The Beatles: 50th Anniversary Edition | ||||
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Compilation album by | ||||
Released | 9 November 2018 | |||
Recorded | 30 May –14 October 1968 | |||
Studio | EMI and Trident, London | |||
Length | 699:40 | |||
Label | Apple | |||
Producer | George Martin (Original recordings) Giles Martin (Remix) | |||
The Beatles chronology | ||||
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The Beatles: 50th Anniversary Edition is an expanded reissue of the 1968 double album The Beatles (also known as the "White Album") by the English rock band the Beatles. It was released in November 2018 to coincide with the 50th anniversary of the original album. It includes a new stereo remix of the album by Giles Martin, the son of Beatles producer George Martin who had died in 2016.
The remixed and expanded editions of The Beatles were released on 9 November 2018. These sets feature 50 previously unreleased studio recordings, in addition to the Esher demos recorded at Harrison's house. [1] The four editions are a three-CD deluxe set, containing the original double album and one CD of Esher demos; a seven-disc super deluxe edition, which adds three CDs of outtakes and a Blu-ray disc; a two-LP edition, comprising the original release; and a four-LP edition, two discs of which contain Esher demos. [2] Following the announcement of these editions in September, a preview containing three versions of "Back in the U.S.S.R." was released on Spotify [3] and iTunes. [4]
Jordan Orlando of The New Yorker writes that the 2018 remix "reveals what might be called the greatest record ever made, not only in terms of its innovation and its strange, impenetrable, endlessly suggestive beauty but also because of its place at the apex of the Beatles’ career and its role as an aesthetic keystone for nearly all the rock-and-roll recordings that have followed". He additionally comments that "Rebuilt digitally, the album’s enormous soundscape is finally complete: the progressive generational muddiness is gone, revealing the dry snap of Ringo’s snare and Harrison’s full-throated gentle weeping and the thunderous effervescence of McCartney’s bass runs and Lennon’s halting intakes of breath." [5]
On Metacritic, the super deluxe edition receives an aggregate score of 100/100, based on 11 reviews – which the website defines as indicating "universal acclaim". [6]
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Back in the U.S.S.R." | McCartney | 2:43 |
2. | "Dear Prudence" | Lennon | 3:56 |
3. | "Glass Onion" | Lennon | 2:18 |
4. | "Ob-La-Di, Ob-La-Da" | McCartney | 3:08 |
5. | "Wild Honey Pie" | McCartney | 0:52 |
6. | "The Continuing Story of Bungalow Bill" | Lennon, with Yoko Ono | 3:14 |
7. | "While My Guitar Gently Weeps" (George Harrison) | Harrison | 4:45 |
8. | "Happiness Is a Warm Gun" | Lennon | 2:47 |
Total length: | 23:43 |
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Martha My Dear" | McCartney | 2:28 |
2. | "I'm So Tired" | Lennon | 2:03 |
3. | "Blackbird" | McCartney | 2:18 |
4. | "Piggies" (Harrison) | Harrison | 2:04 |
5. | "Rocky Raccoon" | McCartney | 3:33 |
6. | "Don't Pass Me By" (Richard Starkey) | Starr | 3:51 |
7. | "Why Don't We Do It in the Road?" | McCartney | 1:41 |
8. | "I Will" | McCartney | 1:46 |
9. | "Julia" | Lennon | 2:57 |
Total length: | 22:41 |
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Birthday" | McCartney with Lennon | 2:42 |
2. | "Yer Blues" | Lennon | 4:01 |
3. | "Mother Nature's Son" | McCartney | 2:48 |
4. | "Everybody's Got Something to Hide Except Me and My Monkey" | Lennon | 2:24 |
5. | "Sexy Sadie" | Lennon | 3:15 |
6. | "Helter Skelter" | McCartney | 4:30 |
7. | "Long, Long, Long" (Harrison) | Harrison | 3:08 |
Total length: | 22:48 |
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Revolution 1" | Lennon | 4:15 |
2. | "Honey Pie" | McCartney | 2:41 |
3. | "Savoy Truffle" (Harrison) | Harrison | 2:54 |
4. | "Cry Baby Cry" | Lennon, with McCartney | 3:02 |
5. | "Revolution 9" | Speaking from Lennon, Harrison, Ono and George Martin | 8:15 |
