
The Bear and the Nightingale was a finalist for the Locus Award for Best First Novel, and Arden received nominations for the John W. Campbell Award for Best New Writer. The full trilogy was a finalist for the Hugo Award for Best Series. [3]
The novel begins with an introduction of Pyotr Vladimirovich's household. Pyotr is a Russian boyar, the lord of a remote village, Lesnaya Zemlya, on the outskirts of the forests. His wife, Marina Ivanovna, the daughter of the Grand Prince of Moscow, Ivan I, and their four children, Kolya, Sasha, Olga and Alyosha are huddled around the kitchen oven being told the story of the frost-demon by their housekeeper and nanny, Dunya. This story tells the tale of Morozko, the frost king. Once the children have fallen asleep, Marina makes her way to her bedroom where she informs her husband, Pyotr, that she is once again pregnant. This poses an issue to the family because Marina is not expected to live through another pregnancy. However, she is determined to see through the birth of her fifth child because she can sense that this daughter will have powers that Marina's mother is believed to have had. To her family's grief, she indeed dies in childbirth, and her daughter is named Vasilisa, nicknamed Vasya.
As Vasya grows older, she begins to spend more time in the forest. However, while she is exploring one day, she comes across an unusual tree that she does not recognise. At the foot of this tree lies a man with a missing eye. Before he can take an interest in her, another strange man on a horse arrives warning Vasya to leave and instructing the one-eyed man to go back to sleep because it is still winter. Vasya gets lost in the woods and is found by her older brother Sasha who is out with the search party looking for her. Once Sasha and Vasya return home, Sasha warns his father that Vasya needs a mother to look after and raise her. Pytor takes on this advice and travels to Moscow, taking Kolya and Sasha with him.
While in Moscow, Sasha meets a local monk who makes a good impression and returns to ask his father if he can leave and spend his time at the Christian monastery. Pyotr makes a deal with his son that he can only go if he agrees to stay at home for one more year so that he is sure of his decision and not swayed by the monk. Pyotr is also successful in finding a wife for himself. The Grand Prince of Moscow, Ivan II, presents his young daughter, Anna Ivanovna, to Pyotr. Anna also has the ability to see mythological creatures, however is convinced that they are devils and that she is being punished by God. As a result, there are whispers from others living in the castle that she is either a witch or crazy, so the Grand Prince sees this as a way to get her out of the public eye.
After making their way back to Lesnaya Zemlya, Pyotr also informs his daughter Olga of his success in finding her a husband in Moscow and that Anna is now their step mother. Once Anna realises that Vasya can also see the creatures, but is not afraid of them, she becomes convinced that Vasya is a witch on the side of evil and when the new, young and handsome priest, Konstantin Nikonovich, arrives they plan to ensure that every individual in Lesnaya Zemlya is convinced of Christianity and turns their backs on folklore and traditions of leaving offerings for little creatures believed to be safe guarding their village from the evil bear, Medved. However, in doing this, the creatures soon disappear as their offerings deplete and Lesnaya Zemlya is left defenseless. Meanwhile, Medved has been released and has convinced Konstantin that he is the voice of God. Konstantin, convinced that God is giving him his orders directly, agrees to Medved's demands to sacrifice a witch. While Pyotr is away, Konstantin and Anna hatch a plan to send Vasya to a convent by convincing the village people that she is a witch. However, in the midst of all the madness that arises, Vasya escapes into the forest, where she is taken under the wing of Morozko, the frost demon, who then reveals that he is the brother of Medved and is tasked with keeping him locked up for as long as he can. While in the care of Morozko, Vasya meets Solovey, an intelligent horse, with whom she bonds.
Meanwhile, Medved has realised that Vasya has been taken in by Morozko and convinces Konstantin to persuade Anna to follow him into the forest. Once he does this, Medved reveals himself to Konstantin as the evil bear and kills Anna, wholly resolving him of his shackles. Despite this, Pyotr appears in the forest and offers himself to Medved in place of Vasya. This sacrifice once again bounds Medved, returning him to endless slumber beneath the unusual tree. As the novel concludes, Vasya convinces her brother, Alyosha, that she must leave and allow him to establish himself as a man among men and that her presence will only affect him negatively, being a witch-woman. She and Solovey ride into the forest and she finds Morozko in his home.
The Bear and the Nightingale is Arden's debut novel and was published in January 2017 by Del Rey Books. Arden completed her diploma in French and Russian literature before moving to Hawaii for 6 months while writing her novel. Her fascination with Russian literature and history prompted her to write a novel that was set in medieval Russia. According to Arden, her appeal with this subject stems from a young age. In an interview with CNET she revealed that she had read Russian fairytales as a child. [4]
The novel tackles issues such as gender and women's roles. Being set in medieval Russia, Arden challenges these issues in her novel and this is noted in her interview with BookPage as Ping states, “Vasya is a truly compelling heroine. She is strong enough to embrace her differences, but she still reads as a woman of her time”. [5] Arden confirms this and explains her difficulty in balancing what she believed was right and what her character believed was right in medieval Russia.