6. | "Good Night" | Starr | 3:14 |
Total length: | 24:21 |
All tracks are written by Lennon–McCartney, except where otherwise indicated
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Back in the U.S.S.R." | 2:59 | |
2. | "Dear Prudence" | 4:47 | |
3. | "Glass Onion" | 1:55 | |
4. | "Ob-La-Di, Ob-La-Da" | 3:10 | |
5. | "The Continuing Story of Bungalow Bill" | 2:40 | |
6. | "While My Guitar Gently Weeps" | Harrison | 2:41 |
7. | "Happiness Is a Warm Gun" | 1:55 | |
8. | "I'm So Tired" | 3:10 | |
9. | "Blackbird" | 2:34 | |
10. | "Piggies" | Harrison | 2:05 |
11. | "Rocky Raccoon" | 2:44 | |
12. | "Julia" | 3:56 | |
13. | "Yer Blues" | 3:31 | |
14. | "Mother Nature's Son" | 2:24 | |
15. | "Everybody's Got Something to Hide Except Me and My Monkey" | 3:03 | |
16. | "Sexy Sadie" | 2:26 | |
17. | "Revolution" | 4:06 | |
18. | "Honey Pie" | 1:59 | |
19. | "Cry Baby Cry" | 2:27 | |
20. | "Sour Milk Sea" | Harrison | 3:43 |
21. | "Junk" | Paul McCartney | 2:36 |
22. | "Child of Nature" | John Lennon | 2:37 |
23. | "Circles" | Harrison | 2:16 |
24. | "Mean Mr. Mustard" | 2:05 | |
25. | "Polythene Pam" | 1:26 | |
26. | "Not Guilty" | Harrison | 3:05 |
27. | "What's the New Mary Jane" | 2:42 | |
Total length: | 1:15:02 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Revolution 1" (take 18) | 10:28 | |
2. | "A Beginning" (take 4) / "Don't Pass Me By" (take 7) | George Martin / Starkey | 5:05 |
3. | "Blackbird" (take 28) | 2:15 | |
4. | "Everybody's Got Something to Hide Except Me and My Monkey" (unnumbered rehearsal) | 2:43 | |
5. | "Good Night" (unnumbered rehearsal) | 0:39 | |
6. | "Good Night" (take 10 with a guitar part from take 5) | 2:31 | |
7. | "Good Night" (take 22) | 3:46 | |
8. | "Ob-La-Di, Ob-La-Da" (take 3) | 2:54 | |
9. | "Revolution" (unnumbered rehearsal) | 2:16 | |
10. | "Revolution" (take 14 / instrumental backing track) | 3:25 | |
11. | "Cry Baby Cry" (unnumbered rehearsal) | 3:02 | |
12. | "Helter Skelter" (first version / take 2) | 12:53 | |
Total length: | 51:57 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Sexy Sadie" (take 3) | 3:08 | |
2. | "While My Guitar Gently Weeps" (acoustic version / take 2) | Harrison | 3:02 |
3. | "Hey Jude" (take 1) | 6:44 | |
4. | "Saint Louis Blues" (studio jam) | W. C. Handy | 0:51 |
5. | "Not Guilty" (take 102) | Harrison | 4:28 |
6. | "Mother Nature's Son" (take 15) | 3:11 | |
7. | "Yer Blues" (take 5 with guide vocal) | 3:57 | |
8. | "What's the New Mary Jane" (take 1) | 2:06 | |
9. | "Rocky Raccoon" (take 8) | 4:57 | |
10. | "Back in the U.S.S.R." (take 5 / instrumental backing track) | 3:09 | |
11. | "Dear Prudence" (vocal, guitar & drums) | 3:59 | |
12. | "Let It Be" (unnumbered rehearsal) | 1:17 | |
13. | "While My Guitar Gently Weeps" (third version / take 27) | Harrison | 3:17 |
14. | "(You're So Square) Baby I Don't Care" (studio jam) | Jerry Leiber, Mike Stoller | 0:42 |
15. | "Helter Skelter" (second version / take 17) | 3:39 | |
16. | "Glass Onion" (take 10) | 2:12 | |
Total length: | 50:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Will" (take 13) | 2:20 | |
2. | "Blue Moon" (studio jam) | Richard Rodgers, Lorenz Hart | 1:11 |
3. | "I Will" (take 29) | 0:26 | |
4. | "Step Inside Love" (studio jam) | 1:34 | |
5. | "Los Paranoias" (studio jam) | John Lennon, Paul McCartney, George Harrison, Richard Starkey | 3:58 |
6. | "Can You Take Me Back?" (take 1) | 2:22 | |
7. | "Birthday" (take 2 / instrumental backing track) | 2:40 | |
8. | "Piggies" (take 12 / instrumental backing track) | Harrison | 2:10 |
9. | "Happiness Is a Warm Gun" (take 19) | 3:09 | |
10. | "Honey Pie" (instrumental backing track) | 2:43 | |
11. | "Savoy Truffle" (instrumental backing track) | Harrison | 2:56 |
12. | "Martha My Dear" (without brass & strings) | 2:29 | |
13. | "Long, Long, Long" (take 44) | Harrison | 2:54 |
14. | "I'm So Tired" (take 7) | 2:29 | |
15. | "I'm So Tired" (take 14) | 2:17 | |
16. | "The Continuing Story of Bungalow Bill" (take 2) | 3:12 | |
17. | "Why Don't We Do It in the Road?" (take 5) | 2:03 | |
18. | "Julia" (two rehearsals) | 4:31 | |
19. | "The Inner Light" (take 6 / instrumental backing track) | Harrison | 2:47 |
20. | "Lady Madonna" (take 2 / piano and drums) | 2:25 | |
21. | "Lady Madonna" (backing vocals from take 3) | 0:54 | |
22. | "Across the Universe" (take 6) | 3:52 | |
Total length: | 55:22 |
No. | Title | Length |
---|---|---|
1. | "The Beatles PCM Stereo (2018 Stereo Mix)" | 93:33 |
2. | "The Beatles DTS-HD Master Audio 5.1 (2018)" | 93:33 |
3. | "The Beatles Dolby True HD 5.1 (2018)" | 93:33 |
4. | "The Beatles Mono (2018 Direct Transfer of ‘The White Album’ Original Mono Mix)" | 92:28 |
Total length: | 6:13:07 |
Chart (2018) | Peak position |
---|---|
Canadian Albums (Billboard) [7] | 9 |
German Albums (Offizielle Top 100) [8] | 3 |
Polish Albums (ZPAV) [9] | 44 |
Spanish Albums (PROMUSICAE) [10] | 7 |
Swedish Albums (Sverigetopplistan) [11] | 1 |
US Billboard 200 [12] | 6 |
The Beatles, also referred to colloquially as the White Album, is the ninth studio album and only double album by the English rock band the Beatles, released on 22 November 1968. Featuring a plain white sleeve, the cover contains no graphics or text other than the band's name embossed. This was intended as a direct contrast to the vivid cover artwork of the band's previous LP, Sgt. Pepper's Lonely Hearts Club Band (1967). The Beatles is recognised for its fragmentary style and diverse range of genres, including folk, country rock, British blues, ska, music hall, proto-metal and the avant-garde. It has since been viewed by some critics as a postmodern work, as well as one of the greatest albums of all time. The album was the band's first LP release on their then-recently founded Apple Records after previous albums were released on Parlophone in the United Kingdom and Capitol Records in the United States.
Let It Be is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, nearly a month after the official announcement of the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. Its rehearsals started at Twickenham Film Studios on 2 January 1969 as part of a planned television documentary showcasing the Beatles' return to live performance.
The Beatles Anthology is a multimedia retrospective project consisting of a television documentary, a three-volume set of double albums, and a book describing the history of the Beatles. Beatles members Paul McCartney, George Harrison and Ringo Starr participated in the making of the works, which are sometimes referred to collectively as the Anthology project, while John Lennon appears in archival interviews.
"Jealous Guy" is a song written and originally recorded by the English rock musician John Lennon from his second studio album Imagine (1971). Not released as a single during Lennon's lifetime, it became an international hit in a version by Roxy Music issued in early 1981; this version reached #1 in the UK and Australia, and was a top 10 hit in several European countries. Lennon's own version was subsequently issued as a single, and charted in the US and UK.
Abbey Road is the eleventh studio album by the English rock band the Beatles, released on 26 September 1969, by Apple Records. It is the last album the group recorded, although Let It Be (1970) was the last album completed before the band's break-up in April 1970. It was mostly recorded in April, July, and August 1969, and topped the record charts in both the United States and the United Kingdom. A double A-side single from the album, "Something" / "Come Together", was released in October, which also topped the charts in the US.
"Mean Mr. Mustard" is a song by English rock band the Beatles, released on their 1969 studio album Abbey Road. Written by John Lennon and credited to Lennon–McCartney, it is the third track of the album's medley. It was recorded with "Sun King" in one continuous piece.
"Honey Pie" is a song by the English rock band the Beatles, from their 1968 double album The Beatles. The song was written entirely by Paul McCartney and credited to the Lennon–McCartney partnership.