Arden also weaves a mix of Russian folklore and Slavic mythology into the narrative. She tells the tale of the intertwining but conflicting beliefs of tradition and religion by incorporating characters such as the ambitious priest, Konstantin Nikonovich and enchanting fairy-tale creatures. Vasya is used as a medium to explore the interactions between these opposing philosophies. These creatures include:
When asked why she incorporated so many myths and legends into her novel Arden responded, “Slavic paganism never really disappeared from the Russian countryside after the arrival of Christianity; rather they coexisted, with some friction, for centuries. I was fascinated by the tensions inherent in such a system”. [5]
The Bear and the Nightingale was released in early January 2017, [12] followed by the sequel The Girl in the Tower, [13] which was released in December 2017. The final novel of the series, The Winter of the Witch, was released in January 2019. [14] The series was published by Del Rey, an imprint of Penguin Random House. The Bear and the Nightingale was awarded Amazon's Best Science Fiction and Fantasy of 2017 [15] and nominated for Goodreads Choice Awards Best Fantasy 2017 and Goodreads Choice Awards Best Debut Goodreads Author 2017. [12]
The Bear and the Nightingale has also been published in paperback, hardcover, ebook and audio editions. Official translations include Bulgarian, Dutch, Polish, Portuguese, Serbian, Croatian, Hungarian, Persian, Spanish, Turkish, Chinese, Czech and Russian. [16]
The Bear and the Nightingale has been received positively by critics and reviewers. Publishers Weekly wrote that “the stunning prose (“The blood flung itself out to Vasya’s skin until she could feel every stirring in the air”) forms a fully immersive, unusual, and exciting fairy tale that will enchant readers from the first page". [17] In a starred review, Kirkus commented on how the story was a "fairy tale [..] grounded in the realities of daily life in the time period", and that "even minor characters are given their own sets of longings and fears and impact the trajectory of the story". [18] Everdeen Mason of The Washington Post said: [19]
"The novel is deceptively simple, but its characters and plot are sophisticated and complex. Arden explores what happens when fear and ignorance whip people into a furor, and how society can be persuaded to act against its own interests so easily.”
Some critics were disappointed with the later chapters of the book. In an otherwise glowing review, fantasy writer and critic Amal El-Mohtar finds fault in the book's conclusion, for a "mishmash of affect and style, and an ending that undercuts much of its former power." [20] Similarly, writer and book reviewer Caitlyn Paxson finds that "plot decisions and character developments veer down the path of least resistance" in the end of a book she would still "happily recommend." [21]
The Bear and the Nightingale was a finalist for the 2018 Locus Award for Best First Novel, and Arden received nominations for the John W. Campbell Award for Best New Writer in 2018 and 2019. The Winternight trilogy was a finalist for the Hugo Award for Best Series in 2020. [3]
Russian literature refers to the literature of Russia, its émigrés, and to Russian-language literature. Major contributors to Russian literature, as well as English for instance, are authors of different ethnic origins, including bilingual writers, such as Kyrgyz novelist Chinghiz Aitmatov. At the same time, Russian-language literature does not include works by authors from the Russian Federation who write exclusively or primarily in the native languages of the indigenous non-Russian ethnic groups in Russia, thus the famous Dagestani poet Rasul Gamzatov is omitted.
Other than the many gods and goddesses of the Slavs, the ancient Slavs believed in and revered many supernatural beings that existed in nature. These supernatural beings in Slavic religion come in various forms, and the same name of any single being can be spelled or transliterated differently according to language and transliteration system.
Enchantress most commonly refers to:
Rusalka is a fantasy novel by American science fiction and fantasy author C. J. Cherryh. It was first published in October 1989 in the United States in a hardcover edition by Ballantine Books under its Del Rey Books imprint. Rusalka is book one of Cherryh's three-book Russian Stories trilogy set in medieval Russia in forests along the Dnieper river near Kyiv in modern-day Ukraine. The novel draws on Slavic folklore and concerns the fate of a girl who has drowned and becomes a rusalka. It is also an exploration of magic and the development of a young wizard.
Chernevog is a fantasy novel by American science fiction and fantasy author C. J. Cherryh. It was first published in September 1990 in the United States in a hardcover edition by Ballantine Books under its Del Rey Books imprint. Chernevog is book two of Cherryh's three-book Russian Stories trilogy set in medieval Russia in forests along the Dnieper River near Kyiv in modern-day Ukraine. The novel draws on Slavic folklore, the title of the novel being a variant name of the "black god" Chernobog, and concerns the fate of a girl who has drowned and become a rusalka. It is also an exploration of magic and the development of a young wizard.
Yvgenie is a fantasy novel by American science fiction and fantasy author C. J. Cherryh. It was first published in October 1991 in the United States in a hardcover edition by Ballantine Books under its Del Rey Books imprint. Yvgenie is book three of Cherryh's three-book Russian Stories trilogy set in medieval Russia in forests along the Dnieper River near Kyiv in modern-day Ukraine. The novel draws on Slavic folklore and concerns the fate of a girl who has drowned and become a rusalka. It is also an exploration of magic and the development of a young wizard.