"Oh! Darling" is a song by the English rock band the Beatles, appearing as the fourth song on their eleventh studio album Abbey Road (1969). It was written primarily by Paul McCartney and credited to Lennon–McCartney. Its working title was "Oh! Darling ". Although not issued as a single in either the United Kingdom or the United States, a regional subsidiary of Capitol successfully edited it as a single in Central America, having "Maxwell's Silver Hammer" as its B-side. It was also issued as a single in Portugal. Apple Records released "Oh! Darling" in Japan with "Here Comes the Sun" in June 1970.
"Birthday" is a song by the English rock band the Beatles from their 1968 double album The Beatles. Written by John Lennon and Paul McCartney, mainly by McCartney, it is the opening track on the third side of the LP. Surviving Beatles Paul McCartney and Ringo Starr performed it for Starr's 70th birthday at Radio City Music Hall on 7 July 2010.
"Glass Onion" is a song by the English rock band the Beatles from their 1968 double album The Beatles. The song was written by John Lennon and credited to Lennon–McCartney.
"Everybody's Got Something to Hide Except Me and My Monkey" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written by John Lennon and credited to Lennon–McCartney. The lyrics contain sayings the Beatles heard from Maharishi Mahesh Yogi, with whom they studied Transcendental Meditation in India in early 1968. In his subsequent comments on the song, Lennon said it addressed his bandmates' initial reaction to his relationship with Yoko Ono. Recorded early in the sessions for the White Album, the track typifies Lennon and the Beatles' return to a rock sound in 1968 after their psychedelic period.
"She's Leaving Home" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon, and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Paul McCartney wrote and sang the verse and John Lennon wrote the chorus, which they sang together. Neither George Harrison nor Ringo Starr were involved in the recording. The song's instrumental background was performed entirely by a small string orchestra arranged by Mike Leander, and is one of only a handful of Beatles recordings in which none of the members played a musical instrument.
"What's the New Mary Jane" is a song written by John Lennon and performed by the English rock band the Beatles. It was recorded in 1968 during sessions for the double album The Beatles, but did not appear on that album.
Giles Martin is an English record producer, songwriter, composer and multi-instrumentalist. His studio recordings, stage shows, TV and film works have been critically acclaimed and commercially successful around the world. He is the son of Beatles producer George Martin and half-brother of actor Gregory Paul Martin.
Kinfauns was a large 1950s deluxe bungalow in Esher in the English county of Surrey, on the Claremont Estate. From 1964 to 1970, it was the home of George Harrison, lead guitarist of the Beatles. It was where many of the demo recordings for the band's 1968 self-titled double album were made. The bungalow has since been demolished, and another house built in its place.
Tug of War is the third solo studio album by English musician Paul McCartney, released on 26 April 1982. It is his 11th album overall following the break up of the Beatles in 1970, his first album released after the dissolution of his band Wings the previous year, and his first album following the murder of his former songwriting partner John Lennon. The cover features an abstract oil painting by the artist Brian Clarke, a frequent McCartney collaborator, incorporating an overpainted transparency of a portrait of Paul taken by Linda McCartney.
Sgt. Pepper's Lonely Hearts Club Band: 50th Anniversary Edition is an expanded reissue of the 1967 album Sgt. Pepper's Lonely Hearts Club Band by the English rock band the Beatles. It was released on 26 May 2017, the album's 50th anniversary. It includes a new stereo remix of the album by Giles Martin, the son of Beatles producer George Martin.
Let It Be: Special Edition is an expanded reissue of the original 1970 album by the English rock band the Beatles. It was released by Apple Records on 15 October 2021 and includes a new stereo remix of the album, as well as a Dolby Atmos mix, by Giles Martin, the son of Beatles producer George Martin.
Abbey Road: 50th Anniversary Edition is an expanded reissue of the 1969 album Abbey Road by the English rock band the Beatles. It was released in September 2019 to coincide with the 50th anniversary of the original album. It includes a new stereo remix of the album by Giles Martin, the son of Beatles producer George Martin.
Revolver: Special Edition is an expanded reissue of the 1966 album Revolver by the English rock band the Beatles. It was released on 28 October 2022, and includes a new stereo remix of the album by Giles Martin, with the help of de-mixing technology developed by Peter Jackson's WingNut Films, as well as the original mono mix, session recordings, demos, and an EP including new mixes of the non-album single "Paperback Writer" and its B-side, "Rain", recorded during the Revolver sessions.