May Night is a comic opera in three acts, four scenes, by Nikolai Rimsky-Korsakov from a libretto by the composer and is based on Nikolai Gogol's story "May Night, or the Drowned Maiden", from his collection Evenings on a Farm Near Dikanka (1829-1832).
The Power of the Fiend is an opera in five acts by Alexander Serov, composed during 1867-1871. The libretto is derived from a drama by Alexander Ostrovsky from 1854 entitled Live Not As You Would Like To, But As God Commands. The opera was premiered posthumously on 19 April 1871 at the Mariinsky Theatre in Saint Petersburg conducted by Eduard Nápravník. Among the performers were Darya Leonova as Spiridonovna and Mikhail Sariotti as Yeryomka. Although in many ways it is more far-reaching than Serov's previous two operas, this work was not a success.
Vasilisa the Beautiful or Vasilisa the Fair is a Russian fairy tale collected by Alexander Afanasyev in Narodnye russkie skazki.
The Russian Stories, also known as the Russian Series, the Russian Trilogy and the Rusalka Trilogy, are a series of fantasy novels by science fiction and fantasy author C. J. Cherryh. The stories are set in medieval Russia along the Dnieper river, in a fictional alternate history of Kievan Rus', a predecessor state of modern-day Russia, Belarus and Ukraine. The three books in the series are Rusalka (1989), Chernevog (1990), and Yvgenie (1991). Rusalka was nominated for a Locus Award in 1990.
In Slavic folklore, the rusalka is a typically feminine entity, often malicious toward mankind and frequently associated with water, with counterparts in other parts of Europe, such as the French Melusine and the Germanic Nixie. Folklorists have proposed a variety of origins for the entity, including that they may originally stem from Slavic paganism, where they may have been seen as benevolent spirits. Rusalki appear in a variety of media in modern popular culture, particularly in Slavic language-speaking countries, where they frequently resemble the concept of the mermaid.
The Cabiri, a Seattle-based non-profit physical theater troupe, was founded in 1999 by Artistic Director John S. Murphy. In 2001, the troupe became legally incorporated and obtained 501(c)(3) status from the IRS. The mission of The Cabiri and The Anunnaki Project is to preserve the mythologies of cultures that have passed into antiquity, utilizing theatrical, storytelling dance performances, educational presentations, and a free online encyclopedia of terms from folklore and mythology.
Mermaid is a 1996 Russian animated short film directed by Aleksandr Petrov and showcasing the paint-on-glass animation technique for which Petrov is known. The story is based on traditional Slavic folklore about the rusalki, river-dwelling mermaids said to be "born" from the unhappy souls of young women who had committed suicide by drowning—usually after being mistreated by a man. The Russian "mermaid" is, for this reason, a dangerous creature more akin to the Greek sirens than to the American archetype such as Walt Disney Animation Studios' cute and lovable Ariel.
Mermaid is a Russian 2007 fantasy comedy-drama film directed and written by Anna Melikyan. It is a loose adaptation of Hans Christian Andersen's 1837 fairy tale "The Little Mermaid". It was a box office success in Russia, won numerous awards, including at Sundance Film Festival for best Dramatic Directing. The film was selected as the Russian entry for the Best Foreign Language Film at the 81st Academy Awards, but it was not nominated.
Vera Petrovna Maretskaya was a Soviet and Russian stage and film actress. People's Artist of the USSR (1949) and Hero of Socialist Labour (1976).
Folklore of Russia is folklore of Russians and other ethnic groups of Russia.
Slavic fantasy is a sub-genre of contemporary art that developed in the late 90s and early 2000s. Slavic fantasy is distinguished by the incorporation of Slavic folklore, legends, bylinas, and myths into the general canons of fantasy literature. However, its genre boundaries remain indistinct.
Magician is a 1967 Soviet drama film directed by Pyotr Todorovsky. It was the Experimental Creative Studio's first film.
The Winternight trilogy is a series of adult historical fantasy novels written by American author Katherine Arden. The trilogy consists of The Bear and the Nightingale (2017), The Girl in the Tower (2017), and The Winter of the Witch (2019). At the beginning, the story takes place in a medieval Russian village. Vasilisa "Vasya" Petrovna has received a spiritual gift, using it to see the fantastical creatures that inhabit her village. This leads her to a conflict with the Orthodox Church who becomes convinced that she is a witch.
Katherine Arden Burdine, best known by her pen name Katherine Arden, is an American novelist. Known primarily for her Winternight trilogy of fantasy novels, which are set in medieval Russia and have garnered nominations for Hugo and Locus Awards, she is also the author of the Small Spaces series of horror novels for middle grade children. The first in the latter series, Small Spaces, won the Vermont Golden Dome Book Award in 2020.
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